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ZOOM G2.1u Manual

1. USB connector Allows you to connect the G2 1u to a computer TL for exchanging audio data When you plug a cable m EN Y DC IN jack from this connector into the USB port of the 2 An AC adapter ZOOM computer you can use the G2 1u as an audio AD 0006 with a rated interface for the computer output of 9 volts DC 300 AC adapter mA center minus plug can be plugged into this jack OUTPUT PHONES jack POWER itch This stereo phone jack serves for i ifi switc connection to a guitar amplifier or m OS Turns the unit on and off recorder It is also possible to use a Y cable for sending the output to CONTROL IN jack two amplifiers or to plug a pair of Serves for connection of the optional foot switch FSOI or expression pedal 1 2 stereo headphones into this jack gt 1 2 Fso1 6 ZOOM G2 1u ZOOM G2 1u 7 MTR multitrack recorder Selecting a Patch To try out the various effects of the G2 1u we recommend that you simply play your instrument while switching patches E Turn power on e Use a monaural shielded cable to connect the guitar to the INPUT jack of the G2 1u e When using the G2 1u with the AC adapter plug the adapter into the outlet and plug the
2. uh 3 metros sa CATCH US IF YOU CAN ZOOM CORPORATION ITOHPIA Iwamotocho 2chome Bldg 2F 2 11 2 Iwamoto cho Chiyoda ku Tokyo 101 0032 Japan Web Site http www zoom co jp G2 1u 5000 1 Please use patches for Live when you use guitar amp and use patches Recording Ge a Patch Li st when you connect your guitar directly to a recorder Name of patches for Live for Recording RECTIFYING This patch is modeled after the powerful sound which uses the silicone rectifier section of that popular amplifier You may want to play riffs and solos with this sound valued by heavy rock guitarists Referenced album Hybrid Theory by Linkin Park 2001 LUSH LIFE This sound features the high quality sound of our G2 s signal processing technology with a clean and lush chorus plus a delay patch Try to use it for accompaniments in pop music or solo music with your favorite guitar We have already started to call the sound of this UK rock band traditional This patch is modeled after the punchy sound of the overdriven JCM 800 amplifier and thus it is suitable also for the hard plucking of modern punk rock guitar style This is the sound of Humble Pie in later years with Dave Clemson as its guitar player Referenced album Smokin by Humble Pie 1972 We took advantage of a newly developed fast tracking pitch shift algorithm and created this simulated synthesizer sound We hope you will come up
3. E Set the G2 1u to play mode e If the Module selector is set to a position other than PLAY set it to PLAY Adjust the tempo 2 Start the rhythm The MU po tempo can be adjusted in the function range of 40 250 BPM beats per minute m xa e To continuously change the rhythm e To start the rhythm function press s X CE e tempo turn Parameter knob 2 th e RHYTHM W key ii mu er 1 GAIN SLEVEL DRIVE MOD SFX HARMONICS DELAY REVERB To manually specify the rhythm tempo Oa hit the TAP key at least three times in the desired interval At the first push of the TAP key the current tempo value is shown on the display The G2 1u then automatically detects the interval for the second and subsequent keypresses and sets the 3 Select a rhythm tempo accordingly pattern While the above steps are carried out the current E tempo value 40 250 is shown on the display The G2 1u has 40 built in rhythm patterns For values in the range from 100 to 199 a dot is For more information on the pattern contents shown after the first digit For values of 200 and see the back cover of this manual above dots are shown after the first and second digits e To continuously Switch rhythm BANK PATCH patterns turn Parameter knob 1 x 71 NOTE During rhythm playback the REVERB module is OFF y
4. PRESEMCE TREBLE MIDDLE CHANNEL VOLUME INPUT EP LEAN CRUNCH 2 In case of patches for Recording CO C9 dO d9 Y 2 BRIGHT 43 o gt N a cO NORMAL 01 VOLUME TREBLE MIDDLE Roland 76 120 In case of patches for Live AO A9 bO b9 BRI VOLUME TREBLE MIDDLE In case of patches for Recording CO C9 dO d9 BRI VOLUME TREBLE MIDDLE When you use guitar amp for recording patches not only intended modeling sound will not existing but also you hear harsh sounding sometimes Please adjust guitar amp setting as above reference Introduction for newly developed effects Early Reflection is the component of the reverb sound that reaches to the listener first after the original sound has bounced off the wall The reverb sound consists of this early reflection and the late reflection and the former characterizes the size of the room The early reflection effect extracted from the whole reverb sound has been quite popular among the rack mounted signal processors but we have arranged this effect on the G series especially for the guitar To get the most popular type of this effect you can set the SHAPE parameter to the plus value decaying effect and adjust the DECAY parameter to decide the size of the simulated room If you would like a wild effect set the SHAPE parameter to the extreme minus value and you will get the special effect that sounds like the tape machine played in rev
5. E e To select the next higher or next te Bir lower rhythm pattern press one of Dot is shown Dots are shown the BANK keys Tempo 120 BBM Tempo 240 BPM When the above steps are carried out the current rhythm pattern number 01 40 is briefly shown on the display Stop the rhythm e To stop the rhythm press the RHYTHM gt Bl key The G2 1u returns to the previous condition Editing a Patch The patches of the G2 1u can be freely edited by changing the effect parameter settings Try editing the currently selected patch to create your own sound position E Select the effect module Turn the Module selector to select the effect module to edit The following settings are available 5 4 orive 0 6 3 ZNR MOD SX 7 2 DELAY 8 1 come REVERB 9 N RATE m FEEDBACK 4 MIDDLE TREBL i PRESENCE MIC POS HARMO uma 01801010 1 COMP module 2 WAH EFX module 3 ZNR module 4 DRIVE module 5 EQ module 6 EXTRA EQ CABI amp MIC module 7 MOD SFX module 8 DELAY module 9 REVERB module 10 Pedal foot switch related parameters DRIVE EXTRA EQ CABI amp MIC ZNR ia MOD SFX DELAY V TEAADA rm REVERB es ON H T P PEDAL ASSIGN REVERB RO GUITAR EFFECTS EDAL e lu When you switch to a different module the effect type currently sel
6. Cubase LE Project Untitled DEBE a pope NICHT S 8 8 XT 2185 No Object Selected HINT You can add several tracks at once by accessing the Project menu selecting Add track and then selecting Multiple in the submenu Make the following settings for the new audio track 1 Drag the audio track boundary to the right to display all buttons 2 Verify that the Monitoring On button is Off grayed out If the button is On click the button to turn it Off dO CS Cs 810 A ipAEXESEST q 3 Click the Stereo Mono button to set the audio track to Stereo When the button is not grayed out and has changed from to the track is active as a stereo track 13 Access the Devices menu and select VST Inputs The VST inputs window appears This window shows the available input ports and their active inactive status You can perform the following steps here 2 Verify that the Active button for USB Audio CODEC 1 2 USB Audio CODEC L R on MacOS X is enabled not grayed out If the button is grayed out click the button to enable it VST Inputs VST input window 1 When there are multiple input ports drag here to enlarge the window and select the desired patch The sound selected here will be recorded on the computer via the USB port Connect the guitar the INPUT jack of the G2 1u 15 Access the Devices menu and select Mixer The
7. A Pd PINGPONG DELAY Adjusts the delay time In the range from 10 990 ms the adjustment is made in 10 ms TN ER M NC ERR djusts the mixing ratio of riginal sound and effect sound pone i Jove the adjustment is made in I0 ms steps 1 0 2 0 Expression pedal A pedal icon Lha in the listing indicates a parameter that can be controlled with the expression pedal 1 2 Specify the respective module as modulation target for the expression pedal gt 20 and then select the respective effect type of the module The parameter can then be controlled in real time with a connected expression pedal Tap TAP key icon FAP in the listing indicates a parameter that can be set by hitting the TAP key In edit mode when the respective module effect type is selected repeatedly hitting the TAP key will set the parameter according to the key press interval modulation cycle delay time etc In play mode if the DELAY module is ON for the currently selected patch repeatedly hitting the TAP key will temporarily change the parameter Hold A foot switch icon m in the listing indicates an effect type for which hold can be turned on and off with the foot switch FSO1 Set the foot switch function to dH delay hold gt 22 for the respective patch When this patch is then selected in play mode the hold function can
8. This wildly fat sound with infinite sustain is modeled truthfully after the sound created by the combination of MXR s Dyna Comp and Dallas Fuzz Face Designed for using your guitar s front pick up Referenced album In The Court Of The Crimson King by King Crimson 1969 Mr Fripp Mm This patch provides the jet sound from the good old days created by the combination of the edgy vintage distortion stomp box and the flanger We have rearranged that sound to give a hybrid tone that is retro sounding and refreshing at the same time by combining the dry distortion flanging jet effect and lush reverb Referenced album Barracuda by Heart 1972 ORANGE CRUSH b3 i 93 AC CLEAN This patch is modeled after the classical Brit clean sound of the VOX AC series guitar amps operated in the class A without the negative feedback The sound of those amps became enormously popular in the British musical industry of the 1960s continued through many famous British groups in the 1970s and has remained popular to this day Referenced album 1962 1966 Red Album by the Beatles This powerful sound is the result of the deepest distortion ever created by any multi effect pedals The overwhelming presence of the power chords in lower registers and the smooth responses to the tapping technique will be favored by the connoisseurs of the high gain sound In addition you can create a pedal pitch effect that bends down 2 octaves This patch is modeled
9. DRIVE BASS MIDDLE TREBLE MOD SFX 10 MID MIC TYPE PRESENCE MI POS HARMONICS DELAY ui e Gi C To switch a module WAH DELAY e Press the PEDAL ASSIGN key to select Ne Im on or off the element to be controlled by the m expression pedal The row of LEDs above S C a e When push the the key shows which element is currently expression pedal fully down selected the module selected with VOLUME Scu the PEDAL ASSIGN key is WAH EFX switched on or off O DRIVE O MOD SFX O DELAY O REVERB Push fully down The respective selection is indicated as follows A nn O All LEDs out The expression pedal has no effect e VOLUME The expression pedal controls the volume for the entire patch Store the patch as necessary WAH EFX DRIVE MOD SFX DELAY REVERB The expression pedal controls a parameter from the respective module The expression pedal setting can be stored for HINT Which parameter will be changed by the expression pedal depends on the effect type selected for the respective module For details see pages 27 33 e The pattern in which the parameter changes when the expression pedal is 34 e f the module to which the expression pedal was assigned is set to OFF in the patch the LED flashes In this case operating the expression pedal has no effect 18 ZOOM G2 1u operated c
10. EIE NOTE e The level meter shows the signal level after internal processing by Cubase LE Therefore a slight time lag may occur between playing a guitar string and the meter registering the change in level This is normal and not a defect e The audio tracks of Cubase LE will be recorded with correct timing exactly matched to your guitar play There will be no lag between already recorded tracks and newly added tracks CF J elez elwe E y Verify that the transport panel is shown Nomai EL 0001 01 01 000 1 f 0001 01 01 000 J 120 00 R 0001 01 01 000 1 raster m 257222 one 00969021091 IE Offline Transport panel If the transport panel is not shown access the Transport menu and select Transport Panel To start recording click the Record button in the transport panel gm 4 EE Record button As you play your guitar the waveform appears in real time in the project window To stop recording click the Stop button in the transport panel Recording stops Check the recorded content To play the recording perform the following steps 1 Move the fader of the master channel as displayed in step 15 fully down 4 Raise the fader of the master channel to obtain a suitable volume 0001 01 01 000 A 0001 01 01 000 Go to beginning of project Play button 3 Click the Play button in the transpor
11. VST Audio Svstem Devices _ USB Audio CODEC 2 Port Setup Release Driver when Application is in Backgrou Video Input Latency 13 855 ms sx Video Player o gt VST Audio System USB Audio CODEC 2 VST System Link Output Latency 13 129 ms M Audio Buffer Size Advanced Options Set to Defaults High Audio Priority Disk Preload Lower Latency Multi Processing Adjust for Record Latency Record Shift Reset Apply Cancel If another item is selected use the pull down menu to change the selection to USB Audio CODEC 2 When the setting has been made click the OK button to close the window Continued overleaf Continued from front From the Devices menu of Cubase LE 4 select VST Connections and select the device containing the string Zm In Out USB Audio CODEC for MacOS X as input port and output port VST Connections Inputs Inputs Outputs All Add Bus Presets EI D Select number of tracks Bus Name E 4 Stereo Add Audio Track Audio Device Device Port 2 ASIO Driver Eu Use the tabs at top top center for Mac OS X left to switch between input and output and verify that Zm In Out is selected as device port If another device is selected click the device port field and change the selection L 9 Left 9o Right Acce
12. 128 times oversampling 32 bit 20 Hz 40 kHz 1 dB 3 dB with 10 kilohms load 2 digit 7 segment LED Parameter LEDs Pedal assign LEDs Standard mono phone jack 20 dBm megohm Standard stereo phone jack doubles as line and headphone jack Line 5 dBm output load impedance 10 kilohms or more Phones 20 mW 20 mW into 32 ohms load For FP02 FSO1 16 bit stereo configuration for recording playback 44 kHz 48 kHz AC adapter9 DC 300 mA center minus plug ZOOM AD 0006 Batteries Dimensions Weight Options e 0 dBm 0 775 Vrms Four IEC R6 size AA batteries Approx 7 5 hours continuous operation alkaline batteries 165 mm D x 255 mm W x 79mm H 1100 g without batteries Expression pedal FP02 Foot switch FSO1 Design and specifications subject to change without notice Troubleshooting No power Refer to Turn power on on page 8 Reverb effect does not operate While a rhythm pattern is playing the reverb effect is not available Stop the rhythm pattern first p 12 High level of noise Is ZOOM AC adapter being used Be sure to use only adapter for 9 V DC 300 mA with center minus plug ZOOM AD 0006 Battery life is short Are manganese batteries being used The use of alkaline batteries is recommended ZOOM G2 1u G2 1u Preset Pattern a TimSig PatternNiame TimSig _ 4 4 Cs muni we Ls Banane oa 3s
13. Jevices ASIO Driver MIDI MIDI Port Setup Video _ tidan Dlanar Release Driver when Application is in Background Input Latency 33 061 ms The device indication in the left section of the window now shows ZOOM ASIO Driver as the ASIO driver Click on this indication to select it and then click the Control Panel button in the right section of the Device Setup window Then click here A ZOOM ASIO DriZ r Click here Control Panel Input Latency 3 Dutput Latency d Devices MIDI Port Internal Clock Source LUE Direct Monitoring ideo Payer risp ATL Ports Reset ZOOM ASIO Driver 4 140 Port System Name Show As Tyr Meum tmt In 00 Zm In 00 In Zm In 01 Zm In 01 m The window that appears lets you set the latency and sampling frequency for the ASIO driver The latency should be set to a value that is as low as possible without causing sound dropouts during recording and playback ASIO Settings IASIO ASIO Latency 486 samples 15 53 ms Sampling Frequency 44100 When the setting is complete click the OK buttons in the respective windows to return to the startup condition of Cubase LE 4 Continued overleaf To connect this unit to a computer running MacOS X and enable audio input output proceed as follows Insert the supplied Cubase LE 4 DVD ROM into the o DVD drive of the Macintosh The contents
14. NN c e c D E Major scale Major scale Fourth down 5 a gt Go Third down 6 do A A E E Ao Af mn Fo Ff Bj 32 ZOOM G2 1u ZOOM G2 1u Effect Types and Parameters DELAY DELAY module This is a delay module which allows long delay times and use of the hold function DELAY HOLD This is a delay with a maximum setting of 5000 ms Hd Pd PINGPONG DELAY This is a ping pong type delay where the delay sound alternates between left and right This is warm sounding long delay of up to 5000 ms duration These three effect types have the same parameters Adjusts the delay time In the range from 10 990 ms the adjustment is made in 10 ms steps 1 99 For 1 second and above the adjustment is made in 100 ms steps 1 0 5 0 Adjusts the level of the effect Adjusts the feedback amount iin sound mixed to the original sound REVERB REVERB module This module comprises various reverb functions such as hall reverb early reflection and multi tap delay HL HL HALL This reverb simulates the acoustics of a concert hall rli rM ROOM This reverb simulates the acoustics of a room LH SP SPRING This effect simulates a spring type reverb The above three effect types have the same parameters grow Qux rms Adjusts the duration of the reverb Adjusts the
15. PEDAL Mm MS DRIVE PITCH x ut fur SLOW BG DRIVE VIBRATO Y ATTACK PV DRIVE STEP Eff ect type _ vt EN PEDAL VX OVERDRIVE DELAY typ STORE mm PEDAL GUV NOR ECHO A 83 BIN BABY HOT BOX DYNAMIC T FUZZ FACE DELAY DISTORTION DYNAMIC FLANGER MONO PITCH SHIFTER HARMONIZED PITCH SHIFTER 2 To carry out the All Initialize function press the STORE key once more All patch settings are returned to the factory default condition and the unit switches to play mode To cancel All Initialize press the RHYTHM key instead of the STORE key Manufacturer names and product names mentioned in this table are trademarks or registered trademarks of their respective owners The names are used only to illustrate sonic characteristics and do not indicate any affiliation with ZOOM CORPORATION For some effect modules you can select an effect type from several possible choices For example the NOTE MOD SFX module comprises CHORUS FLANGER and other effect types The REVERB module When you carry out All Initialize any newly created patches that were stored in the user area will be deleted overwritten Perform this operation with care to prevent losing any patches that you want to keep Switching between live sound and direct recording sound In the above illustration the DRIVE module is shown as having 17 effect types But each effect type has two algorithms one for live performance and one for
16. Top Boost Unit The AC30 6TB which this program in our G series is modeled after is the later version of the AC30 with an integrated Top Boost Unit After the JMI had sold the VOX brand the sales of the amplifier regrettably began to decline However the KORG Inc acquired the VOX name recently and rejuvenated the brand by starting to manufacture truthful reissue models In this G series the program is modeled after the sound using the Hi input of the normal channel that will give you that clean guitar sound of the Beatles and the Shadows which are the best examples of the distortion free sound of the class A operated amplifiers EFFECT TYPE PV DRIVE PEAVEY 5150 STACK 0 Pv The 5150 and the 5150 were very famous guitar amplifiers originally developed as the signature models for Eddie Van Halen Unfortunately he doesn t use it anymore because of the expiration of the endorsement contract The program on this G series is modeled after the first version of the 5150 This amplifier has two Rhythm and Lead channels and puts out 120w power using five 12AX7 pre tubes and four 6L6GC power tubes The rectifier circuit employs silicon diodes The uniqueness of the sound of this amplifier is characterized by its sharp attack deep and smooth tone fine distortion and fat and clinging low registers The program is modeled after the combination of the Lead channel of the 5150 head and a 5150SL a four 12 cabinet Just crank
17. USB cable that is more than 3 meters in length the low voltage warning indication may appear Open the Applications folder and then the Utilities folder and double click Audio MIDI Setup The Audio MIDI Setup screen appears Click Audio Devices and check whether USB Audio CODEC is selected as default input default output eoo Audio MIDI Setup Audio Devices MIDI Devices System Output Built in Audio H Properties Built in Audio MJ Clock Source Default z Ope Audio Output Configure Speakers Master Stream n Source Internal speakers m Input is not supported 44100 0Hz 2ch 16bit If another device is selected use the pull down menu to change the selection to USB Audio CODEC When the setting has been made close Audio MIDI Setup Start Cubase LE HINT The Cubase LE program is installed in the Applications folder When Cubase LE has started up access the O Devices menu select Device Setup and click VST Multitrack in the list of devices Check whether USB Audio CODEC 2 is selected as ASIO driver in the right part of the device setup window Device Setup Devices 0000000000000 Setup Add Remove All MIDI Inputs Default MIDI Ports MIDI System HERE Number of Disk Buffers VST Multitrack VST System Link Video Player Disk Buffer Size If
18. When the installation of Cubase LE 4 is complete a screen asking about installation of activation software license authentication management software appears Install this software because it is required for registering Cubase LE 4 Connect this unit to the computer using a USB cable AC adapter Guitar or other instrument Computer INPUT jack USB cable This unit Re OUTPUT jack Batteries Audio system or other 4 hi fi playback equipment NOTE e f you monitor the audio signal during recording via the audio output of the computer there will be an audible delay Be sure to use the OUTPUT jack of this unit to monitor the signal e When this unit is operated on USB bus power via the USB cable insufficient power may result in unstable operation or error indications appearing on the display In such a case power the device from an AC adapter or batteries e Use a high quality USB cable and keep the connection as short as possible If USB bus power is supplied to this unit via a USB cable that is more than 3 meters in length the low voltage warning indication may appear HINT No special steps are necessary for canceling the USB connection Simply disconnect the USB cable from the computer When you connect this unit for the first time to a computer running Windows Vista a message saying New Hardware Found w
19. an amazing 120 dB demonstrating the high level of performance achieved by G2 1u The G2 1u also has a USB connection and can be used as a direct guitar computer interface e Versatile palette of effects including new creations Out of a total of 54 effects up to nine including ZNR can be used simultaneously The high quality choices provided by the G2 1u include distortion effects that simulate the tones of famous amps and effects pedals 6 band guitar EQ and delay effects with hold controloperated by foot switch Great for live performances and direct recording The distortion effect module provides two different algorithms for each of its 17 effect types one for live performance and one for direct recording Depending on the on off setting of the CABINET amp MIC effect which simulates amp cabinet sound and mic characteristics the most suitable algorithm is automatically selected giving you the best sound for any application e Integrated rhythm functions and auto chromatic tuner A number of rhythm patterns using realistic PCM drum sounds are provided This is convenient for use as a metronome during individual practice or to provide a simple rhythm part for a quick session An auto chromatic tuner for guitar is also built right into the unit allowing you to easily tune your instrument also at home or on stage Sophisticated user interface The combination of a rotary type selector and three parameter knobs make the effect edi
20. another item is selected use the pull down menu to change the selection When the setting has been made click the OK button to close the window Access the Devices menu and select VST Inputs The VST inputs window appears Check whether the input port is active ALA VST Inputs If the Active button is Off grayed out click the button to set it to On Continued overleaf Continued from front Access the File menu and select New Project The new project window appears Here you can select a project template New Project 24 Track Audio Recorder Default Music for picture NTSC Music for picture PAL Stereo Mastering Setup click the OK button A window for selecting the project file save location appears Make sure that the Empty template is selected and After specifying the project file save location such as the desktop click the OK button Choose button in MacOS 10 4 A new project is created and the project window for controlling most of the Cubase LE operations appears Cubase LE Project Untitled Te em o gt ToTe WSs e o TT2 T EE No Object Selected Rec 44100 Hz 16 Bit Max 35h O8mil Project window To create a new audio track access the Project menu and select Add track In the submenu that appears select Audio A new audio track is added to the project window
21. be switched on and off by pressing the foot switch 26 ZOOM G2 1u Effect Types and Parameters COMP Compressor module Attenuates high level signal components and boosts low level signal components thereby keeping the overall signal level within a certain range e ATTACK FS SL LEVEL 298 1 0 Adjusts the compressor sensitivity Selects compressor attack speed in two Higher setting values result in higher levels Available settings are FS fast in Ule sensitivity and SL slow WAH EFX WAH EFX Wah Effects module Comprises wah and filter effects as well as VCA type effects HI AUTO WAH This effect varies wah in accordance with playing intensity H AUTO RESONANCE This effect varies the frequency band of the resonance filter according to the picking intensity The two effect types above have the same parameters POSITION RESONANCE Adjusts the resonance of the sound Selects the connection position of the WAH EFX module Available settings are bF before DRIVE module and AF after EQ module amp LEVEL 2 98 1 0 Adjusts the signal level after passing the module tr TREMOLO This effect periodically varies the volume WAVE u0 u9 dO d9 tO t9 Allows selection of the modulation waveform Available settings are rising sawtooth d falling sawtooth and t triangular Higher setting values result in more
22. e cable Computer INPUT jack SB cable e i OUTPUT jack 9 Audio system or other hi fi playback Batteries equipment When the POWER switch of the G2 1u 1s ON the unit will be powered from the AC adapter or internal batteries When the POWER switch of G2 1u is OFF the unit will be powered via the USB cable bus power This is convenient when no AC adapter or batteries are available or when the batteries are exhausted NOTE e f you monitor the audio signal during recording via the audio output of the computer there will be an audible latency Be sure to use the OUTPUT jack of the G2 1u to monitor the signal e When the G2 1u is powered via the USB cable insufficient power may result in unstable operation causing an error indication to appear on the display In such a case power the G2 1u from an AC adapter or batteries Use a high quality USB cable and keep the connection as short as possible If power is supplied to the G2 1u via a USB cable that is more than 3 meters in length the low voltage warning indication may appear When you connect the G2 1u for the first time to a computer running Windows XP a message saying New Hardware Found will appear Before proceeding wait a while until this message disappears double click Sounds and Audio Devices The sounds and audio devices properties screen appears Cli
23. levels With negative settings the effect volume increases at lower input signal levels Adjusts the delay time In the range from 10 990 ms the adjustment is made in 10 ms steps 1 99 For 1 second and above the adjustment is made in 100 ms steps 1 0 2 0 Adjusts the level of the effect sound mixed to the original sound DYNAMIC FLANGER This is a dynamic flanger where the effect volume changes depending on the input signal level With positive settings the effect volume increases at higher input signal levels With negative settings the effect volume increases at lower input signal levels Adjusts the modulation depth a Adjusts the modulation rate Adjusts the effect sensitivity j MONO PITCH SHIFTER This is a monophonic pitch shifter with low sound modulation suitable for single note playing 12 1 dt _ MIX _ E a Adjusts the pitch shift amount n Adjusts the level of the effect sound semitones Selecting dt gives a 0 mixed to the original sound Adjusts the sound quality p detuning effect HARMONIZED PITCH SHIFTER This is an intelligent pitch shifter that automatically generates harmonies according to a preset key and scale Determines the interval for the pitch Determines the tonic for the scale used Adjusts the level of the effect sound shifted sound see Table 2 for pitch shifting see Table 3 mixed to the original sound Type of scale inea
24. mixer window appears This window shows the channels assigned to created tracks You can perform the following steps here Recording with Cubase LE TETTE S 2 Click here to select the port for the USB Audio CODEC 1 2 USB Audio CODEC L R on MacOS X assigned as audio input port to the channel see step 13 Mixer window To adjust the playback level after recording click this button to bring Mixer up the master channel of the mixer HOES 508 1 7 Click here to set the audio output port of the master channel to USB Audio al EC Channel assigned to audio track Master channel 3 Verify that the Record Standby button is shown in red If the button is grayed out click the button to enable it This will set the audio track to the recording standby condition HINT When the Record Standby button is enabled the level meter next to the fader shows the input level for the audio track When the button is disabled the output level for the audio track is shown While playing your guitar adjust the output level of the G2 1u to achieve a suitable recording level for Cubase LE Level meter 5 4 When the audio track is in recording standby mode its recording level is shown by the level meter for the assigned channel The level should be set in such a way that the meter registers to a fairly high value but remains below the maximum point
25. the sound quality uha Mb VIBRATO Effect with automatic vibrato DEPTH 0 98 1 0 amp Mix 0 98 1 0 Adjusts the modulation depth Adjusts the level of the effect sound mixed to the original sound ck St STEP Special effect that changes the sound in a staircase pattern Qe Qs Qro l Adjusts the modulation resonance Adjusts the modulation depth 5 Adjusts the modulation rate intensity dL dL DELAY This is a delay with a maximum setting of 2000 ms 1 99 Time FEEDBACK o 98 1 0 amp Mix 0 98 1 0 Adjusts the delay time In the range from 10 990 ms the adjustment is made in 10 ms steps 1 99 For 1 second and above the adjustment is made in 100 ms steps 1 0 2 0 Adjusts the level of the effect Adjusts the feedback amount zs sound mixed to the original sound ZOOM G2 1u 31 Effect Types and Parameters LE XE TAPE ECHO This effect simulates a tape echo Adjusts the delay time In the range from 10 990 ms the adjustment is Adjusts the level of the effect made 10 ms steps 1 99 For 1 Adjusts the feedback amount sound mixed to the original second and above the adjustment is sound made in 100 ms steps 1 0 2 0 DYNAMIC DELAY This is a dynamic delay where the effect volume changes depending on the input signal level With positive settings the effect volume increases at higher input signal
26. these change aspects such as tonal character and effect intensity Which parameter is assigned to each knob depends on the currently selected effect module and effect type Operating the G2 1u on batteries E Patch In the G2 1u effect module combinations are stored and called up in units referred to as patches A patch comprises information about the on off status of each effect module about the effect type used in each module and about effect parameter settings The internal memory of the G2 1u holds up to 80 patches including 40 patches which allow read write Bank and area A group of ten patches is called a bank The memory of the G2 1u comprises a total of eight banks labelled A to d and 0 to 3 Banks A d form the user area which allows read write Banks O to 3 are the preset area containing read only patches The patches within each bank are numbered 0 through 9 To specify a patch of the G2 1u you use the format A1 patch number 1 from bank A 06 patch number 6 from bank 0 etc Play mode edit mode The internal status of the G2 1u is referred to as the operation mode The two major modes are play mode in which you can select patches and use them for playing your instrument and edit mode in which you can modify the effects The module selector serves for switching between the play mode and edit mode 2 Insert four fresh IEC Close the cover of R6 size AA batteries G214u os Four IEC R
27. with great solos using this sound reminiscent of Jan Hammer s exciting trades with Jeff Beck Referenced album Wired by Jeff Beck 1976 This patch is a straightforward modeling of the sound of that black face Fender Twin Reverb and provides a clean sound j that is indispensable for the ensemble When you foot down the expression pedal and with the EFX module switched on Lu you can add a unique tremolo effect to get that retro sound instantly We have selected a room ambience as default to make this patch suitable for current musical style but of course you can replace it with the spring reverb simulation Many people through the years have favored Carlos Santana s guitar sound This patch is modeled specifically after his wailing lead sound with sweet distortion Any of his hits like Black Magic Woman Europe or Adouma will sound pleasant if you make use of this patch Referenced album Amigos 1976 and Shaman 2002 by Santana SANTANA R This patch is suitable for funky chording and using the pedal wah effect We have arranged a clean sound which can be used for not only funk music but also any music style You can create a funky groove by using brushing or single note cutting NUANCE DRIVE This patch is the simulation of the legendary tone of the BOSS OD 1 that is considered the de facto standard for the overdrive stomp box The patch can provide high playability and retains the nuances of the guitarists touches T
28. 2 400Hz 212 6 4kHz Adjusts the mid low frequency range Adjusts the extremely high frequency level range level Lh Cb CABINET amp MIC This effect type simulates amplifier cabinet sound and mic directional characteristics suitable for direct recording on a multi track recorder The cabinet characteristics are automatically set either to Combo 12 x 1 12 x 2 or to Stack 12 x 4 depending on the selected drive type The on off condition of this effect in turn automatically switches the modeling algorithm of the DRIVE module p 25 Mic TYPE position Lets you select different microphone characteristics according to sound Selects the mic type dy simulates the pickup position The following settings frequency response of a dynamic mic are available and Co simulates the frequency 0 Mic pointed at speaker center response of a condenser mic 1 Mic pointed halfway between speaker edge and center 2 Mic pointed at speaker edge ALLO BY MOD SFX Modulation SFX module Comprises modulation and delay effects such as chorus pitch shifter delay and echo CH CH CHORUS This effect mixes a variable pitch shifted component to the original signal resulting in full bodied resonating sound DEPTH 0 98 1 0 RATE Mix 0 98 1 0 Adjusts the modulation rate Adjusts the level of the effect sound il mixed to the original sound SL SC STEREO CHORUS This is a
29. 6 bottom view X size AA batteries 1 Turn the G2 1u over and open the cover The G2 1u can be powered from four IEC R6 size AA batteries or an AC adapter Continuous of the battery compartment on the bottom operating time on batteries is approximately 7 5 hours with alkaline batteries the battery compartment Push the cover in until the latch audibly snaps into place Easy operation with expression pedal and foot switch The expression pedal on the top panel lets you adjust the tonal quality of an effect or the volume in real time An optional expression pedal FPO1 FP02 or foot switch FSO1 can be connected to the CONTROL IN jack The external expression pedal is used for controlling the volume The foot switch is convenient for quickly toggling effect programs or for setting the tempo of the rhythm function Insert batteries facing Wu ao in alternate directions 122 371 19 5 N Use four IEC R6 size AA batteries EN When the batteries are getting low the indication bt appears on the display Press the latch to release it and then raise the cover Please take the time to read this manual carefully so as to get the most out of the unit and to ensure optimum performance and reliability 4 ZOOM G2 1u ZOOM G2 1u 5 Controls and Functions Connections Controls and Functions Connections Parameter knobs 1 3 Module
30. EL 2 98 1 0 Adjusts the frequency that is emphasized When no expression Adjusts the signal level after passing the i pedal is used the effect is the module same as with a half raised pedal PEDAL BABY Simulates a vintage pedal wah sound POSITION AF FREQUENCY 1 50 Selects the connection position of the Adjusts the frequency that is WAH EFX module Available settings emphasized When no expression Adjusts the signal level after passing the are bF before DRIVE module and lt pedal is used the effect 15 the module AF after EQ EXTRA EQ module same as with a half raised pedal ZNR ZNR ZOOM Noise Reduction module This module serves for reducing noise during playing pauses It offers a choice between noise reduction reduction of noise components and noise gate muting during pauses nr ZNR ZOOM Noise Reduction ZOOM original noise reduction which reduces noise in playing pauses without affecting the overall tone LL Gt GATE This is a noise gate which cuts off the sound during playing pauses du dG DIRTY GATE This is a vintage type gate with special closing characteristics above effect types have the same parameters Adjusts the sensitivity For maximum noise reduction set the value as high as possible without causing the sound to decay unnaturally 28 ZOOM G2 1u DRIVE DRIVE module Effect Types and Parameters This module provides 16 types of distortion and an aco
31. FF is selected the display will show oF BANK PATCH Select the effect type mu na To switch the effect type of the selected module use the BANK keys If you press the BANK keys for a module that is set to OFF the module will be turned ON For modules that have only one effect type pressing the BANK keys 15 Storing Copying Patches An edited patch can be stored in a bank of the user area A d It is also possible to store an existing patch in another location to create a copy E In play mode or edit mode press the STORE key e The bank and patch number are shown on the display as a flashing indication gt BANK lo 4 AR NOTE Patches of banks in the preset area 0 3 are read only No patches can be stored or copied into these locations If you press the STORE key while a patch from the preset area is selected the patch AO bank A patch number O will be selected automatically as default store copy target FJ Select the store copy target bank e To select the store copy target bank use the BANK keys gt BANK hose 4 l 1 H3 DTN NOTE Only a bank of the user area A d can be selected as store copy target bank 16 EXTRA EQ CABI amp MIC SF ZOOM G2 1u AIN 2 TONE DEPTH RATE ZNR MOD SFX TIME FEEDBACK wad DELAY BASS MIDDLE COME REVERS 10 MID MICTYPE PRESENCE
32. GUITAR EFFECTS PEDAL Operation Manual EQ DRIVE EXTRA EQ CABI amp MIC DEPTH RESO VOLUME ZNR MOD SFX un 00 5 qn MIX WAH EFX DELAY DRIVE TREBLE MOD SFX ux REVERB 10 Mic TYPE PIECE ium DELAY CONTROL e Qui e GU REVERB 000 EFFECT PEDAL ASSIGN GUITAR EFFECTS PEDAL m Gelu BYPASS TUNER ZOOM Corporation Reproduction of this manual in whole or in part by any means is prohibited SAFETY PRECAUTIONS Usage Precautions SAFETY PRECAUTIONS In this manual symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented The meanings of these symbols are as follows A Caution This symbol indicates explanations about extremely dangerous matters If users ignore this symbol and handle the device the wrong way serious injury or death could result This symbol indicates explanations about dangerous matters If users ignore this symbol and handle the device the wrong way bodily injury and damage to the equipment could result Please observe the following safety tips and precautions to ensure hazard free use of the G2 lu Warning Warning Power requirements Since power consumption of this unit is fairly high we recommend the use of an AC adapter whenever possible When powering the unit from batteries use only alkaline types AC adapter operation 300 mA and is equipped wit
33. I Setup screen appears Click Audio Devices and check whether USB Audio CODEC is selected as default input default output eoo Audio MIDI Setup System Settings Audio Devices MIDI Devices Default Input Y USB Audio CODEC E Default Output Yl USB Audio CODEC gt System Output amp Built in Audio H Properties For Built in Audio H 2 Clock Source Internal Clock H Configure Speakers Audio Input Audio Output Master Strear v Master St 1 Source Line In Source Internal speakers H Format 44100 0Hz 2ch 24bit HJ Format 44100 0Hz 2ch 24bt Ch Volume Slider Value dB Mute Thru Ch Volume Slider Value dB Mute M n a n a M 9 A 0 51 19 86 9 1 Q 0 00 12 00 1 2 0 00 12 00 2 If another device is selected use the pull down menu to change the selection to USB Audio CODEC When the setting has been made close Audio MIDI Setup Start Cubase LE 4 Then access the Devices menu select Device Setup and click VST Audio System To start Cubase LE 4 double click on the Cubase LE 4 icon that was placed in the Applications folder during installation After startup be sure to verify that USB Audio CODEC 2 is selected as ASIO driver in the right section of the Device Setup window Device Setup
34. MIC POS PLAY ORIRS e TD e GU e BANK N ZON Z N YN EFFECT TYPE STORE PW TAP PEDAL ASSIGN Storing Copying Patches To cancel the store process e To cancel the store process operate the Module selector before pressing the STORE key again RESO VOLUME MX WAH EFX DRIVE TREBLE MOD SFX HARMONIC DELAY REVERB Press the STORE key once more When the store copy process is completed the G2 1u returns to GUITAF G eiu the previous mode with the target patch being selected BANK PATCH E Specify the store copy target patch number To specify the store copy target patch number use the W A foot switches NN BANK b P Z HT 1 ZOOM G2 1u 17 Using the Built in Expression Pedal Using the Built in Expression Pedal The expression pedal on the top panel of the G2 1u lets you adjust the effect sound or the volume in real time during play Which element is controlled by the pedal can be selected for each patch individually 0 Operate the pedal Move up or down e While playing your instrument move the expression pedal up or down E Select the patch for which the expression pedal is to be used Select the element to be controlled by the expression pedal orive O emaan HO INR MOD SFX VOLUME FEEDBAC MIX WAH EEX
35. OD SFX module dU dd dH dL DELAY module e rU rd rH rl REVERB module HINT e The modulation target can also be selected by using the PEDAL ASSIGN key 18 This method is available both in edit mode and in play mode e Which parameter changes when the expression pedal is operated depends on the effect type selected for the module For details see pages 27 33 e The pattern in which the parameter changes when the expression pedal is operated can be selected in edit mode from four choices For details see page 34 4 if necessary store the patch The expression pedal setting is stored as part of the patch D Select the patch in play mode and operate the expression pedal The selected function will be activated When the G2 1u is in the bypass condition the expression pedal always functions as a volume pedal regardless of the setting made in step 3 ZOOM G2 1u Adjusting the sensitivity of the built in expression pedal The expression pedal of the G2 1u is adjusted for optimum operation at the factory but sometimes readjustment may be necessary If the sound does not change when the pedal is fully pushed down or if it changes excessively even if the pedal is only lightly pushed adjust the pedal as follows 1 Turn power to the G2 1u on while keeping the PEDAL ASSIGN key depressed The indication dn appears on the display BANK PATCH POWER ON4 OFF Y Cie PEDAL A
36. SSIGN EDIT 2 With the expression pedal fully raised press the STORE key STORE The display indication changes to UP 3 Push the expression pedal fully down and then lift your foot off the pedal Push strongly So that pedal touches here j When foot is lifted pedal returns slightly ZOOM G2 1u Use of Expression Pedal Foot Switch 4 Press the STORE key once more The expression pedal adjustment is completed and the unit returns to the play mode HINT e The point where the module is switched on or off when the pedal is depressed is always the same regardless of the action taken in step 3 If Er appears on the display repeat the procedure from step 2 Using an external expression pedal FPO1 FPO2 When you connect an optional expression pedal 1 2 to the CONTROL IN jack of the G2 1u you can use that pedal as a volume pedal separately from the built in expression pedal 1 Plug the cable from the external expression pedal into the CONTROL IN jack and then turn the G2 1u on 2 Operate the external expression pedal in play mode or edit mode The volume changes HINT The external expression pedal always functions as a volume pedal Using a foot switch FSO1 Connecting an optional foot switch FS01 to the CONTROL IN jack of the G2 1u allows bank switching in play mode It is also possible to switch bypass mute on and off contr
37. able recording level for Cubase LE 4 While playing your instrument adjust the output level al Level meter w e e E E OT The recording level for Cubase LE 4 can be checked with the level meter for the channel that is assigned to the recording standby track Set the level as high as possible without causing the meter to reach the end of the scale To adjust the level do not use the fader of Cubase LE 4 Instead change the recording level and gain settings at this unit NOTE e While the monitoring button is enabled the direct signal input to this unit and the signal routed to the computer and then returned to this unit will be output simultaneously from this unit causing a flanger like effect in the sound To accurately monitor the sound also while adjusting the recording level temporarily set the output device port for the VST connection step 6 to Not Connected e The level meter as in the above illustration shows the signal level after processing in this unit When you pluck a guitar string the meter may register with a slight delay but this is not a defect When the recording level has been adjusted click the monitoring button to disable it The input level is no longer shown on the meter and the signal returned to this unit via the computer is muted In this condition only the signal before sending to the computer can be monitored via the OUTPUT jack of this unit 16 Verify that the t
38. after the sound that utilizes the so called Leslie effect for its vibrato like character and it is popular among the American blues rock players like the late S R V It is suitable for crisp rhythm playing or the dynamic chording Referenced album Texas Flood by Stevie Ray Vaughan 1983 Recently E V H is known as the user of the 5150 amps but in the past he used to create that big crunchy sound with his specially modified Marshall amp This patch is the consummate simulation of that E V H sound from his early years The name of this patch is of course borrowed from that greatest album of V H with David Lee Roth When you foot down the expression pedal and get the long delay effect on it makes the best lead sound Referenced album 1984 by Van Halen 1984 The sound will remind you of the soundtracks of the James Bond series or Spaghetti Western movies Referenced album The soundtracks from 007 Dr No 1962 HEAD LONG This sound is ZOOM S original that became a favorite of the guitarist Brian May The patch has a very strong character but you can hear how it is effectively used in his actual recordings If you are big fan of Brian May you may also want to try the sound with the step turned off and the delay turned on You will be transported to the world of Brighton Rock with that incredible guitar orchestration With the additional use of the HPS set to the minor 3rd in the key of E you will be able to perfect the simulat
39. an be selected in edit mode from four choices For details see page ZOOM G2 1u each patch individually NOTE If you select another patch in play mode without storing the patch any changes that you have made to the settings will be lost 19 Use of Expression Pedal Foot Switch The G2 1u lets you use the built in expression pedal or an external expression pedal 1 2 connected to the CONTROL IN jack to adjust the effect sound or the volume in real time during play Connecting an optional foot switch FS01 to the CONTROL IN jack allows changing patches or setting the tempo for the rhythm function Using the built in expression pedal The built in expression pedal on the top panel of the G2 1u can function as a volume pedal or it can be used to control an effect parameter in real time Which function is selected for the expression pedal is stored for each patch individually For details on parameters that can be modified with the expression pedal see pages 27 33 1 Select the patch for which you want to use the expression pedal 2 Set the Module selector to the CONTROL position REVERB CONTROL The G2 1u goes into edit mode 3 Turn Parameter knob 1 to select one of the following modulation targets for the expression pedal p 34 e oF Pedal is inactive e VL Volume e WU Wd WH WL W AH EFX module 20 GU Gd GH GL DRIVE module MU Md MH ML M
40. arameters Qu Qum poss Adjusts the distortion intensity Adjusts the sound quality module Adjusts the signal level after passing the Manufacturer names and product names mentioned in this table are trademarks or registered trademarks of their respective owners The names are used only to illustrate sonic characteristics and do not indicate any affiliation with ZOOM CORPORATION ACOUSTIC This effect makes an electric guitar sound like an acoustic guitar Ore Adjusts the special string tone a that is characteristic for an acoustic guitar ZOOM G2 1u Adjusts the degree of body resonance Que Adjusts the signal level after passing the module 29 Effect Types and Parameters EQ e EQ Equalizer module Allows adjusting the three main bands BASS MIDDLE TREBLE of the six band equalizer Adjusts the low frequency range level Adjusts the mid frequency range level Adjusts the high frequency range level EXTRA EQ CABI amp MIC EXTRA EQ CABI amp M IC EXTRA EQ CABINET amp MIC module This module allows adjusting the three remaining bands of the six band equalizer In addition the module contains a cabinet simulator that produces sound suitable for direct recording on a MTR or for reproduction via headphones or a studio monitor EXTRA EQ Adjusts the three remaining bands of the six band equalizer The HARMONICS control allows adjustment of the harmonics frequency range level Lo mip 1
41. asy to get the distortion By today s standards the amplifier s distortion is rather moderate but the sound is very fat the low end is quite tight and above all the sound cuts through very well When higher gain is required this amplifier is often combined with overdrive or booster pedals For the modeling we used the head with a 1960A cabinet EFFECT TYPE GUV NOR O Marshall Guv nor Gu The initial sales talk for this serious distortion pedal Guv nor bearing the Marshall brand was that you could get the distortion sound of the Marshall amps with this small stomp box Depending on which guitar amps you combine you can actually get the Marshall amps distortion There are two different versions of the Guv nor the Britain made ones from 1988 and the Korean made ones from 1998 The program on this G series is modeled after the original version from 1988 The Guv nor s characteristic feature is the frequency point you can tweak using the TREBLE control Even if you lower this parameter value the sound will get fat instead of getting dullish As you raise the value the sound will get sweeter and clearer series you can select the modeling of the combo type of this Mark III EFFECT TYPE BG DRIVE MESA BOOGIE Dual Rectifier BG The Rectifier model has the improved simul power circuitry see the Mark III section and the increased gain in the preamp section This amp puts out 100w power and has five 12AX7 tubes for the
42. c shock Do not place naked flame sources such as lighted candles on the G2 1u since this can cause fire The G2 1u is a precision instrument Do not exert undue pressure on the keys and other controls Also take care not to drop the unit and do not subject it to shock or excessive pressure Take care that no foreign objects coins or pins etc or liquids can enter the unit Warning Connecting cables and input and output jacks You should always turn off the power to the G2 1u and all other equipment before connecting or disconnecting any cables Also make sure to disconnect all connection cables and the power cord before moving the G2 1u Caution Alterations Never open the case of the G2 1u or attempt to modify the product in any way since this can result in damage to the unit Warning Volume Do not use the G2 1u at a loud volume for a long time Caution oet since this can cause hearing impairment Usage Precautions Electrical interference For safety considerations the G2 1 has been designed to provide maximum protection against the emission of electromagnetic radiation from inside the device and protection from external interference However equipment that is very susceptible to interference or that emits powerful electromagnetic waves should not be placed near the G2 1u as the possibility of interference cannot be ruled out entirely With any type of digital control device the G2 1u included elec
43. cable from the adapter into the DC IN jack on the G2 1u Set the POWER switch on the rear ivan uu panel of the G2 1u to ON Meri MOD SFX DELAY Turn the guitar amplifier on and adjust Paar eim the volume to a suitable position A PEDAL ASSIGN FJ Set the G2 1u to play mode e If the Module selector is set to a position other than PLAY set it to PLAY The bank and patch that were selected when the power was last turned off will appear on the display BANK PATCH EDIT Bank name Patch number HINT Immediately after turning the G2 1u the unit will be in play mode even if the Module selector is set to a position other than PLAY E Select a patch e To switch the patch press one of the W A foot switches Pressing the foot switch calls up the next lower patch and pressing the foot switch calls up the next higher patch Repeatedly pressing one foot switch cycles through patches in the order AO A9 d0 9 00 09 30 39 AO or the reverse order ZOOM G2 1u 8 ZOOM G2 1u C Directly selecting a bank To select the banks A d 0 3 directly use the BANK keys Pressing the BANK key calls up the next lower bank and pressing the BANK key calls up the next higher bank Selecting a Patch Adjust tone and volume e To adjust the effect sound and volume lev
44. cents in your arpeggios and riffs or to add a hidden flavor to your lead guitar sound Such as product names and company names are all registered brand names or trade marks of each respective holders and Zoom Corporation is not associated or affiliated with them All product names explanation and images are used for only purpose of identifying the specific products that were referenced during product development Modeling Description Reference for drive effect types and its original models EFFECT TYPE BC CRUNCH MESA BOOGIE Mark bc The origin of the MESA BOOGIE amplifier was the modified Fender Princeton Randall Smith an amp tech in San Francisco souped up those small guitar amps to put out 100w power and sold them The first model was called Mark Carlos Santana tried one and said Shit man that little thing really Boogies which gave the amplifier the brand name BOOGIE The second model Mark II had lead and rhythm channels and a 4 band equalizer to give wider variety to the guitar tone The special feature of this model was an accomplished simul power circuitry the operation could be switched between class A and class AB The power amplifier section had six power tubes When the class A operation is selected two EL34 power tubes are activated and the amp puts out a really smooth sound When the dass AB operation is selected these two EL34s and other four 6L6GC power tubes are all activated and
45. ck the Audio tab and check whether USB Audio CODEC is selected as default device for audio playback and recording e From the Start menu select Control Panel and Sounds and Audio Devices Properties Volume Sounds Audio Voice Hardware Sound playback Default device USB Aude CODEC C Voume MIDI music playback Fip Default device If another device is selected use the Default Device pull down menu to change the selection to USB Audio CODEC When the setting has been made click the OK button to close the sounds and audio devices properties screen e Start Cubase LE A window asking whether to check the audio input output port appears Click OK to perform the check After Cubase LE has started up access the Devices menu select Device Setup and click VST Multitrack in the list of devices Device Setup Devices All MIDI Inputs Default MIDI Ports EE Number of Disk Buffers DirectMusic 2 Disk Buiter size VST System Link Video Player Windows MIDI Setup Add Remove ASIO ultime dia Driver Check whether ASIO Multimedia Driver is selected as ASIO driver in the right part of the device setup window Click the Control Panel button in the device setup window In the window that appears click the Advanced Options button In the advanced options window check whether USB Audio CODEC is selected as input port and o
46. clipping of wave peaks which reinforces the effect HH PHASER This effect produces sound with a pulsating character GD POSITION bF AF Adjusts the modulation depth 5 Adjusts the effect rate Selects the connection position of the gt Adjusts the modulation rate Adjusts the type of sound AF after EQ EXTRA EQ module ZOOM G2 1u 27 Effect Types and Parameters rG RING MODULATOR This effect produces a metallic ringing sound Adjusting the FREQUENCY parameter results in a drastic change of sound character Selects the connection position of the WAH EFX module Available settings are bF before DRIVE module and AF after EQ EXTRA EQ module GI SL SLOW ATTACK This effect reduces the attack rate of the sound resulting in a violin playing style sound POSITION CURVE Selects the connection position of the Adjusts the attack volume change curve Adjusts the frequency that is used Adjusts the level of the effect sound for modulation mixed to the original sound WAH EFX module Available settings are bF before DRIVE module and AF after EQ EXTRA EQ module A Adjusts the attack time H PV PEDAL VX Simulates a vintage pedal wah sound POSITION AF FREQUENCY 1 50 Selects the connection position of the WAH EFX module Available settings are bF before DRIVE module and AF after EQ EXTRA EQ module amp LEV
47. cted Audio 01 4 nspector area for making detailed track settings Select the input output path for the track The path name assigned to the this unit in step 6 is shown here To select a different path click this section and select a new path from the menu that appears Inserts Equalizers Sends Channel HINT The Inspector shows information about the currently selected track If nothing is shown click on the track to select it Connect the guitar or other instrument to the INPUT jack of this unit and select the desired patch The sound selected here will be recorded on the computer via the USB port p Access the Devices menu of Cubase LE 4 and select Mixer The mixer window appears This window shows the channel assigned to the created track and the master channel Perform the following steps here Mixer window lt Mixer Click monitoring button so that it lights up in orange Click recording standby button so that it lights up in red to activate recording standby condition 76 3 0 00 Stereo Out P Master channel Channel assigned to audio track Use Cubase LE 4 to record gt Cu MacOS X HINT When the monitoring button is enabled the level meter next to the fader shows the input level to the audio track When the monitoring button is disabled the meter fader shows the audio track output level of this unit to achieve a suit
48. d boosting the mid range This is one of the best selling stomp boxes among many of the popular line ups of BOSS products Once connected the Strat or the Les Paul will have the MT 2 sound regardless of the types of guitar pickups It was first introduced in 1991 and is still in the BOSS s catalog a truly a long seller EFFECT TYPE FUZZ FACE O Dallas Arbiter FUZZ FACE 5 FF FUZZ FACE was originally released from the Dallas Arbiter company in 1966 encased in a uniquely designed housing that literally looked like a face It is also famous as legendary guitarist Jimi Hendrix s favorite gear He combined this FUZZ FACE with his Marshall amps because it was hard to get distorted sound from them at that time and created avant garde tones The heavy and fat low end and the fuzz sound with long sustain are the characteristics of this effective device The earliest model used two PNP germanium transistors and was very different in sound from the later models using silicon transistors The theory of creating distorted sound is simple Have you tried to connect the guitar to a microphone input on your radio cassette recorder to emulate that sound You cannot go too wrong if you think that the circuitry of this device is similar to that The program on this G series is modeled after this earliest version most satisfactorily EFFECT TYPE EXTREME DISTORTION O 100M Extreme Distortion Ed This distortion program is developed especially for the G
49. described above Its drastic distortion relentless cut offs and noises in the decay are the characteristics that one could simply describe as broken Its fat and tight sound can be seriously recommended for the fuzz maniacs to try This is literally the Digital Dirty Fuzz that is only possible in the digital domain are you brave enough to make cuts in your loudspeakers 100M Digital Fuzz Such as product names and company names are all registered brand names or trade marks of each respective holders and Zoom Corporation is not associated or affiliated with them All product names explanation and images are used for only purpose of identifying the specific products that were referenced during product development USB Cubase B Startup Guide This USB Cubase LE Startup Guide explains how to install Cubase LE on a computer how to make the G2 1u connection and settings and how to record your guitar play Cubase LE Installation gt Connections and Preparations USB Cubase LE Startup Guide Cubase LE Installation gt Connections and Preparations To connect the G2 1u to a computer running Windows XP and to enable audio input output proceed as follows o Install Cubase LE on the computer When you insert the CD ROM supplied with this product into the CD ROM drive of the computer the installer will start up automatically Follow the on screen instructions to install Cubase LE Connect the G2 1u to the computer using a USB
50. direct recording for each of its 17 effect types so that there are actually 34 effect types that can be used The two algorithms are switched according to the effect type selected for the EXTRA EQ CABI amp MIC module as follows 24 ZOOM 2 1 ZOOM G2 1u Algorithm for direct recording comprises HALL ROOM and other effect types from which you can choose one EXTRA EQ is selected The algorithm for live performance is selected at the DRIVE module This is recommended when using the G2 1u for playing via a guitar amplifier CABINET amp MIC is selected The algorithm for direct recording is selected at the DRIVE module This is recommended when the G2 1u is directly connected to a recorder or to a hifi system or other audio device DRIVE EQ EXTRA EQ CABI amp MIC Algorithm for live performance EXTRA EQ CABINET amp MIC 25 Effect Types and Parameters How to read the parameter table Effect parameters 1 3 These are the parameters that can be adjusted with Parameter knobs 1 3 when the effect type is selected The setting range for each parameter is shown Three digit setting values are shown with a dot between the two numerals Example 1 98 1 0 1 98 100 Module selector The Module selector Effect module symbol shows the position of the knob at which this module parameter is called up Effect type e HOLD This is a delay with a maximum setting of 5000 ms
51. e effect module except the OD 1 on the G series and compare the sound of the modeling and that of the real one We think that you will not hear any difference EFFECT TYPE HOT BOX O MATCHLESS HOT BOX ke Hb The HOT BOX was released as a pedal preamp bearing the MATCHLESS brand It uses two 12AX7A tubes for the truthful reproduction of the sound of the MATCHLESS guitar amplifiers It has the compressed sound and the quick response which are distinctive characteristics of tube amps Its sound is fat and cuts through very well too Even if you crank up the gain to get a distorted sound you will retain the nuances of the original guitar sound Although it is categorized as preamp the ideal way to get the best possible sound is to connect it like usual stomp boxes to the input of your guitar amp Its design is also attractive the case is polished like a mirror and the MATCHLESS logo lights up when you turn it on This Hot Box is literally a magic box you can get the signature sound of the MATCHLESS amps regardless of the guitar amplifier you connect it to EFFECT TYPE JC CREAN Roland JAZZ CHORUS dc Simply put the Roland JC 120 is the most familiar guitar amplifier among both professionals and amateurs Released in 1975 from Roland this amp became known as portable loud and almost trouble free which are the very characteristics Japanese products are known for You are pretty sure to find one in any
52. e pitch setting will be reset to 40 center 440 Hz VSEX AY RB e C Return to play mode This kind of behavior is not a defect It is due to the very high speed at which the G2 1u responds to patch O me A Press one of the W A foot switching To prevent the sound change caused by the N Oo switches above condition do not produce sound with your instrument until the bypass mute condition is fully established Cu e The right side of the display shows a Pitch is correct Pitch is low symbol that indicates by how much the tuning is off Pitch is high y ly XE lt D P Play the string to tune BANK Play the open string to tune and adjust the pitch un d Tune other strings in the same way Indication turns faster the more the pitch is off The left side of the display shows the note which is closest to the current pitch C Il Il Using the Rhythm Function Using the Rhythm Function The G2 1u has a built in rhythm function that plays realistic drum sounds in various patterns The rhythm function is available in play mode or in the bypass mute condition C Adjust the rhythm volume e To adjust the rhythm volume turn Parameter knob 3 When you turn the Parameter knob the current setting 0 30 is shown on the display BANK PATCH
53. eated see illustration at the bottom of this page Pressing the foot switch once more cancels the hold condition and the delay sound will decay normally dM delay input mute The foot switch controls muting on off for the delay module input signal HINT e For information on effect parameters supporting the tap function see pages 27 33 To use the hold function an effect type that supports the hold function must be selected in the patch For details see page 34 e While the delay module is set to hold or mute the dot in the center of the display flashes 4 Select the patch in play mode and operate the foot switch The selected function will be activated This function applies to all patches Using the G2 1u as audio interface for a computer By connecting the USB connector of the G2 1u to a computer the G2 1u can be used as an audio interface with integrated AD DA converter and p Pressed again ZOOM G2 1u 22 Use of Expression Pedal Foot Switch effects The operating environment conditions for this type of use are as follows Compatible operating system e Windows XP e MacOS X 10 2 or later Quantization 16 bit quantization Sampling frequency 32 kHz 44 1 kHz 48 kHz HINT With each of the operating systems listed above the G2 1u will function as an audio interface simply by connecting the USB cable There is no need to install any special driver software To
54. ected for that module is shown on the display While the G2 1u is in edit mode a dot appears in the bottom right of the display BANK PATCH EMA D Effect shows that unit di a M is in edit mode To switch an effect The indication oF appears on the display module on and off When you press one of the foot switches again the indication returns to the previous condition e To switch the selected module BANK Pick between ON and OFF press one of the W A foot switches has no effect 14 ZOOM G2 1u ZOOM G2 1u Module selector to the PLAY Editing a Patch 9 Terminate the edit mode e To terminate the edit mode and NOTE When you return to play mode return to the play mode set the and select another patch the changes you have made in edit mode will be lost unless you store the patch first To retain the changes store the patch as described on page 16 Change the parameter value To change the setting value of effect parameters use the Parameter knobs 1 3 Which parameter is assigned to a knob depends on which effect module effect type is selected For information on parameters for effect modules effect types see page 27 34 When you turn a Parameter knob the corresponding LED lights up and the display briefly shows the current value of the respective parameter 4 GAIN DEPTH CY BASS A LO MID MIC TYPE e NOTE when a module that is set to O
55. els in play mode the Parameter knobs 1 3 can be used Each knob controls a specific parameter Parameter knob 3 Adjusts the PATCH LEVEL parameter DRIVE module mainly output level of the distortion depth entire patch SLEVEL que M FEEDBACK MIX TREBLE m TYPE fen m To ui Parameter knob 1 Adjusts the GAIN parameter of the Parameter knob 2 Adjusts the TONE parameter of the DRIVE module mainly distortion sound character When you turn a Parameter knob the corresponding LED lights up and the display briefly shows the current value of the respective parameter NOTE e f the DRIVE module is set to OFF for the currently selected module display shows Parameter knobs 1 and 2 have no effect e Changes made here are temporary and will be lost when you select another patch To retain the changes store the patch in the user area e The master level in common to all patches is set in edit mode p 34 Using the Tuner Using the Tuner E Adjusting the reference pitch of the tuner If required you can fine adjust the reference pitch of the G2 1u tuner The default setting after power on is center A 2 440 Hz The G2 1u incorporates an auto chromatic tuner To use the tuner function the built in effects must be bypassed temporarily turned off or muted original sound and effect sound turned off BANK PATCH e Turn Parameter knob 1 The current ref
56. erence pitch is shown The adjustment range is 35 45 center A 435 to 445 Hz 2 wi E Switch to bypass or mute Setting the G2 1u to the bypass BANK PATCH BANK PATCH While the reference pitch value is shown turn Parameter knob 1 to adjust it In play mode press both V A foot switches together briefly and release EDIT Setting the G2 1u to the mute state In play mode press both A foot switches together and hold for at least 1 SS second N Patch change at bypass mute When you press both W A foot switches together while playing your instrument the bypass mute condition is ae FEIA activated However the sound may change momentarily AU just before the condition is activated This is because the G2 1u switches to the next higher or lower patch when one of the foot switches is pressed slightly earlier When you cancel the bypass mute condition the original patch number will be active again O When you release the Parameter knob the display indication will return to the previous condition after a while SLEVEL 1 GAIN 2 TONE DEPTH RATE RESO VOLUME TIME FEEI MIX e WAH EEX DRIVE BASS TREBLE MOD SFX LO MID MIC TYPE PRESEN MIC POS HARMONICS DELAY ui e REVERB 000 n PEDAL ASSIGN NOTE When you turn the G2 1u off and on again the referenc
57. erse EXTRA EQ In addition to the frequency ranges of 160Hz 800Hz and 3 2kHz LOW MID and TREBLE respectively controlled by the normal EQ module you can boost or cut the ranges of 400Hz 6 4kHz and 12kHz using the LOW MID PRESENCE and HARMONICS controls respectively in the EXTRA EQ module These frequency ranges are rarely controllable with other effect devices made for guitars With PRESENCE you can adjust the high frequency range that affects the projection of the sound and with HARMONICS you can tweak the overtone contained in the clipped sound The overdriven sound of tube amplifiers is rich in overtone and this EXTRA EQ module is indispensable for the simulation of this aspect of the sound With this effect you can utilize up to eight independent delay lines whose delay times can be set separately to make rhythmical patterns We also provided eight practical settings ranging from the constant rhythmic pattern to the random one Try pattern 2 for example the played notes are fed back like rhythmical patterns that will inspire you to come up with various phrases one after another You could apply this effect to your solo performances as something different from the sound on sound effect This effect is programmed as a stereo ping pong delay and thus we strongly recommend you to try it using headphones The delay time can be set to 3 sec maximum gt Dynamic Delay Dynamic Flanger This is the so called duckin
58. found to comply with the limits for a Class B digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures e Reorient or relocate the receiving antenna Increase the separation between the equipment and receiver Connect the equipment into an outlet on a circuit different from that to which the receiver is connected Consult the dealer or an experienced radio TV technician for help ZOOM G2 1u Terms Used B Manual Thank you for selecting the ZOOM G2 1u hereafter simply called the G2 1u The G2 1u is a multi effect processor with the following features and functions Latest processing technology for outstanding performance 96 kHz 24 bit sampling with 32 bit internal processing assures excellent sound quality Frequency response remains flat up to 40 kHz and input converted signal to noise ratio is
59. g effect the mix balance of the dry signal and the effect signal of a delay or a flanger is controlled by the envelope of the original signal of the guitar In the Dynamic Delay section you can set the SENSE parameter to the minus value to get the ducking delay effect the feedback component in the delayed signal is not put out while there is an input signal and the feedback component arises as soon as the input signal is muted This effect is very handy when for example you play fast phrases on the guitar and the feedback component gets in the way On the other hand you can set the SENSE parameter to the plus value and you will have the feedback component while you are playing the guitar and you can cut off the feedback as soon as you mute the guitar which should be very handy in the break of a song where you want to mute all of the sound The same thing goes with the Dynamic Flanger you can set the SENSE parameter to the minus value and you will get no flanging effect while the input signal is high and you will get flanging effect when you lower the signal level of the input You can get a unique effect like a long note that is completely dry at the beginning and then the flanging effect is gradually added as the signal level of the note decreases On the other hand you can have the flanging effect only when you play loud if you set the SENSE parameter to the plus value This effect works great when you want to embellish the ac
60. h a center minus plug Zoom AD 0006 The use of an adapter other than the specified type may damage the unit and pose a safety hazard the rated voltage required by the adapter When disconnecting the AC adapter from the AC outlet always grasp the adapter itself and do not pull at the cable During lightning or when not using the unit for an extended period disconnect the AC adapter from the AC outlet Battery operation Use four conventional IEC R6 size AA batteries alkaline The G2 1u cannot be used for recharging sure you choose the correct type When not using the unit for an extended period remove the batteries from the unit If battery leakage has occurred wipe the battery compartment and the battery terminals carefully to remove all remnants of battery fluid While using the unit the battery compartment cover should be closed Environment To prevent the risk of fire electric shock or malfunction avoid using your G2 1u in environments where it will be exposed to Extreme temperatures Heat sources such as radiators or stoves Be sure to use only an AC adapter which supplies 9 V DC Connect the AC adapter only to an AC outlet that supplies Pay close attention to the labelling of the battery to make High humidity or moisture Excessive dust or sand Excessive vibration or shock Handling Never place objects filled with liquids such as vases on the G2 1u since this can cause electri
61. hat page to register and activate the product For optimum enjoyment While using Cubase LE 4 other applications may slow down drastically or a message such as Cannot synchronize with USB audio interface may appear If this happens frequently consider taking the following steps to optimize the operation conditions for Cubase LE 4 1 Shut down other applications besides Cubase LE 4 In particular check for resident software and other utilities 2 Reduce plug ins effects instruments used by Cubase LE 4 When there is a high number of plug ins the computer s processing power may not be able to keep up Reducing the number of tracks for simultaneous playback can also be helpful 3 Power the unit from an AC adapter When a device designed to use USB power is powered via the USB port the current supply may sometimes fluctuate leading to problems See if using an AC adapter improves operation If applications still run very slowly or the computer itself does not function properly disconnect this unit from the computer and shut down Cubase LE 4 Then reconnect the USB cable and start Cubase LE 4 again
62. he addition of the chorus effect using expression pedal will enable the guitar players to adapt to virtually any musical situation AN C MAJOR HARMONY RB CB ACOUSTIK AS POWERED BY This patch provides a mild lead sound accompanied by the harmonies based on the C major scale and makes our G2 the world s first effective device in the class that features the HPS harmonized pitch shifter function You can select the key and the scale according to the phrase you play With this patch selected your electric guitar will start to sound like an acoustic electric guitar You can use rich chorus sound when you foot down the expression pedal We would recommend you to combine this patch with the single coil type front pick up You can also use this patch actively to create the clean ensemble effect Even if you are the type of guitar player who is proud of wailing solos you may sometimes want to use thrash power chords with some muting technique on the bridge The distorted sound of this patch provides the best playability for d gl that purpose Referenced album Dookie by Green Day 1994 BREATH YOU TAKE bi This patch provides you with a clean sound with effective use of the compressor Also with the delay effect set to synchronize with the 8th notes you will get Andy Summers signature sound for arpeggios You can control delay mix by expression pedal Referenced album Synchronicity by the Police 1983 RE
63. ill appear Before proceeding wait a while until this message disappears Bring up the Sound window from the Control Panel e and make the input device setting for the computer To bring up the Sound window select Control Panel from the Start menu and click Hardware and Sound then click Sound C ex Playback Recording Sounds Playback Recording Sounds Select a recora ina davice below to modify its settings Microphone Intel r 832801DB DB E 97 Audio Controller Line x Intel r 82801DB DBM AC 97 Audio Controller Currently unavailable In the Sound window verify that USB Audio CODEC is listed under the Play and Record devices and that the device is checked To switch between Play and Record click the tabs at the top of the window If the device is not checked right click on the icon for the device and click Set as Default Device so that a check mark appears Start Cubase LE 4 Then access the Devices menu select Device Setup and click VST Audio System To start Cubase LE 4 double click the Cubase LE 4 shortcut icon that was created on the desktop After startup select ZOOM ASIO Driver as the ASIO driver in the right section of the Device Setup window When you change the ASIO driver selection a confirmation message appears Click the Switch button ASIO driver cor VST Audio System ZOOM ASIO Driver o
64. ion Referenced album Innuendo by Queen 1991 bo Note 1 The default patches stored in the pre set area from the bank No 0 to No 3 are the same as those stored in the banks from A to d Note 2 We recommend you to adjust the parameter for the noise reduction according to your guitars and amps BG DRIVE CHORUS CRUNCH METAL ZONE FENDER CLEAN CRUNCH PHASER PV DRIVE ACOUSTIC SIM PV DRIVE JC CLEAN FUZZ FACE GUV NOR CLASS A CLEAN BG DRIVE VIBRATO MS DRIVE FENDER CLEAN STEP O UJ lt idis 7 VOLUME VOLUME DRIVE GAIN WAH FREQ TREMOLO WAH FREQ WAH FREQ ST CHORUS MIX HPS MIX ST CHORUS MIX VOLUME DELAY MIX DRIVE GAIN FLANGER VOLUME PEDAL PITCH eoct DOWN VIBRATO DELAY OFF MIX SPRING MIX STEP Setting recommendation popular guitar amps Marshall JCM 2000 In case of patches for Live AO A9 bO b9 EQUALISATION CLASSIC GAIN PRESEMCE TREBLE MIDDLE SS CHA EP CHANNEL VOLUME TONE SHIFT d CRUNCH In case of patches for Live AO A9 bO b9 Y 2 BRIGHT 43 o N a CO NORMAL ol VOLUME TREBLE MIDDLE dQ gt x d H 8 S 5 o B S b o B H Q O Q O S Q o 0 9 Z y Q Q lt Me rors 10 10 Corrs he rrr 10 coo
65. le 4 Table 5 bP BwssMue The operation of modules denoted by Up changes as follows according to the letter at Maxi Walle right UP The parameter is at minimum when the pedal is Minimum value fully raised and at maximum when the pedal is fully EE E pushed down DOWN Maximum value DOWN The parameter is at maximum when the pedal is fully raised and at minimum when the pedal is fully pushed down Minimum value ELT E HIGH Maximum value eee RA HIGH When the pedal is fully raised the parameter is at the value set in the patch When the pedal is fully pushed down the parameter is at maximum Value set in patch eresesencane Tur sepu anne 20 3 gt E LOW LL LOW Val tin patch F When the pedal is fully raised the parameter is at dL minimum When the pedal is fully pushed down the parameter is at the value set in the patch Mini inimum value 34 ZOOM G2 1u E Effect types Effect modules Patches Sampling frequency A D converter D A converter Signal processing Frequency response Display Input Rated input level Input impedance Output Maximum output level Control input USB interface PC interface Sampling frequency Power requirements Specifications 54 Max 9 simultaneous modules User area 10 patches x 4 banks Preset area 10 patches x 4 banks 96 kHz 24 bit 64 times oversampling 24 bit
66. live houses or studios all over the world The key to that sound of JC 120 is its unique chorus effect the slightly delayed vibrato sound comes from one of two 12 loudspeakers and the dry sound from another and both sounds are combined in the air which creates that distinctive spacey mood This effect became very popular which is why Roland decided to release the chorus circuit independently as the CE 1 pedal Incidentally the chorus effect on the G series is modeled after its follower CE 2 Another unique feature of JC 120 is its Bright switch This function is not included in this modeling program but you can approximate the effect of this switch by tweaking the Harmonics parameter in the Extra EQ section EFFECT TYPE CLASS A CLEAN VOX AC30 6TB CA The long history of the VOX company harks back to the foundation of Jennings Musical Instruments JMI in 1958 Originally this company made amplifiers with 10 15w output power but the musical trend required more powerful amplification which resulted in the birth of the revered AC30 guitar amp The very original AC30 had two Celestion 12 loudspeakers using alnico magnets EF86 pre tubes EL84 power tubes and a GZ34 rectifier tube The Shadows and the Beatles used this model and their influence helped this amp become popular among many guitarists Later as the musical trend required amplifiers with even more gain the company developed an add on device called
67. make connections and settings for this unit and perform recording USB Cubase LE 4 Startup Guide Cubase LE 4 installation gt Connections and preparation Windows Vista XP Cubase LE 4 installation gt Connections and preparation To connect this unit to a computer running Windows Vista or Windows XP and to enable audio input output proceed as follows The installation description uses Windows Vista as an example Download the latest ASIO driver from the web site of ap ZOOM Corporation http www zoom co jp and install the driver The ASIO driver software is required to enable use of Cubase LE 4 for audio input and output with a computer Refer to the read_me file included in the download package for instructions on how to install the driver correctly Insert the supplied Cubase LE 4 DVD ROM into the e DVD drive of the computer and perform the installation steps When you insert the DVD ROM a screen asking what you want to do appears Select Open folder to view files When the contents of the DVD ROM are shown open the Cubase LE 4 for Windows folder by double clicking on it and then double click the executable Setup Setup exe file to start the installation process HINT If nothing happens when you insert the DVD ROM open the Start menu and select Computer My Computer in Windows XP Then double click the Cubase LE 4 DVD ROM icon to display the contents of the DVD ROM NOTE
68. o inputs but one is the input for a microphone It has just one tone knob for treble control Therefore it is advisable to use this program on the G series with a flat tone setting except for the treble parameter so that you can enjoy the characteristic sound in the lower registers and the unique sound in the higher registers of the original Fender amp EFFECT TYPE M8 CRUNCH Marshall JOM800 uc Marshall has continued to produce great amplifiers for up to date musical trends in cooperation with the musicians This brand started with its JTM 45 stands for Jim amp Terry Marshall in 1962 and now its products are indispensable items in the modern Rock scene Marshall seems to have been experimenting with different circuit designs of amplifiers but 1981 was the most prolific year for the brand because it released many new models like the 1959 and 1987 with four inputs 2203 and 2204 with master volumes In 1983 Marshall added the 2210 and 2205 with two Normal and Boost channels as well as effect send return connectors to its lineup These models also carried the collective designation JCM stands for Jim amp Charles Marshall 800 They had three ECC83 pre tubes and four EL34 power tubes The tone control circuit was placed after the pre amp section and this design seems to have become the standard for the modern Marshall amplifiers For the modeling on this G series we selected the 2203 with a master volume and it is quite e
69. of the DVD ROM appear automatically If nothing happens when you insert the DVD ROM double click the Cubase LE 4 icon shown on the desktop e Install Cubase LE 4 on the Macintosh When the contents of the DVD ROM appear open the Cubase LE 4 for MacOS X folder by double clicking it and then double click the Cubase LE 4 mpkg file to start the installation process Cubase LE 4 mpkg Connect this unit to the computer using a USB cable AC adapter ey Macintosh or OUTPUT jack Batteries Audio system or other hi fi playback equipment NOTE e f you monitor the audio signal during recording via the audio output of the computer there will be an audible delay Be sure to use the OUTPUT jack of this unit to monitor the signal e When this unit is operated on USB bus power via the USB cable insufficient power may result in unstable operation or error indications appearing on the display In such a case power the device from an AC adapter or batteries Use a high quality USB cable and keep the connection as short as possible If USB bus power is supplied to this unit via a USB cable that is more than 3 meters in length the low voltage warning indication may appear HINT No special steps are necessary for canceling the USB connection Simply disconnect the USB cable from the computer Open the Applications folder and then the Utilities folder and double click Audio MIDI Setup The Audio MID
70. ol the tap tempo function or perform other functions with the foot switch 1 Plug the cable from the FS01 into the CONTROL IN jack and then turn the G2 1u on 21 Use of Expression Pedal Foot Switch 2 Set the Module selector to the CONTROL position DELAY REVERB PLAY CONTROL The G2 1u goes into edit mode You can now make settings for the expression pedal or foot switch 3 Turn Parameter knob 2 to select one of the following functions for the foot switch bP bypass mute The foot switch controls bypass or mute on off This has the same effect as pressing both V A foot switches at the same time in play mode e tP tap tempo Pressing the foot switch repeatedly can be used to set the interval for the rhythm function or to make settings for effect parameters supporting the tap function This has the same effect as pressing the TAP key bU bank up Each push of the foot switch switches to the next higher bank This has the same effect as pressing the BANK key rH rhythm on off The foot switch controls start stop of the rhythm function This has the same effect as Original sound Delay sound Foot switch pressed pressing the RHYTHM M W key dH delay hold The foot switch controls on off of the delay hold function When a patch using the hold function is selected pressing the foot switch will activate hold causing the current delay sound to be rep
71. ollows Insert the CD ROM supplied with this product into the CD ROM drive of the Macintosh computer The Cubase LE icon appears on the desktop Double click the icon to open it and use the Cubase LE Installer to install Cubase LE Cubase LE e e LI Read Me first rtf Getting Started 28 Demo Projects Library Documentation License Connect the G2 1u to the computer using a USB cable Macintosh m USB cable EX OUTPUT jack Q Audio system or Batteries O other hi fi playback equipment When the POWER switch of the G2 1u is ON the unit will be powered from the AC adapter or internal batteries When the POWER switch of the G2 1u is OFF the unit will be powered via the USB cable bus power This is convenient when no AC adapter or batteries are available or when the batteries are exhausted NOTE e f you monitor the audio signal during recording via the audio output of the computer there will be an audible latency Be sure to use the OUTPUT jack of the G2 1u to monitor the signal e When the G2 1u is powered via the USB cable insufficient power may result in unstable operation causing an error indication to appear on the display In such a case power the G2 1u from an AC adapter or batteries Use a high quality USB cable and keep the connection as short as possible If power is supplied to the G2 1u via a
72. pre amp and four 6L6GC tubes for the power amp As opposed to the Mark series the Rectifier has its tone control circuit after the volume circuit for better effect on the sound Since this amp had been introduced the brand image of MESA BOOGIE has changed from being the premiere amp manufacturer for fusion music to that for heavy metal music The most prominent feature of this amp is its rectifier circuitry after which it was named The Dual Rectifier employs as its name suggests two different rectifier circuits one uses silicon diodes and another uses tubes When the diodes are selected the amp gives you tight and highly powerful sound When the tube rectifier circuit is selected you will get a warmer sound This program is modeled after the combination of a four 12 BOOGIE cabinet and the Dual Rectifier head using the vintage channel and the silicon diode rectifier circuit EFFECT TYPE FD CLEAN Fender Twin Reverb 65 In the later half of 1965 a reverb unit was added to the Twin amp which was the birth of the Twin Reverb model In 1965 Fender company was sold to CBS because of Leo Fender s health problem The program on this G series is modeled after the pre CBS Twin Reverb from 1965 aka Black Panel This amp has four 7025 12AX7 a 12AX7 and two 12AT7 pre tubes four 6L6GC power tubes and silicon diodes for the rectifier circuit The diode rectifier is believed to give a tighter sound to the amplifier than the
73. ransport panel is being shown 9 1 1 0 1 11 0 lt lt gt gt gt 5 0 gt Je If the transport panel is not shown access the Transport menu and select Transport Panel CLIC TEMPO SYNC To start recording click the Record button in the transport panel 1 1 1 0 ur Stop button Record button Recording starts As you play your instrument the waveform appears in real time in the project window To stop recording click the Stop button in the transport panel Check the recorded content To play the recording perform the following steps 1 Move the fader of the master channel as displayed in step 13 fully 4 Raise the fader of the master channel to obtain a suitable volume Go to beginning of project Play button 2 Use the button in the transport panel to move to the beginning of the project Click the Play button in the transport panel to start playback HINT If no sound is heard when you click the Play button after recording check the VST connection settings step 6 once more NOTE To continue using Cubase LE 4 a process called activation license authentication and product registration is necessary When you start Cubase LE 4 a screen offering to register the product will appear Select Register Now A web site for registration will open in your Internet browser Follow the instructions on t
74. rding is carried out with this function enabled the output signal will sound as if processed by a flanger effect e Use a high quality USB cable and keep the connection as short as possible If power is supplied to the G2 1u via a USB cable that is more than 3 meters in length the low voltage warning indication may appear DAW application ZOOM G2 1u Restoring Factory Defaults In the factory default condition the patches of the user area AO d9 contain the same settings as the patches of the preset area 00 39 Even after overwriting the user patches their original content can be restored in a single operation Initialize function The patches of the G2 1u consist of nine serially linked effect modules as shown in the illustration below You can use all effect modules together or selectively use certain modules by setting them to on or off 4 DELAY REVERB DELAY Effect module 4 EQ EQ CABI amp MIC 4 MOD SFX EXTRA EQ CHORUS CABINET amp MIC STEREO CHORUS FLANGER PITCH SHIFTER ZNR FD CLEAN GATE CLASS A OLEAN COMP WAH EFX 1 Turn the G2 1u on while holding down AUTO WAH the STORE key RESONANCE The indication AL appears on the display RING MODULATOR ROOM SPRING ECHO REFLECTION MULTI TAP DELAY i
75. selector Top Panel These knobs allow changing the level of effect parameters or of beein the overall patch During rhythm playback the knobs let you ior select a pattern set the tempo and adjust the rhythm volume operation DRIVE 2 EXTRA EQ CUBIRMIC UH FEEDBACK cu PEDAL ASSIGN key CX gu CX vn fe E Z This key lets you select the function of the built in expression 11 ott vt 1 1 BANK keys In play mode the keys serve for directly switching to the next lower or higher bank In edit mode the keys switch the effect type for the currently selected module STORE key Serves for storing edited patches in memory A foot switches These switches are used for selecting patches switching effect modules on and off controlling the tuner and other functions om ims pedal The currently selected function is shown by a lit LED 000 PEDAL ASSIGN EFFECTTYPE TAP key Allows manual input of time related effect parameter values such as delay time and rhythm pattern tempo RHYTHM key Serves to start stop rhythm playback Display Shows patch numbers setting values and other information about operating the G2 1u eUJoI Lets you adjust the volume or various effect parameters in real time during play
76. series We deliberately made use of the characteristics of digital devices and even emphasized the edge of the digital sound to get the distortion to the maximum The TM 01 Tri Metal was the pedal that had the deepest distortion sound among the stomp boxes from ZOOM but was discontinued It had as much as three diode clipping stages and had very high gain The Extreme Distortion is programmed to get the gain even higher It raises the signal level to the maximum at the input stage and gets the wild distortion sound at the clipping stage In fact you won t change the distortion rate even if you lower the volume on your guitar Its distortion is that deep Contrary to the usual distortion effects whose sound gets thinner as you raise the gain this Extreme Distortion won t lose the fatness and tightness of the sound EFFECT TYPE DIGI FUZZ GF Forty years ago my fellow guitar player used to crank up his amp trying to distort his guitar sound and make other guys of the band virtually deaf at the end of the rehearsal When it was difficult to get the distorted sound out of the amplifiers like in those days some guys made cuts in the cone loudspeakers to make the sound distorted which was the origin of the sound of fuzz effects The fuzz pedals were developed to reproduce that distortion like sound In other words the trick of fuzz effect is to simulate the dirty distortion and that broken feel This Digital Fuzz has the very effect
77. sound quality sound Er Er EARLY REFLECTION This effect isolates only the early reflection components of the reverb Adjusts the envelope of the effect sound In the negative range the envelope is Adjusts the duration of the reverb reversed At 0 the effect is a gate reverb In the positive range the envelope is a decay type envelope lid Md MULTI TAP DELAY Adjusts the mixing ratio of original sound and effect sound TIME 1 99 Adjusts the delay time In the range from 10 990 ms the adjustment is made in 10 ms steps 1 99 For 1 second and above the adjustment is made in 100 ms steps 1 0 3 0 Selects the combination pattern for the Adjusts the mixing ratio of taps The selection ranges from original sound and effect rhythmical to random patterns sound Effect Types and Parameters CONTROL CONTROL module Serves for making pedal settings and lets you control the foot switch function and master level setting applying to all patches onn rs emer CONTROL When a foot switch FSO1 is connected P a ea on pedal TEOT RO to the CONTROL x ee this selects si connected to the CONTROL NI the function that can be operated with jack this selects the modulation target the foot switch See Table 5 The module for the RTM function See Table 4 Adjusts the master level for all patches function selected here applies to all patches Tab
78. ss the File menu and select New Project The new project window appears Here you can select a project template Make sure that the Empty template is selected and click the OK button A window for selecting the project file save location appears After specifying a suitable project file save location such as the desktop click the OK button Choose button in MacOS X A new project is created and the project window for controlling most of the Cubase LE 4 operations appears File Edit Project Audio MIDI Media Transport Devices N No Object Selected To create a new audio track access the Project menu and select Add track In the submenu that appears select Audio he Add Track window for specifying the number of audio tracks and the stereo mono setting appears Select stereo mono setting In this example set the number of tracks to 1 and select stereo then click the OK button A new stereo audio track is added to the project window File Edit Project Audio MIDI Media Transport Devices Window Help No Object Selected I Audio 01 Audio 01 stereo RU Make the following settings for the newly created audio track If the Inspector is not shown click here to qe nx toggle the Inspector show hide setting File Edit PAject Audio MIDI Media Transport Devices Window Help 0 No Object Sele
79. stereo chorus with clear sound ome pa Adjusts the modulation depth Adjusts the modulation depth Adjusts the level of the effect sound mixed to the original sound Adjusts the modulation rate 30 ZOOM G2 1u Effect Types and Parameters Fl FL FLANGER This effect produces a resonating and strongly undulating sound Adjusts the modulation resonance intensity Adjusts the modulation depth 5 Adjusts the modulation rate PL Pt PITCH SHIFTER This effect shifts the pitch of the original sound up or down 12 1 dt TS Oros om Adjusts the pitch shift amount in semitones Selecting dt gives a detuning effect 2 Adjusts the level of the effect sound mixed to the original sound HH PEDAL PITCH This effect allows using a pedal to shift the pitch in real time Selects the type pitch change type effected by the pedal Table 1 COLOR MODE s Pedal minimum value Pedal maximum value COLOR MODE z amp Pedal minimum value 2 Pedal maximum value 100 cent Original sound only 1 octave DRY 1 octave DRY Original sound only 100 cent 1 octave DRY 1 octave DRY DOUBLING Detune DRY 700 cent DRY 500 cent DRY Detune DRY DOUBLING 500 cent DRY 700 cent DRY 0 cent 1 octave oo 0 Hz DRY 1 octave 1 octave 0 cent 1 octave 0 Hz DRY 0 cent 2 octaves 0 Hz DRY 1 octave DRY 2 octaves 0 cent 1 octave DRY 0 Hz DRY Adjusts
80. sting the sensitivity of the built in expression pedal 21 Using an external expression pedal FP01 FP02 21 Using TOOL SWIC FSO0T aieo indo qo oia io oo vus 21 Using the G2 1u as audio interface for a computer 22 Restoring Factory Defaults 1 eonun e reu e oan n ca nura nn nos u neun Suc ED ce 24 LINKING EGOIS RE 25 Switching between live sound and direct recording sound 25 Effect Types and Parameters eere 26 How to read the parameter table 26 qa c 27 WAH IEFX 27 Fd eto st 28 DRIVE c 29 zoN 30 EXTRA EQ CABI amp MIC nuuc um ac P MER aba CUIU SE EE cs 30 gei qq 30 DELAT 33 REVERB 33 CONTROL 34 SDecifiCallOliS E Cn iru Qua d du d du Qu Ri RR RR 35 Lise aaa 35 32 1u Preset Pattern aeuo iain ix Back cover The FCC regulation warning for U S A This equipment has been tested and
81. t panel to start playback 2 Use the controls on the transport panel to move to the beginning of the project HINT If no sound is heard when you click the Play button after recording check the settings in the VST input window step 13 and the master channel output port setting step 15 once more For optimum enjoyment While using Cubase LE other applications may slow down drastically or the message Cannot synchronize with USB audio interface may appear If this happens frequently consider taking the following steps to optimize the operation conditions for Cubase LE 1 Shut down other applications besides Cubase LE In particular check for resident software and utilities 2 Reduce plug ins effects instruments used by Cubase LE When there is a high number of plug ins the computer s processing power may not be able to keep up Reducing the number of tracks for simultaneous playback can also be helpful 3 Power the G2 1u from an AC adapter When powered via the USB port the current supply may sometimes fluctuate leading to problems See if using an AC adapter improves operation If applications still run very slowly or the computer itself does not function properly disconnect the G2 1u from the computer and shut down Cubase LE Then reconnect the USB cable and start Cubase LE again USB Cubase LE 4 Startup Guide This USB Cubase LE 4 Startup Guide explains how to install Cubase LE 4 on a computer
82. the amplifier puts out its full potential power Until the model Mark Il MESA BOOGIE amps were quite expensive hand made amplifiers but the next model Mark was more affordable It has one 10 loudspeaker and 60w output power but retains all of the classic BOOGIE features simul power circuitry the graphic EQ and three Rhythm1 Rhythm2 and Lead separate channels With this Zoom G EFFECT TYPE US BLUES Fender Tweed Deluxe 53 w The very first Fender amplifier was developed by Leo Fender and his trusty partner the engineer Doc Kaufman in 1945 46 Actually the earliest models were not made under the Fender brand but the K amp F Manufacturing Corporation named after the Initials of the two The first amplifier using the Fender brand was the Model 26 in 1947 In 1949 the entry models called Champion 400 600 series followed The so called Tweed Amps covered literally with tweeds all over were developed during the 1950s and the 1960s In these years the company put out various tweed models like the Bassman or the Bandmaster The program of this G series is modeled after among others the most representative Tweed Deluxe aka the Wide Panel from 1953 This amplifier has a 12AY7 and a 2AX7 pre tubes two 6V6GT power tubes a 5Y3GT rectifier tube and a 12 Jensen loudspeaker and its output power is 10w Recently the original amplifier is priced quite highly and is very difficult to find in good condition This amp has tw
83. ting process intuitive and quick The mute interval when switching patches has been reduced to less than 5 milliseconds Seamless patch changing is now a reality Dual power supply principle allows use anywhere This section explains some important terms that are used throughout the G2 1u documentation N gt CoMP WARTEFX DRIVE EG EXTRA EO CABIANIC MODISF DELAY REVERE OUT E Effect module As shown in the illustration above the G2 1u can be thought of as a combination of several single effects Each such effect is referred to as an effect module In addition to modules comprising compressor effects COMP amp simulator distortion effects DRIVE and modulation special effects MOD SFX the G2 1u also provides a module for ZNR ZOOM Noise Reduction Parameters such as effect intensity can be adjusted for each module individually and modules can be switched on and off as desired E Effect type Within some effect modules there are several different effects which are referred to as effect types For example the modulation SFX effect module MOD SFX comprises chorus flanger pitch shifter delay and other effect types Only one of these can be selected at a time Effect parameter All effect modules have various parameters that can be adjusted These are called effect parameters In the G2 1u effect parameters are adjusted with the parameter knobs 1 3 Similar to the knobs on a compact effect
84. tromagnetic interference can cause malfunctioning and can corrupt or destroy data Care should be taken to minimize the risk of damage Cleaning Use a soft dry cloth to clean the G2 1u If necessary slightly moisten the cloth Do not use abrasive cleanser wax or solvents such as paint thinner or cleaning alcohol since these may dull the finish or damage the surface Please keep this manual in a convenient place for future reference ZOOM G2 1u SAFETY PRECAUTIONS Usage Precautions 2 SAFETY PRECAUTIONS ac a 2 Usage Precautions 2 Fed BS ciini ws NENNEN CURIE 4 Terms Used in This Manual 2 e RE ea RUE 5 Controls and Functions Connections 6 e I feit gre 8 Using MU 10 Using the Rhythm Function 1 eeree rere 12 Editing cora cona cora eden E enn eua dene uc Eu 14 Storing Copying Patches 16 Using the Built in Expression Pedal 18 Use of Expression Pedal Foot Switch 20 Using the built in expression pedal 20 Adju
85. tube rectifier does which should be the key to the characteristic glittering sound of this Twin Reverb This guitar amplifier has two 12 loudspeakers by Jensen and pus out 80w power On the program in this G series you can have the sound with the Bright switch on by tweaking the Harmonics parameter in the EXTRA EQ section When you turn the reverb effect on you will get that Twin Reverb sound you have been longing for that has four 12 loudspeakers and works very well with the 2203 EFFECT TYPE OVERDRIVE O BOSS 0D 1 od Od The OD 1 released by BOSS in 1977 was originally developed for the simulation of the natural overdrive sound of tube amplifiers but this stomp box turned out to be popular as the booster unit to connect to the input of the real tube amplifier to get tighter and more punchy sound with the increased gain The OD 1 employs the asymmetrical clipper section in its circuit design that uses three diodes to create the overdrive sound that is mild and rich in nuances The pedal had been in production from 1977 to 1985 but now it is unexpectedly difficult to even find a used one And if you could locate one it would be astonishingly expensive There have been many stomp boxes known as overdrive units The most famous one is probably the Tube Screamer but we chose this very original overdrive pedal OD 1 If you are lucky enough to use the real OD 1 we invite you to try blind test to turn off all of th
86. up the gain and play one of Van Halen s hit Top Of The World EFFECT TYPE MS DRIVE Marshall JCM2000 2000 is based on the reputed Plexi amp aka Old Marshall whose rich overtones and powerful sound were legendary It has very flexible sound and can produce the traditional Marshall sound modern heavy metal sound or sounds suitable for any musical genre It has the modern Marshall s standard circuit with four ECC83 pre tubes and four EL34 power tubes It is an all tube amplifier that can produce clean or heavily distorted sound and you can use it in all kinds of music The sound is rather grainy but the response is fast and the guitar sound cuts through very well JCM2000 series has two different models the TSL and the DSL The program on the G series is modeled after the simply designed DSL 100 As with the modeling of the JCM800 we combined the head with a 1960A cabinet and used the Lead channel that has more distortion EFFECT TYPE METAL ZONE O BOSS MT 2 ac mt The MT 2 METAL ZONE has the strongest distortion Its unique distortion sound has very fat mid to low range and it has a parametric EQ in addition to the Hi and Low EQs which is the key to the scooped metal sound This stomp box is reputed for its flexibility in sound because you can not only get that scooped metal sound by cutting the mid range and boosting the high and low range but also the overdrive sound by reducing the gain an
87. use the G2 1u as an audio interface for the computer connect the USB connector of the G2 1u to a USB port on the computer The G2 1u will be recognized as an audio interface HINT e f the POWER switch of the G2 1u is set to OFF power will be supplied via the USB connection e f the POWER switch of the G2 1u is set to ON power will be supplied from the batteries in the G2 1u or the AC adapter Care should be taken especially when running on battery power because setting the switch to ON may result in faster depletion of the batteries INPUT OUTPUT INPUT OUTPUT J USB Playback In this condition the sound of a guitar connected to the INPUT jack of the G2 lu can be processed with the effects of the G2 1u and then recorded on the audio tracks of a DAW Digital Audio Workstation software application on the computer At the same time the OUTPUT jack of the G2 1u carries the playback sound from the audio tracks of the DAW application mixed with the guitar sound processed by the effects of the G2 1u For details on recording and playback refer to the documentation of the DAW application NOTE Also when using the G2 1u as an audio interface the signal after effect processing is always available directly at the OUTPUT jack e f the DAW application has an echo back function input signal during recording is supplied directly to an output this must be disabled when using the G2 1u If reco
88. ustic simulator Each effect type of the module has two modeling algorithms for live performance and direct recording These algorithms are switched automatically according to the on off condition of the CABINET amp MIC effect p 25 err FC FD CLEAN LH CA CLASS A CLEAN The rich clean sound of a classic 1965 Fender Twin Clean sound of the Vox AC 30 combo amp Reverb operating in Class A ir Je JC CLEAN Clean sound of Roland JC series with built in chorus which gives a wide clear tone HL bL US BLUES Crunch sound of a Fender Tweed Deluxe 53 lid Md MS DRIVE The High gain sound of a Marshall JCM2000 driven stack Fu PV PV DRIVE The high gain sound of the classic Peavey 5150 Lu GV GUV NOR distortion Simulation of the Guv nor distortion effect from Marshall FUZZ FACE EXTREME DISTORTION nO Me MS CRUNCH Big sound of a Marshall stack running between clean and crunch hl be BG CRUNCH Fat sound of the Mesa Boogie MkIII combo amp hL bG BG DRIVE High gain sound of Mesa Boogie Dual Rectifier amp channel 2 vintage mode ag Od OVERDRIVE Simulation of the classic Boss OD 1 overdrive pedal Hh Hb HOT BOX Simulation of the drive channel of a Hot Box tube amp HL Mt METAL ZONE Simulation of the classic Boss Metal Zone pedal famous for long sustain and midrange dr dF DIGI FUZZ digital fuzz Intense super high gain distortion High gain fuzz attack All above effect types have the same p
89. utput port ASIO Multimedia Setup Advanced Options Device Intel r Integrated Audio USB Audio CODEC Device Intel r Integrated Audio put Pots af 1 Intell Integrated Audio E USB Audio CODEC SEES O Integrated Audio 54 USB Audio CODEC If not selected click the respective box to place a check mark in it When the setting has been made click the OK buttons to close the windows and return to the normal post startup Cubase LE screen HINT e By clicking the Move up Move down button in the advanced options window you can change the priority sequence setting of the currently selected port If you move USB Audio CODEC to the top of the list it will also be at the top in the following VST input window e When you edit any of the settings in the advanced settings window a window asking whether to check the audio input output port appears Click OK to perform the check Access the Devices menu and select VST Inputs The VST inputs window appears Check whether the input port is active VST Inputs Active button If the Active button is Off grayed out click the button to set it to On HINT When multiple input ports are available for selection you should scroll or enlarge the window and check the enable disable settings for all ports Continued overleaf To connect the G2 1u to a computer running MacOS X and enable audio input output proceed as f

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