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Roland XV-3080 user manual

1. 4 CARD Never touch the terminals ot the DATA card Also avoid getting the terminals dirty Main Features m 128 Voice Polyphony and 16 Part Multttmbrality The XV 3080 is a 16 part multitimbral sound generator that produces up to 128 simultaneous polyphonic voices It provides ample polyphony even with Patches containing multiple Tones E High Performance Built In Effects Advanced DSP Digital Signal Processor technology provides a wide array of studio quality effects The XV 3080 offers three internal effect units Multi Effects featuring 63 different effect types Chorus and Reverb E Create Amazingly Expressive Tones With Patches containing four stereo Tones as well as four Tone instruments in Rhythm Sets you can use up to a total of eight wave types the XV 3080 takes you the next step beyond Roland s previous generation of JV Series modules providing even more precise control and allowing you to create lusher more expressive sounds E Supports General MIDI system Level 2 The XV 3080 provides a mode compatible with General MIDI System Level 2 the standard format for desktop music DTM systems The upwardly compatible General MIDI 2 standards pick up where the original General MIDI standard left off offering enhanced expressive capabilities and even greater compatibility You can play back commercially available General MIDI compatible song data p 141 E Greater Expansion Possibilitie
2. Offset Address Description 00 00 Oaaa aaaa Tone Name 1 32 127 32 127 ASCII 00 01 Oaaa aaaa Tone Name 2 32 127 32 127 ASCII 00 02 Oaaa aaaa Tone Name 3 32 127 32 127 ASCII 00 03 Oaaa aaaa Tone Name 4 32 127 32 127 ASCII 00 04 Oaaa aaaa Tone Name 5 32 127 32 127 ASCII 00 05 Oaaa aaaa Tone Name 6 32 127 32 127 ASCII 00 06 Oaaa aaaa Tone Name 7 32 127 32 127 ASCII 00 07 Oaaa aaaa Tone Name 8 32 127 32 127 ASCII 00 08 Oaaa aaaa Tone Name 9 32 127 32 127 ASCII 00 09 Oaaa aaaa Tone Name 10 32 127 32 127 ASCII 00 0A Oaaa aaaa Tone Name 11 32 127 32 127 ASCII 00 0B Oaaa aaaa Tone Name 12 32 127 32 127 ASCII n 00 oc 0000 000a Assign Type 0 1 MULTI SINGLE 00 op 000a aaaa Mute Group 0 31 OFF 1 31 00 OE Oaaa aaaa Tone Level 0 127 00 OF Oaaa aaaa Tone Coarse Tune 0 127 C 1 G9 00 10 Oaaa aaaa Tone Fine Tune 14 114 50 50 00 11 000a aaaa Tone Random Pitch Depth 0 30 0 1 2 3 4 5 6 7 8 S 10 20 30 40 50 60 70 80 90 100 200 300 400 500 600 700 800 900 1000 1100 1200 00 12 Oaaa aaaa Tone Pan 0 127 L64 63R 00 13 OOaa aaaa Tone Random Pan Depth 0 63 00 14 Oaaa aaaa Tone Alternate Pan Depth 1 127 L63 63R 00 15 0000 000a Tone Env Mode 0 1 NO SUS SUSTAIN cf
3. 00 17 0000 00aa Tone Control 1 Switch 1 0 2 OFF ON REVERSE 00 18 0000 00aa Tone Control 1 Switch 2 0 2 OFF ON REVERSE 00 19 0000 00aa Tone Control 1 Switch 3 0 2 OFF ON REVERSE 00 1A 0000 00aa Tone Control 1 Switch 4 0 2 OFF ON REVERSE 00 1B 0000 00aa Tone Control 2 Switch 1 0 2 OFF ON REVERSE 00 1C 0000 00aa Tone Control 2 Switch 2 0 2 OFF ON REVERSE 00 1D 0000 00aa Tone Control 2 Switch 3 0 2 OFF ON REVERSE 00 1E 0000 00aa Tone Control 2 Switch 4 0 2 OFF ON REVERSE 00 1F 0000 00aa Tone Control 3 Switch 1 0 2 OFF ON REVERSE 00 20 0000 00aa Tone Control 3 Switch 2 0 2 OFF ON REVERSE 00 21 0000 00aa Tone Control 3 Switch 3 0 2 OFF ON REVERSE 00 22 0000 00aa Tone Control 3 Switch 4 0 2 OFF ON REVERSE 00 23 0000 00aa Tone Control 4 Switch 1 0 2 OFF ON REVERSE 00 24 0000 00aa Tone Control 4 Switch 2 0 2 OFF ON REVERSE 00 25 0000 00aa Tone Control 4 Switch 3 0 2 OFF ON REVERSE 00 26 0000 00aa Tone Control 4 Switch 4 0 2 OFF ON REVERSE 00 27 0000 00aa Wave Group Type 0 3 INT WAVE SRJV80 EXP SRX EXP SAMPLE lt XV 5080 gt 00 28 0000 aaaa 0000 bbbb 0000 ccce 0000 dddd Wave Group ID 0 16384 OFF 1 16384 00 2C 0000 aaaa 0000 bbbb 0000 ccce 0000 dddd Wave Number L Mono 0 16384 OFF 1 16384 00 30 0000 aaaa 0000 bbbb 0000 cc
4. Q 134 Setting the State of the XV 3080 When Its Power Is Turned On 0 eee 134 Setting What Happens to Notes When a New Patch or Rhythm Set is Selected 134 Confirming the Current Conditions INFO u 134 Chapter 9 Examples of Applications Using the XV 3080 135 Controlling the XV 3080 in Realtime With an External MIDI Device a 135 Changing the Multi Effects Settings From an External MIDI Device 135 Modifying Tone Settings ti ineen eere asnan anea ne Ea rE a u maut A EBENAN 135 Applications for Patches vis aaa puya o e eE a DERTEN EA 137 Syncing the LFO Cycle to System Tempo Q 137 Modifying Multi Effects to Match the System s Tempo u 137 Making a Tone s Delay Time Match the System Tempo a 137 Using a Pedal Switch to Modify the Rotary Speed of the Rotary Effect 138 Playing Phrase Loops at a System s Tempo U 138 Changing the Part Settings from an External MIDI Device a 138 Controlling the TMT with the LFO and Changing the Tone s Cycle Time 140 Using the XV 3080 as a General MIDI Sound Module u 141 Entering GM Mode Sa au nanas apuma aa asas 141 Turning Effects On Off us uu vedi a apan pass qasa 141 Modifying GM Mode Setn S o ietsie eiie VEe EAE
5. Sets the cutoff frequency when a specific frequency band is cut off by a filter Step Rate Step Rate Switct Step Rate Determines whether the pitch is changed in a stepped fashion ON or not OFF And adjust the rate at which the pitch will change Out Output Mode Adjust the method that will be used to hear the sound that is output to the OUTPUT jacks The optimal 3D effect will be achieved if you select Speaker when using speakers or Phones when using headphones Lo G Low Gain Adjust the low frequency gain amount of boost or cut Positive settings will emphasize boost the low frequency range Hi G High Gain Adjust the high frequency gain amount of boost or cut Positive settings will emphasize boost the high frequency range 69 Chapter 2 Using the XV 3080 Effects Balance 63 AUTO PAN Adjust the volume balance between the original sound and The Auto Pan effect cyclically modulates the stereo location the flanger sound of the sound With a setting of D100 0W only the direct sound will be output and with a setting of D0 100W only the flanger sound Lin L out will be output Level Output Level Rin 2 Band EQ R out Adjust the output level Mod Wave Modulation Wave 62 TREMOLO Tremolo cyclically modulates the volume to add tremolo TRI The sound will be modulated like a triangle wave SQR The sound will be modulated like a square wave SIN The sound will be modulat
6. the Patch Performance Rhythm Set or Rhythm Tone is instantly copied into the Temporary memory when you select it During initialization only the copy is affected not the version saved in memory If you wish to restore all of the XV 3080 s settings to their factory values including the memory locations in its SOUND LIBRARY perform a Factory Reset p 124 Mode Initialize mode DEFAULT This resets the data currently in the Temporary memory to the standard values called initial data INIT PATCH INIT PERFORM or INIT SET Use this setting when you wish to create a sound from scratch PRESET This copies the factory settings of the memory location in which the Patch Performance Rhythm Set or Rhythm Tone is stored into the Temporary memory Ifthe current data is a Patch Performance or Rhythm Set from PRESET memory PR A F or PR H GM the factory settings from the same numbered USER memory location will be copied into the Temporary memory a Select the Performance Patch or Rhythm Set you wish to initialize N Press UTILITY to make its indicator light 3 Press y or to select the UTIL 2 page 4 Press lt a or p gt to make INIT blink 5 Press ENTER The INIT page appropriate to the currently selected data appears in the display Patch initialize FATCH l Mode CENTER I INIT DEFAULT Performance initialize FERFORM I Mode CENTER I INIT DEFAULT Rhythm Set initiali
7. Adjust the volume balance between the flanger sound that is sent through the delay and the flanger sound that is not sent through the delay With a setting of D100 OW only the flanger sound will be output With a setting of D0 100W only the flanger sound that is sent through the delay will be output Level Output Level Adjust the output level 37 CHORUS gt FLANGER This effect connects a chorus and a flanger in series Balance D Balance D Lin Balance D O Balance D Cho Diy Chorus Pre Delay Time Adjust the time delay from when the direct sound begins until the chorus sound is heard ChoRate Chorus Rate Adjust the modulation speed of the chorus effect Cho Dpt Chorus Depth Adjust the modulation depth of the chorus effect Cho Bal Chorus Balance Adjust the volume balance between the direct sound and the chorus sound With a setting of D100 OW only the direct sound will be output With a setting of D0 100W only the chorus sound will be output Fig Dly Flanger Pre Delay Time Adjust the time delay from when the direct sound begins until the flanger sound is heard FigRate Flanger Rate Adjust the modulation speed of the flanger effect Fig Dpt Flanger Depth Adjust the modulation depth of the flanger effect Fig Fbk Flanger Feedback Level Adjust the proportion of the flanger sound that is fed back into the effect Negative settings will invert
8. Chorus Input I REV The Chorus output is sent only to the Reverb Chorus Input i MAIN R The Chorus output is sent to the OUTPUT jacks and to the Reverb OUTPUT OUTPUT Chorus Input Reverb Input OUTPUT OUTPUT Making Reverb Settings These settings allow you to select the desired type of Reverb its characteristics and the pair of OUTPUT jacks to which the Reverb unit s stereo output is routed PATCH REV TYPE Patch Reverb Type You can choose from a variety of reverb types Type Reverb Type REVERB Normal Reverb BRIGHT ROOM This reverb simulates typical room acoustic reflections BRIGHT HALL This reverb simulates typical concert hall acoustic reflections BRIGHT PLATE This reverb simulates a reverb plate a popular type of artificial reverb unit that derives its sound from the vibration of a metallic plate You can also achieve unusual metallic sounding reverbs using BRIGHT PLATE PATCH REV PRM Patch Reverb Parameter For REVERB Type Reverb Delay Type This selects a type of reverb or delay ROOM1 This is a short reverb with high density ROOM2 This is a short reverb with low density STAGE1 This is a long reverb STAGE2 This is a reverb with strong early reflections HALL1 This is a very clear sounding reverb HALL2 This is a rich reverb DELAY This is a conventional delay effect PAN DLY This is a delay effect with echoes that pan left and right Time
9. MIDI Group p 144 Display PART MIDI Parameter Channel Rx Sw Mute Sw PART Group p 142 Display PART PATCH PART SETTING PART MODIFY PART CONTROL Parameter Type Number Volume Pan Coarse Fine Cutoff Resonance Attack Release BendRng Mono Poly Porta Sw Time INFO Group p 144 Display INFO Parameter Mod Breath Foot Vol Pan Exp Hold Bend Aftertouch Voices Output assign Output level Chorus send level Reverb send level Chorus type Chorus rate Chorus depth Chorus feedback level Reverb send level Chorus output assign Reverb Delay type Reverb Delay time Reverb output assign MIDI channel Receive switch Mute switch Part type GM patch number Volume Pan Coarse tune Fine tune Cutoff offset Resonance offset Attack time offset Release time offset Pitch bend range MONO POLY Portament switch time Modulation information Breath information Foot information Volume information Pan information Expression information Hold1 information Pitch bend information Aftertouch information Voice information Value OUTPUT A C INDIV 1 6 0 127 0 127 0 127 Chorus1 4 FB Chorus Flanger 0 127 0 127 0 127 0 127 OUTPUT A C Parameter List U0 U0 U Small Room Medium Room Large Room Medium Hall 0 127 OUTPUT A C Value 1 16 OFF ON OFF ON Value PAT RHY 001 256 0 127 L64 0 63R 48 48 semitone 50 50 cent 64 63 64 63 64
10. Not received in Performance mode when Receive Hold 1 parameter PERFORM MIDI is OFF OPortamento Controller number 65 Status 2nd byte 3rd byte BnH 41H vvH n MIDI channel number 0H FH Ch 1 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON In Performance mode the Part Portamento Switch parameter PERFORM PART will change OSostenuto Controller number 66 Status 2nd byte 3rd byte BnH 42H vvH n MIDI channel number 0H FH Ch 1 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON OSoft Controller number 67 Status 2nd byte 3rd byte BnH 43H vvH n MIDI channel number 0H FH Ch 1 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON OLegato Foot Switch Controller number 68 Status 2nd byte 3rd byte BnH 44H vvH n MIDI channel number 0H FH Ch 1 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON In Performance mode the Part Legato Switch parameter PERFORM PART will change OHold 2 Controller number 69 Status 2nd byte 3rd byte BnH 45H vvH n MIDI channel number 0H FH Ch 1 16 vv Control value 00H 7FH 0 127 Ahold movement isn t done OResonance Controller number 71 Status 2nd byte 3rd byte BnH 47H vvH n MIDI channel number 0H FH Ch 1 16 vv Resonance value relative change 00H 7FH 64 0 63 In Performance mode the Part Resonance Offset parame
11. Saving Patches You Create Refer to Saving Patches p 122 Copying the Settings of Another Patch Patch Tone Copy Tone settings from a Patch can be copied to the currently selected Patch You can use this feature to make the Patch editing process faster and easier 1 Make sure that a Patch is selected 2 Press UTILITY to make its indicator light 3 Press A l Y to select the UTIL 1 page Chapter 4 Creating a Patch 4 Use lt p gt to make COPY blink and then press ENTER The Patch TONE CPY page will appear PATCH I Source Tone CUNDOJ CENTERI TONE CPY USER 661 TitUser Patch gt Ti Copy source Patch Copy source Patch name group number Copy source Tone Copy destination Tone 5 Press lt P gt to move the cursor to the parameter that you wish to set 6 Turn the VALUE dial or press INC DEC to select the desired value 7 Press ENTER to execute the Copy an asterisk appears before the copy destination Tone in the display FATCH I Source Tone TOHE CPYSUSER ba TitUser Patch 3 y CUMDO CEHT Sa 8 Press EXIT to return to the PATCH PLAY page To specify the currently selected Patch as the copy source set Source to TEMP Compare Function You can use the Compare function during the Patch Tone Copy operation to play the source Patch To do so press UNDO to access the PATCH COMPA
12. Select the type of filter OFF a filter will not be used LPF cut the frequency range above the cutoff frequency HPF cut the frequency range below the cutoff frequency Cutoff Cutoff Frequency Adjust the basic frequency of the filter Low Gain Adjust the gain of the low frequency range Hi Gain Adjust the gain of the high frequency range Balance Effect Balance Adjust the volume balance between the direct sound and the chorus sound With a setting of D100 0W only the direct sound will be output and with a setting of D0 100W only the chorus sound will be output Level Output Level Adjust the output level 15 STEREO FLANGER This is a stereo flanger The LFO has the same phase for left and right It produces a metallic resonance that rises and falls like a jet airplane taking off or landing A filter is provided so that you can adjust the timbre of the flanged sound Balance D 2 Band v rout fg iS O Balance W Feedback Feedback T Fanger H Q Balance W fa m Balance D Lin Pre Dly Pre Delay Time Adjust the time delay from when the direct sound begins until the flanger sound is heard Rate Adjust the rate of modulation Depth Adjust the depth of modulation Fbk Feedback Level Adjust the amount of the processed sound that is returned fed back into the input Positive settings will return the sound in phase and negative settings will return t
13. characters INS Inserts a space at the cursor location and shifts the remaining text to the right by one character position DEL Deletes the character at the cursor and shifts the remaining text one character position to the left Press each of these buttons in order to execute its corresponding function refer to the figure RHYTHM BH PoFDrumSet 1 NAME 4 IRZal INSIDEL COMMON EFFECTS MIDI PART INE COMMON EFFECTS CONTROL WAVE LFO PIT TN T SETUP E CONTROL MIDI PREVIEW TUFE IND i I L lI l 1 111 Chapter 6 Creating a Rhythm Set Setting up Individual Rhythm Tones The parameters which can be set for each Rhythm Tone of the Rhythm Set are assigned to the function select buttons as follows CONTROL Other Settings p 118 WAVE Modifying a Rhythm Tone s Waveform and Panning p 113 PITCH Modifying a Rhythm Tone s Pitch p 115 TVF Modifying the Brightness of a Sound with a Filter p 116 TVA Making the Volume Change p 117 Editing Procedure 1 Select the Rhythm Set you wish to set 2 Press the function select button for the parameter you want to set 3 Use A I Y to select the page containing the parameter you want to set 4 Use E H to select the percussion instrument sound you wish to edit according to the key that plays it E Selects the key one octave below the currently selected key F Selects the key a semitone below the cu
14. 00aa aaaa MFX2 Source lt XV 5080 gt 0 32 0000 dddd MFX Parameter 18 12768 52768 PERFORM 1 16 17 32 lt XV 5080 gt 20000 20000 00 32 00aa aaaa MFX3 Source lt XV 5080 gt O 32 00 59 0000 aaaa PERFORM 1 16 17 32 lt XV 5080 gt 0000 bbbb 00 33 00aa aaaa Chorus Source 0 32 0000 ccce PERFORM 1 16 17 32 lt XV 5080 gt 0000 dddd MFX Parameter 19 12768 52768 00 34 00aa aaaa Reverb Source 0 32 20000 20000 PERFORM 1 16 17 32 lt xV 5080 gt 00 5D 0000 aaaa 0000 bbbb 00 00 00 35 Total Size 0000 ccce 0000 dddd MFX Parameter 20 12768 52768 20000 20000 1 2 2 Performance Common MFX 00 61 0000 aaaa 2 0000 bbbb offesi 0000 ada 21 12768 52768 A MFX Parameter Address Description her ee ONGG 00 00 Oaaa aaaa MFX Type 0 127 00 65 none are 00 01 Oaaa aaaa MFX Dry Send Level 0 127 PaE pN 00 02 Oaaa aaaa MFX Chorus Send Level 0 127 00 03 Oaaa aaaa MFX Reverb Send Level 0 127 0000 dddd MFX Parameter 22 12768 52768 00 04 0000 OQaa MFX Output Assign 0 3 20000 20000 ail Rn PS50865 00 69 0000 aaaa t i 0000 ecce cece ponos oada aaga MEX iControl aan cco1 S cc31 Fee Sees 0000 dddd MFX Parameter 23 12768 52768 BEND AFT SYS1 SYS4 20000 20000 00 06 Oaaa aaaa MFX Control 1 Sens 1 127 00 6D 0000 aaaa 63 63 ooon bbbb ccce DONO pasa aaga MEX Control 2 STES
15. 36 Copying Effect Settings smyr dea niens nice Bip SEKKIR nnd TEOSE ESAE a AENEASE NaS e sayaspa 71 Chapter 3 Selecting Output Jacks 72 Patch Mode Settings u yu q naa asayaaqahiiaanahansu aaa ha ibu qay 72 Signal TONE FloW niaes borti e sauna ua asiya 72 Parameters Tetisa estares enion iea ORE ra ES E anaE a Aan A EAR E oa Aa EEEE REEE 72 Example f SEEM SS u s ses E stiles a i aE EE E AEE aaa ai kaya 74 Performance Mode Settines s a a e a SS Sun m A Aa e a E AEE 75 Signa PARTI FLOW siverto ne E aaaeaii Va ias ana 75 P apamaetersur ansa eraser ee Eana Tasa anta EED raae naaa RA OA Aae EE EEEE 75 Example of Seting S mni reee e A concn als eon EE Ea E EEEE E EE 76 Rhythm Set Mode Settings ccccccccccesesssesssnsneseseecessescecesssesssesnsnesssesessesescseecenesesesesnsnsnsseeceeeseseseanans 78 Signal RHYTHM TONEY FLOW sssscgsssesinsiandsestbestsaeastaudeuaasichanasevins hiadesMestvasesaots iien i a 78 Barameters Tatie its cseicutilandaridiedtiteamsriectacaatisitanstidtaaiinimenieiaavie hese hikwqaly 78 Example ok Seine apupa gs nade e d alas easel Mates dae 79 Settings in General MIDI Mode r a a a aeae aa a Eae Ea R E Tae a Ae TE ATEA ESEE EASES 81 Signal PART FlOW niren naiko Eeen a e EEEn nia Var E aave 81 Parameters z msn unpas apuma EE i EAE AEA EEEE aaa n ayka EO EEE oats 81 Chapter 4 Creating a Patch Q J 83
16. DEC to select the desired value 6 Press EXIT to return to the previous page Confirming the Current Conditions INFO On this display you can view the names of the installed Wave Expansion Boards and check the status of the XV 3080 s internal battery INFO EXP Information Expansion Board The display shows the names of Wave Expansion Boards installed in slots EXP A F Slots without any boards installed are shown as BATTERY CHECK The XV 3080 contains a battery that retains the data in its internal memory when the unit s power is turned off This display allows you to check the battery voltage If the display says OK there is sufficient voltage If the display says LOW the battery voltage has run down Contact your nearby Roland service station as soon as possible to have the battery replaced The following procedure is used for both purposes 1 Press SYSTEM to make its indicator light 2 Press the INFO function select button displayed in gray to make its button indicator light 3 Press A TZ y to select the screen containing the parameter you want to check 4 Press EXIT to return to the previous page 134 Chapter 9 Examples of Applications Using the XV 3080 Controlling the XV 3080 in Realtime With an External MIDI Device External MIDI controllers modulation lever foot switch expression pedal etc can be used to modify Multi Effects setti
17. LFO2 RETE PITCH parameters PATCH PITCH p 92 PIT ENV A TIME PIT ENV D TIME PIT ENV R TIME TVF parameters PATCH TVF p 93 CUTOFF RESONANCE TVF ENV A TIME TVF ENV D TIME TVF ENV R TIME TVA parameters PATCH TVA p 95 LEVEL PAN TVA ENV A TIME TVA ENV D TIME TVA ENV R TIME Chapter 9 Examples of Applications Using the XV 3080 Sns This adjusts the amount of change that will occur in response to controller movements Negative values invert the change For example with LFO Depth the phase is reversed when a negative Sens value is selected With LFO Rate setting Sens to a negative value increases the cycle length slowing down the LFO while setting it to positive value shortens the cycle speeding it up Tone This selects the Tone to be controlled using the two MR previous parameter settings activates the control of a Tone de activates it and R reverses the or characteristic of the change being applied Applications for Patches Syncing the LFO Cycle to System Tempo 1 Select the Patch you wish to synchronize on the PATCH PLAY page 2 Set the Clock Source parameter PATCH TEMPO page PATCH COMMON to SYSTEM 3 Set the beat length of the RATE LFO 1 2 WAVE page PATCH LFO of each Tone to match the System Tempo This establishes a 1 1 relationship between the LFO Rate and System Tempo If for example you wanted the LFO Rate to always be twic
18. Low Boost Low Booster Switch Level Adjust whether Low Booster will be used ON or not OFF This emphasizes the bottom to create a heavy bass sound And adjust the level Increasing this value gives youa heavier low end Depending on the Isolator and filter settings this effect may be hard to distinguish Level Output Level Adjust the output level 60 3D CHORUS This applies a 3D effect to the chorus sound The chorus sound will be positioned 90 degrees left and 90 degrees right Pre Dly Pre Delay Time Adjust the delay time from the original sound until when the chorus sound is heard Rate LFO Rate Adjust the modulation frequency of the chorus sound Depth LFO Depth Adjust the modulation depth of the chorus sound Chapter 2 Using the XV 3080 Effects Phase Adjust the spaciousness of the chorus sound Filter Type OFF A filter will not be used LPF The frequency region above the Cutoff Freq setting will be cut HPF The frequency region below the Cutoff Freq setting will be cut Cutoff Cutoff Frequency Sets the cutoff frequency when a specific frequency band is cut off by a filter Out Output Mode Adjust the method that will be used to hear the sound that is output to the OUTPUT jacks The optimal 3D effect will be achieved if you select Speaker when using speakers or Phones when using headphones Lo G Low Gain Adjust the low frequency gain amount of boost or cut Posit
19. This sets how much of the Part s sound is sent to the Chorus Reverb Reverb Send Level 0 127 This sets how much of the Part s sound is sent to the Reverb Chapter 2 Using the XV 3080 Effects Adjusting Mult Effects Settings PERFORM MFX TYPE Type MFX Type Use this parameter to select from among the 63 available Multi Effects For a description of these effects check out Parameters for Each Multi Effect MFX TYPE p 36 Source MFX Source Select the MFX parameter settings that will be used by the Performance If you wish to use the MFX parameter settings of the Performance select PERFORM If you wish to use the MEX parameter settings of the Patch assigned to one of the Parts select the Part number PERFORM MFX PRM These parameters allow you to customize the selected Multi Effect For a description of the parameters check out Parameters for Each Multi Effect MFX TYPE p 36 You cannot select this page when Type on the PERFORM MFX TYPE page is set to THROUGH PERFORM MFX CTRL Select the Control Source to be used for changing the Multi Effects parameters and set the Sens and parameters to be changed by that Control Source You cannot select this page when Type on the PERFORM MFX TYPE page is set to THROUGH Control 1 4 MFX Control 1 4 Source OFF No controller is used CC01 95 Controller numbers 1 95 except for 32 BENDER Pitch Bend AFTERTOUCH Aftertouch S
20. including all of its Tones leftward or rightward Analog Feel Analog Feel Depth 0 127 Traditional analog synthesizers often exhibited a degree of instability in their tuning The XV 3080 s Analog Feel feature can simulate this characteristic This setting specifies the depth of Analog Feel that is applied to the Patch PATCH OCT amp TUNE Patch octave amp Tune Octave Octave shift 3 0 3 This sets the pitch of the Patch in units of an octave 3 octaves This setting can also be adjusted from the PATCH PLAY page p 20 Coarse Coarse tune 48 48 This adjusts the pitch of all of the Patch s Tones simultaneously in semitone steps over a range of 4 octaves Fine Fine tune 50 50 This adjusts the pitch of all of the Patch s Tones simultaneously in 1 cent steps 1 100th of a semitone over a range of 1 2 semitone up or down Stretch Stretch tune depth OFF 1 2 3 This setting allows you to apply stretched tuning to the Patch Acoustic pianos typically use stretch tuning with their lower range slightly flatter and their higher range slightly sharper than the actual mathematical tuning ratios dictate Stretch is therefore useful when programming a Patch intended to sound like a real piano With a setting of OFF the Patch s tuning will be equal temperament A setting of 3 will produce the greatest difference in the pitch of the low and high ranges This diagram shows the pitch c
21. s output to be sent to the Chorus Its final output destination is determined by the Chorus output setting Reverb Reverb Send Level 0 127 This sets the amount of the Multi Effect unit s output to be sent to the Reverb Its final output destination is determined by the Reverb output setting 75 Chapter 3 Selecting Output Jacks PERFORM CHO OUT PERFORM EFFECTS Output Assign Chorus Output Assign A B C This setting selects the pair of OUTPUT jacks to which the Chorus unit s stereo output is routed when Chorus Output Select is set to MAIN or MAIN R Level Chorus Level 0 127 This setting determines the Chorus output level Select Chorus Output Select This parameter allows you to send the Chorus output directly to the currently selected OUTPUT jacks to the Reverb or to both MAIN The Chorus output is sent only to the OUTPUT jacks REV The Chorus output is sent only to the Reverb MAIN R The Chorus output is sent to the OUTPUT jacks and to the Reverb PERFORM REV OUT PERFORM EFFECTS Output Assign Reverb Output Assign A B C This specifies the OUTPUT jacks to which the Reverb unit s stereo output is routed Level Reverb Level 0 127 This setting determines the Reverb output level SYSTEM SETUP SYSTEM COMMON Master Level 0 127 This adjusts the volume of the entire XV 3080 Mix Parallel MIX All Parts including those routed to OUTPUTs B C or INDIVI
22. vv Vibrato Depth Value relative change 00H 7FH 64 0 63 The vibrato depth will change in GM mode OVibrato Delay Controller number 78 Status 2nd byte 3rd byte BnH 4EH vvH n MIDI channel number 0H FH Ch 1 16 vv Vibrato Delay value relative change 00H 7FH 64 0 63 The vibrato delay will change in GM mode OGeneral Purpose Controller 5 Controller number 80 Status 2nd byte 3rd byte BnH 50H vvH n MIDI channel number 0H FH Ch 1 16 vv Control value 00H 7FH 0 127 The Tone Level parameter PATCH TONE of Tone 1 will change OGeneral Purpose Controller 6 Controller number 81 Status 2nd byte 3rd byte BnH 51H vvH n MIDI channel number 0H FH Ch 1 16 vv Control value 00H 7FH 0 127 MIDI Implementation The Tone Level parameter PATCH TONE of Tone 2 will change OGeneral Purpose Controller 7 Controller number 82 Status 2nd byte 3rd byte BnH 52H vvH n MIDI channel number 0H FH Ch 1 16 vv Control value 00H 7FH 0 127 The Tone Level parameter PATCH TONE of Tone 3 will change OGeneral Purpose Controller 8 Controller number 83 Status 2nd byte 3rd byte BnH 53H vvH n MIDI channel number OH FH Ch 1 16 vv Control value 00H 7FH 0 127 The Tone Level parameter PATCH TONE of Tone 4 will change OPortamento control Controller number 84 Status 2nd byte 3rd byte BnH 54H kkH n MID
23. 0000 ccce Offset ae 0000 dddd MEX Parameter 21 12768 52768 Address Description 20000 20000 00 65 0000 aaaa 00 00 0000 aaaa Reverb Type 0 4 0000 bbbb 00 01 Oaaa aaaa Reverb Level 0 127 0000 ccce 00 02 0000 Odaa Reverb Output Assign 0 3 0000 dddd MEX Parameter 22 12768 52768 A B C D lt XV 5080 gt 20000 20000 00 69 0000 aaaa 00 03 0000 aaaa 0000 bbbb 0000 bbbb 0000 ccce 0000 cece 0000 dddd MFX Parameter 23 12768 52768 0000 dddd Reverb Parameter 1 12768 52768 20000 20000 20000 20000 00 6D 0000 aaaa 00 07 0000 aaaa 0000 bbbb 0000 bbbb 0000 ccce 0000 cccc 0000 dddd MFX Parameter 24 12768 52768 0000 dddd Reverb Parameter 2 12768 52768 20000 20000 20000 20000 00 71 0000 aaaa 00 OB 0000 aaaa 0000 bbbb 0000 bbbb 0000 cece 0000 ccce 0000 dddd MFX Parameter 25 12768 52768 0000 dddd Reverb Parameter 3 12768 52768 20000 20000 20000 20000 00 75 0000 aaaa 00 oF 0000 aaaa 0000 bbbb 0000 bbbb 0000 ccce 0000 cece 188 MIDI Implementation a 0000 dddd Reverb Parameter 4 12768 52768 20000 20000 00 13 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 5 12768 52768 20000 20000 00 17 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 6 12768 52768 20000 20000 00 1B 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb
24. 101 o o O O o o O o X X O X X x X o O O o O o o O X X X X X o O X X X 0 O O OxOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO Program Change True Number Kk kk k Kk k k kk k k O L N N Program No 1 128 O o O System Exclusive Song Position Song Select Tune Request System Clock Real Time Commands gt il i sooipueddy All Sound Off Reset All Controllers 120 126 127 Aux Local On Off X Messages All Notes Off X 123 127 Active Sensing O System Reset X 1 OX is selectable 5 Transmits when Data Transfer is excuted or RQ1 2 Recognized as M 1 even if M 1 received 3 Can be changed settings 6 GM Mode only 4 Transmits when GM Data Transfer is excuted 7 Transmits when Part Information value changed Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO O Yes Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO X No 195 Specifications XV 3080 128 voice sound module GM Level 2 system Compatible Parts 16 Maximum Polyphony 128 voices Wave memory 64MB 16 bit linear format Expansion slots Wave Expansion Board SR JV80 Series 4slots New Wave Expansion Board SRX Series 2slots Preset memory Patch 768 128 x 6 banks GM Level 2 Patch 256 Performance 64 32 x 2 banks Rhythm Sets 12 2 x 6 banks GMLevel 2 Rhythm Set 4 User memory Patch 128 Performance 64 Rhythm Set 4 External memory S
25. 1250 1600 2000 2500 3150 4000 5000 6300 8000 Hz BYPASS 47 SHUFFLE DELAY p 62 164 Parameter Value Delay Delay time 0 1800 ms Shuffle Shuffle rate 0 100 Accel Acceleration 0 15 Fbk Feedback 98 98 HF Damp HF Damp 200 8000 Hz BYPASS 1 Pan A Pan A L64 63R Pan B Pan B L64 63R Level Balance Level balance A100 0B A0 100B LowGain Low gain 15 15 dB Hi Gain High gain 15 15 dB Balance Effect balance D100 0E D0 100E Level Output level 0 127 1 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000 Hz BYPASS Parameter List 48 3D DELAY p 62 52 SPEAKER SIMULATOR p 65 Parameter Value Parameter Value Delay C Delay time center 0 1800 ms Speaker Type Speaker type 1 Delay L Delay time left 0 1800 ms Mic Set Mic setting 1 2 3 Delay R Delay time right 0 1800 ms Mic Dir Mic level Direct level 0 127 0 127 2 Fok Feedback 98 98 Level Output level 0 127 Level C Level center 0 127 JE Small 1 Small 2 Middle JC 120 Built In 1 Built In 2 Built In Level L Level left 0 127 3 Built In 4 Built In 5 BG Stack 1 BG Stack 2 MS Stack 1 MS Stack 2 Metal Level R Level right 0 127 Stack 2 Stack 3 Stack HF Damp HF Damp 200 8000 Hz BYPASS 1 53 OVERDRIVE 2 p 65 Out Output mode Speaker Phones LoG Low gain 15 15 dB Parameter Value Hi G High gain 15 15 dB Drive Drive 0 127 Balance Effect balance D
26. 127 64 63 cent 40 1x 46 Oaaa aaaa Scale Tuning F 0 127 64 63 cent 40 1x 47 Oaaa aaaa Scale Tuning G 0 127 64 63 cent 40 1x 48 Oaaa aaaa Scale Tuning G 0 127 64 63 cent 40 1x 49 Oaaa aaaa Scale Tuning A 0 127 64 63 cent 40 1x 4A Oaaa aaaa Scale Tuning A 0 127 64 63 cent 40 1x 4B Oaaa aaaa Scale Tuning B 0 127 64 63 cent 40 2x 00 Oaaa aaaa Mod Pitch Control 40 88 24 24 semitone 40 2x 01 Oaaa aaaa Mod TVF Cutoff Control 0 127 9600 9600 cent 40 2x 02 Oaaa aaaa Mod Amplitude Control 0 127 100 0 100 0 8 40 2x 03 Oaaa aaaa Mod LFO1 Rate Control 0 127 10 0 10 0 Hz 40 2x 04 Oaaa aaaa Mod LFO1 Pitch Control 0 127 0 600 cent 40 2x 05 Oaaa aaaa Mod LFO1 TVF Depth 0 127 0 2400 cent 40 2x 06 Oaaa aaaa Mod LFO1 TVA Depth 0 127 0 100 0 40 2x 07 Oaaa aaaa Mod LFO2 Rate Control 0 127 10 0 10 0 Hz 40 2x 08 Oaaa aaaa Mod LFO2 Pitch Control 0 127 0 600 cent 40 2x 09 Oaaa aaaa Mod LFO2 TVF Depth 0 127 0 2400 cent 40 2x 0A Oaaa aaaa Mod LFO2 TVA Depth 0 127 0 100 0 40 2x 10 Oaaa aaaa Bend Pitch Control 64 88 0 24 semitone 40 2x 11 Oaaa aaaa Bend TVF Cutoff Control 0 127 9600 9600 cent 40 2x 12 Oaaa aaaa Bend Amplitude Control 0 127 100 0 100 0 40 2x 13 Oaaa aaaa
27. 12768 52768 20000 20000 00 47 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 18 12768 52768 20000 20000 00 4B 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 19 12768 52768 20000 20000 00 4F 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 20 12768 52768 20000 20000 00 00 00 53 Total Size 1 2 5 Performance MIDI Offset Address Description 00 00 0000 000a Receive Program Change QO 1 OFF ON 00 01 0000 000a Receive Bank Select 0 1 OFF ON 00 02 0000 000a Receive Bender O 1 OFF ON 00 03 0000 000a Receive Polyphonic Key Pressure 0 1 OFF ON 00 04 0000 000a Receive Channel Pressure 0 1 OFF ON 00 05 0000 000a Receive Modulation pO 1 OFF ON 00 06 0000 000a Receive Volume 0 1 OFF ON 00 07 0000 000a Receive Pan O 1 OFF ON 00 08 0000 000a Receive Expression Ors di OFF ON 00 09 0000 000a Receive Hold 1 O 1 OFF ON 00 0A 0000 000a Phase Lock O 1 OFF ON 00 OB 0000 Oaaa Velocity Curve Type 0 4 OFF 1 4 00 00 00 OC Total Size 1 2 6 Performance Part Offset Address Description 00 00 0000 aaaa Receive Channel 0 15 1 16 00 01 0000 000a Receive Switch 0 1 OFF ON 00 02 0000 000a Receive MIDI1 lt XV 5080 gt 0 1 OFF ON 00 03 0000 000a Receive MIDI2 lt xv 5080 gt 0 1 OFF ON 00 04 Oaaa aaaa Patch Bank Select MSB CC 0 0 127 00 05 Oaaa aaaa
28. 20 30 40 50 60 70 80 90 100 200 300 400 500 600 700 800 900 1000 1100 1200 2 200 190 180 170 160 150 140 130 120 110 100 90 80 70 60 50 40 30 20 10 0 10 20 30 40 50 60 70 80 90 100 110 120 130 140 150 160 170 180 190 200 3 100 90 80 70 60 50 40 30 20 10 0 10 20 30 40 50 60 70 80 90 100 TVF Group p 93 Display Parameter Value TVF FILTER Type Filter type OFF LPF BPF HPF PKG LPF2 LPF3 T Cutoff Cutoff frequency 0 127 T Resonance Resonance 0 127 T Keyfollow Cutoff frequency keyfollow 200 200 1 T TVF VELOCITY V Cutoff TVF cutoff velocity sens 63 63 T V Curve TVF cutoff velocity curve FIXED 1 7 T V Resonance TVF resonance velocity sens 63 63 T TVF ENVELOPE Depth TVF envelope depth 63 63 T V Sens TVF envelope velocity sens 63 63 T V Curve TVF envelope velocity curve FIXED 1 7 T Time KF TVF envelope time keyfollow 100 100 2 T V T1 TVF envelope time1 velocity sens 63 63 T V T4 TVF envelope time4 velocity sens 63 63 T LO TVF envelope level 0 0 127 T T1 T2 T3 T4 TVF envelope time 1 2 3 4 0 127 T L1 L2 L3 L4 TVF envelope level 1 2 3 4 0 127 T 1 200 190 180 170 160 150 140 130 120 110 100 90 80 70 60 50 40 30 20 10 0 10 20 30 40 50 60 70 80 90 100 110 120 130 140 150 160 170 180 190 200 2 100 90
29. 200 8000 Hz 1 0 5 1 0 2 0 4 0 8 0 15 15 dB 0 127 Value 0 127 0 127 15 15 dB 15 15 dB SMALL BUILT IN 2 STACK 3 STACK L64 0 63R Value 0 127 0 127 15 15 dB 15 15 dB SMALL BUILT IN 2 STACK 3 STACK L64 0 63R Value 100 8000 Hz 0 05 10 00 Hz 0 127 0 127 0 127 L64 0 63R 0 127 Value 15 15 dB 15 15 dB 15 15 dB 15 15 dB 15 15 dB 15 15 dB 15 15 dB 15 15 dB 0 5 1 0 2 0 4 0 8 0 L64 0 63R 0 127 Parameter Sens Mix Low Gain Hi Gain Level Sens Mix level Low gain High gain Output level 7 AUTO WAH p 40 Parameter Filter Sens Manual Peak Rate Depth Level Filter type Sens Manual Peak Rate Depth Output level 8 ROTARY p 41 Parameter LowSlow LowFast LowAccl Low Lvl Hi Slow Hi Fast Hi Accl Hi Lvl Separation Speed Level Low frequency slow rate Low frequency fast rate Low frequency acceleration Low frequency level High frequency slow rate High frequency fast rate High frequency acceleration High frequency level Separation Speed Output level 9 COMPRESSOR p 42 Parameter Attack Sustain Post Gain LowGain Hi Gain Pan Level Attack Sustain Post gain Low gain High gain Output pan Output level 10 LIMITER p 42 Parameter Thresh Ratio Release Gain LowGain Hi Gain Pan Level 11 HEXA CHORUS p 42 Parameter Pre Dly Rate Depth Dly Dev Dpt Dev Pan Dev Balance Level Thr
30. 49H 73 this is a Program Change message with MIDI CH 15 program number 74 Flute in GS lt Example 3 gt EA 00 28 EnH is the Pitch Bend Change status and n is the MIDI channel number The 2nd byte 00H 0 is the LSB and the 3rd byte 28H 40 is the MSB but Pitch Bend Value is a signed number in which 40 00H 64 x 12 80 8192 is 0 so this Pitch Bend Value is 28 00H 40 00H 40 x 12 80 64 x 12 80 5120 8192 3072 If the Pitch Bend Sensitivity is set to 2 semitones 8192 00 00H will cause the pitch to change 200 cents so in this case 200 x 3072 8192 75 cents of Pitch Bend is being applied to MIDI channel 11 lt Example 4 gt B3 64 00 65 00 06 0C 26 00 64 7F 65 7F BnH is the Control Change status and n is the MIDI channel number For Control Changes the 2nd byte is the control number and the 3rd byte is the value In a case in which two or more messages consecutive messages have the same status MIDI has a provision called running status which allows the status byte of the second and following messages to be omitted Thus the above messages have the following meaning B3 6400 MIDI ch 4 lower byte of RPN parameter number 00H B3 6500 MIDI ch 4 upper byte of RPN parameter number 00H B3 060C MIDI ch 4 upper byte of parameter value OCH B3 2600 MIDI ch 4 lower byte of parameter value 00H B3 647F MIDI ch 4 lower byte of RPN parameter number 7FH B3 657F MIDI ch 4 uppe
31. 63 64 63 0 48 MONO POLY OFF ON 0 127 Value 0 127 0 127 0 127 0 127 L64 0 63R 0 127 0 127 128 127 0 127 0 64 U g U g ia e g g Q G UU g r PO U r g Q UU 159 soolpueddy Parameter List 6 ENHANCER p 40 mMFX Prameters 1 STEREO EQ p 38 Parameter LowFreq LowGain Hi Freq Hi Gain Mid1 Freq Mid1 Q Mid1 Gain Mid2 Freq Mid2 Q Mid2 Gain Level 1 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 Low frequency Low gain High frequency High gain Middle 1 frequency Q Middle 1 gain Middle 2 frequency Q Middle 2 gain Output level 4000 5000 6300 8000 Hz 2 OVERDRIVE p 38 Parameter Drive Level LowGain Hi Gain AmpType Pan 3 DISTORTION p 39 Parameter Drive Level LowGain Hi Gain AmpType Pan Drive Output level Low gain High gain Amp simulator type Output pan Drive Output level Low gain High gain Amp simulator type Output pan 4 PHASER p 39 Parameter Manual Rate Depth Level 5 SPECTRUM p 40 Parameter Band 1 Band 2 Band 3 Band 4 Band 5 Band 6 Band 7 Band 8 Manual Rate Depth Resonance Mix level Output pan Output level Band1 gain Band2 gain Band3 gain Band4 gain Band5 gain Band6 gain Band7 gain Band8 gain Q Output pan Output level Value 200 400 Hz 15 15 dB 4000 8000 Hz 15 15 dB 200 8000Hz 1 0 5 1 0 2 0 4 0 8 0 15 15 dB
32. 74 100 100 00 66 Oaaa aaaa TVA Env Time 1 0 127 00 67 Oaaa aaaa TVA Env Time 2 0 127 MIDI Implementation 00 68 Oaaa aaaa TVA Env Time 3 QO 127 00 69 Oaaa aaaa TVA Env Time 4 OQ 127 00 6A Oaaa aaaa TVA Env Level 1 0 gt 127 00 6B Oaaa aaaa TVA Env Level 2 0 127 00 6C Oaaa aaaa TVA Env Level 3 0 127 00 6D 0000 aaaa LFO1 Wave Form 0 10 SIN TRI SAW UP SAW DW SOR RND BEND UP BEND DW TRP S amp H CHS 00 6E 0000 aaaa 0000 bbbb LFO1 Rate O 149 0 127 MUSICAL NOTES 00 70 0000 Oaaa LFO1 Offset OQ 4 100 50 0 50 100 00 71 Oaaa aaaa LFO1 Rate Detune OQ 127 00 72 Oaaa aaaa LFO1 Delay Time 0 127 00 73 000a aaaa LFO1 Delay Time Keyfollow 54 74 100 100 00 74 0000 00aa LFO1 Fade Mode Or 3 KEY ON IN KEY ON OUT KEY OFF IN KEY OFF OUT 00 75 Oaaa aaaa LFO1 Fade Time O 127 00 76 0000 000a LFO1 Key Trigger 0 1 OFF ON 00 77 Oaaa aaaa LFO1 Pitch Depth 162 127 63 63 00 78 Oaaa aaaa LFO1 TVF Depth 1 127 63 63 00 79 Oaaa aaaa LFO1 TVA Depth 1 127 63 63 00 7A Oaaa aaaa LFO1 Pan Depth 1s 227 63 gt 463 00 7B 0000 aaaa LFO2 Wave Form 0 10 SIN TRI SAW UP SAW DW SOR RND BEND UP BEND DW TRP S amp H CHS 00 7C 0000 aaaa 0000 bbbb LFO2 Rate 0 149 0 127 MUSICAL NOTES 00 7E 0000 O0aaa LFO2 Offset 0 4 100 50 0 50 100 00 7F Oaaa
33. 80 70 60 50 40 30 20 10 0 10 20 30 40 50 60 70 80 90 100 153 sooipueddy Parameter List TVA Group p 95 Display TVA BIAS PAN MODULATE TVA TIME ENV TVA ENVELOPE Parameter Level Pan V Sens V Curve Bias Point Direction Keyfollow Random Alternate V T1 V T4 Time Keyfollow T1 T2 T3 T4 L1 L2 L3 Level Pan TVA envelope velocity sens TVA envelope velocity curve TVA Bias level TVA Bias point TVA Bias direction Pan keyfollow Random pan depth Alternate pan depth TVA envelope time1 velocity sens TVA envelope time4 velocity sens TVA envelope time keyfollow TVA envelope time 1 2 3 4 TVA envelope level 1 2 3 Value 0 127 L64 0 63R 63 63 FIXED 1 7 100 100 1 C 1 G9 LOWER UPPER LOWER amp UPPER ALL 100 100 1 0 63 L63 0 63R 63 63 63 63 100 100 1 0 127 0 127 1 100 90 80 70 60 50 40 30 20 10 0 10 20 30 40 50 60 70 80 90 100 154 eee Parameter List m Performance Parameters Parameters that can be set independently for each Part are indicated by P COMMON Group p 103 Display Parameter PERFORM NAME Performance name PART KEY RANG L Fade Part fade width lower Lower Key range lower Upper Key range upper U Fade Part fade width upper PERFORM MFX CH MFX Control Channel MFX control channel EFFECTS Group p 26 Display Parameter PART OUTPUT
34. As this value is raised the tuning will drift further And adjust the volume of the radio noise Disc LPF Lev Disc NoiseType Disc Noise LPF Disc Noise Level Disc Selects the type of record noise The frequency at which the noise is heard will depend on the selected type LPF Adjust the cutoff frequency of the low pass filter that is applied to the record noise Level Adjust the volume of the record noise Low Gain Adjust the low frequency gain amount of boost or cut Positive settings will emphasize boost the low frequency range Chapter 2 Using the XV 3080 Effects Hi Gain Adjust the high frequency gain amount of boost or cut Positive settings will emphasize boost the high frequency range Balance Effect Balance Sets the volume balance between the source sound and the effect sound With a setting of D100 0W only the direct sound will be output and with a setting of D0 100W only the effect sound will be output Pan Output Pan Adjust the stereo position of the delay sound A setting of L64 is far left 0 is center and 63R is far right Level Output Level Adjust the output level 52 SPEAKER SIMULATOR Speaker Simulator is an effect that simulates the speaker type and mic settings used to record the speaker sound Speaker Type Select the type of speaker The specifications of each type are as follows The speaker column indicates the diameter of each speaker unit in inches and
35. C Mon Modulator monitor OFF ON Sens Sens 0 127 Pol Polarity UP DOWN LowGain Low gain 15 15 dB Hi Gain High gain 15 15 dB Balance Effect balance D100 0E D0 100E Level Output level 0 127 45 MULTI TAP DELAY p 60 Parameter Value Delay 1 Delay time 1 0 1800 ms Delay 2 Delay time 2 0 1800 ms Delay 3 Delay time 3 0 1800 ms Delay 4 Delay time 4 0 1800 ms Pan 1 Output pan 1 L64 63R Pan 2 Output pan 2 L64 63R Pan 3 Output pan 3 L64 63R Pan 4 Output pan 4 L64 63R Level 1 Level P 0 127 Level 2 Level 2 0 127 Level 3 Level 3 0 127 Level 4 Level 4 0 127 Fbk Feedback 98 98 HF Damp HF Damp 200 8000 Hz BYPASS 1 LoG Low gain 15 15 dB HiG High gain 15 15 dB Balance Effect balance D100 0E D0 100E Lev Output level 0 127 1 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000 Hz BYPASS 46 REVERSE DELAY p 61 Parameter Value Delay 1 Delay time 1 0 900 ms Delay 2 Delay time 2 0 900 ms Delay 3 Delay time 3 0 900 ms Delay 4 Delay time 4 0 900 ms Feedback 1 4 Feedback 1 4 98 98 HF Damp HF Damp 200 8000 Hz BYPASS 1 Thr Threshold level 0 127 Pan 1 2 3 Output pan 1 2 3 L64 63R Level 1 2 3 Level GP 2 3 0 127 Balance Effect balance D100 0E D0 100E LowGain Low gain 15 15 dB Hi Gain High gain 15 15 dB Level Output level 0 127 1 200 250 315 400 500 630 800 1000
36. If you want the Tone to respond to Expression messages turn this on If not turn it off Pan Mode Tone receive pan mode CONTINUOUS Pan messages will be responded to immediately instantly changing the stereo position of the Tone KEY ON The stereo location of the Tone will be changed only when the next note is played If a Pan message is received while a note is sounding its stereo location will not change Hold 1 Tone receive hold 1 OFF ON Set this to ON if you wish the tone to respond to Hold1 messages these messages cause sounds to continue playing when a sustain damper pedal is pressed Set this to OFF when you do not want the Tone to respond to Hold1 messages Redamper Tone redamper switch OFF ON If a Hold 1 message is received during the time between a note off when you release the key and the time at which the note actually disappears any currently sounding notes will be sustained if Redamper is set to ON To take advantage of this feature you must also turn on the Tone Receive Hold 1 setting Envelope Mode Tone envelope mode NO SUSTAIN SUSTAIN When a loop type waveform is selected it will normally continue to sound as long as a key is pressed If you want a note to decay naturally even when the key remains pressed set this to NO SUSTAIN Ifa one shot type Wave is selected it will not sustain even if this parameter is set to SUSTAIN CON TROL amp BEN DER TMT control a
37. MFX2 MFX3 MFX4 00 4c Oaaa aaaa Matrix Control 4 Sens 3 1 127 63 63 00 4D 00aa aaaa Matrix Control 4 Destination 4 0 33 OFF PCH CUT RES LEV PAN DRY CHO REV PIT LFO1 PIT LFO2 TVF LFO1 TVF LFO2 TVA LFO1 TVA LFO2 PAN LFO1 PAN LFO2 LFO1 RATE LFO2 RATE PIT ATK PIT DCY PIT REL TVF ATK TVF DCY TVF REL TVA ATK TVA DCY TVA REL TMT FXM MFX1 MFX2 MFX3 MFX4 00 4E Oaaa aaaa Matrix Control 4 Sens 4 1 127 63 63 00 00 00 4F Total Size 1 3 1 2 Patch Common MFX Offset Address Description 00 00 Oaaa aaaa MFX Type 0 127 0 72 00 01 Oaaa aaaa MFX Dry Send Level 0 127 00 02 Oaaa aaaa MFX Chorus Send Level 0 127 00 03 Oaaa aaaa MFX Reverb Send Level 0 127 00 04 0000 O0aa MFX Output Assign CO gt 53 A B C D lt XV 5080 gt 00 05 Oaaa aaaa MFX Control 1 Source 0 101 OFF CC01 CC31 CC33 CC95 BEND AFT SYS1 SYS4 00 06 Oaaa aaaa MFX Control 1 Sens 1 127 63 63 00 07 0aaa aaaa MFX Control 2 Source 0 101 OFF CC01 CC31 CC33 CC95 BEND AFT SYS1 SYS4 00 08 Oaaa aaaa MFX Control 2 Sens 1 127 63 63 00 09 0aaa aaaa MFX Control 3 Source 0 101 OFF CC01 CC31 CC33 CC95 BEND AFT SYS1 SYS4 00 0A Oaaa aaaa MFX Control 3 Sens 1 127 63 63 00 0B Oaaa aaaa MFX Control 4 Source 0 101 OFF CC01 CC31 CC33 CC95 BEND AFT SYS1 SYS4 00 0c Oaaa aaaa MFX Control 4 Sens 1 127
38. Mode Signal PART Flow Output Assign PART OUTPUT A OUTPUT A B En OUTPUTS OUTPUT B 2 OUTPUT C Out GM CHORUS CHO g Q IAI Rev GM CHORUS oeo REV Q O o o _ Out GM REVERB Parameters Out Chorus Output Assign OUTPUT A C The parameters related to Part General MIDI Mode output Sets pe ontput destination tor Chorus settings are shown below GM REVERB PART OUTPUT Out Reverb Output Assign OUTPUT A C Output Assign O utput Assign Output Level Sets the output destination of the chorus sound Sets the output destination for each Part SYSTEM SETUP SYSTEM COMMON Master Level 0 127 This adjusts the volume of the entire XV 3080 The Output Level parameter adjusts the volume of each Part Chorus Chorus Send Level Adjusts the amount of Chorus for each Part Mix Parallel MIX All Rhythm Tones including those routed to OUTPUTs B C or INDIVIDUAL 3 6 are mixed together GM CHORUS p i aaa to the A MIX i Jacks This setting allows you to quickly route everything through Rev Reverb Send Level headphones when you are creating sounds or to combine all Reverb Reverb Send Level Adjusts the amount of Reverb for each Part Sets the send level to Reverb of your Rhythm Tones into two outputs when sending the XV 3080 s signal to a mixer that has only two channels When MIX is selected Rhythm Tones routed to the INDIVIDUAL 3
39. NAME CPYPUSER G1 User Perform Copy source Performance group number name Select the Performance whose name you wish to copy Press UTILITY to make its indicator light Press u d to select the UTIL 1 page Use l r to make COPY blink and then press ENTER Press u d to select the PATCH NAME CPY page Turn the VALUE dial or press INC DEC to select the copy source Performance Press ENTER to execute the Copy operation Chapter 5 Creating a Performance Editing a Patch or Rhythm Set in the Performance Mode 1 Hold down SHIFT and press PERFORM 2 Press PATCH if you wish to edit a Patch or RHYTHM to edit a Rhythm Set lighting the respective indicator 3 Press the function select button for the parameter you want to set 4 Use A y to select the page containing the parameter you want to set 5 Use lt a Be to move the cursor to the parameter 6 Turn the VALUE dial or press INC DEC to select o the desired value 7 Repeat Steps 3 to 6 to edit J 8 Press PERFORM to return to the PERFORM PLAY page Palette Function When editing a Part you can simultaneously view the settings of all eight of its Parts by pressing PALETTE 1 When editing a Part press PALETTE to make its indicator light 2 Pressa PART SELECT 1 9 8 16 button a8 P gt to choose the Tone you wish to modify 109 Chapter 6 Cre
40. O0aa aaaa Matrix Control 1 Destination 3 0 33 PIT LFO2 TVF LFO1 TVF LFO2 TVA LFO1 TVA LFO2 PAN LFO1 OFF PCH CUI RES LEV PAN PAN LFO2 LFO1 RATE LFO2 RATE DRY CHO REV PIT LFO1 PIT LFO2 TVF LFO1 TVF LFO2 PIT ATK PIT DCY PIT REL TVA LFO1 TVA LFO2 PAN LFO1 TVF ATK TVF DCY TVF REL PAN LFO2 LFO1 RATE LFO2 RATE TVA ATK TVA DCY TVA REL PIT ATK PIT DCY PIT REL TMT FXM MFX1 MFX2 MFX3 MFX4 TVF ATK TVF DCY TVF REL 00 48 Oaaa aaaa Matrix Control 4 Sens 1 a 127 TMT ae ue See Gana 00 49 O0aa aaaa Matrix Control 4 Destination 2 0 33 i rx OFF PCH CUT RES LEV PAN 00 31 0aaa aaaa Matrix Control 1 Sens 3 u gt 121 ape mee ns 2 00 32 OOaa aaaa Matrix Control 1 Destination 4 0 33 PIT LFO2 TVF LFO1 TVF LFO2 TVA LFO1 TVA LFO2 PAN LFO1 OFF PCH CUT RES LEV PAN PAN LFO2 LFO1 RATE LFO2 RATE DRY CHO REV PIT LFO1 PIT ATK PIT DCY PIT REL TVF ATK TVF DCY TVF REL TVA ATK TVA DCY TVA REL TMT FXM MFX1 MFX2 MFX3 MFX4 00 4A Oaaa aaaa Matrix Control 4 Sens 2 CL 227 63 63 00 4B 00aa aaaa Matrix Control 4 Destination 3 0 33 OFF PCH CUT RES LEV PAN DRY CHO REV PIT LFO1 PIT LFO2 TVF LFO1 TVF LFO2 TVA LFO1 TVA LFO2 PAN LFO1 PAN LFO2 LFO1 RATE LFO2 RATE PIT ATK PIT DCY PIT REL TVF ATK TVF DCY TVF REL TVA ATK TVA DCY TVA REL TMT FXM MFX1
41. Patch Bank Select LSB CC 32 0 127 00 06 Oaaa aaaa Patch Program Number PC 0 127 00 07 Oaaa aaaa Part Level CC 7 0 127 00 08 Oaaa aaaa Part Pan CC 10 0 127 L64 63R 00 09 Oaaa aaaa Part Coarse Tune RPN 2 16 112 48 48 00 OA Oaaa aaaa Part Fine Tune RPN 1 14 114 50 50 00 OB 0000 O0aa Part Mono Poly MONO ON POLY ON O 2 MONO POLY PATCH 00 Oc 0000 O0aa Part Legato Switch CC 68 O 2 OFF ON PATCH 00 OD 000a aaaa Part Pitch Bend Range RPN 0 O 25 0 24 PATCH 00 OE 0000 O00aa Part Portamento Switch CC 65 O 2 OFF ON PATCH 00 OF 0000 aaaa 0000 bbbb Part Portamento Time CC 5 0 128 0 127 PATCH 00 11 Oaaa aaaa Part Cutoff Offset CC 74 0 127 64 63 00 12 Oaaa aaaa Part Resonance Offset CC 71 0 127 64 63 00 13 Oaaa aaaa Part Attack Time Offset CC 73 0 127 64 63 00 14 Oaaa aaaa Part Release Time Offset CC 72 O 127 64 63 00 15 0000 Oaaa Part Octave Shift 61 67 3 3 00 16 Oaaa aaaa Part Velocity Sens Offset 1 127 63 63 00 17 Oaaa aaaa Keyboard Range Lower 0 127 C 1 UPPER 00 18 Oaaa aaaa Keyboard Range Upper 0 127 LOWER G9 00 19 Oaaa aaaa Keyboard Fade Width Lower 0 127 00 1A Oaaa aaaa Keyboard Fade Width Upper 0 127 00 1B 0000 000a Mute Switch O 1 OFF MUTE 00 1c Oaaa aaaa Part Dry Send Level 0 127 00 1D Oaaa aaaa Part Chorus Send Level
42. The selected wave s name will appear to the right of the wave number parameter Gain Wave gain 16 0 6 12 This specifies the gain or amplitude of the waveform The value changes in 6 dB decibel steps an increase of 6 dB doubles the waveform s gain If you intend to use the Booster to distort the waveform s sound set this parameter to its maximum value Switch TMT tone switch ON OFF This determines whether or not the Tone will be heard in the Patch In order to make best use of the available number of simultaneous voices unused Tones should be turned off When TONE SW 1 4 are turned on or off this setting will also change You can also turn Tones on and off on the PATCH PLAY page p 84 Wave Tempo SyncON OFF This determines whether the waveform is synchronized ON or not synchronized OFF to the Patch s tempo FXM Frequency Cross Modulation FXM Frequency Cross Modulation uses a specified waveform to apply frequency modulation to the currently selected waveform creating complex overtones This can be useful when creating wilder sounds or sound effects Switch Wave FXM switch ON OFF This sets whether FXM will be used ON or not OFF Color Wave FXM color 1 4 This specifies how FXM will perform its frequency modulation Higher settings result in a grainier sound while lower settings result in a more metallic sound Depth Wave FXM depth 0 16 This specifies the depth of the m
43. a B gt to move the cursor to the parameter that you wish to adjust 5 Turn the VALUE dial or press INC DEC to select the desired value If you make a mistake when setting a parameter s value or you don t like the change you have made just press UNDO to restore the parameter to its original value 6 Repeat Steps 3 to 5 to set the Effect 7 Press EXIT to return to the PERFORM PLAY page A symbol will appear at the left of the Performance name indicating that its settings have been modified PATCH ZR 001 64voicePiana PLAY Lone 2 foct B Ifyou turn off the power or select another Performance while the symbol is displayed your new Performance settings will be lost If you wish to preserve them save the modified Performance using the Write operation p 122 Routing Part Outputs PART OUTPUT You can set the output destination and level for each Performance Part You can also set its send level to the Chorus and Reverb Output Assign MFX The Part s sound is sent into the Multi Effects The sound s final destination is determined by the Multi Effects output setting OUTPUT A C The sound is sent to one of the three output jack pairs OUTPUTs A C INDIVIDUAL 1 6 The sound is sent to one of the six INDIVIDUAL 1 6 jacks PATCH The output routing is determined by the settings of the Patch or Rhythm Set assigned to the Part Chorus Chorus Send Level 0 127
44. e Chorus Controller number 93 Reverb Controller number 91 Changing the Pitch p 175 Coarse Controller number 100 value is 0 Controller number 101 value is 2 Controller number 6 value is 16 112 Fine Controller number 100 value is 0 Controller number 101 value is 1 Controller number 6 value is 32 96 Controller number 38 value is 0 127 When changing the Coarse parameter set the amount of change in pitch with the Control Number 6 Data Entry MSB value There is no change in pitch when the value is set to 64 The pitch is raised as the value increases from 64 and is lowered the more the value decreases below 64 When changing the Fine parameter set the amount of change in pitch with the Control Number 6 Data Entry MSB and Control Number 38 Data Entry LSB settings There is no change in pitch when Data Entry MSB is set to 64 and Data Entry LSB to 0 The pitch is raised as the respective values increase and lowered as the respective values decrease Specifying the Range of Pitch Bend p 175 BendRng Controller number 100 value is 0 Controller number 101 value is 0 Controller number 6 value is 0 12 Procedure 1 Enable the external MIDI device to send a Control Change message For example if you want to change the volume level set the external MIDI device to send Control Number 7 Volume message In this case the MIDI channel is matched to the MIDI cha
45. gt r r r r a N A aga tal REEE aos in 00 36 Oaaa aaaa Matrix Control 2 Sens 1 520 32 127 ASCII Pe ms Saa aknas EEE A E ESTA 00 37 00aa aaaa Matrix Control 2 Destination 2 0 p33 32 127 ASCII r r 00 09 Oaaa aaaa Patch Name 10 32 127 re Senne eet a ere 32 127 ASCII EEO PLEOL EEO 00 OA Oaaa aaaa Patch Name 11 32 127 PEE AAEE EE A EEO TE SOS n RE PIT ATK PIT DCY PIT REL 00 OB Oaaa aaaa Patch Name 12 32 127 UPLATE ECBC VEC REL 32 127 ASCII ATR DEY ZREL 00 0C Oaaa aaaa Patch Category 0 127 a Berens eno Meee TEER a I I z I 00 0p 0000 000a Tone Type lt xv 5080 gt ty 00 38 Oaaa aaaa Matrix Control 2 Sens 2 sn 1 1 ATONES MULTE EARLE 00 39 00aa aaaa Matrix Control 2 Destination 3 0 33 OFF PCH CUT RES LEV PAN 00 0E Oaaa aaaa Patch Level 0 127 i 2 I i 00 OF Oaaa aaaa Patch Pan 0 127 Sr R ee PTEE L64 63R EEOC LEQ SEEO2 00 10 0000 000a Patch Priority 0 1 TVA LFO1 TVA LFO2 PAN LFO1 PAN LFO2 LFO1 RATE LFO2 RATE LAST LOUDEST PIT ATK PIT DCY PIT REL 00 11 Oaaa aaaa Patch Coarse Tune se 112 s E 00 12 Oaaa aaaa Patch Fine Tune 14 114 TVA ATK TVA DCY TVA REL 50 450 I TMT FXM MFX1 MFX2 MFX3 MFX4 00 13 0000 Oaaa Octave Shift 61 67 00 3A Oaaa aaaa Matrix Control 2 Sens 3 a 127 3 3 63 A 00 3B OOaa aaaa Matrix Control 2 Destina
46. to select the source Rhythm Set Press ENTER to execute the Copy operation 120 Chapter 7 Saving a Sound You Create Registering Favorite Patches in the FAVORITE LIST You can bring together your favorite and most frequently used Patches in one place by registering them in the FAVORITE LIST The FAVORITE LIST gives you immediate access to your favorite Patches wherever they are stored whether in the XV 3080 itself on Wave Expansion Boards or on memory cards You can register up to 64 Patches in this list Note If a Patch on a Wave Expansion Board or memory card is registered in the list and selected no sound will be produced for the Patch unless the required Wave Expansion Board or memory card is inserted 1 On the PATCH PLAY page choose the Patch you want to register 2 Press VALUE dial The FAVORITE LIST page appears FAWORITE Hai CSHIFTI LIST 3 Turn the VALUE dial or press the INC or DEC buttons to select the desired registration number No data is registered at the factory settings Niemi You can press VOLUME dial to check the sound of the Patch currently being registered 4 Hold down SHIFT and press ENTER to execute the registration and return to the PATCH PLAY page Pressing SHIFT switches the display to the Registration page shown in the figure below FAWORITE Regdister to CEHTERI CUMDOI LIST a1 1 To cancel the regis
47. 00 16 Oaaa aaaa Tone Dry Send Level 0 127 00 17 Oaaa aaaa Tone Chorus Send Level 0 127 00 18 Oaaa aaaa Tone Reverb Send Level 0 127 00 19 0aaa aaaa Tone Chorus Send Level non MFX 0 127 00 1A Oaaa aaaa Tone Reverb Send Level non MFX 0 127 00 1B 0000 aaaa Tone Output Assign 0 12 MFX A B C D lt xV 5080 gt Dy 28 4 B i 7 lt XV 5080 gt 8 lt XV 5080 gt 00 1C O00aa aaaa Tone Pitch Bend Range 0 48 00 1D 0000 000a Tone Receive Expression 0 1 OFF ON 00 1E 0000 000a Tone Receive Hold 1 O 1 OFF ON 00 1F 0000 000a Tone Receive Pan Mode 0 1 CONTINUOUS KEY ON 00 20 0000 OOaa WMT Velocity Control 0 2 OFF ON RANDOM 00 21 0000 000a WMT1 Wave Switch 0 1 OFF ON 00 22 0000 00aa WMT1 Wave Group Type 0 3 INT WAVE SRJV80 EXP SRX EXP SAMPLE lt XV 5080 gt 00 23 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd WMT1 Wave Group ID 0 16384 OFF 1 16384 00 27 0000 aaaa 0000 bbbb 0000 cece 0000 dddd WMT1 Wave Number L Mono 0 16384 OFF 1 16384 00 2B 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd WMT1 Wave Number R 0 16384 OFF 1 16384 00 2F 0000 O0aa WMT1 Wave Gain 0 3 6 0 6 12 dB 00 30 0000 000a WMT1 Wave FXM Switch 0 1 OFF ON 00 31 0000 00aa WMT1 Wave FXM Color 0 3 1 4 00 32 000a aaaa WMT1 Wave FXM Depth 0 16 00 33 0000 000a WMT1 Wave Tempo Sync 0 1 OFF ON
48. 0000 aaaa 00 19 0000 aaaa 9000 bbbb 0000 bbbb 9000 ccce 0000 uute 0000 dddd MFX Parameter 31 12768 52768 0000 dddd MFX Parameter 3 12768 52768 20000 20000 0600 2526000 01 0D 0000 aaaa 00 1D 0000 aaaa 9000 bbbb 0000 bbbb 9000 cece 0000 ede 0000 dddd MFX Parameter 32 12768 52768 0000 dddd MFX Parameter 4 12768 52768 l 20000 20000 20000 20000 x a aai ooti sas 00 00 01 11 Total Size 0000 bbbb t 0000 ccce 0000 dddd MFX Parameter 5 12768 52768 1 2 3 Performance Common Chorus 20000 20000 00 25 0000 aaaa Offset 0000 bbbb Address Description 0000 ccce 0000 dddd MFX Parameter 6 12768 52768 00 00 0000 aaaa Chorus Type 0 2 20000 20000 00 01 Oaaa aaaa Chorus Level 0 127 00 29 0000 aaaa 00 02 0000 00aa Chorus Output Assign 0 3 182 A B C D lt XV 5080 gt 00 03 0000 00aa Chorus Output Select 0 2 MAIN REV MAIN REV 00 04 0000 aaaa 0000 bbbb 0000 ccce 0000 dddd Chorus Parameter 1 12768 52768 20000 20000 00 08 0000 aaaa 0000 bbbb 0000 ccce 0000 dddd Chorus Parameter 2 12768 52768 20000 20000 00 0c 0000 aaaa 0000 bbbb 0000 ccce 0000 dddd Chorus Parameter 3 12768 52768 20000 20000 00 10 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 4 12768 52768 20000 20000 00 14 0000 aaaa 0000 bbbb 0000 ccce 0000 dddd Chorus Pa
49. 07H vvH n MIDI channel number 0H FH Ch 1 16 vv Volume 00H 7FH 0 127 OPanpot Controller number 10 Status 2nd byte 3rd byte BnH OAH vvH n MIDI channel number 0H FH Ch 1 16 vv Panpot 00H 40H 7FH Left Center Right Initial value 40H Center OPortamento Controller number 65 Status 2nd byte 3rd byte BnH 41H vvH n MIDI channel number 0H FH Ch 1 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON OResonance Controller number 71 Status 2nd byte 3rd byte BnH 47H vvH n MIDI channel number 0H FH Ch 1 16 vv Resonance value relative change 00H 7FH 64 0 63 ORelease Time Controller number 72 Status 2nd byte 3rd byte BnH 48H vvH n MIDI channel number 0H FH Ch 1 16 vv Release Time value relative change 00H 7FH 64 0 63 OAttack time Controller number 73 Status 2nd byte 3rd byte BnH 49H vvH n MIDI channel number 0H FH Ch 1 16 vv Attack time value relative change 00H 7FH 64 0 63 OCutoff Controller number 74 Status 2nd byte 3rd byte BnH 4AH vvH n MIDI channel number 0H FH Ch 1 16 vv Cutoff value relative change 00H 7FH 64 0 63 ODecay Time Controller number 75 Status 2nd byte 3rd byte BnH 4BH vvH n MIDI channel number 0H FH Ch 1 16 vv Decay Time value relative change 00H 7FH 64 0 63 sooipueddy 179 MIDI
50. 1 MFX parameters PATCH MFX CTRL Source MFX control source 2 3 4 2 gt Destination Destination1 2 3 4 1 ke Sens MFX control sens1 2 3 4 63 63 i PATCH MFX OUT Output Output assign A B C Dry MFX output level 0 127 Chorus Chorus send level 0 127 8 Reverb Reverb send level 0 127 PATCH CHO TYPE Type Chorus type OFF CHORUS DELAY PATCH CHO PRM 3 Chorus parameters PATCH CHO OUT Output Assign Chorus output assign A B C Level Chorus level 0 127 Select Chorus output select MAIN REV M R PATCH REV TYPE Type Reverb type OFF CHORUS DELAY PATCH REV PRM 4 Reverb parameters PATCH REV OUT Output Assign Reverb output assign A B C Level Reverb level 0 127 1 Refer to MFX parameters 2 OFF CC01 95 except 32 BENDER AFTERTOUCH SYS CTRL1 SYS CTRL2 SYS CTRL3 SYS CTRL4 3 Refer to Chorus parameters 4 Refer to Reverb parameters 151 Parameter List CONTROL Group p 98 Display Parameter Value PATCH KEY MODE Assign Key assign mode POLY MONO Legato Legato switch OFF ON Legato Retrigger Legato retrigger switch OFF ON PATCH PORTAMENTO Sw Portament switch OFF ON Time Portament time 0 127 Mode Portament mode NORMAL LEGATO Type Portament type RATE TIME Start Portament start pitch PITCH NOTE CTRL Rx MIDI Bender Recieve pitch bend switch OFF ON Expression Recieve expression switch OFF ON Pan Mode Recieve pan mode switch CONTINUOUS KEY ON Hold 1 Recieve hold 1 switch OFF ON Redamper Recieve redam
51. 16 0000 dddd MEX Parameter 27 12768 52768 OFF 1 16 20000 20000 00 OE 000a aaaa MFX Control Assign 2 0 16 00 7D 0000 aaaa OFF 1 16 0000 bbbb 00 OF 000a aaaa MFX Control Assign 3 0 16 0000 cece OFF 1 16 0000 dddd MEX Parameter 28 12768 52768 00 10 000a aaaa MFX Control Assign 4 0 16 20000 20000 OFF 1 16 01 01 0000 aaaa o0 11 0000 aaaa 0000 bbbb 0000 bbbb 0000 ccce 0000 ccce 0000 dddd MEX Parameter 29 12768 52768 0000 dddd MEX Parameter 1 12768 52768 20000 20000 20000 20000 01 05 0000 aaaa 00 15 0000 aaaa 0000 bbbb 0000 bbbb 0000 ccce 0000 ccce 0000 dddd MEX Parameter 30 12768 52768 0000 dddd MEX Parameter 2 12768 52768 20000 20000 20000 20000 01 09 0000 aaaa 00 19 0000 aaaa 0000 bbbb 0000 bbbb 0000 cccc 0000 ccce 0000 dddd MEX Parameter 31 12768 52768 0000 dddd MFX Parameter 3 12768 52768 20000 20000 20000 20000 01 op 0000 aaaa 00 1D 0000 aaaa 0000 bbbb 0000 bbbb 0000 ccce 0000 cece 0000 dddd MEX Parameter 32 12768 52768 0000 dddd MFX Parameter 4 12768 52768 20000 20000 20000 20000 00 21 0000 aaaa 00 00 01 11 Total Size 0000 bbbb 0000 cece 0000 dddd MFX Parameter 5 12768 52768 1 3 2 3 Rhythm Common Chorus 20000 20000 F 7 00 25 000 see orrset Address Description 0000 cccc 1 0000 dddd MFX Parameter 6 12768 52768 00 00 0000 aaaa Chorus Typ
52. 1600 2000 2500 3200 4000 5000 6400 8000 10000 12500 Hz BYPASS 2 50 64 80 100 125 160 200 250 320 400 500 640 800 1000 1250 1600 2000 2500 3200 4000 Hz 3 4000 5000 6400 8000 10000 12500 Hz RHYTHM REV OUT Rhythm Reverb Output Output Assign Reverb Output Assign A B C This setting allows you to specify the pair of OUTPUT jacks to which the stereo output of the Reverb is routed Level Reverb Level 0 127 This specifies the output level of the Reverb Settings in General MIDI Mode GM EFFECTS For details refer to Making Effects Settings EFFECTS p 143 35 Chapter 2 Using the XV 3080 Effects Parameters for Each Multi Ss CHORUS DELAK Pe Effect M FX TYPE 39 FLANGER DELAY p 57 lll Yl l lll lIiIi 40 CHORUS FLANGER p 57 Multi Effects provides 63 types of effect Some of these 41 STEREO PHASER p 57 consist of two different effects connected in series or parallel 42 KEYSYNC FLANGER p 58 Parameters marked with a sharp can be controlled using 43 FORMANT FILTER p 59 a specified controller Two setting items will change 44 RING MODULATOR p 60 simultaneously for 1 and 2 45 MULTI TAP DELAY p 60 T PER 28 46 REVERSE DELAY p 61 fi CA EBPRIYE p29 47 SHUFFLE DELAY p 62 3 DISTORTION p 39 48 3D DELAY p 62 oe seers ce 49 3VOICE PITCH SHIFTER p 63 A a0 50 LOFI COMPRESS p 64 oe ENE pao 51 LOF
53. 2 Using the XV 3080 Effects 4 PHASER A phaser adds a phase shifted sound to the original sound producing a twisting modulation that creates spaciousness and depth Lin gt L out J Pan L L y Pan R Rin Resonance R out Manual Adjust the basic frequency from which the sound will be modulated Rate Adjust the frequency period of modulation Depth Adjust the depth of modulation Res Resonance Adjust the amount of feedback for the phaser Mix Mix Level Adjust the ratio with which the phase shifted sound is combined with the direct sound Pan Output Pan Adjust the stereo location of the output sound L64 is far left 0 is center and 63R is far right Level Output Level Adjust the output level 39 z adeyyo Chapter 2 Using the XV 3080 Effects 5 SPECTRUM Spectrum is a type of filter which modifies the timbre by boosting or cutting the level at specific frequencies It is similar to an equalizer but has 8 frequency points fixed at locations most suitable for adding character to the sound Lin gt L out J Pan L G Pan R R in gt R out Band 1 Band 1 Gain Adjust the 250 Hz level Band 2 Band 2 Gain Adjust the 500 Hz level Band 3 Band 3 Gain Adjust the 1000 Hz level Band 4 Band 4 Gain Adjust the 1250 Hz level Band 5 Band 5 Gain Adjust the 2000 Hz level Band 6 Band 6 Gain Adjust the 3150 Hz level Band 7 Band 7 Gain Adjust th
54. 2500 3150 4000 5000 6300 8000 Hz 15 STEREO FLANGER p 44 Parameter Value Pre Dly Pre delay time 0 0 100 0 ms Rate Rate 0 05 10 00 Hz Depth Depth 0 127 Fok Feedback level 98 98 Phase Phase 0 180 degree Filter Type Filter type OFF LPF HPF Cutoff Cutoff frequency 200 8000 Hz 1 LowGain Low gain 15 15 dB Hi Gain High gain 15 15 dB Balance Effect balance D100 0W D0 100W Level Output level 0 127 tt 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 4000 5000 6300 8000 Hz 16 STEP FLANGER p 45 Parameter Pre Dly Pre delay time Rate Rate Depth Depth Fok Feedback level Phase Phase Step Rate Step rate LowGain Low gain Hi Gain High gain Balance Effect balance Level Output level Value 0 0 100 0 ms 0 05 10 00 Hz 0 127 0 180 degree 0 05 10 00 Hz 0 127 D100 0W D0 100W 0 127 Value 0 0 100 0 ms 0 05 10 00 Hz 0 127 0 180 degree 15 15 dB 15 15 dB D100 0W D0 100W 0 127 Value 0 0 100 0 ms 0 05 10 00 Hz 0 127 0 180 degree OFF LPF HPF 200 8000 Hz 1 15 15 dB 15 15 dB D100 0W D0 100W 0 127 Value 0 0 100 0 ms 0 05 10 00 Hz 0 127 98 98 0 180 degree 0 10 20 00 Hz note 15 15 dB 15 15 dB D100 0W DO 100W 0 127 17 STEREO DELAY p 46 Parameter Delay L Delay R Fbk Mode Phase L Phase R HF Damp LowGain Hi Gain Balance Level Delay time left Delay time right Feedback level Feedback mode Feedback phase left Fee
55. 256 bytes or less and each packet will be sent at an interval of about 20 ms 3 Parameter address map Transmission of marked address is devided to some packets For example ABH in hexadecimal notation will be devided to OAH and 0BH and is sent recieved in this order 1 XV 3080 Model ID 00H 10H lt gt marked address valid on the XV 5080 are ignored when the XV 3080 receive them Start Address Description 00 00 00 00 System 1 1 10 00 00 00 Temporary Performance 1 2 11 00 00 00 Temporary Patch Rhythm Performance Mode Part 1 1 3 11 20 00 00 Temporary Patch Rhythm Performance Mode Part 2 14 60 00 00 Temporary Patch Rhythm Performance Mode Part 16 1F 00 00 00 Temporary Patch Rhythm Patch Mode 20 00 00 00 User Performance 01 1 2 20 01 00 00 User Performance 02 20 3F 00 00 User Performance 64 30 00 00 00 User Patch 001 L 3 1 30 01 00 00 User Patch 002 30 7F 00 00 User Patch 128 40 00 00 00 User Rhythm 001 1 3 2 40 10 00 00 User Rhythm 002 40 20 00 00 User Rhythm 003 40 30 00 00 User Rhythm 004 1 1 System Offset Address Description 00 00 00 System Common 1 1 1 00 10 00 System Part Part 1 1 1 2 00 11 00 System Part Part 2 00 1F 00 System Part Part 16 00 20 00 System Part Part 17 lt XV 5080 gt 00 21 00 System Part Part 18 lt
56. 5 SPECTRUM 6 ENHANCER 59 ISOLATOR E Reverb Effects that reverberate the sound 24 REVERB 25 GATE REVERB 37 Chapter 2 Using the XV 3080 Effects 1 STEREO EQ Stereo Equalizer This is a four band stereo equalizer low mid x 2 high Lin 4 Band EQ L out Rin 4 Band EQ R out Low Freq Low Frequency Select the frequency of the low range 200 Hz 400 Hz LowGain Low Gain Adjust the gain of the low frequency Hi Freq High Frequency Select the frequency of the high range 4000 Hz 8000 Hz Hi Gain High Gain Adjust the gain of the high frequency Mid1 Freq Middle 1 Frequency Adjust the frequency of Middle 1 mid range Mid1 Q Middle 1 Q This parameter adjusts the width of the area around the Middle 1 Frequency that will be affected by the Gain setting Higher values of Q will result in a narrower area being affected Mid1 Gain Middlel Gain Adjust the gain for the area specified by the Middle 1 Frequency and Q settings Mid2 Freq Middle 2 Frequency Adjust the frequency of Middle 2 mid range Mid2 Q Middle 2 Q This parameter adjusts the width of the area around the Middle 2 Frequency that will be affected by the Gain setting Higher values of Q will result in a narrower area being affected Mid2 Gain Middle 2 Gain Adjust the gain for the area specified by the Middle 2 Frequency and Q settings Level Output Level Adjust the output level 2 OVERDRIVE This effect
57. 5 jacks are sent to the left A MIX 81 Chapter 3 Selecting Output Jacks OUTPUT jack and Rhythm Tones routed to the INDIVIDUAL 4 6 jacks are sent to the right A MIX OUTPUT jack PARALLEL Rhythm Tones are routed to output jacks according to their output settings The XV 3080 s Master Level and Mix Parallel settings are each established using a single global parameter Chapter 4 Creating a Patch How a Patch Is Organized The type of sound most commonly played on the XV 3080 is called a Patch Each Patch can contain up to four Tones one 3 Example 1 A Patch consisting of only one Tone Tones 2 4 are turned off Patch Tone Tone Tone Tone 1 2 3 4 Example 2 A Patch consisting of four Tones You can turn the Tones in a Patch on or off Only Tones that are turned on are heard when you play the Patch p 84 You can also specify how Tones 1 and 2 and Tones 3 and 4 will be combined Structure p 88 How a Tone Is Organized Tones are the smallest programmable unit of sound on the XV 3080 and are the basic building blocks that make up a Patch You can t play a Tone by itself it can only be played as part of a Patch or Rhythm Set A Tone consists of the following five components Th TVE Pitch TVF TVA Envelope Envelope Envelope M4 audio signal WG Wave Generator This selects the PCM waveform material that provides the control signal basis of the Tone Two w
58. 6 If you re ready to proceed press ENTER and the Factory Reset operation will be executed Executing appears in the display followed by COMPLETED You are then returned to the PATCH PLAY page If you wish to cancel the Factory Reset press EXIT in Step 6 Tf Internal Write Protect is turned ON the following display will appear and the Factory Reset operation will not be executed WRITE I PROTECT I Internal Write Frotect OH Change the displayed ON to OFF and press ENTER to turn Internal Write Protect off Are You Sure will be displayed Press ENTER Chapter 7 Saving a Sound You Create Transmitting Sound Settings Data Transmission to a Memory Card XV 3080 can use a commercially available memory card SmartMedia Both 3 3 V and 5 V are supported Use this card when you wish to save data for which there is no more space in the internal USER group or so that the data you created can be used on another XV 3080 Memory card must be formatted before they can be used Before Using a Memory Card Insert memory cards with the gold contacts facing downwards Be sure to insert the memory card all the way into the slot Do not touch the contacts of the memory card or allow them to become soiled Never remove the memory card or turn off the power while an operation such as reading or writing data or formatting is being performed on the memory card Doing so can dest
59. 6 Turn the VALUE dial or press INC DEC to select the desired value 7 Press EXIT to return to the PATCH PLAY page 103 re gt 3 T s ul Chapter 5 Creating a Performance Setting the Keyboard Range COMMON PART KEY RANG You can set each Part s keyboard range Key Range the area on the keyboard that will cause the Part to sound Adjust Part Key Ranges when you wish to divide the keyboard into areas with a different Patch in each area this is called a split PART KEY RANG Part key range LFade TMT keyboard fade width lower 0 127 This determines what will happen to the Part s level when a note that s lower than its specified keyboard range is played Higher settings result in a more gradual change in volume If you don t want the Part to sound at all when a note below the keyboard range is played set this parameter to 0 Level Key number 0 Lower Upper 127 L Fade value U Fade value Lower TMT keyboard range lower C 1 G9 This specifies the lowest note that will cause the Part to play its sound Upper TMT keyboard range upper C 1 G9 This specifies the highest note that will cause the Part to play its sound Itis not possible to set Lower to a value greater than the Upper value or Upper to a value less than the Lower value If you attempt to do so the two values will change together U Fade TMT keyboard fade width upper 0O 127 This determines what will happen to th
60. 7 Turn the VALUE dial or press INC DEC to designate the first XV 3080 8 Press EXIT to return to the previous page Selecting Common Controllers These settings allow you to choose four MIDI controllers for global use when controlling the parameters of any Patch or Performance The settings in each Patch or Performance will determine whether the two controllers you choose here will actually be used In each Patch or Performance you will also need to specify the parameters to be controlled SYS CTRL ASSIGN 1 2 System Control Assign Control 1 4 Control Source OFF No Controller is used CC01 95 Controller numbers 1 95 except for 32 BENDER Bender AFTERTOUCH Aftertouch 1 Press SYSTEM to make its indicator light 2 Press the CONTROL function select button displayed in gray to make its button indicator light 3 Use A I Y to select the setting page for SYS CTRL ASSIGN1 2 4 Use lt a P gt to move the cursor to Control Control Source 5 Use the VALUE dial or INC DEC to select the desired MIDI controller 6 Press EXIT to return to the previous page The functions normally performed by many of the MIDI control change messages are defined in the MIDI specification The XV 3080 allows you to use control change messages without regard to their officially defined function so consider carefully the ramifications when choosing controllers 133 re gt g x g
61. Adjust the modulation speed of the chorus effect Chorus Depth Adjust the modulation depth of the chorus effect Chorus Balance Adjust the volume balance between the enhancer sound that is sent through the chorus and the enhancer sound that is not sent through the chorus With a setting of D100 0W only the enhancer sound will be output With a setting of D0 100W only the enhancer sound that is sent through the chorus will be output Level Output Level Adjust the output level 33 ENHANCER FLANGER This effect connects an enhancer and a flanger in series Balance D Lin Mix Balance D Enhancer Sens Adjust the sensitivity of the enhancer Enhancer Mix Enhancer Mix Level Adjust the ratio with which the overtones generated by the enhancer are combined with the direct sound Fig Diy Flanger Pre Delay Time Adjust the time delay from when the direct sound begins until the flanger sound is heard FigRate Flanger Rate Adjust the modulation speed of the flanger effect Fig Dpt Flanger Depth Adjust the modulation depth of the flanger effect Fig Fbk Flanger Feedback Level Adjust the proportion of the flanger sound that is fed back into the effect Negative settings will invert the phase Flanger Balance Adjust the volume balance between the enhancer sound that is sent through the flanger and the enhancer sound that is not sent through the flanger With a setting of
62. Coarse Fine Switch Color Depth L Fade Lower Upper U Fade Tone name Wave group Wave number L R Wave gain Key switch Wave tempo sync Level Pan Random pan switch Alternate pan switch Coarse tune Fine tune FXM switch FXM color FXM depth Velocity fade width lower Velocity range lower Velocity range upper Velocity fade width upper WMT Velocity Control WMT velocity control PITCH Group p 115 Parameter Coarse Fine Random Depth V Sens V T1 V T4 LO T1 T2 T3 T4 L1 L2 L3 L4 Coarse tune Fine tune Random pitch depth Pitch envelope depth Pitch envelope velocity sens Pitch envelope time 1 velocity sens Pitch envelope time 4 velocity sens Pitch envelope level 0 Pitch envelope time 1 4 Pitch envelope level 1 4 Value ASCII Characters max 12 INT XP A XP B XP C XP D XP E 001 255 6 0 6 12 dB OFF ON OFF ON 0 127 L64 0 63R OFF ON OFF ON 48 48 semitone 50 50 cent OFF ON 1 4 1 17 0 127 1 127 1 127 0 127 OFF ON RANDOM Value 48 48 semitone 50 50 cent 0 1200 cent 1 12 412 63 63 63 63 63 63 63 63 0 127 63 63 1 0 1 2 3 4 5 6 7 8 9 10 20 30 40 50 60 70 80 90 100 200 300 400 500 600 700 800 900 1000 1100 1200 TVF Group p 116 Display TVF FILTER TVF VELOCITY TVF ENVELOPE Parameter Type Cutoff Resonance V Cutoff V Curve V Resonance Depth V Se
63. Command ID DT1 aaH Address MSB upper byte of the starting address of the data to be sent bbH Address upper middle byte of the starting address of the data to be sent ccH Address lower middle byte of the starting address of the data to be sent ddH Address LSB lower byte of the starting address of the data to be sent MIDI Implementation eeH Data the actual data to be sent Multiple bytes of data are transmitted in order starting from the address ffH Data sum Checksum F7H EOX End Of Exclusive The amount of data that can be transmitted at one time depends on the type of data and data will be transmitted from the specified starting address and size Refer to the Address and Size given in Section 3 Parameter address map Data larger than 256 bytes will be divided into packets of 256 bytes or less and each packet will be sent at an interval of about 20 ms Not received when the Receive Exclusive parameter SYSTEM COMMON is OFF Status Data byte Status FOH 41H dev 42H 12H aaH bbH ccH F7H ddH eeH sum Byte Explanation FOH Exclusive status 41H ID number Roland v Device ID dev 10H H ModelID GS H CommandID DT1 aaH Address MSB upper byte of the starting address of the transmitted data H H H Address middle byte of the starting address of the transmitted data Address LSB lower byte of the starting address of the transmitted data Data the actual data to be transmitted Multi
64. D When Feedback Mode is CROSS Balance D Lin Rin Balance D Delay L Delay Time Left Adjust the time from the original sound until when the left delay sound is heard Delay R Delay Time Right Adjust the time from the original sound until when the right delay sound is heard Fbk Feedback Level Adjust the proportion of the delay sound that is fed back into the effect Negative settings will invert the phase Mode Feedback Mode Select the way in which delay sound is fed back into the effect NORMAL The left delay sound will be fed back into the left delay and the right delay sound into the right delay CROSS The left delay sound will be fed back into the right delay and the right delay sound into the left delay Rate Adjust the speed of the modulation Depth Adjust the depth of the modulation Phase Adjust the spatial spread of the sound HF Damp Adjust the frequency above which sound fed back to the effect will be cut If you do not want to cut the high frequencies of the feedback set this parameter to BYPASS z adeyyo Low Gain Adjust the gain of the low frequency range Hi Gain Adjust the gain of the high frequency range Balance Effect Balance Adjust the volume balance between the direct sound and the modulation delay sound With a setting of D100 0W only the direct sound will be output and with a setting of D0 100W only the modulation delay sound will be
65. D100 0W only 54 Chapter 2 Using the XV 3080 Effects the enhancer sound will be output With a setting of DO 100W only the enhancer sound that is sent through the flanger will be output Level Output Level Adjust the output level 34 ENHANCER DELAY This effect connects an enhancer and a delay in series Lin O L out Balance D J Balance W CY Balance W Feedback O R out Balance D Mix Enhancer Sens Adjust the sensitivity of the enhancer Enhancer Mix Enhancer Mix Level Adjust the ratio with which the overtones generated by the enhancer are combined with the direct sound DlyTime Delay Time Adjust the time delay from when the direct sound begins until the delay sound is heard Dly Fbk Delay Feedback Level Adjust the proportion of the delay sound that is fed back into the delay input Negative settings will invert the phase Delay HF Damp Adjust the frequency above which delayed sound fed back to the delay input will be cut If you do not want to cut the high frequencies of the delay feedback set this parameter to BYPASS Delay Balance Adjust the volume balance between the enhancer sound that is sent through the delay and the enhancer sound that is not sent through the delay With a setting of D100 OW only the enhancer sound will be output With a setting of DO 100W only the enhancer sound that is sent through the delay will
66. Env Time 2 0 127 1 1 t 01 2F Oaaa aaaa TVF Env Time 3 0 127 TAS Sa G H Zoi Mq aT 01 30 Oaaa aaaa TVF Env Time 4 0 127 k Pas aa nony Poly Mode as Baty 01 31 Oaaa aaaa TVF Env Level 0 0 127 40 3463431 Gadaredan Assianivode 0 2 01 32 Oaaa aaaa TVF Env Level 1 0 127 SinG iEs AHMED MOTIT 01 33 Oaaa aaaa TVF Env Level 2 0 127 ad ET MORAT 01 34 Oaaa aaaa TVF Env Level 3 0 127 40 1x 15 Oaaa aaaa Use for Rhythm Part 0 2 01 35 Oaaa aaaa TVF Env Level 4 0 127 Ooh Aisa Wao F k a 01 36 0000 Oaaa TVA Level Velocity Curve aren za 40 1x 16 Oaaa aaaa Pitch Key Shift 40 88 KER 24 24 semitone 01 37 Oaaa aaaa TVA Level Velocity Sens 02312 it acetal Geo saaaa 01 38 Oaaa aaaa TVA Env Time 1 Velocity Sens 1 127 Sur T kapu Su ere Siete dis boty 2 203 see 40 1x 19 Oaaa aaaa Part Level CC 7 0 127 01 39 0aaa aaaa TVA Env Time 4 Velocity Sens a 127 40 1x 1A Oaaa aaaa Velocity Sens Depth 0 127 03 5 64 63 01 3A Oaaa aaaa TVA Env Time 1 0 127 a qa E qopa eo n 40 1x 1B Oaaa aaaa Velocity Sens Offset AN 01 3C Oaaa aaaa TVA Env Time 3 0 127 40 1x 1C Oaaa aaaa Part Panpot CC 10 0 127 01 3D Oaaa aaaa TVA Env Time 4 0 127 RANDOM BER ESR 01 3E Qaaa aaaa TVA Env Level 1 0 127 40 1x 1D Oaaa aaaa Keyboard Range Low 0 127 Ae a ee aaaa ps 2a roo 2 e fon 40 1x 1E Oaaa aaaa Key
67. Exclusive status 7FH ID number universal realtime message When this messages is received this instrument will return to the Performance mode F7H Device ID Broadcast Sub ID 1 Device Control Sub ID 2 Global Parameter Control Slot path length Parameter ID width Value width Slot path MSB Slot path LSB Effect 0101 Reverb Parameter to be controlled Value for the parameter pp 0 Reverb Type vv 00H Small Room vv 01H Medium Room vv 02H Large Room vv 03H Medium Hall vv 04H Large Hall vv 08H Plate pp 1 Reverb Time vv 00H 7FH 0 127 EOX End Of Exclusive OChorus Parameters Status FOH F7H OChannel Pressure Status FOH Data byte 7FH 7FH 04H 05H 01H 01H 01H 01H 02H ppH vvH Explanation Exclusive status ID number universal realtime message Device ID Broadcast Sub ID 1 Device Control Sub ID 2 Global Parameter Control Slot path length Parameter width Value width Slot path MSB Slot path LSB Effect 0102 Chorus Parameter to be controlled Value for the parameter pp 0 Chorus Type vv 0 Chorus1 vv 1 Chorus2 vv 2 Chorus3 vv 3 Chorus4 vv 4 FB Chorus vv 5 Flanger pp 1 Mod Rate vv 00H 7FH 0 127 pp 2 Mod Depth vv 00H 7FH 0 127 pp 3 Feedback vv 00H 7FH 0 127 pp 4 Send To Reverb vv 00H 7FH 0 127 EOX End Of Exclusive Data byte Status 7FH 7FH 09H 01H 0nH ppH rrHF7H Explanation Exclusive st
68. Gain Adjust the high frequency gain amount of boost or cut Positive settings will emphasize boost the high frequency range Balance Effect Balance Sets the volume balance between the source sound and the effect sound With a setting of D100 0W only the direct sound will be output and with a setting of D0 100W only the effect sound will be output Level Output Level Adjust the output level 48 3D DELAY This applies a 3D effect to the delay sound The delay sound will be positioned 90 degrees left and 90 degrees right 3D Delay L ob 3D Delay 3D Delay R Delay C Delay Time Center Adjust the delay time from the original sound until the center delay sound is heard 62 Chapter 2 Using the XV 3080 Effects Delay L Delay Time Left Adjust the delay time from the original sound until the left delay sound is heard Delay R Delay Time Right Adjust the delay time from the original sound until the right delay sound is heard Fbk Feedback Adjust the proportion of the delay sound that is to be returned to the input Positive settings will return the signal to the input with the original phase while negative settings produce an inverted phase Level C Level Center Adjust the volume of the left delay sound Level L Level Left Adjust the volume of the center delay sound Level R Level Right Adjust the volume of the right delay sound HF Damp Adjust t
69. Ho Chi Minh City VIETNAM TEL 08 844 4068 AUSTRALIA Roland Corporation Australia Pty Ltd 38 Campbell Avenue Dee Why West NSW 2099 AUSTRALIA TEL 02 9982 8266 NEW ZEALAND Roland Corporation Ltd 32 Shaddock Street Mount Eden Auckland NEW ZEALAND TEL 09 3098 715 ARGENTINA Instrumentos Musicales S A Florida 656 2nd Floor Office Number 206A Buenos Aires ARGENTINA CP1005 TEL 54 11 4 393 6057 BRAZIL Roland Brasil Ltda Rua San Jose 780 Sala B Parque Industrial San Jose Cotia Sao Paulo SP BRAZIL TEL 011 4615 5666 COSTA RICA JUAN Bansbach Instrumentos Musicales Ave 1 Calle 11 Apartado 10237 San Jose COSTA RICA TEL 506 258 0211 CHILE Comercial Fancy II S A Avenida Rancagua 0330 Providencia Santiago CHILE TEL 56 2 373 9100 EL SALVADOR OMNI MUSIC 75 Avenida Notre YY Alameda Juan Pablo 2 No 4010 San Salvador EL SALVADOR TEL 503 262 0788 MEXICO Casa Veerkamp s a de c v Av Toluca No 323 Col Olivar de los Padres 01780 Mexico D F MEXICO TEL 525 668 04 80 PANAMA SUPRO MUNDIAL S A Boulevard Andrews Albrook Panama City REP DE PANAMA TEL 507 315 0101 PARAGUAY Distribuidora De Instrumentos Musicales J E Olear y ESQ Manduvira Edeficio El Dorado Planta Baja Asuncion PARAGUAY TEL 595 21 492147 PERU VIDEO Broadcast S A Portinari 199 ESQ HALS San Borja Lima 41 REP OF PERU TEL 51 14 758226 UR
70. ID Broadcast 04H Sub ID 1 Device Control messages 01H Sub ID 2 Master Volume HH Master Volume lower byte mmH Master Volume upper byte F7H EOX End Of Exclusive The lower byte IIH of Master Volume will be handled as 00H The Master Level parameter SYSTEM COMMON will change OMaster Fine Tuning Status Data byte Status FOH 7FH 7FH 04H 03H lIH mmH F7H Byte Explanation FOH Exclusive status 7FH ID number universal realtime message 7FH Device ID Broadcast 04H Sub ID 1 Device Control 03H Sub ID 2 Master Fine Tuning HH Master Fine Tuning LSB mmH Master Fine Tuning MSB F7H EOX End Of Exclusive mm ll 00 00H 40 00H 7F 7FH 100 0 99 9 cents The Master Tune parameter SYSTEM COMMON will change OMaster Coarse Tuning Status Data byte Status FOH 7FH 7FH 04H 04H IH mmH F7 Byte Explanation FOH Exclusive status 7FH ID number universal realtime message 7FH Device ID Broadcast 04H Sub ID 1 Device Control 04H Sub ID 2 Master Coarse Tuning HH Master Coarse Tuning LSB mmH Master Coarse Tuning MSB F7H EOX End Of Exclusive IIH ignored processed as 00H mmH 28H 40H 58H 24 0 24 semitones The Master Key Shift parameter 6SYSTEM COMMON will change Global Parameter Control Not received in Performance mode and Patch mode OReverb Parameters Status Data byte Status FOH 7FH 7FH 04H 05H 01H 01H 01H 01H F7H 01H ppH vvH Byte Explanation FOH
71. Low Saw inv Low P5 Saw Low Pulse 1 Low Pulse 2 Low Square Low Sine Low Triangle Low White NZ Low Pink NZ DC REV Orch Hit REV TeknoHit REV Back Hit REV PhillHit REV Steel DR REV Tin Wave REV AmbiSNpL REV AmbiSNpR REV AmbiSNfL REV AmbiSNfR REV Wet SNpL REV Wet SNpR REV Wet SNfL Wave Name REV Wet SNfR REV Dry SN REV PiccloSN REV Maple SN REV OIdFilISN REV 70s SN REV SN Roll REV NatrISN1 REV NatrISN2 REV BalladSN REV RkSNpL REV RkSNpR REV RkSNmfL REV RkSNmfR REV RkSNfL REV RkSNfR REV RkRimpL REV RkRimpR REV RkRimmfL REV RkRimmfR REV RkRimfL REV RkRimfR REV RkGstL REV RkGstR REV SnareGst REV JzSNpL REV JzSNpR REV JzSNmfL REV JzSNmfR REV JzSNfL REV JzSNfR REV JzSNffL REV JzSNffR REV JzRimpL REV JzRimpR REV JzRimmfL REV JzRimmfR REV JzRimfL REV JzRimfR REV JzRimffL REV JzRimffR REV Brush 1 REV Brush 2 REV Brush 3 REV JzSwish1 REV JzSwish2 REV 909 SN 1 REV 909 SN 2 REV RkRoll L REV RkRoll R Wave Name REV JzRoll REV Dry Stk REV DrySick REV Side Stk REV Wdy Stk REV RkStk1L REV RkStk1R REV RkStk2L REV RkStk2R REV Thrill REV Dry Kick REV Mpl Kick REV Rkkik p REV Rkkik mf REV Rkkik f REV Jzkik p REV Jzkik mf REV Jzkik f REV Jaz Kick REV Pillow K REV Jz Dry K REV LiteKick REV Old Kick REV Hybrid K REV HybridK2 REV 70s K 1 REV 70s K 2 REV Dance K REV 909 K 2 REV RkTomL1p REV RkTomL2p REV RkTomM p REV RkTomH p REV RkTomL1f REV RkTomL2f REV RkTomM f REV RkTomH f RE
72. O 7 3 7 T CH EFFECTS SHIFT ENTER UNDO ON OFF PHONES O U U U U U U A A VOLUME Knob PHRASE PREVIEW This adjusts the volume from the A MIX OUTPUT jacks and PHONES jacks The volume from the OUTPUT B and C jacks cannot be adjusted You can press the knob to listen to the XV 3080 without using any external devices Phrase Preview function p 13 PHONES J ack Headphones are plugged in here Quick Start p 10 B Display The display presents a variety of information about the operation being performed C SYSTEM Selects System mode This allows you to make settings that affect the entire XV 3080 UTILITY Selects Utility mode This button allows you to perform operations such as saving copying initializing transferring data write protecting data memory card management and factory reset operations D Function Select Buttons The functions of these buttons change depending on the K selected mode The blue labels show what the buttons do in Performance mode orange in Patch Rhythm Set mode and gray in System mode These buttons in each case provide access to relevant settings or parameters E PALETTE Press this button when you wish to use the Palette display to modify Patch or Performance settings EXIT Press this button when you wish to return to a mode s PL
73. Output Assign Output assign Output level Chorus Chorus send level Reverb Reverb send level PERFORM MFX TYPE Type MFX type Source MFX source PERFORM MFX PRM 1 MFX parameters PERFORM MFX CTRL Source MFX control source 1 2 3 4 Destination Destination 1 2 3 4 Sens MFX control sens 1 2 3 4 PERFORM MFX OUT Output Output Assign Dry MFX Output level Chorus Chorus send level Reverb Reverb send level PERFORM CHO TYPE Type Chorus type Source Chorus source PERFORM CHO PRM 3 Chorus parameters PERFORM CHO OUT Output Assign Chorus output assign Level Chorus level Select Chorus output select PERFORM REV TYPE Type Reverb type Source Reverb source PERFORM REV PRM 4 Reverb parameters PERFORM REV OUT Output Assign Reverb output assign Level Reverb level 1 Refer to MFX parameters Value ASCII Characters max 12 0 127 C 1 G9 C 1 G9 0 127 1 16 OFF Value MFX OUTPUT A C INDIV 1 6 PATCH 0 127 0 127 0 127 C1 1 16 PERFORM 2 C1 63 63 A B C 0 127 0 127 0 127 OFF CHORUS DELAY 1 16 PERFORM A B C 0 127 MAIN REV M R OFF CHORUS DELAY 1 16 PERFORM A B C 0 127 2 0FF CC01 95 except 32 BENDER AFTERTOUCH SYS CTRL1 SYS CTRL2 SYS CTRL3 SYS CTRL4 3 Refer to Chorus parameters 4 Refer to Reverb parameters MIDI Group p 106 Display Parameter MIDI Channel MIDI channel Rx Sw Receive switch Mute Sw Mute switch CH RxSWITCH BankSelect Transmit bank s
74. P Bass 1 P Bass 2 Stick Fretless A Fretless B Fretless C Fretless 2A Fretless 2B Fretless 2C UprightBs 1 UprightBs 2A UprightBs 2B No Wave Name No Wave Name No Wave Name No Wave Name No Wave Name 251 UprightBs 2C 301 Oboe mf A 351 OrcUnisonA L 401 Violin 2 B 451 Voice Aahs B 252 Ac Bass A 302 Oboe mf B 352 OrcUnisonA R 402 Violin 2 C 452 Voice Aahs C 253 Ac Bass B 303 Oboe mf C 353 OrcUnisonB L 403 Cello A 453 Voice Oohs1A 254 Ac Bass C 304 Oboe f A 354 OrcUnisonB R 404 Cello B 454 Voice Oohs1B 255 Slap Bass 1 305 Oboe f B 355 OrcUnisonC L 405 Cello C 455 Voice Oohs1C 256 Slap amp Pop 306 Oboe f G 356 OrcUnisonC R 406 Cello 2 A 456 Voice Oohs2A 257 Slap Bass 2 307 E Horn A 357 BrassSectA L 407 Cello 2B 457 Voice Oohs2B 258 Slap Bass 3 308 E Horn B 358 BrassSectA R 408 Cello 2 G 458 Voice Oohs2C 259 Jz Bs Thumb 309 E Horn C 359 BrassSectB L 409 Cello Wave 459 Choir 1A 260 Jz Bs Slap 1 310 Bassoon A 360 BrassSectB R 410 Pizz 460 Choir 1B 261 Jz Bs Slap 2 311 Bassoon B 361 BrassSectC L 411 STR Attack A 461 Choir 1C 262 Jz Bs Slap 3 312 Bassoon C 362 BrassSectC R 412 STR Attack B 462 Oohs Chord L 263 Jz Bs Pop 313 T_Recorder A 363 Tpt Sect A 413 STR Attack C 463 Oohs Chord R 264 Funk Bass1 314 T_Recorder B 364 Tpt Sect B 414 DolceStr A L 464 Male Ooh A 265 Funk Bass2 315 T_Recorder C 365 Tpt Sect C 415 DolceStr A R 465 Male Ooh B 266 Syn Bass A 316 Sop Sax A 366 Tb Sect A 416 DolceStr B L 466 Male Ooh G 267 Syn Bass C 317 S
75. Palette Function PERFORM 109 Palette Function RHYTHM 112 PAN MODULATE 96 PART 1 16 0UTPUD J l u uu aY 75 PART CONTROL GM 143 PART REY RANG eriet EER n Eaei aoe 104 PART MIDI usa hpa naka ah aieiaiee 106 PARUNHDIC GND qua q usa i eaa 144 PATRTPMODIEY rieten S au aus 105 PART MODIFY GM cee eeeecceececeeceeeeeeceeeeeeereeereees 143 PART OUTPUD science site Sst t a 26 PART OUTPUT GMM 0 I L u u ua 81 143 PART PATCH a ut nn h aa 104 PART PATCH GM uuu hawa E A 142 PART PITCH gua anan anna aa tisane 106 PART SETTING Za Qa may D u apa n 104 PART SETTING GM awana ian eindes 142 PATCH St manis i E E A quia 14 PATCH CATEGORY 85 PATCH CHO OUT L u T S u Ya 24 73 PATCH CHOPRM acean ieee a a a eia eia sia 23 PATCH CHO TY P u q A asa E AN 23 PATCH COMMON 73 85 Patch Findet a a na nam Sua a sagu a Qasaqa 16 PATCH LVLE amp PAN u aswaa aoii 72 85 PATCH MEX CURDS uua aaa sawa ataassaaaba 22 135 PATCH MEX OUT 22 73 PATCH MEX PRM LA its el Bian a Sa 22 PATCH MEX TYPE a a au una 22 PATCH MODIFY Q R Rana spt NANE 86 PATCH NAME ias saa ai 84 Patch Name Copy a n a asua ass 101 PATCHOCT amp TUNE aaa asas ides 85 PATCH PORTAME
76. Parameter 7 12768 52768 20000 20000 00 1F 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 8 12768 52768 20000 20000 00 23 0000 aaaa 0000 bbbb 0000 ccce 0000 dddd Reverb Parameter 9 12768 52768 20000 20000 00 27 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 10 12768 52768 20000 20000 00 2B 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 11 12768 52768 20000 20000 00 2F 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 12 12768 52768 20000 20000 00 33 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 13 12768 52768 20000 20000 00 37 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 14 12768 52768 20000 20000 00 3B 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 15 12768 52768 20000 20000 00 3F 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 16 12768 52768 20000 20000 00 43 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 17 12768 52768 20000 20000 00 47 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 18 12768 52768 20000 20000 00 4B 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 19 12768 52768 20000 20000 00 4F 0000 aaaa 0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 20 12768 52768 20000 20000 an 00 00 00 53 Total Size 1 3 2 5 Rhythm Tone
77. Patches 127 and 128 since you will have attempted to send five Patches to the last two USER memory locations 127 and 128 Had you selected 124 as a destination memory locations 124 128 would have accommodated all five Patches Chapter 7 Saving a Sound You Create Type Block XP A F can be selected only if the corresponding Wave Bn a 2 Expansion Board is installed CARD Performance Patch Rhythm Set Favorite List System data stored on a memory card will be ALL PR A B 1 PERFORM USER 2 01 64 PR A B 3 01 32 CARD 01 64 6 PATCH USER 2 001 128 TRANSFERt Tyre Block h PR A F 3 001 128 TO USER JPERFORM CARD 81 SOUND_ 8 SUD T CARD 001 128 5 Filenumber File name XP A F 4 RHYTHM USER 2 144 PR A F 3 1 2 transmitted Destination This sets the transmission destination to USER If the Type parameter has been set to PERFORM PATCH or CARD 14 5 RHYTHM you must specify the first memory location XP A F 4 a Pore number of the transmission destination SYSTEM CARD 6 F LIST CARD x6 1 Press UTILITY to make its indicator light 1 Since there are no others Performances other than PR A B 2 Press y 171 A to select the UTIL 1 page cannot be selected 3 Press to make XFER blink 2 Move data within the User Memory in block units The Move ie destination Patch is overwritten 4 Press ENTER 3 PR H uses GM data and cannot be transmitted 5 Press Y to select the TRANSFER TO MI
78. Patches with modified octave settings from the PRESET group s Bank E PR E CARD This library uses sounds from a commercially available memory card SmartMedia inserted into the MEMORY CARD slot When saving a file to the card you can directly select Tones contained on the card even without loading the files into the USER memory by specifying the group CD A through CD R Transmitting to a Memory Card Save p 125 PRESET The PRESET library group contains the sounds that are permanently stored in the XV 3080 s memory You can modify PRESET sounds and save them in the USER or CARD groups PRESET Banks A and B PR A PR B contain all of the XV 3080 s built in Performances EXP Ex pansion This group contains sounds from any wave expansion boards SRX and SR JV80 series sold separately installed in slots EXP A F You cannot alter the contents of the EXP group though you can modify its sounds and save them as new sounds in the USER or CARD group The number of Patches and Rhythm Sets in the EXP group depends on the specific wave expansion boards installed The EXP group contains no Performances Precautions When Installing Wave Expansion Board Quick Start p 2 It is not possible to select an EXP Patch unless a wave expansion board is inserted into the corresponding slot CARD sounds can be selected only if a SmartMedia card is inserted into the MEMORY CARD slot 15 Chapter 1 Selecting a
79. Rhythm Tones should be turned off Wave Tempo Sync This determines whether the waveform is synchronized ON or not synchronized OFF to the Patch s tempo WMT VEL RANG WMT Velocity Range Lower Upper Velocity range lower upper This determines what will happen to the waveform s level when it is played at a velocity lower or higher than its specified velocity range Higher settings produce a more gradual change in volume If you don t want notes played outside the specified velocity range to be heard at all set this to 0 LFade U Fade Velocity fade width lower upper This sets the lowest and highest velocities at which the waveform will sound This feature is useful when you want different waveforms to be heard depending on how hard you play the Rhythm Set It is not possible to set the Lower value higher than the Upper value or the Upper value below the Lower value If you attempt to do so the two values will change simultaneously VELO CONTROL WMT Velocity Control Switch This determines whether Velocity messages from a MIDI keyboard or sequencer will be recognized ON or ignored OFF When set to RANDOM the Patch s constituent Tones will sound randomly regardless of any Velocity messages WMT PAN WMT Wave Pan Pan Wave pan L64 0 63R This establishes the stereo location of the waveform L64 places it hard left 0 outs it dead center and 63R pans it hard right The overall panning of
80. S Sa 98 LFO1 LFO2 DELAY u tanito ei sE EE EREN 98 LFOLGEO2 FADE uz ua uapa hisa Eiaa 97 LFO1 LFO2 WAVE 97 LSPA Rc Sa Sa Anima a Rm aaa asuykukuy 42 LOFE COMPRESS 2 80 erin einen 64 LOFL NOISE ingroei an aa eia 64 Low Frequency Oscillator 83 POB Ea AA a aa au N testes este AA N 18 19 M Master Key Shift aa SS seeks 130 M ster Tune asss au u US us 130 Matrix Control sa asuas asan aaa nren i 140 Matrix control source a 100 MATRIX CTR1 4 100 136 MATRIX CTRL SRC oo eee SS os sos a an 100 136 Memory Cat u p u Sau a tne 125 MEX nimenne a aE ei qiayqa ios 21 MFX TYPE usata ha qhasa dhan 36 NHDIIHPERPORND S Sea e ss awayu akakaiakoqa 106 MODE s cise asics EEA A salah diamante 14 MODULATION DELAY u L a eceeeecneeteneeseeeeseeeeaeeeaes 47 MSB aga upaqa apauni 18 19 MULT TAP DELAY caoot r ka EE E 60 Miilti Etfects eo eane a AEEA wass 21 O Octave shift veraa E eee ss 85 OUTPUT Q a Aqa aus nta S una 31 OUTPUT Tone Output a 72 OVERDRIVE u panapas aa nu 38 Q VERDIEIPVEI SI Zh p ott uuu u ae R usus 65 OVERDRIVE CHORUS a 52 OVERDRIVE 9DELAY casitas niii 53 OVERDRIVE gt FLANGER 52 P Palette Function PATCH a aa aaastsstaqass 90
81. U U U U U U U U With the XV 3080 up to four stereo Waves can be assigned to a single Rhythm Tone You can select the way tones sound according to the force with which the keys are played thus allowing you to create Rhythm Tones featuring great expressive power This function is called WMT Wave Mix 113 re gt g x g s e Chapter 6 Creating a Rhythm Set Table Group Wave group This selects the desired waveform s group Number Wave number This selects the desired waveform by its number You can choose a separate waveform for each of the XV 3080 s left and right channels The selected wave s name will appear to the right of the wave number parameter Gain Wave gain This specifies the gain or amplitude of the waveform The value changes in 6 dB decibel steps an increase of 6 dB doubles the waveform s gain If you intend to use the Booster to distort the waveform s sound set this parameter to its maximum value Level Wave level 0 127 This adjusts the volume of each of the Rhythm Tone s waveforms to establish the desired volume balance between the waves The overall volume of each waveform is determined by the Tone Level setting TVA page combined with the WMT Wave Tone Level setting p 117 Switch Wave switch This specifies whether the Rhythm Tone will sound ON or not OFF In order to make best use of the available number of simultaneous voices unused
82. XV 5080 gt 00 2F 00 System Part Part 32 lt XV 5080 gt 1 3 Temporary Patch Rhythm Offset Address Description 00 00 00 Temporary Patch 1 3 1 10 00 00 Temporary Rhythm 1 3 2 1 2 Performance Offset Address Description 00 00 00 Performance Common 1 2 1 00 02 00 Performance Common MFX 1 2 2 00 04 00 Performance Common Chorus 1 2 3 00 06 00 Performance Common Reverb 1 2 4 00 10 00 Performance MIDI Channel 1 1 2 5 00 11 00 Performance MIDI Channel 2 00 1F 00 Performance MIDI Channel 16 00 20 00 Performance Part Part 1 1 2 6 00 21 00 Performance Part Part 2 00 2F 00 Performance Part Part 16 00 30 00 Performance Part Part 17 lt XV 5080 gt 00 31 00 Performance Part Part 18 lt xV 5080 gt 00 3F 00 Performance Part Part 32 lt XV 5080 gt 1 3 1 Patch Offset Address Description 00 00 00 Patch Common 1 3 1 1 00 02 00 Patch Common MFX 1 3 1 2 00 04 00 Patch Common Chorus 1 3 1 3 00 06 00 Patch Common Reverb 1 3 1 4 00 10 00 Patch TMT Tone Mix Table Eo 00 20 00 Patch Tone Tone 1 1 3 1 6 00 22 00 Patch Tone Tone 2 00 24 00 Patch Tone Tone 3 00 26 00 Patch Tone Tone 4 1 3 2 Rhythm Offset Address Description 00 00 00 Rhythm Common 1 3 2 1 00 02 00 Rhythm Common MFX 1 3 2 2 00 04 00 Rhythm Common Chorus 1 3 2 3 00 06 00 Rhythm Common Reverb 1 3 2 4 00 10 00 Rhythm Tone Key 21 1 3 2 5 00 12 00 Rhythm Tone Ke
83. aaaa Drum Map Name 6 32 127 32 127 ASCII 41 mO 06 Oaaa aaaa Drum Map Name 7 32 127 32 127 ASCII 41 mO 07 Oaaa aaaa Drum Map Name 8 32 127 32 127 ASCII 41 mO 08 Oaaa aaaa Drum Map Name 9 32 127 32 127 ASCII 41 mO 09 Oaaa aaaa Drum Map Name 10 32 127 32 127 ASCII 41 mO OA Oaaa aaaa Drum Map Name 11 32 127 32 127 ASCII 41 mO OB Oaaa aaaa Drum Map Name 12 32 127 32 127 ASCII 41 ml rr Oaaa aaaa Play Note Number 0 127 41 m2 rr Oaaa aaaa Level 0 127 41 m3 rr Oaaa aaaa Assign Group Number 0 127 NON 1 127 41 m4 rr Oaaa aaaa Panpot 0 127 RAMDOM L63 63R 41 m5 rr Oaaa aaaa Reverb Send Level 0 127 0 0 1 0 41 m6 rr Oaaa aaaa Chorus Send Level 0 127 0 0 1 0 41 m7 rr 0000 000a Rx Note Off 0 1 OFF ON 41 m8 rr 0000 000a Rx Note On 0 1 OFF ON m Map number 0 MAP1 MAP rr drum part note number 00H 7FH sooipueddy 191 MIDI Implementation Decimal and Hexadecimal table An H is appended to the end of numbers in hexadecimal notation In MIDI documentation data values and addresses sizes of Exclusive messages etc are expressed as hexadecimal values for each 7 bits The following table shows how these correspond to decimal numbers D H D H D H D H 0 OOH 32
84. aaaa LFO2 Rate Detune Oe L272 01 00 Oaaa aaaa LFO2 Delay Time O 127 01 01 000a aaaa LFO2 Delay Time Keyfollow 54 74 100 100 01 02 0000 00aa LFO2 Fade Mode CO 33 KEY ON IN KEY ON OUT KEY OFF IN KEY OFF OUT 01 03 Oaaa aaaa LFO2 Fade Time 0 127 01 04 0000 000a LFO2 Key Trigger 0 1 OFF ON 01 05 Oaaa aaaa LFO2 Pitch Depth Tes 127 TES gt 63 01 06 Oaaa aaaa LFO2 TVF Depth 1 127 i e 4 63 01 07 Oaaa aaaa LFO2 TVA Depth tA 127 63 63 01 08 Oaaa aaaa LFO2 Pan Depth 1 227 63 63 00 00 01 09 Total Size 1 3 2 1 Rhythm Common Offset Address Description 00 00 Oaaa aaaa Rhythm Name 1 32 127 32 127 ASCII 00 01 Oaaa aaaa Rhythm Name 2 32 127 32 127 ASCII 00 02 Oaaa aaaa Rhythm Name 3 32 127 32 127 ASCII 00 03 Oaaa aaaa Rhythm Name 4 32 127 32 127 ASCII 00 04 Oaaa aaaa Rhythm Name 5 32 127 32 127 ASCII 00 05 Oaaa aaaa Rhythm Name 6 32 127 32 127 ASCII 00 06 Oaaa aaaa Rhythm Name 7 32 127 32 127 ASCII 00 07 Oaaa aaaa Rhythm Name 8 32 127 32 127 ASCII 00 08 Oaaa aaaa Rhythm Name 9 32 127 32 127 ASCII 00 09 Oaaa aaaa Rhythm Name 10 32 127 32 127 ASCII 00 OA Oaaa aaaa Rhythm Name 11 32 127 32 127 ASCII 00 0B Oaaa aaaa Rhythm Name 12 32 127 32 127 ASCII 00 oc Oaaa aaaa Rhythm Level 0 127 00 OD 0000 000a Rhythm Clock Source 0 1 RHYTHM SYSTEM 00 OF 0000 aaaa 0000 bbbb R
85. as 27 OVERDRIVE FLANGER DiyTime Delay time 0 0 500 0 ms with the exception of the following two Diy Fbk Delay feedback level 98 98 OD Drive Dist Drive OD Pan Dist Pan HF Damp HF damp 200 8000 Hz OD Drive Dist Drive OD Pan Dist Pan BYPASS 1 Delay Balance Delay balance D100 0W D0 100W 31 DISTORTION gt DELAY p 54 Level Output level 0 127 The parameters are essentially the same as 28 OVERDRIVE gt DELAY with 1 200 250 315 400 500 630 800 1000 1250 1600 2000 2500 3150 the exception of the following two 4000 5000 6300 8000 Hz BYPASS OD Drive Dist Drive OD Pan Dist Pan OD Drive sDist Drive OD Pan Dist Pan 37 CHORUS gt FLANGER p 56 32 ENHANSER gt CHORUS p 54 r arameler zeus Parameter Value Cho Dly Chorus pre delay time 0 0 100 0 ms pa ee ERA Re SO ChoRate Chorus rate 0 05 10 00 Hz Enhancer Sens Enhancer sens 0 127 Cho Dpt Chorus depth 0 127 Enhancer Mix Jenhanesrta level 0 124 Cho Bal Chorus balance D100 0W D0 100W Cho Dly Chorus pre delay time 0 0 100 0 ms Fig Dly Flanger pre delay time 0 0 100 0 ms ChoRate Chorus rate 0 05 10 00 Hz FigRate Flanger rate 0 05 10 00 Hz Chorus Depth Chorus depth 0 127 Fig Dpt Flanger depth 0 127 Chorus Balance Chorus balance D100 0W D0 100W Flg Fbk Flanger feedback level 98 98 Level Output level 0127 Flanger Balance Flanger balance D100 0W D0 100W 33 ENHANSER gt FLANGER p 54 ora ee vee caama o M 38 CHORUS DELAY p 57 Enhancer Sens Enhancer Sens 0 127 Ref
86. between upper and lower cases INS This inserts a space at the cursor position shifting the remaining characters one space to the right DEL This deletes the character at the cursor position shifting the remaining characters one space to the left Press each of the buttons to execute the corresponding function refer to the figure Chapter 4 Creating a Patch PATCH l 4voicePianol NAME 4 IRzal INSIDEL COMMON EFFECTS MIDI PART INEP COMMON EFFECTS CONTROL WAVE LFO PIT TA T SETUP aa CONTROL MIDI PREVIEW TU E INS U EEEE PATCH CATEGORY Category Patch category U This specifies the type or category of the Patch The Patch Finder uses this setting It also determines the phrase that will be heard when you audition the Patch using the Phrase Preview feature For details on the possible category names refer to p 17 PATCH LVL amp PAN Patch level amp Pan Level Patch level O 127 This specifies the volume of the Patch You can specify the level of each Tone in a Patch using the Tone Level parameter TVA p 95 Pan Patch pan L64 0 63R This sets the stereo position of the Patch L64 pans the Patch all the way to the left 0 is center and 63R pans it hard right You can specify the pan setting for each Tone in a Patch using the Tone Pan parameter TVA p 95 While each Tone in a Patch has its own Pan position the Patch pan setting shifts the entire Patch
87. blink 128 4 Press ENTER 5 Press lt B gt to move the cursor to the Destination position and then select MIDI by turning the VALUE dial 6 Press a B to move the cursor to any other desired parameter 7 Turnby the VALUE dial or by press INC DEC select the desired value 8 Press ENTER to execute the data transmission To interrupt the transmission of data press EXIT 9 Press EXIT to return to the previous page Transmitting to User Memory You can transmit Patch Performance or Rhythm Set settings to the USER memory and System settings to the System memory By loading sound data from a memory card or Wave Expansion Boards to USER memory you can bring new sounds into a Performance TFERHSFEFT Tyre Block CENTER I T USEF J ALL FR A User Data type Destination Source block You can specify the data to be transmitted by selecting the appropriate combination shown below For example if you wish to transmit only the PR A group Patch 001 specify PATCH PR A 001 001 If the selected data is too large to fit completely into the transmission destination as much of the data as will fit will be transmitted starting at the first number of the specified transmission destination Example Block PATCH PR A 001 005 Destination User 127 If data is transmitted with the above settings only the two PR A group Patches 01 and 02 will be successfully transmitted to USER group
88. boost or cut Level Output Level Positive settings will emphasize boost the low Adjust the output level frequency range 56 STEREO LIMITER Hi Gain Adjust the high frequency gain amount of boost or cut Lin L out Positive settings will emphasize boost the high frequency range q y rang Rin 2 Band EQ R out A T A Simulator Switch T m a AOE TE Thre Threshold Level Turns the Amp Simulator on off Adjust the volume at which compression will begin And djust the type of guitar amp SMALL small amp Release Release Time BUILT IN single unit type amp Adjust the time from when the volume falls below the 2 STACK large double stack amp Threshold Level until compression is no longer applied 3 STACK large triple stack amp Tone Adjust the sound quality of the Overdrive effect Pan Output Pan Adjust the stereo location of the output sound A setting of L64 is far left 0 is center and 63R is far right Chapter 2 Using the XV 3080 Effects Ratio Compression Ratio Adjust the compression ratio Gain Post Gain Adjust the output gain Low Gain Adjust the low frequency gain Hi Gain Adjust the high frequency gain Level Output Level Adjust the output level 57 GATE The Gate effect cuts the reverb s delay according to the volume of the sound input to the effects device Use this in situations such as when you want to force a decrease in the decay sound Key Selec
89. creates a soft distortion similar to that produced by vacuum tube amplifiers gt L out gt R out Drive Adjust the degree of distortion The volume will change together with the degree of distortion Level Output Level Adjust the output level Low Gain Low Gain Adjust the gain of the low frequency range Hi Gain High Gain Adjust the gain of the high frequency range Amp Type Amp Simulator Type Select the type of guitar amp SMALL small amp BUILT IN single unit type amp 2 STACK large double stack amp 3 STACK large triple stack amp Pan Output Pan Adjust the stereo location of the output sound L64 is far left 0 is center and 63R is far right 3 DISTORTION This effect produces a more intense distortion than Overdrive Lin gt L out Simulator a Pan R gt R out G Distortion Rin Drive Adjust the degree of distortion The volume will change together with the degree of distortion Level Output Level Adjust the output level LowGain Low Gain Adjust the gain of the low frequency range Hi Gain High Gain Adjust the gain of the high frequency range Amp Type Amp Simulator Type Select the type of guitar amp SMALLismall amp BUILT IN single unit type amp 2 STACK large double stack amp 3 STACK large triple stack amp Pan Output Pan Adjust the stereo location of the output sound L64 is far left 0 is center and 63R is far right Chapter
90. f REV Ride 1 REV Ride 2 REV RideBell REV RkCCym1p REV RkCCym1f REV RkCCym2p REV RkCCym2f REV RkSplash REV JzCCym p REV JzCCym f REV CrashCym REV Crash 1 REV RkChina REV China REV Cowbell REV WoodBlck REV Claves REV Conga REV Timbale REV Maracas REV Guiro REV Tamb 1 REV Tamb 2 REV Cuica REV Timpani REV Timp3 pp REV Timp3 mp REV Metro MIDI Implementation Model XV 3080 Date Dec 18 1999 Version 1 0 1 Receive data Channel Voice Messages Not received in Performance mode when the Receive Switch parameter PERFORM PART is OFF Note off Status 2nd byte 3rd byte 8nH kkH vvH 9nH kkH 00H n MIDI channel number 0H FH Ch 1 16 kk note number 00H 7FH 0 127 vv note off velocity 00H 7FH 0 127 Not received when the Envelope Mode parameter PATCH TONE and RHYTHM TONE is NO SUS Note on Status 2nd byte 3rd byte 9nH kkH vvH n MIDI channel number 0H FH Ch 1 16 kk note number 00H 7FH 0 127 vv note on velocity 01H 7FH 1 127 Polyphonic Key Pressure Status 2nd byte 3rd byte AnH kkH vvH n MIDI channel number 0H FH Ch 1 16 kk note number 00H 7FH 0 127 vv Polyphonic Key Pressure 00H 7FH 0 127 Not received in Performance mode when the Receive Polyphonic Key Pressure parameter PERFORM MIDI is OFF Control Change If the corresponding Controller number is selected for the Patch Control Source 1 2 3 or 4 param
91. for 32 BENDER Pitch Bend AFTERTOUCH Aftertouch SYS CTRL 1 4 System control Control 1 4 Destination This selects the Multi Effects parameter to be controlled using the MFX Control 1 4 source Sens MFX Control Sens 63 63 If you wish to modify the selected parameter in a positive direction i e a higher value toward the right or faster etc from its current setting select a positive value If you wish to modify the selected parameter in a negative direction i e a lower value toward the left or slower etc from its current setting select a negative value Higher numbers produce a greater amount of change RHYTHM MFX OUT Rhythm MFX Output Output Output Assign A B C This setting specifies the stereo pair of OUTPUT jacks to which the stereo output of the Multi Effects unit is routed Dry Dry Output Level 0 127 This sets the Multi Effects unit s output level to the selected jacks Chorus Chorus Send Level 0 127 This sets the amount of the Multi Effect unit s output to be sent to the Chorus Reverb Reverb Send Level 0 127 This sets the amount of the Multi Effect unit s output to be sent to the Reverb Making Chorus Settings The XV 3080 s Chorus effect unit can also be used as a stereo delay unit These settings allow you to select chorus or delay the characteristics of the selected effect type and the Chorus output routing RHYTHM CHO TYPE Rhythm Cho
92. frequency range selected with LF Damp With a setting of 0 there will be no reduction of the reverb s low frequency content HF Damp Frequency 3 This specifies the frequency above which the high frequency content of the reverb sound will be reduced or damped HF Damp Gain 36 0 dB This adjusts the amount of damping applied to the frequency range selected with HF Damp With a setting of 0 there will be no reduction of the reverb s high frequency content 1 160 200 250 320 400 500 640 800 1000 1250 1600 2000 2500 3200 4000 5000 6400 8000 10000 12500 Hz BYPASS 2 50 64 80 100 125 160 200 250 320 400 500 640 800 1000 1250 1600 2000 2500 3200 4000 Hz 3 4000 5000 6400 8000 10000 12500 Hz PERFORM REV OUT Performance Reverb Output Output Assign Reverb Output Assign A B C This setting allows you to specify the pair of OUTPUT jacks to which the stereo output of the Reverb is routed Level Reverb Level 0 127 This specifies the output level of the Reverb 30 Chapter 2 Using the XV 3080 Effects Adjusting Effect Settings in Rhythm Set Mode RHYTHM EFFECTS You can apply Multi Effects Chorus or Reverb to each of a Rhythm Set s Tones You can control the amount of effect to be applied to each Tone by adjusting its send level to the Multi Effects Chorus and Reverb Rhythm Set J B1 fa RHYTHM Multi Effects D7 TONE
93. frequency Lower settings will cause the effect to be applied in a broad area around the center frequency Higher settings will cause the effect to be applied Chapter 2 Using the XV 3080 Effects in a more narrow range Rate Adjust the frequency of the modulation Depth Adjust the depth of the modulation Level Output Level Adjust the output level 8 ROTARY The Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past Since the movement of the high range and low range rotors can be set independently the unique type of modulation characteristic of these speakers can be simulated quite closely This effect is most suitable for electric organ Patches Lin L out p R in R out Low Slow Low Frequency Slow Rate Adjust the slow speed SLOW of the low frequency rotor Low Fast Low Frequency Fast Rate Adjust the fast speed FAST of the low frequency rotor LowAccl Low Frequency Acceleration Adjust the time it takes the low frequency rotor to reach the newly selected speed when switching from fast to slow or slow to fast speed Lower values will require longer times Low Lvl Low Frequency Level Adjust the volume of the low frequency rotor Hi Slow High Frequency Slow Rate Adjust the slow speed SLOW of the high frequency rotor Hi Fast High Frequency Fast Rate Adjust the fast speed FAST of the high frequency rotor Hi Acci High Frequency Accelera
94. geen 21 REVERSE DELAY lunas aaa la aaa a ntamasqs 61 IED a V SSS E E E A 14 RHYTHM CHO OUT hinin e ee a 33 79 RHYTHM CHO PRM a a 32 RHYTHM CHO TYPE esireast etyka eraitera aie 32 RHYTHM COMMON a 78 111 Rhythm Key Copy a 119 RHYTHM MFX CTRL a aa 31 RHYTHM MEX OUT annus okeere 32 79 RHYTHM MEX PRM J aaaaasassaasakassqasssa 31 RHYTHM MEX TYPE rsio eerti a 31 RHYTHM NAME cccccccsesesteescsteteeeeeceeesesssnananenens 111 RHYTHM REV OUT sasana cs kuyka shasha 35 79 RHYTHM REV PRM a aaaaaasaassass 34 RHYTHM REV TYPE e ra EEE U EERTE E a 34 Rhythm Set Name Copy a 120 RHYTHM TEMPO Sa z abis ns in gh 111 RING MODULATOR 60 Ring Modulator seiersen ieei rentesi 89 ROTARY3 G nz qatipa taebuqaaassat EEEE EERE 41 198 REN EER E ata La Wu atau AATA 139 RC EXCL ceteris i aa akoma Da oe 132 Rx MIDI agsia u us nu aa ices ates 119 s Scale Pgneus sesama panca um see ei ua 130 SHUFFLE DELAY uu sa un npa anu 62 SLICER usun sasaqa haapa ushi g ua kantu 67 SmattMedi aeriene aa aqha aaa 125 SOUND LIBRARY u nas luma U NR uY 15 SPA GED ici u 2 ananas sisi ew ee 43 SPEAKER SIMULATOR 65 SPECTRUM aiieieo iR iat 40 Stack funct On se s nasa nm u atie SO 133 STEP FLANGER 45 STEREO CHORUS were stendindiosvssticenves
95. holding down SHIFT press the VALUE dial Tf you make a mistake when selecting a parameter value or if you do not like a change you have made press UNDO to restore the parameter to its original value 4 If you wish to edit other parameters press A Y to select the desired parameter 5 Repeat Steps 2 4 to adjust the parameter s value 6 To leave the Palette page press PALETTE to turn off its indicator 7 Press EXIT to return to the PATCH PLAY page Tips for Selecting a Waveform Because the XV 3080 is designed to create completely realistic sounds the editing process depends heavily on the complex PCM waveforms upon which Tones are based Therefore if you try to create a sound that is totally different from the waveform s you re working with the desired result may be difficult or impossible to achieve The XV 3080 s internal waveforms fall into the following two groups One shot These waveforms contain sounds that have short decays A one shot waveform records the initial rise and fall of its sound Some of the XV 3080 s one shot waveforms are sounds that are complete in themselves such as percussive instrument sounds The XV 3080 also contains many other one shot waveforms that are elements of other sounds These include attack components such as piano hammer sounds and guitar fret noises Looped decays as well as sustained sounds With looped waveforms These waveforms include soun
96. is changed in a stepped fashion ON or not OFF Mix Mix Level Adjust the volume of the phase shifted sound relative to the direct sound Low Gain Adjust the low frequency gain amount of boost or cut Positive settings will emphasize boost the low frequency range Hi Gain Adjust the high frequency gain amount of boost or cut Positive settings will emphasize boost the high frequency range Level Output Level Adjust the output level 42 KEYSYNC FLANGER Keysync FLanger controls the Flanger by resetting the effect at the volume of the sound input to the effects device restarting from the same pitch each time the Flanger is reset This parameter lets your playing dynamics on the keyboard control the flanger effect a H Flanger Feedback Feedback am Flanger N 2 Band Pre Dly Pre Delay Time Lin Adjust the time delay from the original sound until the flanger sound is heard Rate LFO Rate Adjust the modulation frequency of the flanger sound Depth LFO Depth Adjust the modulation depth of the flanger sound Fbk Feedback Adjust the proportion of the flanger sound that is to be returned to the input Positive settings will return the signal to the input with the original phase while negative settings produce an inverted phase Higher settings will produce a more distinctive sound Phase 0 180 deg Adjust the spaciousness of the fla
97. mixer For a mono output use only the L jack Quick Start p 10 These jacks are used when the SYSTEM SETUP Mix Parallel parameter is set to MIX p 73 p 76 p 79 p 81 The XV 3080 as shipped from the factory routes the output of all PRESET Patches to these jacks P OUTPUT B C OUTPUT Jacks L R These jacks send audio signals in stereo L R from the XV 3080 to an amp or mixer Quick Start p 10 12 Q Q OUTPUT INDIVIDUAL 1 6 OUTPUT Jacks These jacks output audio signals in mono from the XV 3080 to an amp or mixer Quick Start p 10 Chapter 1 Selecting and Playing a Sound Auditioning Sounds on the XV 3080 Phrase Preview The Phrase Preview feature allows you to audition Patches on the XV 3080 even when it s not connected to a MIDI keyboard or sequencer You can preview a Patch using a Phrase that s appropriate to the Patch s type or category 1 Press PATCH to make its indicator light 2 Turn the VALUE dial or press INC DEC to select the desired Patch 3 Press and hold the VOLUME knob The Patch plays its preview Phrase for as long as the knob is held down When you preview a Rhythm Set the XV 3080 plays a percussion Phrase Phrase Preview also allows you to audition a Performance when you preview a Performance you hear a Phrase appropriate to the currently selected Part A USER Patch or a Patch from an optional Wave Expansion Board SR X SR JV80 se
98. of the Tones as shown below tone 1 tone 2 Form SIN SIN Rate 64 127 9 Select the Number for Tones 1 and 2 on the WAVE page PATCH WAVE p 91 You can use the Palette function p 90 to display the Number for four Tones in one window making it easier to make these settings 10 Press EXIT to return to the PATCH PLAY page Other possible applications include synchronizing the Control Source LFO rate to the tempo assigning Modulation and other parameters to the Control Source and changing the Tone in realtime from a MIDI keyboard or other such device 140 Chapter 9 Examples of Applications Using the XV 3080 Using the XV 3080 asa General MIDI Sound Module The XV 3080 features a GM mode a convenient way to play back or create GM score data music files for General MIDI sound module You re able to play back commercial GM score data releases and even modify various parameter settings for enhanced musical expression Entering GM Mode Basically GM mode is similar to a special kind of Performance in which a General MIDI System Rhythm Set is assigned to Part 10 and General M

Roland XV-3080 user manual

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