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YAMAHA DX21 Manual(2)

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1. Claranette Creates hollow v feeling of clarinet Best feelings when played in lower and mid ranges Sound of loose basson Mono Sox Sivonen mono made Foramen can be dad by laying 5 Fite Wood Realise iute with e BCiHmmos Harmaniss using BCT No sound s generated i BCT ie not used 13 BASS GROUP Voice Name Solid Bass l l Performance Notes M Mild sound of wooden bass Try playing a running pattern Pluck Bass Bass sound with attack feeling of chopper bass Synthe Bass This bass sound is essential for funk music Use of bender must be good Bass in mono mode Portamento can be added by playing in legato Mono Bass Flap Bass Sound of synthesizer bass Rising feeling is very funky Elec Bass Electronic bass with high tone Uprt Bass Sound of wood bass Highiy realistic feeling of strings Fretless bass Can be made even more realistic using bender Voice Name Performance Note Racing Car Sound of race cars Engine throttles up increases as keys are held down Helicopter Helicopter sound Feeling of takeoff when keys are released Fretless Alarm Call Sound of alarm clock Ghosties Slightly comical ghosts Doppiar FX Realistic doppler effect Sound becomes closer as keys are held down and goes away when keys are released Storm Wind Storm with thunder 7
2. 6 lt 6tease gt High tone using high range drawbars 6 Tease is expression from the sixties Gentle Pipe Solemn pipe organ together with gentle pipe organ 8 Full Ranks Organ sound with special properties when keys are released 4 STRINGS GROUP 1 Stings High strings Try using in the dual mode Orchestra Deep orchestra sound Solo Violin Solo violin slightly out of tune on rising phrases Box Cello Cello with lingering resonance 6 8 Rich String Dazzling strings 5th String Strings on fifth interval Strings played in pizzicato Sound is more realistic if played in staccato 5 BRASS GROUP 1 Horns Warm sound of horns Can be used together with strings for ensemble 2 Brite Brass Bright brass sound 3 FlugelHom Realistic flugelhorn with the sound of the pipes for the unigue brass sound Realism can be increased by adding a bit of portamento a DI NNNM RR 6 Power Brass Powerful brass sound used for perfect rhythm 8 BCiTumps This is the sound of a tumpet aiso using BCI 6 PLUCKED GROUP No V oice Name eri 2 7 Kotokoto Sound of the koto Japan s representative instrument Use the bender to draw out nuances Folk Guit Sound of a folk guitar Try playing in arpeggio style like the chord work for a quitar 7 COMPING GROUP Voice Name le B 1 True synthesizer sou
3. Space Talk A conversation in space Interesting effect when keys are released 15 SOUND EFFECT G No Voice Name E W Diesel Sound of powerful diesel engine Hole in one in middle of golf tournament Try pressing five or six keys at once Gives the effect of glass smashing FM SQUARE Square wave created using two operators Used for creating the sound of woodwinds 6 FM SAWTOOTH These are sawtooth waves Used for creating sings and brass Scale noise with feeling of being in tune 8 PINKNOISE Pink noise used for the creation of various noise effects 16 SOUND EFFECT GROUP 3 7 Wind Bets Sound of noisy Bolis Perfect forthe sound of bells in the wind S Voices Realistic intonation of human voices Can be used for creating a chon Zing Plop Interesting melodic percussion effects can be created when used as synthesizer percussion Valve Plop Another type of synthesizer percussion Short rhythm due to short envelope 8 Masto Reply is heard when keyboard is released ROUP 2 220000 Performance Notes tiis ee EF EEE Performance Notes SINCE 1887 YAMAHA NIPPON GAKKI CO LTD HAMAMATSU JAPAN OMD 127AM 85 07 0 2 CR Printed in Japan
4. YAMAHA m DIGITAL PROGRAMMABLE ALGORITHM SYNTHESIZER SYNTHETISEUR NUMERIOUE A ALGORITHMES PROGRAMMABLES DIGITAL PROGRAMMIERBARER ALGORITHMUS SYNTHESIZER PERFORMANCE NOTES NOTES SUR LES PERFORMANCES ANMERKUNGEN ZU DEN PARAMETERN FUR FUNKTIONEN UND INSTRUMENTSTIMMEN PERFORMANCE NOTES FOR 128 VOICES 1 PIANO GROUP No Voice Name Performance Notes Dignified and deep grand piano Uprt Piano Gives the feeling of an upright piano Honkey Tonk Honky tonk piano that is slightly out of tune Perfect for ragtime music Black and white keys of piano High pitched piano Piano with phasing Try playing a ballad Sound of electric grand piano CP Bell can be heard together with the piano Mild piano between acoustic and electric sound Old Electro The sound of a typical electronic piano Slight distortion gives an old flavor New Electro This is aiso the sound of a typical electronic piano Sense of lightness 3 High Tines Clear sounding electronic piano e Wood Piano Woody piano which sounds similar to marimba e Piano Brass Sound of piano and brass ensemble 3 ORGAN GROUP mM Click Organ Organ sound with realistic clicking sound Dignified jazz organ This one should be played cool Ham lt n gt Eggs Powerful organ for rock sounds Drawbars Typical organ sound created around 16 8 and 4 drawbars 5 Club Organ Mild organ sound
5. nd 2 3 7 8 PERCUSSION GROUP 1 A OS 0i 4 UN P ina 2 3 Tube Bells Sound of tubular bells 8 Boses SomdofBgBey O 9 PERCUSSION GROUP 2 Electro Tom Tom sound of electronic drums Sound of timpant Lingering resonance can be created using staccato 4 xio Snare Percussion sound similar to a xylophone and snare played atthe same tme s Hong Om Soundothenddm s HeferBei Percussion sound similar to cow bell being sruk o LEAD SYNTH GROUP Performance Not s 2 CES mmi Heavy Synth Suitably heavy sound of solo synthesizer Harmo Solo Harmonica sound Try creating the feeling of instability in the interval using pitch blending Feed Lead Lead synthesizer with feedback Mono lead synthesizer Portamento can be added by playing in legato 5 Hollow Lead Woody synthesizer sound with sense of attack 6 Lyrisyn Expressive lead synthesizer Gentle lead synthesizer which reminds one of a lady s voice 8 Huff Talk Synthesizer voice lead which sounds like people talking 11 OTHER KEYBOARD GROUT Ne Na ur 6o Perfofri NAKIT p N 2 Lien Mehrmgehapshord TT 5 muec 6 Squeeze Box SimplelesdsoundPerectforchamon lt Munich celeste Munich celeste sound sss Circus Time EDU sure to remind one of circus Should be played with as simple a chord progression as possible ES

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