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YAMAHA CLP-130/120 Manual

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1. Y gu 2 Attach the cord holders to Kal the rear panel as shown E then clip the cord into the E holders ee M y 6 e Set the voltage selector and connect the power cord S M y Voltage Selector Before connecting the AC power cord check the setting of the voltage selector which is provided in some areas To set the selector for 110V 127V 220V or 240V main voltages use a minus screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel The voltage selector is set at 240V when the unit is initially shipped After the proper voltage has been selected connect the AC power cord to the AC INLET and an AC wall outlet A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area A WARNING An improper voltage setting can cause serious damage to the Clavinova or result in improper operation CLP 130 120 CLP 130 Keyboard Stand Assembly e 7 Set the adjuster gt Rotate the adjuster until it comes in firm contact with the floor surface After completing the assembly please check the following Are there any parts left over Review the assembly procedure and correct any errors sthe Clavinova clear of doors and other mov able fixtures Move the Clavinova to an appropriate location Does the Clavinova make a rattling noise when you shake it
2. Useful Playback Functions Turning track playback on and off TIP Tracks can be turned on or off before or during playback When you select a song on the Clavinova the indicators for tracks that contain data one of TRACK1 TRACK2 or both are lit in green While the Clavinova is play ing or stopped pressing these track buttons turns off the indicators and the data on If both tracks are turned off on those tracks is not played Pressing the track buttons toggles track playback on and off the CLP 120 playback will not start or the playback will stop Starting playback automatically when you start playing the keyboard TIP Synchro Start You can adjust the volume of a part of a song from 50 Greats You can start playback as soon as you start playing the keyboard This is called the for the Piano for which play Synchro Start function back is turned off T To engage the Synchro Start function press the SONG START STOP button while pages 18 45 72 holdi track button that is ON During recorder playback the 3 SERES A i volume of a track that is turned 6 The right most dot on the display will flash at the current off will always be 0 CAM tempo ion CC NOTE Repeat the previous operation to disengage the Synchro If you press the SONG START S fi x STOP button while holding tart function Flash down a track button that is OFF track playback is turned on and Playback will
3. USB cable ME IB 2 EJ computer Kai A YAMAHA O 20000 OO O o gt Sl MIDI cables MiDI HOST SELECT USB interface Clavinova CLP 130 120 Connections ENGLISH ae e a Z vi Troubleshooting Problem Possible Cause and Solution The Clavinova does not turn on The Clavinova has not been plugged in properly Securely insert the female plug into the socket on the Clavinova and the male plug into a proper AC outlet page 11 A click or pop is heard when the power is turned on or off This is normal when electrical current is being applied to the instrument Noise is heard from the speakers or head phones The noise may be due to interference caused by the use of a mobile phone in close proximity to the Clavinova Turn off the mobile phone or use it further away from the Clavinova The overall volume is low or no sound is heard The Master Volume is set too low set it to an appropriate level using the MASTER VOLUME control Make sure a pair of headphones is not connected to the headphones jack when the
4. mE When you press the sostenu to pedal here while holding the note the note will sustain as long as you hold the pedal The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed The soft pedal will not affect notes that are already playing when it is pressed ES 22 iS Z wi BRILLIANCE VARIATION CLP 130 NO YES VARIATION Lets you alter another aspect of the effect depending on the selected type Refer to Preset Voice List on page 63 for more information on the characteristics of each variation Procedure Pressing the VARIATION or selected voice button toggles the variation on and off The indicator lights ON each time the VARIATION button is pressed BRILLIANCE This control can be used to change the tonality or timbre of the sound output The control range is from MELLOW to BRIGHT REVERB This control enables you to select various digital reverb effects that would add extra depth and expression to the sound to create a realistic acoustic ambience OFF When no reverb effect is selected no REVERB indicator is lit ROOM This setting adds a continuous reverb effect to the sound similar to the acoustic reverberation you would hear in a room HALL 1 For a bigger reverb sound use the HALL 1 setting This effect simulates the natural reverberation of a small size concert hall
5. HARPSICHORD 2 Mixes the same voice an octave higher for a more brilliant tone VIBRAPHONE Vibraphone played with relatively soft mallets The tone becomes more metallic the harder you play CHURCH ORGAN 1 This is a typical pipe organ sound 8 feet 4 feet 2 feet Good for sacred music from the Baroque period CHURCH ORGAN 2 OTOKO O This is the organ s full coupler sound often associated with Beach s Toccata and Fugue JAZZ ORGAN The sound of a tonewheel type electric organ Often heard in jazz and rock idioms STRINGS 1 Stereo sampled large scale strings ensemble with realistic reverb Try combining this voice with piano in the DUAL mode STRINGS 2 Spacious strings ensemble with a slow attack Try combining this voice with a piano or electric piano in the DUAL mode CHOIR OJO O A big spacious choir voice Perfect for creating rich harmo nies in slow pieces GUITAR O Warm and natural sounding nylon guitar Enjoy the quiet ambience of nylon strings 1 Dynamic Sampling provides multiple velocity switched samples to accurately simulate the timbral response of an acoustic instrument 2 Contains a very subtle sample that is produced when the keys are released CLP 130 120 Preset Voice List ENGLISH Demo Song List Voice Name CLP 130 CLP 120 Title Composer GRAND PIANO1 O O Consolation No 3 F Lisz
6. amplifier and headphones or speaker s may be capable of pro ducing sound levels that could cause permanent hearing loss DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable If you experience any hearing loss or ringing in the ears you should consult an audiologist IMPORTANT The louder the sound the shorter the time period before damage occurs 15 e Some Yamaha products may have benches and or accessory mounting fixtures that are either supplied as a part of the product or as optional accessories Some of these items are designed to be dealer assembled or installed Please make sure that benches are stable and any optional fixtures where applicable are well secured BEFORE using Benches supplied by Yamaha are designed for seating only No other uses are recommended PLEASE KEEP THIS MANUAL 92 469 2 FCC INFORMATION US A 1 IMPORTANT NOTICE DO NOT MODIFY THIS UNIT This product when installed as indicated in the instruc tions contained in this manual meets FCC require ments Modifications not expressly approved by Yamaha may void your authority granted by the FCC to use the product 2 IMPORTANT When connecting this product to acces sories and or another product use only high quality shielded cables Cable s supplied with this product MUST be used Follow all installation instructions Fail ure to follow instructions could void your FCC authori zation to use t
7. Damper Right Pedal asaeeeeeeen P21 Display Check the operation on the display in the center of the top panel as you proceed The display indicates different values as shown below depending on the operation Tempo A song number of Function number Parameter value Normal indication 50 Greats for the Piano CLP 130 120 Part Names a5 22 Z wi Listening to the Demonstration Tunes Demonstration tunes are provided that effectively demonstrate each of the CLP 130 1 20 s voices 2 5 4 3 UTEMPO OTHER VALUE o d fi or e NES PRESE Procedure 1 Turn the power on In case the power is not turned ON Press the POWER button When the power is turned ON one of the voice button LEDs will light Initially set the MASTER VOLUME control about half way between the MIN and MAX settings Then when you start playing re adjust the MASTER VOLUME control to the most comfortable listening level Engage Demo mode Press the DEMO button to engage Demo mode The voice button indicators will flash in sequence Play a Voice demo Press one of the voice buttons to start playback of all songs starting from the corresponding voice demo tune featuring the voice normally selected by that voice button If you press the SONG START STOP button instead of a voice button the GRAND PIANO 1 demo tune will begin playback Adjust the volume brilliance Use the MA
8. HALL 2 For a truly spacious reverb sound use the HALL 2 setting This effect simu lates the natural reverberation of a large concert hall STAGE Simulates the reverb of a stage environment CLP 130 120 Selecting amp Playing Voices TIP Organ string and choir voices will continue to sound for as long as the sostenuto pedal is depressed TIP The left pedal can be assigned to song start stop operation or variation function CLP 130 via the Left Pedal Mode described on page 44 Adding Variations to the Sound VARIATION CLP 130 BRILLIANCE REVERB EFFECT REVERB EFFECT CLP 130 Normal setting OFF TERMINOLOGY Normal setting The Normal setting refers to the default setting factory set ting obtained when you first turn on the power to the Clavi nova The left pedal can be assigned to ON or OFF the variation via the Left Pedal Mode function described on page 44 CLP 130 When the BRILLIANCE is set to BRIGHT the overall sound will be slightly louder If the MAS TER VOLUME is set at a high level the sound may become distorted If so lower the MAS TER VOLUME level TIP The default reverb type includ ing OFF and depth settings are different for each voice Procedure Pressing the REVERB button repeatedly toggles the reverb on and off The indicators light in sequence each time the REVERB button is pressed No effect is produced when all indicators are o
9. NOTE To avoid erasing data from the track CLP 130 If the track contains data the track indicator lights up green when you press the USER1 2 3 button Note that recording new data on this track will erase the existing data CLP 120 Press the TRACK1 2 button If the indicator lights up green the track already contains data Note that the existing data will be erased if you record new data on the track Engage Record Ready mode Press the REC button to engage Record Ready mode Recording does not actually start yet LI d The TRACK 1 or the TRACK2 indicator flashes in I L red The amount of memory available for recording will flash be shown on the LED display in approximate kilo bytes and the right most dot on the LED display will flash at the current METRONOME tempo setting Record Ready mode can be disengaged before recording by pressing the REC button a second time Select the record track When Record mode is engaged in the previous step the last recorded track will automatically be selected for recording and its indicator i e the TRACK1 or TRACK2 button indicator will glow red If you want to record on a different track press the appropriate track button so that its indicator glows red Start recording Recording will begin automatically as soon as you play a note on the keyboard or press the SONG START STOP button The current measure number will appear on the display w
10. Tighten all screws Does the pedal box rattle or give way when you step on the pedals Turn the adjuster so that it is set firmly against the floor Arethe pedal and power cords inserted securely into the sockets Check the connection f the main unit creaks or is otherwise unsteady when you play on the keyboard refer to the assembly diagrams and retighten all screws gm 2 Z vi When moving the instrument after assembly always hold the bottom of the main unit ZN CAUTION Do not hold the key cover or top portion Improper handling can result in damage to the instrument or personal injury Key cover CLP 130 120 CLP 130 Keyboard Stand Assembly Preset Voice List CLP 130 Voice Name She Toncu Dynamica E Voice Descriptions Sampling Response Sampling Sampling Recorded samples from a full concert grand piano Also includes three levels of dynamic sampling sustain samples GRANDPIANO 1 O O O O and key off samples for exceptionally realistic acoustic grand piano sound Perfect for classical compositions as well as any other style that requires acoustic piano VARIATION O O O O Warm and mellow piano Good for classical compositions GRANDPIANO 2 O O e Spacious and clear piano with bright reverb Good for popu lar music VARIATION Q Q Bright spacious piano Good for popular or rock mus
11. XnH gt 09H gt 01H gt Data format FOH gt 43H gt 73H gt xxH gt nnH gt F7H F7H FOH Exclusive status FOH Exclusive status 43H Yamaha ID 7EH Universal Non Realtime 73H Clavinova ID 7FH ID of target device 01H Product ID CLP common 09H Sub ID 1 General MIDI Message 9r 7F Extended Product ID xxH Product ID CLP 130 26H CLP 120 25H nnH Substatus 01H Sub ID 2 General MIDI On F7H End of Exclusive or nn Control FOH Exclusive status 02H Internal MIDI clock 7EH Universal Non Realtime 03H External MIDI clock XnH When received n 0 F 06H Bulk Data the bulk data follows 06H X don t care F7H End of Exclusive 09H Sub ID 1 General MIDI Message When nn 02H or 03H Clavinova common ID 01H is 01H Sub ID 2 General MIDI On rec ognized as well as 75H F7H End of Exclusive BULK DUMP FORMAT When the General MIDI mode ON message is received the FOH 43H 73H MIDI system will be reset to its default settings 75F xxH Product ID CLP 130 26H This message requires approximately 50ms to execute so CLP 120 25H suffi cient time should be allowed before the next message is 06H Bulk ID sent 05H Sequence data OnH OnH OnH OnH OnH OnH OnH OnH Data length 8 SYSTEM EXCLUSIVE MESSAGES XG Standard BULK DATA i A CHECK SUM 1byte 0 sum BULK DATA 1 XG Native Parameter Change en 1byte Z End of Een Data format FOH gt 43H gt 1nH
12. 00H 7FH When transmitted n 0 Channel Detune ch OOH OFH 43H Sets the Detune value 4CH Model ID of XG for each channel aaH ByteCount 00H 7FH bbH ByteCount Voice Reserve ch 00H OFH 45H OOH Reserve off hhH Address High 7FH on mmH Address Mid When Volume Expression is received for Reserve On they H Address Low will be effective from the next Key On Reserve Off is normal ddH Data 11 SYSTEM EXCLUSIVE MESSAGES Others Data format FOH gt 43H gt 1nH gt 27H gt 30H gt 00H ccH Check sum gt 00H gt mmH gt HH gt ccH gt F7H F7H End of Exclusive Master Tuning XG and last message priority simultaneously changes the pitch of all channels FOH Exclusive Status 43H Yamaha ID 1nH When received n 0 F When transmitted n 0 Receipt of the XG SYSTEM ON message causes reinitializa tion of relevant parameters and Control Change values Allow sufficient time for processing to execute about 50 msec before sending the CLP 130 120 another message XG Native Parameter Change message may contain two or 27H Model ID of TG100 four bytes of parameter data depending on the parameter 30H Sub ID size OOH e For information about the Address and Byte Count values OOH refer to Table 1 below Note that the table s Total Size value mmH Master Tune MSB gives the size of a bulk block Only the top address of the llH Master Tune LSB block 00H 00H 00
13. Different for each voice combination You can shift the pitch up and down in octave steps for the Right Voice and Left Voice independently Make a set ting depending on the note range of the songs you play F45 Right Voice Effect Depth F46 Left Voice Effect Depth Setting range 0 20 Normal setting Different for each voice combination These functions make it possible to individually set the depth of the effect for the left and right Split mode voices The effect depth settings cannot be changed unless the EFFECT is ON You must exit Function mode before you can turn on an EFFECT ENGLISH F41 Damper Pedal Range Setting range ALL for both voices 1 for the right Voice 2 for the left Voice Normal setting ALL The Damper Pedal Range function determines whether the damper pedal affects the right voice the left voice or both the left and right voices in Split mode F4g Reset This function resets all Split mode functions to their default values Press the YES button to reset the val ues TIP SHORTCUT You can jump directly to Split mode functions F 4 x by press ing the TEMPO FUNCTION button while holding the SPLIT button To exit Function mode you still need to press the TEMPO FUNCTION button so that the TEMPO indicator lights up CLP 130 120 Detailed Settings FUNCTION EE au 2 6 Z TY F5 cip
14. OMNI ON MONO O Yes Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO X No CLP 130 120 Appendix Specifications Technische Daten Caract ristiques techniques Especificaciones Item CLP 130 CLP 120 Keyboard 88 keys A 1 C7 Sound Source AWM Dynamic Stereo Sampling AWM Stereo Sampling Polyphony 64 Notes Max Voice Selection 14 x 2 variations for each voice 14 Effect Reverb Effect Brilliance Volume Master Volume Dual Split Metoronome Transpose Touch Dual Metoronome Transpose Touch Hard Controls Hard Midium Soft Fixed Functions Speaker Midium Soft Fixed Functions Speaker ON ON OFF OFF Recording Playback SE recording playback CLP 130 3 CLP 120 1 user songs Tempo Adjustment Synchro Pedal Damper Sostenuto Soft Demo Songs 14 voice Demo Songs 50 preset Songs Jacks Conneciois MIDI IN OUT THRU PHONES x 2 AUX IN AUX OUT L L R R AUX OUT LEVEL FIXED L R TO HOST Main Amplifiers 40W x 2 20W x 2 Speakers 16cm x 2 5cm x 2 16cm x 2 1370mm x 518mm x 850mm 1370mm x 518mm x 850mm Dimensions W x D x H 53 15 16 x 20 3 8 x 33 7 16 53 15 16 x 20 3 8 x 33 7 16 with music rest 1370mm x 518mm x 1020mm 1370mm x 518mm x 1022mm 53 15 16 x 220 3 8 x 40 1 8 53 15 16 x 220 3 8 x 40 1 4 Weight 54kg 119lbs 10z 51kg 112lbs 70z A Owner s Manual 50 greats for the Piano Music Book Bench included or optional depend ccessories h in
15. YAMAHA Clavinova CLP 130 CLP 120 Owner s Manual Bedienungsanleitung Mode d emploi Manual de instrucciones Before using the Clavinova be sure to read PRECAUTIONS on pages 6 7 Achten Sie darauf vor Einsatz des Clavinova die VORSICHTSMASSNAHMEN auf Seite 6 7 durchzulesen Avant d utiliser le Clavinova lire attentivement la section PRECAUTIONS D USAGE aux Pages 6 7 Antes de utilizar el Clavinova lea las PRECAUCIONES que debe tener en cuenta en las p ginas 6 7 IMPORTANT Check your power supply Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord Make sure that the voltage selector is set for the voltage in your area The voltage selector is set at 240V when the unit is initially shipped To change the setting use a minus screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel WICHTIG Uberpriifung der Stromversorgung Vergewissern Sie sich vor dem AnschlieBen an das Stromnetz daf die rtliche Netzspannung den Betriebsspannungswerten auf dem Typenschild an der Unterseite des Instruments entspricht In bestimmten Verkaufsgebieten ist das Instrument mit einem Spannungsw hler an der Unterseite neben der Netzkabeldurchf hrung ausgestattet Falls vorhanden muB der Spannungsw hler
16. sess 17 Demonstration Tunes eee 16 Recorded Songs EEN 35 Useful Playback Functions sess 36 Start Stop recording eee 31 KG EE 44 Synchro Start 50 Piano Preset Songs essent 19 Recorded Songs iii 36 EI CLP 130 120 Index Appendix This section introduces reference material In diesem Abschnitt finden Sie Referenzmaterial Cette section pr sente le mat riel de r f rence En esta secci n se incluye material de referencia Factory Setting List Liste der Vorgabeeinstellungen Liste des r glages Lista de ajustes de f brica 70 MIDI Data Format MIDI Datenformat Format des donn es MIDI Formato de datos MID1 71 MIDI Implementation Chart MIDI Implementierung stabelle Feuille d implantation MIDI Gr fica de implementaci n MIDI eerte 75 Specifications Technische Daten Caract ristiques techniques Especificaciones erre 76 CLP 130 120 ER Factory Setting List Liste der Vorgabeeinstellungen Liste des r glages Lista de ajustes de f brica Backup Group CLP 130 CLP 120 Voice GRAND PIANO 1 Variation CLP 130 OFF Dual Mode OFF Split Mode CLP 130 OFF Split Mode Left Voice CLP 130 WOOD BASS Reverb Type
17. 2160 SWEDEN Yamaha Scandinavia AB J A Wettergrens Gata 1 Box 30053 S 400 43 Goteborg Sweden Tel 031 89 34 00 DENMARK YS Copenhagen Liaison Office Generatorvej 8B DK 2730 Herlev Denmark Tel 44 92 49 00 FINLAND F Musiikki Oy Kluuvikatu 6 P O Box 260 SF 00101 Helsinki Finland Tel 09 618511 NORWAY Norsk filial av Yamaha Scandinavia AB Grini Neringspark 1 N 1345 ster s Norway Tel 67 16 77 70 ICELAND Skifan HF Skeifan 17 P O Box 8120 IS 128 Reykjavik Iceland Tel 525 5000 OTHER EUROPEAN COUNTRIES Yamaha Music Central Europe GmbH Siemensstrafe 22 34 25462 Rellingen Germany Tel 49 4101 3030 AFRICA Yamaha Corporation Asia Pacific Music Marketing Group Nakazawa cho 10 1 Hamamatsu Japan 430 8650 Tel 8 1 53 460 2312 MIDDLE EAST TURKEY CYPRUS Yamaha Music Central Europe GmbH Siemensstrafe 22 34 25462 Rellingen Germany Tel 04101 3030 OTHER COUNTRIES Yamaha Music Gulf FZE LB21 128 Jebel Ali Freezone P O Box 17328 Dubai U A E Tel 971 4 881 5868 HEAD OFFICE ASIA HONG KONG Tom Lee Music Co Ltd 11 F Silvercord Tower 1 30 Canton Road Tsimshatsui Kowloon Hong Kong Tel 2737 7688 INDONESIA PT Yamaha Music Indonesia Distributor PT Nusantik Gedung Yamaha Music Center Jalan Jend Gatot Subroto Kav 4 Jakarta 12930 Indonesia Tel 21 520 2577 KOREA Yamaha Music Korea Ltd Tong Yang Securities Bldg 16F 23 8 Yoido dong Youngdungpo k
18. 4 when the NO or YES but e Operate the desired function using the following TORTE pre two buttons TEMPO FUNCTION V A Selects the desired function sub mode NO or YES After you select the desired function or sub mode set the ON OFF select the type or change the value accordingly Depending on the setting the default setting which is used when you first turn on the power to the Clavinova is recalled by pressing the NO and YES buttons simultaneously CLP 130 120 Detailed Settings FUNCTION Operation Example 1 F1 Fine tuning of the pitch O TEMPO O TEMPO LCD indication O FUNCTION O FUNCTION O m O Fil TEMPO FUNCTION TEMPO FUNCTION Engage Function mode Select a desired function LCD indication NO YES sere m CTO 427 453 Change the value Operation Example 2 F3 1 Dual Balance O TEMPO O TEMPO LCD indication O FUNCTION O FUNCTION V O O Fay 5 Y rEMPO FUNCTION Y rEMPO FUNCTION LI Z Engage function mode Select a desired function L O TEMPO LCD indication YES e O FUNCTION gt m OCI Fit YQTEMPO FUNCTION Engage the respective Select a desired sub mode sub mode LCD indication NO YES Ol E eU Change the value 5 e Do the following when you finish using the func tion To exit Function mode press the TEMPO FUNCTION butto
19. Adjust the brightness of the tone ly You can play different voices on the left and right hand using this slider page 22 sections of the keyboard CLP 130 page 27 MASTER VOLUME Adjust the volume level using this slider page 11 CLP 130 EE o Stee 800 o oi mese SST EES WO VI Connect the pedal cord here am to use the ze z Clavinova s EZ b pedals page 51 E Delivers the output of the Clavinova for connection to an instrument amplifier mixing console PA sys tem or recording equip Connect recording equipment such as a cassette tape recorder here to record your per formance page 50 This switch turns the internal speakers on or off page 12 SSS ment page 51 aS A set of standard stereo headphones can be plug This jack and selector switch allow direct con Connect a MIDI device here to use ged in here for private nection to a personal computer for sequencing various MIDI functions pages 45 47 practice page 12 and other music applications pages 52 55 About MIDI gt page 49 uc A ASES CLP 130 120 Features ES Before Using the Clavinova Key Cover To open the key cover Lift the cover slightly then push and slide it open To close the key cover Slide the cover toward you and gently lower the cover over the keys du s A CAUTION LI Be careful to avoid catching your fingers Z when opening or clos
20. CLP 130 F6 CLP 120 Preset Song Listening to 50 Piano Preset Songs 17 Part Cancel Volume usina 45 Practicing a One Hand Part Using 50 Preset Songs F8 CLP 130 F7 CLP 120 MIDI Functions 45 Part Cancel buncpon esee 18 F9 CLP 130 F8 CLP 120 Backup Functions 48 A B Repeat for 50 Preset Songs En 20 A EE 49 Selecting amp Playing Voices ess 21 f SE e 21 EE Using the Pedals e 21 Connector E 50 Adding Variations to the Sound VARIATION Connecting a Personal Computer 52 CLP 130 BRILLIANCE REVERB Troubleshooting eere 56 EFFECT EE 22 OPONSE aeaa E cR EE 56 Touch Sensitivity TOUCH eese 24 Transposition TRANSPOSE sss 25 CLP 120 Keyboard Stand Assembly 57 Combining Two Voices Dual mode 26 CLP 130 Keyboard Stand Assembly 60 Splitting the Keyboard Range and Playing Two Preset VEH A 63 Different Voices Split mode CLP 130 27 n Using the Metronome 29 Demo Song List esent 66 Recording Your Performance cecccccccccccccccecccccceeecccceeee 30 A 67 Recording to TRACKI eere 30 Re recording TRACKI eee 32 Recording to TRACK2 nee 32 Changing the Initial Settings Data recorded at the beginning of a song sese 34 Playing Back Recorded Song
21. CTS D sub 8 pin 26 O A RTS 5 P 3 0 6 s Rxb 9Pin 4 ome 7 GND 8 Oo 5 0 2 TxD Macintosh System peripheral plug 8 pin plug Yamaha CCJ MAC or equivalent mini DIN 1 O 2 HSKi mini DIN 8 pin 2 00 1 HSK O 8 pin 3 9 5 RxD 4 Q 4 GND 5 O 3 TxD 6 O O 8 RxD 7 OO 7 GP 8 Q OQ 6 TxD Pin assignment The following diagram shows the pin assignments for each cable Pin numbers view from front mini DIN 8 pin D sub 25 pin D sub 9 pin 678 12345678 91011213 54321 Sp 2 14 15 16 17 18 19 20 21 22 23 24 25 9876 CLP 130 120 Connections ENGLISH Clavinova HOST SELECT switch setting Set the Clavinova HOST SELECT switch properly according to the type of connected computer Macintosh Mac data transfer rate 31 250bps 1MHz clock Windows PC 2 data transfer rate 38 400bps If your system does not work properly with the connections and settings listed above your software may require differ ent settings Check your software operation manual and set the HOST SELECT switch to the proper data transfer rate Data transfer rate of PC 1 is 31 250bps 2 Using a MIDI interface and the Clavinova s MIDI connectors Connection Use a MIDI interface device to connect a computer to the Clavinova using special
22. F8 Backup All OFF Always backed up CLP 130 120 Appendix MIDI Data Format MIDI Datenformat Format des donn es MIDI Formato de datos MIDI Si vous tes tr s familier avec l interface MIDI ou si vous utilisez un ordinateur pour commander votre mat riel de musique au moyen de messages MIDI g n r s par ordinateur les donn es suivantes vous seront utiles et vous aideront commander le CLP 130 120 SI usted est ya familiarizado con MIDI o si emplea una computadora para controlar sus aparatos musicales con mensajes MIDI generados por computadora los datos proporcionados en esta secci n le ayudar n a controlar la CLP 130 120 If you re already very familiar with MIDI or are using a computer to control your music hardware with computer gener ated MIDI messages the data provided in this section can help you to control the CLP 130 120 Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Erzeugung von MIDI Steuermeldungen f r die Instrumente verwenden k nnen Sie sich zur Steuerung des CLP 130 120 nach den im folgenden Abschnitt aufgef hrten Spezifikationen richten 1 NOTE ON OFF Data format 9nH gt kk gt vv 9nH Note ON OFF event n channel number 3 MODE MESSAGES Data format BnH gt cc gt vv BnH Control event n channel number kk Note number Transmit 09H 78H A 2 C8 cc Control number Receive 00H 7FH C 2 G8 w Data Range Wwe Veloc
23. One octave is divided into twelve equal intervals Cur rently the most popular piano tuning scale PureMajor PureMinor Based on natural overtones three major chords using these scales produce a beautiful pure sound They are sometimes used for chorus parts Pythagorean This scale designed by Pythagoras a Greek philosopher is based on the interval of a perfect 5th The 3rd produces swells but the 4th and 5th are beauti ful and suitable for some leads MeanTone This scale is an improvement of the Pythagorean in that the swell of the 3rd has been eliminated The scale became popular during the late 16th century through the late 18th century and was used by Handel WerckMeister KirnBerger These scales combine Mean Tone and Pythagorean in different ways With these scales modulation changes the impression and feel of the songs They were often used in the era of Bach and Beethoven They are often used today to reproduce the music of that era on harpsichords 1 Engage Function mode and select F 2 5 2 Press the YES button to engage the scale function s sub mode then use the TEMPO FUNCTION V A buttons to select the desired sub mode Press the NO and YES buttons to select the number of the desired tuning Sub mode Fg i Scale Setting range 1 Equal Temperament 2 Pure Major 3 Pure Minor 4 Pythagorean 5 Mean Tone 6 Werckmeister 7 Kirnberger ENG
24. SPEAKER switch is set to the NORMAL position H the SPEAKER switch is set to the OFF position set it to NORMAL or ON page 12 Make sure that Local Control page 46 is ON The speakers do not switch off when a pair of headphones is connected The SPEAKER switch may be switched ON Set the SPEAKER switch to the NOR MAL position page 12 The damper pedal has no effect or the sound continuously sustains even when the damper pedal is not pressed The pedal cable plug may not be properly connected Make sure to securely insert the pedal plug into the proper jack pages 57 62 TIP f 5c 3 Options BC 100 Bench appears on the display an internal malfunction has occurred In this case contact your Yamaha dealer A comfortable bench styled to match your Yamaha Clavinova HPE 160 Stereo Headphones High performance lightweight dynamic headphones with extra soft ear pads CLP 130 120 Troubleshooting Options AN CAUTION Be careful not to confuse parts and be sure to install all parts in the correct direction Please assemble in accor dance with the sequence given below Assembly should be carried out by at least two persons CLP 120 Keyboard Stand Assembly Be sure to use the correct screw size as indicated below Use of incorrect screws can cause damage Be sure to tighten up all screws upon completing assembly of each unit To disassemble reverse
25. and one black key at the left end simultaneously and press any key between C3 and B3 Refer to Part Names on page 14 for information on the key and key name assignment During the procedure described above the display indi cates a value in Hz lt 42 1 45 3 After the proce dure the display returns to the previous indication CLP 130 120 Detailed Settings FUNCTION TIP You can also tune in about 1Hz steps in any mode other than Function mode To tune down or up respectively in approximately 1 Hz increments Hold the A 1 and Af 1 keys a white and a black key at the left end or A 1 and B 1 keys two white keys at the left end simultaneously and press the NO or YES but ton To restore standard pitch Hold the A 1 and A 1 keys a white and a black key at the left end or A 1 and B 1 keys two white keys at the left end simultaneously and press the NO YES buttons simultaneously During the procedure described above the display indi cates a value in Hz lt 4 2 7 45 3 After the proce dure the display returns to the previous indication F2 Selecting a Scale You can select various scales Equal Temperament is the most common con temporary piano tuning scale However his tory has known numerous other scales many of which serve as the basis for certain genres of music You can experience these tunings with the Clavinova Equal
26. appears next to the pointer on the panel The voltage selector is set at 240V when the unit is initially shipped After the proper voltage has been selected connect the AC power cord to the AC INLET and an AC wall outlet A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area A WARNING An improper voltage setting can cause serious damage to the Clavinova or result in improper operation 7 Set the adjuster gt Rotate the adjuster until it comes in firm contact with the floor surface After completing the assembly please check the following Are there any parts left over Review the assembly procedure and correct any errors sthe Clavinova clear of doors and other mov able fixtures Move the Clavinova to an appropriate location Does the Clavinova make a rattling noise when you shake it Tighten all screws Does the pedal box rattle or give way when you step on the pedals Turn the adjuster so that it is set firmly against the floor Arethe pedal and power cords inserted securely into the sockets Check the connection f the main unit creaks or is otherwise unsteady when you play on the keyboard refer to the assembly diagrams and retighten all screws I 2 Z vi When moving the instrument after assembly always hold the bottom of the main unit ZN CAUTION Do not hold the key cover or top p
27. auf die rtliche Netzspannung eingestellt werden Der Spannungsw hler wurde werkseitig auf 240 V voreingestellt Zum Verstellen drehen Sie den Spannungsregler mit einem Schlitzschraubendreher bis der Zeiger auf den korrekten Spannungswert weist IMPORTANT Contr ler la source d alimentation V rifiez que la tension sp cifi e sur le panneau inf rieur correspond la tension du secteur Dans certaines r gions l instrument peut tre quip d un s lecteur de tension situ sur le panneau inf rieurjdu clavier proximit du cordon d alimentation V rifiez que ce s lecteur est bien r gl en fonction de la tension secteur de votre r gion Le s lecteur de tension est r gl sur 240 V au d part d usine Pour modifier ce r glage utilisez un tournevis lame plate pour tourner le s lecteur afin de mettre l indication correspondant la tension de votre r gion vis vis du rep re triangulaire situ sur le panneau IMPORTANTE Verifique la alimentaci n de corriente Aseg rese de que tensi n de alimentaci n de CA de su rea corresponde con la tensi n especificada en la placa de caracter sticas del panel inferior En algunas zonas puede haberse incorporado un selector de tensi n en el panel inferior de la unidad del teclado principal cerc cable de alimentaci n Aseg rese de que el selector de tensi n est ajustado a la tensi n de su rea El selector de tensi n se ajusta a 240V cuando la unidad sale de f brica Pa
28. defeat the safety purpose of the plug 4 Some electronic products utilize external power supplies or adapters Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual on the name plate or specifically recommended by Yamaha 5 e WARNING Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on trip over or roll anything over power or connect ing cords of any kind The use of an extension cord is not recom mended If you must use an extension cord the minimum wire size for a 25 cord or less is 18 AWG NOTE The smaller the AWG number the larger the current handling capacity For longer extension cords consult a local electrician 6 Ventilation Electronic products unless specifically designed for enclosed installations should be placed in locations that do not interfere with proper ventilation If instructions for enclosed installations are not provided it must be assumed that unobstructed ventilation is required 7 Temperature considerations Electronic products should be installed in locations that do not significantly contribute to their operating temperature Placement of this product close to heat sources such as radiators heat registers and other devices that produce heat should be avoided 8 This product was NOT designed for use in wet damp loca tions and should not be used near water or e
29. green You can record new sounds and notes on each pass while listening to the recorded track Follow the procedure from Step 5 on page 31 to record CLP 130 120 Recording Your Performance TIP If you want to change the tempo time signature reverb type or effect type when re recording a track or when recording to another track do so after you engage Record Ready mode step 3 NOTE You cannot re record in the mid dle of a song TIP If you want to change the tempo time signature reverb type or effect type when re recording a track or when recording to another track do so after entering Record Ready mode step 3 NOTE If you don t want to hear the previously recorded track while you record for example when you want to record a song differ ent from what you recorded on the previous track press the playback track button before pressing the REC button step 2 above so that its indicator is turned off The user song recorder records the following data Data in addition to the notes and voices you play is recorded This data includes Individual Tracks and Entire Song See below Individual Tracks Notes played Voice selection VARIATION ON OFF CLP 130 Pedal Damper Soft Sostenuto REVERB depth EFFECT depth Dual mode voices Dual balance F3 Dual detune F3 Dual octave shift F3 Split mode voices CLP 130 Split balance F4 CLP 1
30. jacks That is when you connect an external audio device to the AUX OUT jacks do not connect the audio device to the Clavinova s AUX IN jacks If you make this connection the signal input at the AUX IN jacks will be output from AUX OUT This creates an audio loop causing audio oscillation and abnormal playback and leading to malfunction of both pieces of equipment A CAUTION When the Clavinova s AUX OUT jacks are connected to an external audio system first turn on the power to the Clavinova then to the external audio system Reverse this order when you turn the power off Clavinova Stereo O O Ol O Z ULIS O O LEVEL FIXED AUX OUT tt AUX IN RCA t t t t RCA pin plug phone in plu plug ane standard audio cable To powered speakers When these are connected with stan NOTE Use audio cables and adaptor plugs with no resistance The Clavinova s MASTER VOLUME and BRILLIANCE slider setting does not affect the signal output from the AUX OUT LEVEL FIXED jacks When these are connected with RCA pin plug LEVEL FIXED the sound is output to the external device at a fixed level regardless of the MASTER VOLUME control setting CLP 130 120 Connections dard phone plugs you can use the MASTER VOLUME control to adjust the volume of the sound output to the external device AUX IN R L L R jacks The stereo outputs from another instrument c
31. las especificaciones equipos u opciones pueden no ser las mismas en todos los mercados solicite informaci n a su distribuidor Yamaha CLP 130 120 Appendix IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY ELECTRICAL SHOCK AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST WARNING When using any electrical or electronic product basic precautions should always be followed These precautions include but are not limited to the following 1 Read all Safety Instructions Installation Instructions Spe cial Message Section items and any Assembly Instructions found in this manual BEFORE making any connections includ ing connection to the main supply 2 Main Power Supply Verification Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold If you should move or if any doubt exists about the supply voltage in your area please contact your dealer for supply voltage verification and if applicable instruc tions The required supply voltage is printed on the name plate For name plate location please refer to the graphic found in the Special Message Section of this manual 3 This product may be equipped with a polarized plug one blade wider than the other If you are unable to insert the plug into the outlet turn the plug over and try again If the problem persists contact an electrician to have the obsolete outlet replaced Do NOT
32. piano songs You can simply listen to these songs page 17 or use them for practice page 18 You can also refer to the included 50 Greats for the Piano that contains scores for 50 piano preset songs 21 1 4 22 3 Ta a Procedure 1 Engage Preset Song mode Press the PRESET button to engage Preset Song mode The PRESET TRACK1 and TRACK2 indicators will light Play any of the 50 preset songs Press the NO YES buttons to select the number of the tune you want to play the number will appear CI on the LED display LI 1 50 Select a preset song number and play only the song song number ALL Play all preset songs in sequence rnd Play all preset songs continuously in random order Press the SONG START STOP button to start playback Adjust the Volume Use the MASTER VOLUME control to adjust the volume Adjust the tempo You can use the TEMPO FUNCTION V A buttons to adjust the playback tempo as required The default tempo can be recalled by simultaneously pressing the W and A buttons 7 IL This produces a relative tempo vari ation with a range from 50 through to 50 at maximum the range will differ depending on the selected song Stop playback Playback will stop automatically when the selected preset song has finished To stop the song during playback or continuous playback press the SONG START STOP button To
33. play back another song continuously see procedure 2 above CLP 130 120 Listening to 50 Piano Preset Songs SOSSSOS6 O O 6 CLP 130 NOTE Preset Song mode cannot be engaged while the unit is in Demo Song mode page 16 while a song is playing back page 35 or when the user song recorder page 30 is in use Song On the CLP 130 120 perfor mance data is called a Song This includes demonstration tunes and piano preset tunes You can play the keyboard along with the preset song You can change the voice playing on the keyboard You can adjust the Brilliance control page 22 and Reverb type page 22 that is applied to the voice you play on the key board and for the preset song playback You can change the Effect type page 23 and Touch sensitivity page 24 for the keyboard voice NOTE The default tempo is auto matically selected whenever a new preset song is selected or when playback of a new preset song begins during ALL or rnd playback NOTE When you select a different song or a different song is selected during chained playback an appropriate reverb type will be selected accordingly ENGLISH 4 Exit from Preset Song mode Press the PRESET button to exit Preset Song mode The indicator turns off and the unit returns to normal play mode NOTE MIDI reception is not possible in How to use the practice functions Piano Song mode You can turn the left and
34. please contact Yamaha Corpo ration of America Electronic Service Division 6600 Orangethorpe Ave Buena Park CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries This applies only to products distributed by YAMAHA CORPORATION OF AMERICA IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT The wires in this mains lead are coloured in accordance with the following code BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this appa ratus may not correspond with the coloured makings iden tifying the terminals in your plug proceed as follows The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED Making sure that neither core is connected to the earth ter minal of the three pin plug 2 wires This applies only to products distributed by Yamaha Kemble Music U K Ltd CAUTION TO PREVENT ELECTRIC SHOCK MATCH WIDE BLADE OF PLUG TO WIDE SLOT FULLY INSERT ATTENTION POUR EVITER LES CHOCS ELEC TRIQUES INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU AU FOND polarity This applies only to products distributed by Yamaha Canada Music Ltd C
35. produces an equal balance between the two Dual mode voices Settings below 10 increase the volume of Voice 2 in relation to Voice 1 and settings above 10 increase the volume of Voice 1 in relation to Voice 2 Normal setting Different for each voice combina tion You can set one voice as the main voice and another voice as a softer mixed voice F32 Dual Detune Setting range 10 0 10 With positive values the pitch of Voice 1 is raised and the pitch of Voice 2 is lowered With neg ative values the pitch of Voice 1 is lowered and the pitch of Voice 2 is raised TIP The available setting range is wider in the lower range 60 cents for A 1 and narrower in the higher range 5 cents for C7 100 cents equal one semitone Normal setting Different for each voice combina tion Detune Voice 1 and Voice 2 for Dual mode to create a thicker sound CLP 130 120 Detailed Settings FUNCTION F 33 Voice 1 Octave Shift F34 Voice 2 Octave Shift Setting range 1 0 1 Normal setting Different for each voice combina tion You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 independently Depending on which voices you combine in Dual mode the combination may sound better if one of the voices is shifted up or down an Octave F35 Voice 1 Effect Depth F35 Voice 2 Effect Depth Setting range 0 20 Norm
36. reverb type so that they will not be lost when you turn off the power to the Clavinova If the backup function is turned on the settings at power off are effective If the backup function is turned off the settings in memory are erased when you turn off the power In this case when you turn on the power to the unit the default set tings the initial settings will be used The factory setting default list is found on page 70 gt v However the backup settings themselves and the con z tents of the user song recorder memory are always LL backed up A CAUTION Even if the backup function is turned on via one of the functions described below the data will be retained in memory for only about one week if the power is not turned on during this time If the backup period is exceeded all settings will be reset to their default values If you want to retain the backup settings for longer peri ods be sure to turn the power on for a few minutes at least once a week You can turn the backup function on or off for each function group each of the following sub mode functions 1 Engage Function mode and select F 9 4 CLP 130 F 8 4 CLP 120 2 Press the YES button to engage the backup function s sub mode then use the TEMPO FUNCTION V A buttons to select the desired sub mode Press the NO or YES button to turn the backup function on or off Sub mode F3 1 CLP 130
37. right hand parts on or off as required so you can practice the Piano song data is not transmit A ted via the MIDI connectors corresponding part part cancel function and continuously repeat a specified phrase within a song song A B repeat function For more information see pages 18 20 Practicing a One Hand Part Using 50 Preset Songs 8 8 8 Part Cancel Function The 50 preset songs have separate left and right hand parts on individual tracks You can turn the left and right hand parts on or off as required so you can practice the corresponding part the part that is turned off on the keyboard The right hand part is played by TRACK1 and the left hand part is played by TRACK2 du 2 E Z wi SOSSOOSOTS OSOS Procedure 1 e Turn off the playback part you wish to practice After you select a song to practice press the TRACK1 or TRACK2 button to turn off the corresponding part When you first select a song both TRACK1 and TRACK2 indicators light up The Preset Song Part Cancel EE f the butt function cannot be used during indicating that you can play back both parts When you press one of the buttons ALL or md page 17 play to turn off playback the corresponding button indicator turns off and the cor back responding part playback is muted Pressing the buttons repeatedly toggles playback between on and off TIP The parts can be turned on or 2 off even during pla
38. samples painstakingly recorded from a full concert grand piano The CLP 130 Grand Piano 1 voice features three velocity switched samples Dynamic Sampling special Sustain Sampling page 88 that samples the unique resonance of an acoustic grand piano s soundboard and strings when the damper pedal is pressed and Keyoff Samples that add the subtle sound produced when the keys are released The CLP 130 120 comes much closer to the sound of a true acoustic piano TEMPO V A REVERB EFFECT TRANSPOSE 25 You can change the song tempo speed and select Add reverb reverberation and You can shift the pitch va useful functions using this buttons pages 37 48 effects to the sound pages 22 23 of the entire keyboard O AAA EA up or down so that the 2 pitch will match that of Lu The Clavinova includes 50 preset songs another instrument or METRONOME This section enables you to listen to these songs practice singer while you play Control the metronome using a convenient practice function and record and play the same unshifted functions page 29 back your performance pages 17 20 30 36 keys page 25 DEMO Voice buttons TOUCH Demonstration play Select voices from 14 internal sounds including Fine tune the back is available for Grand Piano 1 and 2 page 21 You can also touch response each voice page 16 combine two voices at the same time page 26 page 24 0 coool leeoeoe BRILLIANCE A SPLIT
39. selected on the corresponding channel the keyboard voice does not change The CLP 130 120 will normally also send a MIDI program change number whenever one of its voices is selected causing the correspondingly num bered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the CLP 130 120 without affecting the external MIDI device TIP For information on program change numbers for each of the CLP 130 120 s voices refer to page 71 in the MIDI Data For mat section Setting range ON OFF Normal setting ON FB5 CLP 130 F 15 CLP 120 Control Change ON OFF Normally the CLP 130 120 will respond to MIDI control change data received from an external MIDI device or keyboard causing the voice on the corresponding chan nel to be affected by pedal and other control settings received from the controlling device the keyboard voice is not affected The CLP 130 120 also transmits MIDI control change information when the pedal or other appropriate con trols are operated This function makes it possible to cancel control change data reception and transmission so that for example the CLP 130 120 s pedal and other controls can be operated without affecting an external MIDI device TIP For i
40. so it can receive the setup data 3 Engage Function mode and select F 8 1 CLP 130 F 17 CLP 120 4 Press the YES button to transmit the panel status data End will appear on the LED display when the data has been successfully transmitted TIP See page 72 for a list of the Panel Data Contents transmit ted by this function TIP Receiving the transmitted data 1 Connect the Clavinova via MIDI to the device to which the setup data was transmitted previously 2 Start sending the setup data from the device The Clavinova automatically receives the setup data which will be reflected in the panel settings For the data to be accepted the Clavinova that receives the setup data should be the same model as the one that trans mitted the setup data to the sequencer TIP For more information on transmitting and receiving setup data via MIDI refer to the owner s manual for the connected MIDI device You can save current song data on the Clavinova as MIDI bulk data by transferring it to a connected MIDI data filer such as an MDF3 or a sequencer To play back the saved song data send the bulk data back from the storage device to the Clavinova and follow the usual playback procedure TERMINOLOGY bulk data A complete set or extended sequence of data Procedure 1 Record your performance on the Clavinova 2 Connect the Clavinova to MDF3 a MIDI data filer via
41. this manual in a safe and handy place for future reference About this Owner s Manual GEN This manual consists of three main sections Introduction Reference and Appendix H Introduction page 2 Please read this section first Ml Reference page 13 This section explains how to make detailed settings for the Clavinova s various functions I 2 Z vi H Appendix page 69 This section introduces reference material The models CLP 130 120 will be referred to as the CLP Clavinova in this Owner s Manual Theillustrations and LED displays shown in this owner s manual are for instructional purposes only and may appear somewhat different from those on your instrument COPYRIGHT NOTICE This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights Such copyrighted materials include without limitation all computer software MIDI files WAVE data Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws Any violation of copyright has legal consequences DON T MAKE DIS TRIBUTE OR USE ILLEGAL COPIES Trademarks Apple and Macintosh are trademarks of Apple Computer Inc Windows is a registered trademark of Microsoft Corporation All other trademarks are the property of their respective holders The Clavinova Computer Connect
42. 130 F4 cip 120 Other Functions This function conveniently lets you set opera tion of the left pedal to one of the modes listed below 1 Engage Function mode and select F 5 4 CLP 130 F 4 9 CLP 120 2 Press the YES button to engage the other functions sub mode then use the TEMPO FUNCTION V A buttons to select the desired sub mode Press the NO or YES button to select the desired pedal function or assign the val ues Sub mode FS 1 CLP 130 F 4 CLP 120 Left Pedal Mode Setting range 1 Soft Pedal The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed The soft pedal will not affect notes that are already playing 2 Song Start Stop This mode allows you to start or stop song playback In this mode the Left Pedal functions in the same manner as the SONG START STOP button on the panel 3 Variation CLP 130 This mode enables you to switch the Voice s variation on or off In this mode the left pedal functions in the same manner as the VARIATION button on the panel Normal setting 1 Soft Pedal F 52 CLP 130 F 42 CLP 120 Soft Pedal Effect Depth Setting range 1 15 Normal setting 3 This function sets the depth of the soft pedal effect F53 cLP 130 Sustain Sample Depth Setting range 0 20 Normal setting 1
43. 2 The GRAND PIANO 1 voice features special Sustain Samples that recreate the unique resonance of an acous tic grand piano s soundboard and strings when the damper pedal is pressed This function lets you adjust the depth of this effect CLP 130 120 Detailed Settings FUNCTION F54 cLP 130 Keyoff Sample Volume Setting range 0 20 Normal setting 10 You can adjust the volume of the keyoff sound the sub tle sound produced when the keys are released for voices GRAND PIANO1 HARPSICHORD E CLAVICHORD including their variations F 6 cip 130 ATA Metronome Volume F8 cip 130 F7 cip 120 MIDI Functions You can change the volume of the metronome sound Use this function to adjust the metronome vol ume 1 Engage Function mode and select F amp CLP 130 F5 CLP 120 2 Use the NO and YES buttons to set the metronome volume as required Setting range 1 20 Normal setting 10 TIP SHORTCUT You can jump directly to the metronome functions F amp CLP 130 F 5 CLP 120 by pressing the TEMPO FUNC TION button while holding the METRONOME START STOP button To exit Function mode you still need to press the TEMPO FUNCTION button so that the TEMPO indicator lights up F7 cip 130 F6 c 120 Preset Song Part Cancel Volume This function sets the volume at which a can celed part is pla
44. 30 Split octave shift F4 CLP 130 ENGLISH Entire Song Tempo Time signature beat REVERB type including OFF EFFECT type including OFF CLP 130 120 Recording Your Performance Changing the Initial Settings Data recorded at the beginning of a song The initial settings data recorded at the beginning of a song can be changed after the recording For example after recording you can change the voice to create a different ambience or adjust the song tempo to your taste You can change the following initial settings Individual Tracks au 2 6 Z TY Voice selection VARIATION ON OFF CLP 130 REVERB depth EFFECT depth Dual mode voices Split mode voices CLP 130 Entire Song Tempo Time signature beat REVERB type including OFF EFFECT type including OFF Engage Record mode and select a track to change the initial settings The indicator glows red Data shared by two tracks can be changed via either track Change the settings via the panel controls For example if you wish to change the recorded voice from E PIANO 1 to E PIANO 2 press the E PIANO 2 button Be careful not to press the SONG START STOP button or a key on the keyboard either of which will start recording and erase all previously recorded data on the selected track Press the REC button to exit Record mode Be careful not to press the SONG START STOP button o
45. 3273 YAMAHA Clavinova Web site English only http www yamahaclavinova com Yamaha Manual Library http www2 yamaha co jp manual english M D G Pro Audio amp Digital Musical Instrument Division Yamaha Corporation 02002 Yamaha Corporation V856070AP 0 BO Printed in Indonesia
46. 4 cLP 130 F 84 cLP 120 Others Other functions F 5 CLP 130 F 4 Al lt CLP 120 gt settings Factory Preset Recall AU Dual mode Split mode reverb effect touch sensitiv ity tuning settings and the settings affected by the Backup Functions can be restored to their original fac tory preset values by holding the C7 key right most key on the keyboard while turning the POWER button ON This also erases all user song recorder data and sets all backup on off settings F9 to OFF The factory set ting list is found on page 70 About MIDI MIDI Musical Instrument Digital Interface is a standard format for data transmission reception It enables the transfer of performance data and commands between MIDI devices and personal computers Using MIDI you can control a connected MIDI device from the Clavi nova or control the Clavinova from a connected MIDI device or com puter MIDI connectors MIDI um 5 E ES HOST SELECT THRU en QUT nnn IN CLP 1 30 MIDI IN Receives MIDI data MIDI OUT Transmits MIDI data MIDI THRU Transmits data received at the MIDI IN connector as it is MIDI cables Prepare dedicated MIDI cables TO HOST connector Use this connector to connect the Clavinova to a computer H i L EC TO HOST HOST SELECT TIP MIDI performance data and commands are transferred in t
47. DOM Yamaha Kemble Music U K Ltd Sherbourne Drive Tilbrook Milton Keynes MK7 8BL England Tel 01908 366700 IRELAND Danfay Ltd 61D Sallynoggin Road Dun Laoghaire Co Dublin Tel 01 2859177 GERMANY Yamaha Music Central Europe GmbH Siemensstrafe 22 34 25462 Rellingen Germany Tel 04101 3030 SWITZERLAND LIECHTENSTEIN Yamaha Music Central Europe GmbH Branch Switzerland Seefeldstrasse 94 8008 Ziirich Switzerland Tel 01 383 3990 AUSTRIA Yamaha Music Central Europe GmbH Branch Austria Schleiergasse 20 A 1100 Wien Austria Tel 01 60203900 THE NETHERLANDS Yamaha Music Central Europe GmbH Branch Nederland Clarissenhof 5 b 4133 AB Vianen The Netherlands Tel 0347 358 040 BELGIUM LUXEMBOURG Yamaha Music Central Europe GmbH Branch Belgium Rue de Geneve Genevastraat 10 1140 Brussels Belgium Tel 02 726 6032 CL 26 Para detalles sobre productos contacte su tienda Yamaha mas cercana o el distribuidor autorizado que se lista debajo FRANCE Yamaha Musique France S A Division Professionnelle BP 70 77312 Marne la Vall e Cedex 2 France Tel 01 64 61 4000 ITALY Yamaha Musica Italia S P A Combo Division Viale Italia 88 20020 Lainate Milano Italy Tel 02 935 771 SPAIN PORTUGAL Yamaha Hazen M sica S A Ctra de la Coruna km 17 200 28230 Las Rozas Madrid Spain Tel 91 201 0700 GREECE Philippos Nakas S A The Music House 147 Skiathou Street 112 55 Athens Greece Tel 01 228
48. F 8 1 CLP 120 Voice F32 CLP 130 F 82 CLP 120 MIDI F 33 CLP 130 F 8 3 CLP 120 Tuning F 94 cLP 130 F B4 CLP 120 Others Setting range ON OFF Normal setting OFF all groups CLP 130 120 Detailed Settings FUNCTION Description of sub modes F3 1 CLP 130 F 8 1 CLP 120 Voice Voice Keyboard Dual and Split lt CLP 130 gt Dual ON OFF Voice and Dual Functions for each voice combination Split CLP 130 ON OFE Voice and Split Functions for each voice combination Reverb ON OFF Type and Depth for each voice Effect ON OFF Type and Depth for each voice Variation CLP 130 for each voice Touch Sensitivity including the FIXED volume Metronome Beat Volume lt F amp CLP 130 F 5 CLP 120 settings Preset Song Part Cancel Volume FE CLP 120 settings lt CLP 130 gt kel a F 92 cLP 130 F 82 cLP 120 MIDI The MIDI functions F 8 lt CLP 130 gt F 1x CLP 120 settings expect for the F 8 1 F8 H CLP 130 F 11 F 18 lt CLP 120 gt F 33 CLP 130 F 83 CLP 120 Tuning Transpose Tuning E 4 settings Scale including base note F 2 settings F 8
49. G When you press the damper pedal here the notes you play before you release the pedal have a longer sustain CLP 130 120 Selecting amp Playing Voices CLP 130 TIP To learn characteristics of the voices listen to demo songs for each voice page 16 Refer to Preset Voice List on page 63 for more information on the characteristics of each preset voice TERMINOLOGY Voice On the Clavinova a voice means a tone or tonal color TIP You can control the loudness of a voice by adjusting the force with which you strike the keys although different playing styles touch sensitivities have little or no effect with certain musical instruments Refer to Preset Voice List on page 63 NOTE If the damper pedal doesn t work make sure that the pedal cord is properly plugged into the main unit page 61 CLP 130 page 58 CLP 120 TIP The depth of the effect pro duced by the Sustain Samples can be adjusted via the Pedal Functions page 44 in Func tion mode ENGLISH Sostenuto Center Pedal If you play a note or chord on the keyboard and press the sostenuto pedal while the note s are held those notes will sustain as long as you hold the pedal as if the damper pedal had been pressed but all subsequently played notes will not be sustained This makes it possible to sustain a chord for example while other notes are played staccato Soft Left Pedal
50. H Parameter Description Default value H 08 nn 11 1 00 7F DRY LEVEL 0 127 7F nn Part Number Effect MIDI Map REVERB MSB LSB ROOM 02H 10H HALL 1 01H 10H HALL 2 01H 11H STAGE 03H 10H Sound board 03H 12H EFFECT MSB LSB CHORUS 42H 10H PHASER 48H 10H TREMOLO 46H 10H DELAY 05H 10H CLP 130 120 Appendix YAMAHA Clavinova Date 24 0ct 2001 Model CLP 130 120 MIDI Implementation Chart Version 1 0 Function Transmitted Recognized Remarks Basic Default 1 1 Channel Changed 1 16 1 16 Mode Default 3 1 1 Messages X x Poly Mode only Altered ckckckckckckckck ck ko k kk x Note 9 120 O0 127 Number True voice x k kk 0 127 Velocity Note ON O 9nH v 1 127 O 9nH v 1 127 Note OFF X 9nH v 0 X 9nH v 0 or 8nH After Key s x x Touch Ch s x x Pitch Bend x x Control 0 32 O O Bank Select Change 7 0 O Volume 11 0 O Expression 64 O O Damper 66 O O Sostenuto 67 O O Soft pedal 91 0 O Reverb Depth 94 O O Effect Depth Prog O O Change True kkxkkkkkkkkkkxkxk System Exclusive O O Common Song Pos Song Sel X x Tune x x System Clock O O Real Time Commands O O All Sound Off O O 120 126 127 Aux Reset All Cntrls O O 121 Local ON OFF X O 122 Mes All Notes OFF O O 123 125 sages Active Sense O O Reset x x Notes 1 Recieve Mode is always multi timbre and Poly mode Mode 1 OMNI ON POLY Mode 2
51. H is valid as a bulk data address ccH don t care under 7FH F7H End of Exclusive CLP 130 120 Appendix lt Table 1 gt MIDI Parameter Change table SYSTEM Address H Size H Data H Parameter Description Default value H 00 00 00 4 020C 05F4 1 MASTER TUNE 50 50 cent 00 04 00 00 01 1st bit 3 O gt bit 15 12 400 02 2nd bit 3 O gt bit 11 8 03 3rd bit 3 0 gt bit 7 4 4th bit 3 0 gt bit 3 O 04 1 00 7F MASTER VOLUME 0 127 7F 05 1 06 1 34 4C 2 TRANSPOSE 12 12 semitones 40 7E 00 XG SYSTEM ON 00 XG sytem ON 7F 00 RESET ALL PARAMETERS 00 ON receive only TOTAL SIZE 07 1 Values lower than 020CH select 50 cents Values higher than O5F4H select 50 cents 2 Values from 28H through 33H are interpreted as 12 through 1 Values from 4DH through 58H are interpreted as 1 through 12 lt Table 2 gt MIDI Parameter Change table EFFECT 1 Refer to the Effect MIDI Map for a complete list of Reverb Chorus and Variation type numbers Address H Size H Data H Parameter Description Default value H 02 01 00 2 00 7F REVERB TYPE MSB Refer to Effect MIDI Map 01 HALL1 00 7F REVERB TYPE LSB 00 basic type 00 02 01 40 2 00 7F VARIATION TYPE MSB Refer to Effect MIDI Map 00 Effect off 00 7F VARIATION TYPE LSB 00 basic type 00 e VARIATION refers to the EFFECT on the panel Table 3 gt MIDI Parameter Change table MULTI PART Address H Size H Data
52. INLET on the Clavinova and the other into a standard AC outlet In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area W Ss 2 bottom surface YE A The shape of plug differs depending on locale 2 Turn the power on Press the POWER button The display located in the center of the front panel and the power indicator located below the left end of the key board lights up ENGLISH Power indicator Display el EA When you re ready to turn off the power press the POWER button again The display and the power indicator turn off Power indicator If you close the key cover without turning the power off the power indicator remains lit indicating that the power is still on Setting the Volume 8 Initially set the MASTER VOLUME control about halfway between the MIN and MAX settings Then when you start playing re adjust the MASTER VOLUME control to the most comfortable listening level Ji MASTER VOLUME The level decreases dm gt The level increases A CAUTION Do not use the Clavinova at a high volume level for a long period of time or your hearing may be damaged sue Kec MASTER VOLUME The volume level of the entire keyboard sound You can also adjust the PHONES output level and the AUX IN input level using the MASTER VOLU
53. LISH Normal setting 1 Equal Temperament F22 Base Note If you select a scale other than Equal Temperament you need to specify the root You can specify the root note with Equal Temperament selected but it is not effective The base note setting is effective for tunings other than the Equal Temperament tuning CCD E E gr G AA BALB Normal setting C Setting range Rootindication example E b H Ff G A followed by followed by a high bar if sharp a low bar if flat CLP 130 120 Detailed Settings FUNCTION EN au 2 6 Z TY F3 Dual Mode Functions You can set various parameters for Dual mode to optimize the settings for the songs you play such as adjusting the volume balance between two voices Dual mode function settings are set individu ally for each voice combination 1 Select the voices in Dual mode and engage Function mode and select F 34 2 Press the YES button to engage the Dual mode function s sub mode then use the TEMPO FUNCTION Y A buttons to select the desired sub mode Press the NO YES button to assign values NOTE If Dual mode is not engaged F 3 will appear instead of F33 and you will be unable to select Dual mode functions You can switch from Function mode to Dual mode Sub mode F3 Dual Balance Setting range 0 20 A setting of 10
54. ME slider CLP 130 120 Before Using the Clavinova EE Using Headphones 8 P Connect a pair of headphones to one of the PHONES jacks Two PHONES jacks are provided You can connect two sets of standard stereo headphones If you are using only one pair of headphones you can plug them into either jack 1 y AAA PANA bottom surface au 2 E Z TY standard stereo phone plug Using the Headphone Hanger A headphone hanger is included in the CLP 130 120 package so that you can hang the headphones on the Clavinova Install the headphone hanger using included two screws 4 x 10mm as shown in the figure A CAUTION Do not hang anything other than the headphones on the hanger Otherwise the Clavinova or the hanger may be damaged Using the Speaker Switch 8 P This switch turns the internal speakers on or off NORMAL HP SW The speakers produce sound as long as a pair of headphones is not con nected ON BE The speakers always produce sound OFF eorr The speakers produce no sound CLP 130 120 Before Using the Clavinova ENGLISH This section explains how to make detailed settings for the Clavinova s various functions Reference Patt Names inb catania i 14 F5 CLP 130 F4 CLP 120 Other Functions 44 Listening to the Demonstration Tunes 16 E6 CLP 1 30 E 5 CLP 120 Metronome Volume 45 a i F7
55. MIDI and set up the MDF3 so it will receive bulk data 3 Engage Function mode and select F 44 CLP 130 F 18 CLP 120 4 Press the YES button to begin bulk transmission ENGLISH End will appear on the LED display when the data has been successfully transmitted NOTE No MIDI note panel data transmission or data reception occurs during a bulk data dump transmit operation TIP Receiving returning the transmitted data 1 Connect the CLP 130 120 via MIDI to the device to which the data was previously transmitted 2 Start sending the data from the device The CLP 130 120 automatically receives the data from the unit At this time any data previously stored in the Clavinova will be erased Then follow the usual playback procedure For the data to be accepted the Clavinova that receives the data should be the same model as the one from which the data was once transmitted to the MIDI data filer NOTE The reload operation cannot be executed when Demo Preset Song mode or the user song recorder is in operation or when Function mode is engaged TIP For more information on transmitting and receiving bulk data via MIDI refer to the owner s manual for the connected MIDI device CLP 130 120 Detailed Settings FUNCTION EK F9 cup 130 F8 cLr 120 Backup Functions TERMINOLOGY Backup You can back up some settings such as voice selection and
56. MIDI cables E 2 S LLJ Clavinova MIDI E Me L sl HOST SELECT CLP 130 MIDI OUT MIDI MIDI OUT IN MIDI interface MIDI interface Windows Macintosh Clavinova HOST SELECT switch setting Set the Clavinova HOST SELECT switch to MIDI CLP 130 120 Connections 3 Connecting the computer s USB port to the Clavinova via a USB interface such as the UX256 UX96 or UX16 Connect the computer s USB port to the USB interface such as the UX256 UX96 or UX16 using a USB cable Install the driver that came with the USB interface on the computer and connect the USB interface to the Clavinova using a serial cable or MIDI cables For more information refer to the instruction manual for the USB interface An example of connecting the USB interface to the Clavinova using a serial cable ei USB cable USB ET y computer USB interface TO HOST or C Mac HOST SELECT Standard Machintosh 8 pin system peripheral cable y ml Clavinova i n 6116686066
57. Preset for each voice F9 1 F8 1 Reverb Depth Preset for each voice Effect Type Preset for each voice Effect Depth Preset for each voice Touch Sensitivity MEDIUM Volume in the FIXED Mode 64 Metronome OFF Metronome Time Signature 0 no accent F9 1 F8 1 Tempo 120 Transpose 0 F9 3 F8 3 Function Backup Group CLP 130 CLP 120 Function Default CLP 130 CLP 120 F1 F1 Tuning A3 440Hz F2 1 F2 1 Scale 1 Equal Temperament F9 3 F8 3 F2 2 F2 2 Base Note C F3 1 F3 1 Dual Balance Preset for each voice combination F3 2 F3 2 Dual Detune Preset for each voice combination F3 3 F3 4 F3 3 F3 4 Dual Octave Shift Preset for each voice combination F3 5 F 3 6 F3 5 F 3 6 Dual Effect Depth Preset for each voice combination F4 1 Split Point F 2 F9 1 F8 1 F4 2 Split Balance Preset for each voice combination F4 3 F4 4 Split Octave Shift Preset for each voice combination F4 5 F4 6 Split Effect Depth Preset for each voice combination F4 7 Damper Pedal Range ALL F5 1 F4 1 Left Pedal Mode 1 Soft Pedal F5 2 F4 2 Soft Pedal Effect Depth 3 F5 3 m Sustain Sample Depth 12 zn one F5 4 Keyoff Sample Volume 10 F6 F5 Metronome Volume 10 F7 F6 Preset Song Part Cancel Volume 5 dl FEM F8 1 F7 1 MIDI Transmit Channel 1 F8 2 F7 2 MIDI Receive Channel ALL F8 3 F7 3 Local Control ON F8 4 F7 4 Program Change Send amp Receive ON SE dd F8 5 F7 5 Control Change Send amp Receive ON F8 6 F7 6 MIDI Transmit Transpose 0 F9
58. STER VOLUME control to adjust the volume and the BRIL LIANCE control to adjust the brilliance page 22 Stop the Voice demo Press the SONG START STOP button or the voice button of the currently playing demo to stop playback Exit from Demo mode Press the DEMO button to exit from Demo mode and return to normal play mode The voice button indicators will stop flashing in sequence ES CLP 130 120 Listening to the Demonstration Tunes SESSSL 00 S 6 on or o o CLP 130 TIP For a list of the demo songs See page 66 NOTE MIDI reception is not possible in Demo Song mode Demo song data is not transmit ted via the MIDI connectors NOTE Demo mode cannot be engaged while a user song recorder page 30 or user song playback page 35 is in use Mode A mode is a status under which you can execute a certain func tion In Demo mode you can play back demonstration tunes NOTE You cannot adjust the tempo of demo songs You cannot use the part cancel function page 45 or the song A B repeat function page 20 in Demo mode On the CLP 130 you can demo the piano voices with various effects by pressing the VARIA TION button then pressing the desired voice button Refer to the Piano Voice Demo Descrip tion on page 66 for the com plete list of demo sounds for the piano voices with various effects Listening to 50 Piano Preset Songs The Clavinova provides performance data of 50
59. T AUX e NEEN P50 USER1 USER2 USER3 CLP 130 Q9 AUX IN sse P51 TRACK1 TRACK2 SONG START STOP REC centes P17 20 P30 36 CLP 130 120 Part Names Top panel CLP 120 O n A TEMPO OTHER VALUE MASTER VOLUME O TEMPO MELLOW s sme BRIGHT START STOP FUNCTION NO YES 0 PRESET TRACK TRACK ad i REC e BRILLIANCE DEMO METRONOME TEMPO FUNCTION J1 SONG GRAND EPIANO E PIANO HARPSI HARPSI VIBRA 1 2 Ci RAND 11 O 3 o PIANO1 PIANO2 HORDI CHORD2 PHONE OROOM CHORUS OHALLI OPHASER O HARD CHURCH CHURCH JAZZ STRINGS STRINGS OHALL2 O TREMOLO O MEDIUM ORGAN ORGAN2 ORGAN 1 2 CHOIR GUITAR OSTAGE ODELAY OSOFT ON VOICE REVERB EFFECT TOUCH TRANSPOSE ENGLISH CLP 120 ans ose 888 css S S ooooooo 6556 sL 7 JA e t co po go Fo so Ao go c p e F1 61 a1 81 c2 pe E he e2 ca ps es rs ea aa es os pa ea ra oa a4 Jas os os es es Jes s ps os os ss rs Jasjas Be c7 e e Connectors CLP 120 T mic m MS AUX eur iiis i AUX NEST TO HOST HOST SELECT O D O TO ME P49 55 PHONES TE P12 O HOST SELECT aoc ni dada P49 55 9 Soft Left Pedal P22 MIDI IN OUT THRU P49 55 Sostenute Center Pedal P22 SPEAKER losas P12
60. UNR ISIN OE 11 14 Touch Sensitivity oan 24 Practicing a One Hand Part Using 50 Preset Songs 18 Track Playback On and Off sess 36 PrecautiOris s 6 7 TRACK1 2 50 Piano Preset Songs sss 18 PRBSET dieit pi D RERO 14 17 TRACK1 2 Recording eee 31 Preset SONG Patt 20 ertet attt rte nete torte 45 Transporting ettet e e re eie Een 8 Preset songs gt 50 Piano Preset Songs 17 OR 14 25 gt Preset Voice List eee 63 65 Troubleshooting eene 56 O Tuning gt Fine Tuning of the Pitch 40 ci REG i Recording cer ale 14 31 U Recording in et eite tet 30 USB iii E 55 InitialiSettin ess Ae eden der ds 34 USER 1 2 3 CLP 130 A tec dieto RERO 30 Re recordin it ee es 32 REVERB EE 14 22 V Right Pedal aae e tide tes 15 21 tnd LED display sess 17 ON EE KLS 14 21 S Scale inicial 41 Sen XEED display 4 teetetnietestetunietuitietetietis 56 Serial cable ida 53 55 Soft Pedal 4 iacet terr rt roter rhon 15 22 44 Sostenute Pedal eerte nbi 15 22 SPEAKER ceti tritt ted ee deitas et enia qd e eed 12 15 SpecificdtiOris atiina kibeda iei 76 SPLIT CLP B0 drina nias 14 27 43 START STOP Demo ees ee ege 16 START STOP METRONOM E eene 14 29 Start Stop Pedal nit iet tiet 36 START STOP SONG Jeene 14 Start Stop playback 50 Piano Preset Songs
61. VERB button pressing the REVERB button will not change the reverb type TIP depth 0 no effect depth 20 maximum reverb depth TIP Default depth settings are differ ent for each voice TIP The default effect type includ ing OFF and depth settings are different for each voice TIP Releasing the EFFECT button changes the effect type If you are changing the depth settings by holding the EFFECT button pressing the EFFECT button will not change the effect type TIP depth 0 no effect depth 20 maximum effect depth TIP Default depth settings are differ ent for each voice ENGLISH Touch Sensitivity TOUCH You can select four different types of keyboard touch sensitivity HARD MEDIUM SOFT or FIXED to match different playing styles and preferences HARD Requires that the keys be played quite hard to produce maximum loud ness MEDIUM Produces a fairly standard keyboard response SOFT Allows maximum loudness to be produced with relatively light key pres sure FIXED All notes are produced at the same volume no matter how hard the key board is played You can adjust the volume au 2 E Z wi NO YES sone Procedure To select a touch sensitivity type press the TOUCH button a few times until the indica tor corresponding to the desired type lights the indicators light in sequence each time the TOUCH
62. W and A buttons simultaneously 3 e Stop playback When playback is complete the Clavinova automatically stops and locates the top of the song To stop playback in the middle of a song press the SONG START STOP button CLP 130 120 NOTE Song data is not transmitted via the MIDI connectors S GOOO0coo 6 a CLP 130 NOTE CLP 130 When the unit is in Demo Song mode you cannot use the USER 1 2 3 button to select a song NOTE When the unit is in Demo Song or Preset Song mode you can not play back recorded songs NOTE The track indicators will not light up green automatically when the power is turned on to the CLP 120 even if the user song recorder contains data Make sure that you press the track but tons before you start playback NOTE Playback cannot be started when the recorder contains no data You can also enjoy playing duets with yourself by record ing one part of a duet or a song for two pianos then playing the other part while the recorded part plays back If the metronome is being used during playback the metro nome will automatically stop when playback is stopped If the REVERB type is changed via the panel controls during playback both the playback and keyboard reverb effects will be changed If the EFFECT type is changed via the panel controls during playback the playback effect may be switched off in some cases Playing Back Recorded Songs ENGLISH
63. age Synchro Start mode NOTE Both parts are automatically turned ON whenever a new song is selected ENGLISH A B Repeat for 50 Preset Songs The A B Repeat function can be used to continuously repeat a specified phrase within a preset song Combined with the Part Cancel function described below this provides an excellent way to practice difficult phrases Procedure 1 e Specify the beginning A and the end B of the phrase and start practicing Select and play a preset song then press the TEMPO FUNCTION button at the beginning of the phrase NOTE you want to repeat The A B Repeat function cannot be used during ALL or rnd This sets the A point B will appear on the dis du 2 E Z wi page 17 playback play NOTE To set the A point at the very beginning of the song press the TEMPO FUNC TION button before start To specify the end B of the phrase press the TEMPO FUNCTION button a second time at the end of the phrase This sets the B point A b will appear on the dis ing playback play e es Ti t the B point at th At this point repeat playback will begin between the a Zeg E ih E specified A and B points TEMPO FUNCTION but ton after song playback is II y ese TIP An automatic lead in to help guide you into the phrase starts at the A point of the song Ho
64. al setting Different for each voice combina tion These functions make it possible to individually set the depth of the effect for Voices 1 and 2 for Dual mode The effect depth settings cannot be changed unless the EFFECT is ON Function mode must be exited before the EFFECT can be turned ON Voice I and Voice 2 are explained on page 26 F371 Reset This function resets all Dual mode functions to their default values Press the YES button to reset the val ues TIP SHORTCUT You can jump directly to the Dual mode functions F 3 by pressing the TEMPO FUNCTION button while holding the two Dual mode voice buttons To exit Function mode you still need to press the TEMPO FUNCTION button so that the TEMPO indicator lights up F4 ciP 130 Split Mode Functions This menu enables you to make various detailed settings for Split mode By changing the split point or other setting you can optimize the settings for the songs you play You can make these settings for each combi nation of voices individually 1 Select the voices in Split mode and engage Function mode and select F 44 2 Press the YES button to engage the Split mode function s sub mode then use the TEMPO FUNCTION Y A buttons to select the desired sub mode Press the NO YES button to assign values NOTE If Split mode is not engaged F 4 will appear instead of F44 and you wil
65. alance Dual Detune Dual Voice1 Octave Dual Voice2 Octave Dual Voice1 Effect Depth Dual Voice2 Effect Depth 0 Split On Off 1 Split Voice 12 Split Point 13 Split Balance 14 Split Voice1 Octave 15 Split Voice2 Octave 16 Split Voice1 Effect Depth 17 Split Voice2 Effect Depth 18 Split Dumper Mode 19 Reverb Type 1 20 Reverb Type 2 21 Reverb Depth 1 22 Reverb Depth 2 23 Effect Type 1 24 Effect Type 2 25 Effect Depth 26 Variation On Off 27 Touch Sensitivity 28 Fixed Data 29 Left Pedal 80 Soft Pedal Depth 81 Absolute tempo low byte 82 Absolute tempo high byte 33 Key Off Sampling Depth CHOIR CHOIR VARIATION GUITAR GUITAR VARIATION WOOD BASS VARIATION E BASS VARIATION Panel data send requests cannot be received 7 SYSTEM EXCLUSIVE MESSAGES Universal System Exclusive 1 Universal Realtime Message Data format FOH gt 7FH gt XnH gt 04H gt 01H gt IIH gt mmH gt F7H MIDI Master Volume Simultaneously changes the volume of all channels e When a MIDI master volume message is received the volume only has affect on the MIDI receive channel not the panel master vol ume FOH Exclusive status ojojojojojojojojojojojojojojojojojojojojojojojojojo jojo When program change reception is turned OFF in the Func tion mode no program change data is transmitted or received Al
66. an be connected to these jacks allowing the sound of an external instrument to be reproduced via the Clavinova s speakers Refer to the diagram below and use audio cables to make the connec tions A CAUTION When the Clavinova s AUX IN jacks are connected to an external device first turn on the power to the external device then to the Clavinova Reverse this order when you turn the power off Clavinova phone plug standard AUX OUT AUX IN t AUX IN phone plug standard Tone Generator audio cable TO HOST jack This jack allows direct connection to a personal computer Refer to Connecting a personal computer on page 52 for more information HOST SELECT switch This switch should be set according to the type of connected MIDI device or per sonal computer Refer to Connecting a personal computer on page 52 for more information MIDI IN OUT THRU connectors Use MIDI cables to connect external MIDI devices to these connectors Make sure you set the HOST SELECT switch to MIDI when you use these connec tors Refer to About MIDI on page 49 for more information Q PEDAL jack Connect the pedal cord from the pedal box Refer to Keyboard Stand Assembly on pages 57 62 The Clavinova s MASTER VOLUME and BRILLIANCE slider settings affect the input signal from the AUX IN jacks but the REVERB and EFFECT settings do not NOTE If you connect the Clavinova to a mo
67. ariations to the Sound VARIATION CLP 130 BRILLIANCE REVERB EFFECT eere 22 Touch Sensitivity TOUCH 24 Transposition TRANSPOSE 25 Combining Two Voices Dual mode 26 Splitting the Keyboard Range and Playing Two Different Voices Split mode CLP 130 27 Using the Metronome eere 29 Recording Your Performance 30 Recording to TRACKI 30 Re recording TRACK ees 32 Recording to TRACK2 ess 32 Changing the Initial Settings Data recorded at the beginning of a song ses 34 Playing Back Recorded Songs 35 Playing Back a Song EEN 35 Useful Playback Functpons teeeseeeteeeeeeeeeees 36 CLP 130 120 Table of Contents Detailed Settings FUNCTION 37 Basic Procedure in Function Mode 38 About Each Function eere 40 F1 Fine Tuning of the Pitch 40 F2 Selecting a Scale 41 F3 Dual Mode Functions 42 F4 CLP 130 Split Mode Functions 43 F5 CLP 130 F4 CLP 120 Other Functi0NS ccoocccccnoninonnnonnnnnninnnnoos 44 F 6 CLP 130 F 5 CLP 120 Metronome Volume 45 F7 CLP 130 F6 CLP 120 Preset Song Part Ca
68. avinova s TO HOST jack With this connection the Clavinova functions as a MIDI interface Therefore you do not need a special MIDI interface Connection Use a special serial cable page 53 to connect the computer s serial port RS 232C or RS 422 to the Clavinova s TO HOST jack Clavinova etd Leu TO HOST HOST SELECT TO HOST Note for Windows users regarding the MIDI driver To transfer data via the computer s serial port and the Clavinova s TO HOST jack you need to install a specific MIDI driver the Yamaha RS 232C D sub 9 pin Windows Windows CBX driver for Windows You can download this driver from the fol lowing XG Library on the Yamaha web site http www yamaha xg com modem port 1 Macintosh Type of serial cables and connection pin assignments Depending on the type of computer you connect use one of the following serial cables Windows with a serial port of D sub 9 pin 8 pin mini DIN plug D sub 9 pin plug Yamaha CCJ PC2 or equivalent rmm mini DIN 1 O 9O 8 CTS D sub 8 pin 2 90 7 RTS 9 pin 3 0 2 RxD 4 5 GND 8 o 5 0 3 TxD Windows with a serial port of D sub 25 pin 8 pin mini DIN plug D sub 25 pin plug Yamaha CCJ PC1NF or equivalent mini DIN 1 9O O 5
69. avinova settings ENNEN Detailed Settings FUNCTION on page 37 Connecting the Clavinova to other devices Whatis RE About MIDI on page 49 Recording your performance eed itor iet tee ide eed ie e E RE e oi AUX OUT jacks on page 50 Raising the volume icon dada uer lee no e t Pe enters AUX OUT jacks on page 50 Outputting other instruments sound from the Clavinova eerte AUX IN jacks on page 51 Connecting a computer ENEE Connecting a Personal Computer on page 52 Assembling Assembling and disassembling the Clavinova CLP 130 120 Keyboard Stand Assembly on pages page 57 62 CLP 130 120 Application Index PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe place for future reference N WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock short circuiting damages fire or other hazards These precautions include but are not limited to the following T E o e Only use the voltage specified as correct for the instrument The e Do not expose the instrument to rain use it near water or in Z required voltage is printed on the name plate of the instrument damp or wet conditions or place containers on it containing liq a e Check the electric plug periodically and remove any dirt or dust uids which might spill into any openings which may have accumula
70. batteries promptly and as regulated by applicable laws Note In some areas the servicer is required by law to return the defective parts However you do have the option of having the servicer dispose of these parts for you Disposal Notice Should this product become damaged beyond repair or for some reason its useful life is consid ered to be at an end please observe all local state and federal regulations that relate to the disposal of products that contain lead batteries plastics etc NOTICE Service charges incurred due to lack of knowl edge relating to how a function or effect works when the unit is operating as designed are not covered by the man ufacturer s warranty and are therefore the owners respon sibility Please study this manual carefully and consult your dealer before requesting service NAME PLATE LOCATION The graphic below indi cates the location of the name plate The model number serial number power requirements etc are located on this plate You should record the model number serial number and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase CLP 130 CLP 120 Model Serial No Purchase Date Thank you for purchasing the Yamaha Clavinova We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the Clavinova We also recommend that you keep
71. button is pressed No indicator is lit when FIXED is selected Changing the volume when FIXED is selected When you select FIXED you can set the volume for notes played in FIXED mode by using the NO and YES but tons while you hold the TOUCH button The current vol ume level appears on the display The volume range is from 1 through 127 The default setting is 64 volume range CLP 130 120 Selecting amp Playing Voices TIP This setting does not change the weight of the keyboard TIP Normal setting MEDIUM TIP The touch sensitivity type will become the common setting for all voices However the touch sensitivity settings may have lit tle or no effect with certain voices that are not normally responsive to keyboard dynam ics Refer to the Preset Voice List on page 63 TOUCH CLP 130 TIP 1 minimum volume 127 maximum volume TIP The touch volume set in FIXED mode will become the common setting for all voices TIP Releasing the TOUCH button changes the touch type If you are changing the volume by holding the TOUCH button pressing the TOUCH button will not change the touch sensi tivity type FIXED mode will remain selected Transposition TRANSPOSE The Clavinova s Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difficult key signatures and to let you easi
72. cH Parameter Data Range vvH 07H Volume MSB 00H 7FH 3 Expression ccH Parameter OBH Expression MSB 5 Omni Off reception only ccH Parameter Data Range vvH 7CH Omni Off 00H Data Range vvH 00H 7FH 4 Damper ccH Parameter 40H Damper MSB 5 Sostenuto ccH Parameter 42H Sostenuto 6 Soft Pedal ccH Parameter Data Range vvH 43H Soft Pedal 00H 3FH off 40H 7FH on 7 Effect1 Depth Reverb Send Level ccH Parameter Data Range vvH 5BH Effecti Depth 00H 7FH Adjusts the reverb send level 8 Effect4 Depth Variation Effect Send Level ccH Parameter Data Range vvH 5EH Effect4 Depth 00H 7FH Data Range vvH 00H 7FH Data Range vvH 00H 3FH off 40H 7FH on Same processing as for All Notes Off 6 Omni On reception only ccH Parameter Data Range vvH 7DH Omni On 00H Same processing as for All Notes Off 7 Mono reception only ccH Parameter Data Range vvH 7EH Mono 00H Same processing as for All Sound Off 8 Poly reception only ccH Parameter Data Range vvH 7FH Poly 00H Same processing as for All Sound Off When control change reception is turned OFF in the Function mode control change data will not be transmitted or received except for Bank Select and Mode messages Local on off OMNI on off are not transmitted The appropriate note off number is supplied with All Note Off transmission When a voice bank MSB LSB is received the number is stored in th
73. d for sacred music from the Baroque period This is the organ s full coupler sound often associated with VARIATION O G Beach s Toccata and Fugue JAZZ ORGAN _ uH m The sound of a tonewheel type electric organ Often heard in jazz and rock idioms Uses a rotary speaker effect with a different speed The vari VARIATION ations speed is faster If the variation is selected while hold ing a chord the speed of the effect will gradually change Stereo sampled large scale strings ensemble with realistic STRINGS Q Q reverb Try combining this voice with piano in the DUAL mode Spacious strings ensemble with a slow attack Try combining VARIATION O O gt m this voice with a piano or electric piano in the DUAL mode CHOIR CC O Los K A big spacious choir voice Perfect for creating rich harmo nies in slow pieces VARIATION EES O A choir voice with a slow attack Try combining this voice with a piano or electric piano in the DUAL mode CLP 130 120 Preset Voice List ENGLISH Stereo Touch Dynamic Key Off S Top Voice Name Sampling Response Sampling Sampling Voice Descriptions GUITAR m O am m Warm and natural sounding nylon guitar Enjoy the quiet ambience of nylon strings VARIATION Q Bright brilliant steel guitar Suitable for popular music WOOD BASS ot O Se e An upright bass played fingerstyle Ideal for jazz and La
74. e internal buffer regardless of the received order then the stored value is used to select the appropriate voice when a program change message is received The Multi timbre and Poly modes are always active No change occurs when OMNI ON OMNI OFF MONO or POLY mode messages are received CLP 130 120 Appendix PROGRAM CHANGE Data format CnH gt ppH CnH Program event n channel number ppH Program change number P C Program Change number SYSTEM EXCLUSIVE MESSAGES Yamaha MIDI Format Panel Data Transmit Data format FOH gt 43H gt OnH gt 7CH gt gt F7H FOH 43H OnH 7CH n channel number CLP 130 CLP 120 o D GRANDPIANO 1 GRANDPIANO 1 VARIATION GRANDPIANO 2 GRANDPIANO 2 VARIATION E PIANO 1 E PIANO 1 VARIATION E PIANO 2 E PIANO 2 VARIATION HARPSICHORD HARPSICHORD 1 VARIATION HARPSICHORD 2 E CLAVICHORD VARIATION VIBRAPHONE VIBRAPHONE VARIATION CHURCH ORGAN CHURCH ORGAN 1 VARIATION CHURCH ORGAN 2 JAZZ ORGAN JAZZ ORGAN VARIATION STRINGS STRINGS 1 VARIATION STRINGS 2 00H 2DH data length 43H 4CH 20H 20H CL 43H 4CH 50H 27H 30H 32H CLP02 30H 30H version x y PANEL DATA CHECK SUM 1byte 0 43H 4CH 20H Data end F7H Panel Data Contents 1 st Voice Dual On Off Dual Voice Dual B
75. e right hand Procedure e Engage Split mode Voice buttons SPLIT ENGLISH Press the SPLIT button so that its indicator lights The default setting WOOD BASE will be selected for the left hand voice at first The Function mode provides access to a number of other Split mode functions NOTE Dual page 26 and Split page 26 modes cannot be engaged simultaneously page 43 If you make no settings for Split mode functions the appropriate setting will be set in each voice by default 2 Specify the split point the border between the right and left hand range You can change the split point to any other key by pressing the key while hold ing the SPLIT button the name of the current split point key appears on the TIP LED display while the SPLIT button is held An example of split point key display F 5 m r LI jJ m ri J moc e followed by a high bar if sharp G2 followed by a low bar if flat A2 The split point is initially set at the Fh key by default If you do not need to change the split point skip this procedure A specified split point key is included in the left hand range TIP The split point can also be set via Function 4 page 43 CLP 130 120 Selecting amp Playing Voices 3 e Select a voice for the right hand Press a voice button 4 Select a voice for the left hand Press the correspondin
76. e that when it is properly installed and used in its normal and customary manner all foreseeable risks have been eliminated DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha Product perfor mance and or safety standards may be diminished Claims filed under the expressed warranty may be denied if the unit is has been modified Implied warranties may also be affected SPECIFICATIONS SUBJECT TO CHANGE The information contained in this manual is believed to be correct at the time of printing However Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units ENVIRONMENTAL ISSUES Yamaha strives to pro duce products that are both user safe and environmentally friendly We sincerely believe that our products and the production methods used to produce them meet these goals In keeping with both the letter and the spirit of the law we want you to be aware of the following 92 469 1 bottom Battery Notice This product MAY contain a small non rechargable battery which if applicable is soldered in place The average life span of this type of battery is approximately five years When replacement becomes necessary contact a qualified service representative to perform the replacement Warning Do not attempt to recharge disassemble or incinerate this type of battery Keep all batteries away from children Dispose of used
77. eci ne s applique qu aux produits distribu s par Yamaha Canada Musique Lt e class B For details of products please contact your nearest Yamaha or the authorized distributor listed below Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefiihrten Niederlassung und bei Yamaha Vertragsh ndlern in den jeweiligen Bestimmungsl ndern erh ltlich Pour plus de d tails sur les produits veuillez vous adresser 3 Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante NORTH AMERICA CANADA Yamaha Canada Music Ltd 135 Milner Avenue Scarborough Ontario MIS 3R1 Canada Tel 416 298 1311 U S A Yamaha Corporation of America 6600 Orangethorpe Ave Buena Park Calif 90620 U S A Tel 714 522 9011 CENTRAL amp SOUTH AMERICA MEXICO Yamaha de Mexico S A De C V Departamento de ventas Javier Rojo Gomez No 1149 Col Gpe Del Moral Deleg Iztapalapa 09300 Mexico D F Tel 686 00 33 BRAZIL Yamaha Musical do Brasil LTDA Av Rebou as 2636 S o Paulo Brasil Tel 011 853 1377 ARGENTINA Yamaha de Panama S A Sucursal de Argentina Viamonte 1145 Piso2 B 1053 Buenos Aires Argentina Tel 1 4371 7021 PANAMA AND OTHER LATIN AMERICAN COUNTRIES CARIBBEAN COUNTRIES Yamaha de Panama S A Torre Banco General Piso 7 Urbanizaci n Marbella Calle 47 y Aquilino de la Guardia Ciudad de Panam Panam Tel 507 269 5311 EUROPE THE UNITED KING
78. en 49 Key Eemere eere e e epe E 10 ALE EED display iii T 17 EE 57 62 L AUX A ee ee 14 51 NOES e A AN 14 50 EED display 2 erae eee 14 Ltd ad 15 22 44 B List DEMO SONG eee EEN E 66 Back p E nctiofis et teeth 48 Factory Setting ione tet deter 70 BRILILIANCR 14 22 EUNCH NS aaa 37 Preset VOICE anclada ias 63 65 C M Genter Pedal add 15 22 MASTER VOLUME eere enne 11 14 Combining Two Voices Dual mode 26 METRONOME teeth ene tinens nknen 14 29 Connecting a Personal Computer 52 i Metronome Volume 45 CONNECUONS A E ETRS 50 MIDE A id 49 Connector insista da 50 MIDI IN OUT THRU nnne 15 51 D MID Tcables A AS 49 54 55 MIDI conpectorg EE 49 54 Damper Pedal eee 15 21 43 MIDI Data Formal ee EE 71 D M 14 16 MIDI drivet ettet 53 Demo Song List een 66 MIDI Functions us anode atesdiamdiaut 45 Detailed Settings EUNCTIONT ue 37 Music Rest sene anao nen aan lisa 10 Dual mod Gi 2 eR eee e re ee 26 42 N E j Normal setting snesena ean Nn 22 EFFEC AA Sess See A be a ees 14 23 CLP 130 120 Index P T PEDAL jack tete i d tenete ien 14 51 TEM PO iet ttes tente e beg ue estet 14 17 35 PHONES custodia 12 15 TEMPO METRONOME eee 29 Piano Voice Demo Descrptton 66 LOOSE a deitate tote tete a e ee 15 49 Pitch gt Fine Tuning of the Pitch eeseseseeeeeeeeeees 40 TOUCH tati 14 24 POWER inn cantare cana S
79. eyoff Sample Volume F5 4 44 Preset Song Part Cancel Volume Backup Functions Voice F9 1 F8 1 48 MIDI F9 2 F8 2 48 Tuning F9 3 F8 3 48 Others F9 4 F8 4 48 CLP 130 120 Detailed Settings FUNCTION Basic Procedure in Function Mode Follow the steps below to use the functions If you become lost while using a function return to this page and read the basic procedure 15 2 4 3 4 Procedure 1 e Engage Function mode Press the TEMPO FUNCTION button so that its FUNCTION indicator lights NOTE Functions cannot be selected during Demo Preset Song dt 22 6 E TY Fx x will appear on the display The indication of x varies depending on the status of the unit and usage mode or when the user song recorder is in operation 2 Select a function NOTE Use the TEMPO FUNCTION V A buttons to select the desired function To cancel the function in Step 2 from F1 F9 CLP 130 F1 F8 CLP 120 3 or 4 press the TEMPO FUNCTION V A button any ges time to exit Function mode O gt FE jw Fay TEMPO FUNCTION 3 e Use the NO YES buttons Tf the function does not include sub modes start setting the parameters Tf the function includes sub modes press the YES button once to enter the respective sub mode TIP After you select the function the current setting will be displayed
80. f the power for all components Before turning the power on or off for all components set all volume levels to mini mum Also be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level Maintenance e When cleaning the instrument use a soft dry or slightly damp cloth Do not use paint thinners solvents cleaning fluids or chemical impregnated wiping cloths Handling caution e Take care that the key cover does not pinch your fingers and do not insert a finger or hand in any gaps on the key cover or instrument Never insert or drop paper metallic or other objects into the gaps on the key cover panel or keyboard If this happens turn off the power immediately and unplug the power cord from the AC outlet Then have the instrument inspected by qualified Yamaha service personnel Do not place vinyl plastic or rubber objects on the instrument since this might discolor the panel or keyboard Do not rest your weight on or place heavy objects on the instru ment and do not use excessive force on the buttons switches or connectors Do not operate the instrument for a long period of time at a high or uncomfortable volume level since this can cause permanent hearing loss If you experience any hearing loss or ringing in the ears consult a physician Using the bench If included e Do not place the bench in an unstab
81. ff Even if the REVERB effect is OFF a Soundboard Reverb effect will be applied when the GRAND PIANO 1 voice is selected Adjusting Reverb Depth Adjust the reverb depth for the selected voice by using the NO YES buttons while holding the REVERB but ILI ton The depth range is from 0 through 20 The current l l depth setting appears on the LED display while the REVERB button is held depth EFFECT The EFFECT button allows you to select an effect to give your sound greater depth and animation OFF When no effect is selected no EFFECT indicator is lit CHORUS A shimmering broadening effect PHASER Adds a sweeping effect to the sound TREMOLO Tremolo effect DELAY Echo effect Procedure To select an effect type press the EFFECT button a few times until the indicator corre sponding to the desired type lights the indicators light in sequence each time you press the EFFECT button No effect is produced when all indicators are off Adjusting Effect Depth You can adjust the effect depth for the selected voice by UI using the NO and YES buttons while holding the iif EFFECT button The depth range is from 0 through 20 The current depth depth setting appears on the LED display while the EFFECT button is held CLP 130 120 Selecting amp Playing Voices TIP Releasing the REVERB but ton changes the reverb type If you are changing the reverb depth by holding the RE
82. four 4x20 mm tap J ping screws CLP 130 120 CLP 120 Keyboard Stand Assembly 3 e Mount the main unit A CAUTION Fingers can become pinched between the main unit and the rear or side panels be extra careful so as not to drop the main unit Do not hold the keyboard in any position other than the position shown in the illustration Be sure to place your hands at least 10 cm ENGLISH 4 Fix the main unit 1 Center the main unit to pro duce equal clearance on the left and right sides 2 Use 6x16 mm short screws to secure the main unit from the front CLP 130 120 CLP 120 Keyboard Stand Assembly from either end of the main unit when positioning it 5 e Connect the pedal cord e 1 Insert the pedal cord plug to the pedal connector from the front 3 Use a vinyl tie to take up any slack in the pedal cord V gt 2 Attach the cord holders to the rear panel as shown then clip the cord into the holders M y 6 e Set the voltage selector and connect the power cord S Q LES Se lt gt d Ne c Voltage Selector Before connecting the AC power cord check the setting of the voltage selector which is provided in some areas To set the selector for 110V 127V 220V or 240V main voltages use a minus screwdriver to rotate the selector dial so that the correct voltage for your region
83. g on locale Specifications and descriptions in this owner s manual are for information purposes only Yamaha Corp reserves the right to change or modify products or specifications at any time without prior notice Since specifications equipment or options may not be the same in every locale please check with your Yamaha dealer Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information Yamaha Corp beh lt sich das Recht vor Produkte oder deren technische Daten jederzeit ohne vorherige Ank ndigung zu ver ndern oder zu modifizieren Da die technischen Daten das Ger t selbst oder Sonderzubeh r nicht in jedem Land gleich sind setzen Sie sich im Zweifel bitte mit Ihrem Yamaha H ndler in Verbindung Les caract ristiques techniques et les descriptions du mode d emploi ne sont donn es que pour information Yamaha Corp se r serve le droit de changer ou modifier les produits et leurs caract ristiques techniques tout moment sans aucun avis Du fait que les caract ristiques techniques les quipements et les options peuvent diff rer d un pays a Pautre adressez vous au distributeur Yamaha le plus proche Las especificaciones y descripciones de este manual del propietario tienen s lo el prop sito de servir como informaci n Yamaha Corp se reserva el derecho a efectuar cambios o modificaciones en los productos o especificaciones en cualquier momento sin pre vio aviso Puesto que
84. g voice button while holding the SPLIT button The indicator of the Left Voice button will light while the SPLIT button is pressed To turn the variation on or off for the split voice hold the SPLIT button and press the VARIATION button or the currently selected voice button 5 Exit Split mode and return to normal play mode Press the SPLIT button again so that its indicator goes out lt 92 yA TY CLP 130 120 Selecting amp Playing Voices TIP VARIATION in Split Mode You can turn the variation on or off for Split mode voices Nor mally the voice indicator of the right voice lights in Split mode The VARIATION can be used to turn the variation for the right voice on or off as required While the SPLIT button is held however the voice indica tor of the left voice lights In this state the VARIATION button turns the variation for the left voice on or off TIP REVERB in Split Mode The reverb type assigned to the right voice will take priority over the other If the reverb is set to OFF the left voice s reverb type will be in effect Reverb depth setting via the panel controls i e pressing the NO or YES buttons while holding the REVERB button see page 22 will be applied to the right voice only TIP EFFECT in Split Mode Depending on the conditions one effect type will take priority over the other The depth will be decided according to the depth defa
85. gt ACH gt hhH gt mmH gt 11H gt ddH gt F7H 10 SYSTEM EXCLUSIVE MESSAGES Special Control FOH Exclusive status Data format FOH gt 43H gt 73H gt 66H gt 11H gt 43H YAMAHA ID OnH gt ccH gt vvH gt F7H 1nH When received n 0 F FOH Exclusive status When transmitted n 0 43H Yamaha ID 4CH Model ID of XG 73H Clavinova ID hhH Address High 7FH Extended Product ID mmH Address Mid xxH Product ID CLP 130 26H CLP 120 25H lIH Address Low 11H Special control ddH Data OnH Control MIDI change n channel number cc Control number F7H End of Exclusive w Value Data size must match parameter size 2 or 4 bytes ERES End of Exclusive When the XG System On message is received the MIDI sys tem will be reset to its default settings The message requires approximately 50ms to execute so sufficient time should be allowed before the next message is Control On ccH vvH Split Point Always 00H 14H 14H Split Key Number Metronome Always 00H 1BH _ OOH off 01H sent 02H 2 4 2 XG Native Bulk Data reception only 03H 3 4 Data format FOH gt 43H gt OnH gt 4CH gt aaH gt 94H44 bbH gt hhH gt mmH gt IH ddH gt gt Go 2 ccH F7H FOH Exclusive status 43H YAMAHA ID 7FH No accent Damper Level ch 00H 0FH 3DH Sets the Damper Level for each channel OnH When received n 0 F
86. he form of numeric values TIP Since MIDI data that can be transmitted or received varies depending on the type of MIDI device check the MIDI Imple mentation Chart to find out what MIDI data and commands your devices can transmit or receive The Clavinova s MIDI Implementation Chart appears on page 75 ENGLISH NOTE When you are using the MIDI connectors set the HOST SELECT switch to MIDI page 54 When you are using the TO HOST connector set the HOST SELECT switch according to the type of com puter you are using page 54 TIP You can also obtain detailed information about MIDI from various music books and other publications CLP 130 120 About MIDI Connections Connectors AN CAUTION Before connecting the Clavinova to other electronic components turn off the power to all the components Before turn ing the power on or off to all components set all volume levels to minimum 0 Otherwise electrical shock or damage to the components may result CLP 130 E a5 22 iS Z wi LEVEL FIXED LLR L R AUX OUT O AUX OUT R L Pin jacks LEVEL FIXED R L L R Phone jacks You can connect these jacks to a stereo system to amplify the Clavinova or to a cas sette tape recorder to record your performance Refer to the diagram below and use audio cables to make the connections A CAUTION Do not route the output from the AUX OUT jacks to the AUX IN
87. hile recording za opt Lu Stop recording Press either the REC or SONG START STOP button to stop recording The indicator of the recorded track will glow green to indicate that it now con tains data Record mode is disengaged automatically Play back the recorded performance Press the SONG START STOP button to play back the recorded performance To stop playback in the middle of a song press the SONG START STOP but ton CLP 130 120 Recording Your Performance NOTE The amount of memory avail able for recording This value in KiloBytes a unit used of measurement for data indicates how much space remains available for recording on the Clavinova You can record up to a maximum of about 9 400 notes on the CLP 130 120 depending on pedal usage and other factors If a user song USER 1 2 3 is not selected the lamp is not lit pressing the REC button will result in the USER 1 song s TRACK1 being selected and Record Ready mode engaged At this time TRACK2 play back will be turned off if the track contains data If the metronome was on when you started recording you ll be able to keep time with the met ronome while recording but the metronome sound will not be recorded For more recording information See page 33 The left pedal can be assigned to start and stop recording via the Left Pedal Mode function described on page 44 NOTE The record track ind
88. his product in the USA 3 NOTE This product has been tested and found to com ply with the requirements listed in FCC Regulations Part 15 for Class B digital devices Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices This equipment generates uses radio frequencies and if not installed and used according to the instructions found in the users manual may cause interference harmful to the operation of other electronic devices Compliance with FCC regula tions does not guarantee that interference will not occur in all installations If this product is found to be the source of interference which can be determined by turning the unit OFF and ON please try to eliminate the problem by using one of the following measures Relocate either this product or the device that is being affected by the interference Utilize power outlets that are on different branch circuit breaker or fuse circuits or install AC line filter s In the case of radio or TV interference relocate reorient the antenna If the antenna lead in is 300 ohm ribbon lead change the lead in to co axial type cable If these corrective measures do not produce satisfac tory results please contact the local retailer authorized to distribute this type of product If you can not locate the appropriate retailer
89. ic An electronic piano sound created by FM synthesis E PIANO 1 Q O Extremely musical response with varying timbre according to keyboard dynamics Good for standard popular music A synth generated type electronic piano sound often heard VARIATION O in popular music Used in the DUAL mode it blends well with an acoustic piano voice The sound of an electric piano using hammer struck metallic E PIANO 2 O O tines Soft tone when played lightly and an aggressive tone when played hard VARIATION ME O O 25 A slightly different electric piano sound often heard in rock and popular music The definitive instrument for baroque music Since harpsi chord uses plucked strings there is no touch response HARPSICHORD O O There is however a characteristic additional sound when the keys are released VARIATION O E ne O T the same voice an octave higher for a more brilliant A hammer struck keyboard instrument that utilizes an elec tric pickup that is often heard in funk and soul music Its tone ESCLAVICHORD ER O OS O is noted for the unique sound produced when the keys are released VARIATION O O Includes a unique preset effect B Vibraphone played with relatively soft mallets The tone VIBRAPHONE O O O becomes more metallic the harder you play VARIATION O O SS Stereo sampled spacious and realistic marimba n G This is a typical pipe organ sound 8 feet 4 feet 2 feet CHURCH ORGAN O Goo
90. icator will begin to flash when the recorder memory is almost full If the memory becomes full during recording FUL will appear on the display and recording will stop automatically All recorded data up to that point will be retained Pressing the SONG START STOP button to start recording then pressing it again to stop recording will erase all previ ously recorded data on the selected track ENGLISH Re recording TRACK1 This section explains how to record again in case your performance was not satisfactory 1 Select a voice or voices and other settings for recording if necessary Repeat Step 1 on page 30 if you wish to change the previous settings 2 Re engage Record Ready mode Press the REC button again The selected track s indicator flashes in red Follow the procedure from Step 5 on page 31 to re record du 2 iS Z T Recording to TRACK2 This section explains how to record another part on the second track 1 Select a voice or voices and other settings for the recording Select a voice or voices for recording Select other settings if necessary 2 Re engage Record Ready mode Press the REC button again The selected track s indicator flashes in red 3 Select a recording track Select a track that you have not already used for recording The selected track s indi cator lights up red The indicator of a track that contains previously recorded data will glow
91. ile Dual mode is engaged the VARIA TION button can be used to turn the variation for both voices on or off To turn the variation on or off for only one of the voices hold the voice button for the other voice and press the button of the voice for which you want to change the variation TIP REVERB in Dual Mode The reverb type assigned to Voice 1 will take priority over the other If the reverb is set to OFF Voice 2 reverb type will be in effect Reverb depth setting via the panel controls i e pressing the NO or YES buttons while holding the REVERB but ton see page 22 will be applied only to Voice 1 TIP EFFECT in Dual Mode Depending on the conditions one effect type may take priority over the other Depth will be decided according to the depth default value of the voice combi nation However using function F3 page 42 you can adjust the depth value for each voice to your liking Effect depth setting via the panel controls i e pressing the NO or YES buttons while holding the EFFECT button see page 23 will be applied only to Voice 1 Splitting the Keyboard Range and Playing Two Dif ferent Voices Split mode CLP 130 Split mode enables you to play two different voices on the keyboard one with the left hand and another with the right hand For example you can play a bass part using the Wood Bass or Electric Bass voice with the left hand and a melody with th
92. imulate a melody duet or combine two similar voices to create a thicker sound 1 WTewPo oTHER VALUE o ME o Engage Dual mode Press two voice buttons at the same time or press one voice button while hold ing another The voice indicators of both selected voices will light when Dual mode is active According to the voice numbering priority shown in the diagram on the right the lower value voice number will be designated as Voice 1 the other voice will be desig nated as Voice 2 Voice numbering priority 1 2 3 4 5 6 7 GRAND GRAND EPIANO EPIANO HARPSI ECLAV VIBRA PIANO1 PIANO2 1 2 CHORD D Ni CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR The CLP 130 120 Function mode provides access to a number of other Dual mode functions such as volume balance setting or octave setting page 42 If you do not set Dual mode functions the appropriate setting will be set in each voice by default Exit Dual mode and return to normal play mode To return to the normal single voice play mode press any single voice button CLP 130 120 Selecting amp Playing Voices ooo PEEL NES ge WM di mes con ouma cmH 00 OOOO I Procedure CLP 130 NOTE CLP 130 Dual and Split page 27 modes cannot be engaged at the same time TIP VARIATION in Dual Mode CLP 130 The VARIATION button s indi cator will light if the variation is engaged for either or both of the Dual mode voices Wh
93. ing the cover LL KE a a e Le E ET E E e ES 1 AN CAUTION Hold the cover with both hands when opening or closing it Do not release it until it is fully opened or closed Be care ful to avoid catching fingers yours or others especially children s between the cover and main unit Do not place objects such as a piece of metal or paper on top of the key cover Small objects placed on the key cover may fall inside the unit when the cover is opened and may be nearly impossible to remove This could cause electric shock short circuit fire or other serious damage to the instrument N CAUTION Music Rest To raise the music rest 1 Pull the music rest up and toward yourself as far as it will go 2 Flip down the two metal supports at the left and right on the rear of the music rest 3 Lower the music rest so that it rests on the metal supports To lower the music rest 1 Pull the music rest toward yourself as far as it will go 2 Raise the two metal supports at the rear of the music rest 3 Gently lower the music rest backward until it is all the way down qy A CAUTION Do not try to use the music rest in a half raised position When lowering the music rest do not release your hands from the music rest until it is all the way down E CLP 130 120 Before Using the Clavinova Turning the Power On 1 Connect the power cord Insert the plugs at the ends of the cord one into the AC
94. ion is a supplementary guidebook that describes for beginners what you can do with your Clavinova and a personal computer and how to set up a Clavinova Computer system the manual is not written for any specific models The document is available as a PDF file in English at the following Internet address Clavinova Web site English only http www yamahaclavinova com Yamaha Manual Library http www2 yamaha co jp manual english CLP 130 120 About this Owner s Manual EIS 2 6 Z Wi Table of Contents Introduction SPECIAL MESSAGE SECTION 2 About this Owner s Manual 3 Application Index eeeeeeee 5 PRECAUTIONS custodia iii 6 AGGESSONIOS iia EE 8 Maintenance ltda 8 Featured 9 Before Using the Clavinova 10 Key Cove enee geesde Edel 10 Music REST acia 10 Turning the Power Om 11 Setting the Volume 11 Using Headphones eee 12 Using the Speaker Switch 12 Part Names aoo TO En eene 14 Listening to the Demonstration Tunes 16 Listening to 50 Piano Preset Songs 17 Practicing a One Hand Part Using 50 Preset Songs Part Cancel Function 18 A B Repeat for 50 Preset Songs 20 Selecting amp Playing Voices 21 Selecting Voices ENEE 21 Using the Pedals instinto 21 Adding V
95. ity Key ON 01H 7FH Key OFF 00H 1 All Sound Off Data format 8nH gt kk gt vv reception only ccH Parameter Data Range vvH 8nH Note OFF event n channel number 78H All Sound Off 00H kk Note number 00H 7FH C 2 G8 Switches off all sound from the channel Does not reset Note vv Velocity On and Hold On conditions established by Channel Messages f received value exceeds the supported range for the 2 Reset All Controllers selected voice the note is adjusted by the necessary num ccH X Parameter ber of octaves 79H 2 CONTROL CHANGE Data Range vvH Reset All Controllers 00H Resets controllers as follows Controller Value Data format BnH gt cc gt vv Expression 127 max BnH Control change n channel number Damper Pedal 0 off cc Control number Sostenuto 0 off w Data Range Soft Pedal 0 off 1 Bank Select 3 Local Control reception only ccH Parameter Data Range vvH ccH Parameter Data Range vvH 00H Bank Select MSB 00H Normal 7AH Local Control 00H off 7FH on 20H Bank Select LSB 00H 7FH 4 All Notes Off ccH Parameter Data Range vvH 7BH All Notes Off 00H Switches OFF all the notes that are currently ON on the spec ified channel Any notes being held by the damper or soste nuto pedal will continue to sound until the pedal is released Bank selection processing does not occur until receipt of next Program Change message 2 Main Volume reception only c
96. l be unable to select Split mode functions Also note that you must exit Function mode before you can engage Split mode Sub mode F4 1 Split Point Setting range The entire keyboard Normal setting FH Set the point on the keyboard that separates the right and left hand sections split point The pressed key is included in the left hand range Instead of pressing the NO YES buttons you can engage the split point by pressing the appropriate key on the keyboard If Function mode is not engaged you can change the split point to any other key by pressing the key while holding the SPLIT button page 27 An example of a key name indication for a split point FE d Le H d F2 G2 A2 followed by followed by a high bar if sharp a low bar if flat F4g Split Balance Setting range 0 20 A setting of 10 produces an equal balance between the two Split mode voices Settings below 10 increase the volume of the left voice in relation to the right voice and set tings above 10 increase the volume of the right voice in relation to the left voice Normal setting Different for each voice combina tion The volume level of the two voices combined in Split mode can be adjusted as required F43 Right Voice Octave Shift F44 Left Voice Octave Shift Setting range 1 0 1 Normal setting
97. le position where it might accidentally fall over e Do not play carelessly with or stand on the bench Using it as a tool or step ladder or for any other purpose might result in acci dent or injury Only one person should sit on the bench at a time in order to prevent the possibility of accident or injury e f the bench screws become loose due to extensive long term use tighten them periodically using the included tool Saving and backing up your data e Depending upon the Backup Settings page 48 internal data is retained for about 1 week after the power is turned off If the period is exceeded the data will be lost Be sure to turn the power switch on for a few minutes at least once a week The data could be lost due to malfunction or incorrect operation Save important data to external media such as the Yamaha MDF3 MIDI data filer Backing up the external media e To protect against data loss through media damage we recom mend that you save your important data onto two external media Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument or data that is lost or destroyed Always turn the power off when the instrument is not in use 1 B 7 2 2 CLP 130 120 PRECAUTIONS ENGLISH Accessories e 50 Greats for the Piano Music Book e Owner s Manual This manual contains complete instructions for operating your Clavinova e Bench A bench ma
98. ly match the pitch of the keyboard to the range of a singer or other instruments For example if you set the transposition amount to 5 playing key C produces pitch F In this way you can play a song as though it were in C major and the Clavinova will transpose it to the key of F NO YES TRANSPOSE gor sos o OOO O 0 6 Procedure Use the NO and YES button while holding the CLP 130 ENGLISH TRANSPOSE button to transpose down or up as required TERMINOLOGY The amount of transposition appears on the LED display Transpose Changing the key signature of a while the TRANSPOSE button is held The default transpose Biol a a trans setting is 0 transposition posing shifts the pitch of the entire keyboard LI LI The TRANSPOSE button indicator remains lit when a transpose setting other than 0 is selected Every time the TRANSPOSE button is pressed after that switches the transpose function ON or OFF TIP The transposition range 12 12 semitones down one octave 0 normal pitch 12 12 semitones up one octave TIP Notes below and above the A 1 C7 range of the CLP 130 120 sound one octave higher and lower respectively CLP 130 120 Selecting amp Playing Voices au 2 Z TY Combining Two Voices Dual mode You can play two voices simultaneously across the entire range of the keyboard In this way you can s
99. n so that its TEMPO indicator lights CLP 130 120 Detailed Settings FUNCTION About Each Function F1 Fine Tuning of the Pitch You can fine tune the pitch of the entire instru ment This function is useful when you play the Clavinova along with other instruments or CD music 1 Engage Function mode and select F 2 Use the NO and YES buttons to lower or raise the pitch of the A3 key in approxi mately 0 2 Hz increments I L Hg TYG 053 O Tenths of a hertz are indicated on the LED display by Z the appearance and position of one or two dots as in E the following example Display Value 440 440 0 Setting range yun 440 2 427 0 453 0 Hz 440 440 4 Normal setting qua 440 6 440 0 Hz uun 440 8 Hz Hertz This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second TIP You can also use the keyboard to set the pitch in any mode other than Function mode To tune up in about 0 2Hz steps Hold the A 1 and B 1 keys two white keys at the left end simultaneously and press any key between C3 and B3 To tune down in about 0 2Hz steps Hold the A 1 and Ai 1 keys a white and a black key at the left end simulta neously and press any key between C3 and B3 To restore standard pitch Hold the A 1 A 1 and B 1 two white keys
100. naural device use only the AUX IN L L R jack or AUX OUT L L R jack ENGLISH CLP 130 120 Connections Connecting a Personal Computer You can enjoy computer music data on the Clavinova by connecting a computer to the TO HOST or MIDI jack NOTE When the Clavinova is used as a tone module performance data with voices that are not found on the Clavinova will not be played correctly The Clavinova Computer Connection is a supplementary guidebook that describes for beginners what you can do with your Clavinova and a personal computer and how to set up a Clavinova Computer system the manual is not written for any specific models The document is available as a PDF file in English at the following Internet address Clavinova Web site English only http www yamahaclavinova com am 2 Z vi Yamaha Manual Library http www2 yamaha co jp manual english There are three methods by which to connect the Clavinova to a personal computer 1 Connect the serial port on the computer to the Clavinova s TO HOST jack page 53 2 Use a MIDI interface and the Clavinova s MIDI connectors page 54 3 Use the USB port on the computer and the UX256 UX96 or UX16 a USB interface page 55 For more information refer to the specified pages NOTE When connecting the Clavinova to a personal computer first turn off the power to both the Clavinova and the computer before you connect any cables
101. ncel Volume 45 F8 CLP 130 F7 CLP 120 MIDI Functions cccccnccnnonnnnnnnonennnnnnnnnnnons 45 F9 CLP 130 F8 CLP 120 Backup Functions esee 48 About MDL nicas 49 Connections eet 50 COTnneGctotS aiu editoris 50 Connecting a Personal Computer 52 Troubleshooting eeeess 56 OptIOHRs oro cioe nao or vete iiini Ee eon n 56 CLP 120 Keyboard Stand Assembly 57 CLP 130 Keyboard Stand Assembly 60 Preset Voice E 63 Demo Song Livni 66 ID dex Bee Aude Eeer oie ai 67 Appendix Factory Setting List oooonononrcmmm m gt ooo 70 MIDI Data Format eeee 71 MIDI Implementation Chart 75 Specifications erect eere ed eroe erts 76 Application Index Use this index to find reference pages that may be helpful for your particular application and situation Listening Listening to demo songs with different voices Listening to the Demonstration Tunes on page 16 Listening to songs from 50 Greats for the Piano ee Listening to 50 Piano Preset Songs on page 17 Listening to my recorded performance ENNEN Playing Back Recorded Songs on page 35 Playing Using the three performance control pedals seen Using the Pedals on page 21 Playing an accompaniment that matches pitch sss Transposition TRANSPOSE on
102. nformation on control changes that can be used with the CLP 130 120 refer to the MIDI Data Format on page 71 Setting range ON OFF Normal setting ON F BB CLP 130 F 16 CLP 120 MIDI Transmit Transpose FBB CLP 130 F 1H CLP 120 Bulk Data Dump This function allows the MIDI note data transmitted by the CLP 130 120 to be transposed up or down in semi tone increments by up to plus or minus 12 semitones The pitch of the CLP 130 120 itself is not affected Setting range 12 0 12 in semitones Normal setting 0 F B 1 CLP 130 F 11 CLP 120 Panel Status Transmit This function causes all the current CLP 130 120 panel settings selected voice etc to be transmitted via the MIDI OUT terminal This is particularly useful if you will be recording performances to a MIDI sequence recorder such as the Yamaha MIDI Data Filer MDF3 which will be used to control the CLP 130 120 on play back By transmitting the CLP 130 120 panel settings and recording them on the MIDI sequence recorder prior to the actual performance data the CLP 130 120 will be automatically restored to the same settings when the performance is played back TERMINOLOGY Setup Data Data that contains a set of panel settings for the Clavinova Procedure 1 Set up the panel controls as desired 2 Connect the Clavinova to a sequencer via MIDI and set up the sequencer
103. or setthe HOST SELECT switch After making the connections and switch settings turn on the power to the computer first then to the Clavinova NOTE If you do not use the TO HOST jack of the Clavinova make sure you disconnect the cable from the jack If the cable is left connected the Clavinova may not function properly H5F will appear in the display if the host computer is not turned on the connecting cable is not properly connected the HOST SELECT switch is not in the proper position or the MIDI driver or MIDI application is not active In this situa tion turn the power off to both the Clavinova and the computer and check the cable connection and the position of the HOST SELECT switch Once the connection and HOST SELECT switch position is verified turn the power of the com puter on first then the Clavinova and check whether the MIDI driver and MIDI application function properly When the HOST SELECT switch is set to PC 1 PC 2 or Mac you can use the TO HOST jack but the MIDI con nectors are disabled since no data transfer occurs via the MIDI connectors On the other hand when the HOST SELECT switch is set to MIDI you can use the MIDI connectors but not the TO HOST jack since no data is trans ferred via the TO HOST jack CLP 130 120 Connections 1 Connecting the serial port on the computer to the Clavinova s TO HOST jack Connect the computer s serial port RS 232C or RS 422 to the Cl
104. ortion Improper handling can result in damage to the instrument or personal injury Key cover CLP 130 120 CLP 120 Keyboard Stand Assembly CLP 130 Keyboard Stand Assembly A CAUTION e Be careful not to confuse parts and be sure to install all parts in the correct direction Please assemble in accor dance with the sequence given below Assembly should be carried out by at least two persons Be sure to use the correct screw size as indicated below Use of incorrect screws can cause damage Be sure to tighten up all screws upon completing assembly of each unit To disassemble reverse the assembly sequence given below Have a Phillips head screwdriver ready SS c er Remove the following parts from the package a5 22 z wi 1 e Attach the side panels to the pedal box Assembly Parts 6x25 mm long screws x4 4x20 mm tapping screws x4 ege A 6 x 16 mm short screws x4 Cord holders x 2 Side panel a e yy 7 3 1 Untie and straighten out the bundled cord 4 x 12 mm thin screws x2 O attached to the bot tom of the pedal box Don t discard the 2 Use the four 6x25 mm long screws to attach the pedal box First attach one ey ft von i meet side panel then attach the Pe you ipis other side panel d y later in step 5 2 Attach the rear panel gt 2 Secure
105. ou to specify the channel on which the Clavinova transmits MIDI data Setting range 1 16 OFF not transmitted Normal setting 1 In Dual mode Voice 1 data is transmitted on its specified channel In Split mode CLP 130 right voice data is trans mitted on its specified channel In Dual mode Voice 2 data is transmitted on the next greater channel number relative to the specified channel In Split mode CLP 130 left voice data is transmitted on the next greater channel number rela tive to the specified channel In either mode no data is trans mitted if the transmit channel is set to OFF NOTE Demo preset song data and recorder playback data are not transmitted via MIDI CLP 130 120 Detailed Settings FUNCTION EE ae 92 6 Z ul F BR CLP 130 F 12 CLP 120 MIDI Receive Channel Selection FB4 CLP 130 F 14 CLP 120 Program Change ON OFF In any MIDI control setup the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer This parameter enables you to specify the channel on which the Clavinova receives MIDI data Setting range ALL 182 1 16 Normal setting ALL TIP ALL A Multi timbre Receive mode is available It allows simulta neous reception of different parts on all 16 MIDI channels enabling the Clavinova to play multi channel song data received from a music computer or se
106. page 25 Selecting a touch sensitivity type tenentes Touch Sensitivity TOUCH on page 24 Fine tuning the pitch of the entire instrument when you play the Clavinova along with other instruments or CD music EE Fine tuning of the pitch on page 40 ENGLISH Changing voices Viewing the list of VORES en e t e et e AAA AAA Preset Voice List on page 63 Sim lating a concert hall iia aaa dt REVERB on page 22 Combining WO VE NEE Combining Two Voices Dual mode on page 26 Playing different sounds with left and right hands esr NIS Splitting the Keyboard Range and Playing Two Different Voices Split mode CLP 130 on page 27 Making the sound more brilliant or mellower NEEN BRILLIANCE on page 22 Adding spread or swell to the sound een EFFECT on page 23 Enhancing the sound with effects ENEE VARIATION CLP 130 on page 22 Practicing Muting the right or left hand part HEATING I EAS ete e ierit Practicing a One Hand Part Using 50 Preset Songs Part Cancel Function on page 18 Practicing a specified phrase repeatedly sse A B Repeat for 50 Preset Songs on page 20 Practicing with an accurate and steady tempo sse Using the Metronome on page 29 Practicing using your recorded song ENEE Recording Your Performance on page 30 Recording Recording your performance teen netten tenen iiei i Recording Your Performance on page 30 Settings Adjusting the Cl
107. quencer 182 A 1 amp 2 Receive mode is available It allows simultaneous reception on channels 1 and 2 only enabling the Clavinova to play 1 and 2 channel song data received from a music com puter or sequencer TIP Program change and other like channel messages received will not affect the CLP 130 120 s panel settings or the notes you play on the keyboard NOTE No MIDI reception occurs when Demo Preset Song mode is engaged F 83 CLP 130 F 13 CLP 120 Local Control ON OFF Local Control refers to the fact that normally the CLP 130 120 keyboard controls its internal tone genera tor allowing the internal voices to be played directly from the keyboard This situation is Local Control On since the internal tone generator is controlled locally by its own keyboard Local control can be turned OFF however so that the CLP 130 120 keyboard does not play the internal voices but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard At the same time the internal tone genera tor responds to MIDI information received via the MIDI IN connector Setting range ON OFF Normal setting ON CLP 130 120 Detailed Settings FUNCTION Normally the CLP 130 120 will respond to MIDI pro gram change numbers received from an external key board or other MIDI device causing the correspondingly numbered voice to be
108. r a key on the keyboard either of which will start recording and erase all previously recorded data on the selected track CLP 130 120 Recording Your Performance NOTE You can cancel changes made to the initial settings by select ing a different track after Step 2 then exiting Record mode dur ing Step 3 without pressing the REC button Changes made to the data shared by two tracks are also canceled Playing Back Recorded Songs You can play back songs recorded using the Record function pages 30 34 You can also play the keyboard along with the play back Playing Back a Song Procedure 1 e Select the desired song CLP 130 Press the USER 1 2 3 button to select a song for recording The indicator of the selected song will light No song is selected if none of the indicators are lit 2 e Start playback Press the SONG START STOP button The current measure number appears on the display during playback Lu You can play the keyboard while the Clavinova is playing back a song You can also play the notes in a voice different from the playback voice by select ing a voice from the panel Adjust the volume Use the MASTER VOLUME control to adjust the volume Adjust the tempo You can use the TEMPO FUNCTION Y A buttons to adjust the playback tempo as required before or during playback The default tempo the song s original tempo is set when you press the
109. ra cambiar el ajuste emplee un destornillador de cabeza recta para girar el selector de modo que aparezca la tensi n correcta al lado del indicador del panel y SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS Yamaha electronic products may have either labels similar to the graphics shown below or molded stamped facsimiles of these graphics on the enclosure The explanation of these graphics appears on this page Please observe all cautions indicated on this page and those indicated in the safety instruction section CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL See bottom of Keyboard enclosure for graphic symbol markings The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance servic ing instructions in the literature accompanying the product The lightning flash with arrowhead symbol within the equilateral trian gle is intended to alert the user to the presence of uninsulated dangerous voltage within the product s enclo sure that may be of sufficient magni tude to constitute a risk of electrical shock IMPORTANT NOTICE All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sur
110. s 35 Playing Back a Song ENEE 35 Useful Playback Functions sss 36 Detailed Settings FUNCTION 37 Basic Procedure in Function Mode 38 About Each Function NEE 40 F1 Fine Tuning of the Pitch EEN 40 E2 Selecting a Scale e tnter emen 41 F3 Dual Mode Functions eere 42 F4 CLP 130 Split Mode Functions 43 CLP 130 120 Part Names Top panel CLP 130 lt A LI A TEMPO OTHER VALUE Ji MASTER NOLUME O TEMPO START STOP FUNCTION o IGHT C5 BRILLIANCE DEMO METRONOME X TEMPO FUNCTION HALL2 C5 65 65 G5 65 65 65 Q voice REVERB EFFECT TOUCH TRANSPOSE a5 22 iS Z wi CLP 130 A m SSSOSS55 Li Ze o S vt 888 es 55 SSSS SSSSSSSO oe 0 e e Connectors CLP 130 O POWER icto rH EE HEAR HR Rn P11 O Voice buttons P21 MASTER VOLUME P11 SPLIT CLP 130 P27 O BRILLIANCE eere P22 OD REVERB rre P22 Q DEMO P16 9 EFFECT sss P23 O METRONOME START STOP P29 TOUCH p24 ITEMPOITUNSTIONOHA Y cad pod 28 TRANSPOSE enn P25 O LED display ns na P15 NO YES Miu2b7 i MM P51 PRESE
111. s the Clavi nova produces sound based on the saved information There fore recording on the Clavinova may be more accurately called saving information However this book often uses the word recording because it seems to make more sense CLP 130 Procedure A CAUTION Notes on recording All user song recorder data will be retained in memory for about one week after the power is turned off If you want to keep your recorded data for longer periods of time turn the power on for a few minutes at least once a week It is also possible to store the data to an external MIDI storage device such as the Yamaha MIDI Data Filer MDF3 by using the Bulk Data Dump function described on page 47 1 e Select a song for recording CLP 130 Press the USER 1 2 3 button to select a song for recording The indicator of the selected song will light No song is selected if none of the indicators are lit 2 Make all the initial settings Before you begin to record select the voice you want to record or voices if you will be using Dual or Split mode Make any other desired settings tempo reverb etc as well You might also want to set the volume You can also adjust the playback volume using MASTER VOLUME CLP 130 120 Recording Your Performance When the unit is in Demo Song mode the USER 1 2 3 button cannot be used to select a song NOTE When the unit is in Demo Song or Preset Song mode Record mode cannot be engaged
112. so Bank MSB LSB is not transmitted or received 5 SYSTEM REALTIME MESSAGES rrH 7FH Universal Realtime F8H Timing clock 7FH ID of target device FAH Start 04H Sub ID 1 Device Control Message FCH Stop 01H Sub ID 2 Master Volume FEH Active sensing llH Volume LSB mmH Volume MSB F7H End of Exclusive or FOH Exclusive status 7FH Universal Realtime XnH When n is received n 0 F whichever is received X don t care Recorder stop 04H Sub ID 1 Device Control Message Not received when the MIDI clock is 01H Sub ID 2 Master Volume set to Internal IIH Volume LSB mmH Volume MSB F7H End of Exclusive Transmission Reception Transmitted every Received as 96 clock tempo timing 96 clocks when MIDI clock is set to External Recorder start Not received when the MIDI clock is set to Internal Recorder start Recorder stop If a signal is not received via MIDI for more than 400 milliseconds the Transmitted every same processing will take place for 200 milliseconds All Sound Off All Notes Off and Reset All Controllers as when those signals are received Caution If an error occurs during MIDI reception the Damper Sostenuto and Soft effects for all channels are turned off and an All Note Off occurs ER CLP 130 120 Appendix 2 Universal Non Realtime Message GM On 9 SYSTEM EXCLUSIVE MESSAGES General MIDI Mode On Clavinova MIDI Format Data format FOH gt 7EH gt
113. strument to excessive dust or vibrations or let always hold the plug itself and not the cord Pulling by the extreme cold or heat such as in direct sunlight near a heater cord can damage it or in a car during the day to prevent the possibility of panel dis e Remove the electric plug from the outlet when the instrument is figuration or damage to the internal components not to be used for extended periods of time or during electrical e Do not use the instrument in the vicinity of a TV radio stereo storms equipment mobile phone or other electric devices Otherwise e Do not connect the instrument to an electrical outlet using a the instrument TV or radio may generate noise multiple connector e Do not place the instrument in an unstable position where it Doing so can result in lower sound quality or possibly cause might accidentally fall over overheating in the outlet Before moving the instrument remove all connected cables Do not place the instrument against a wall allow at least 3 cm Assembly one inch from the wall since this can cause inadequate air cir e Read carefully the attached documentation explaining the culation and possibly result in the instrument overheating assembly process Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury EN CLP 130 120 PRECAUTIONS Connections Before connecting the instrument to other electronic compo nents turn of
114. t HARPSICHORD O Gavotte HARPSICHORD1 EX O J S Bach HARPSICHORD2 zx Q Invention No 1 The demonstration pieces listed above are short rearranged excerpts the original compositions All other songs are original 02002 Yamaha Corporation gt 2 gt Z Piano Voice Demo Description CLP 130 Voice Name Piano Voice Demo GRAND PIANO1 Stereo sampling GRAND PIANO2 Monaural sampling E PIANO1 Dynamic sampling mezzo piano E PIANO2 Dynamic sampling mezzo forte HARPSICHORD Dynamic sampling forte E CLAVICHORD With sustain sampling VIBRAPHONE Without sustain sampling CHURCH ORGAN With key off sampling JAZZ ORGAN Without key off sampling E CLP 130 120 Demo Song List Index Numerics F 50 Greats for the Piano essere 17 FactOry Setting Dist etre ette 70 50 Piano Preset Songs EE 17 Fine Tuning of the Pitch 40 FUL LED display eee 31 A FUNE ON si i iiiitieetiesiseetizsc estieecteoticeti eoe eoe 14 40 48 Basic Procedure ertet praeter eetetet 38 A B Repeat for 50 Preset Songs ENEE 20 f Function Parameter List 70 ACOSO oue Nee NEEN ENEE 8 Adding Variations NEEN 22 L l H zi Adjust O Ell EI 16 22 HOST SELECT 2 aaa 15 51 54 Z Tempo 50 Piano Preset Songs EE 17 o A 52 Tempo Recorded Songs sess 35 Volume 50 Piano Preset Songs 17 Volume Demo 16 K Seg
115. ted on it e Never insert or remove an electric plug with wet hands e Use only the supplied power cord plug Do not place the power cord near heat sources such as heaters Fire warning or radiators and do not excessively bend or otherwise damage mm y 9 e Do not put burning items such as candles on the unit the cord place heavy objects on it or place it in a position A burning it fall d f where anyone could walk on trip over or roll anything over it Se ee EES e lf the power cord or plug becomes frayed or damaged or if there is a sudden loss of sound during use of the instrument or if any unusual smells or smoke should appear to be caused by it immediately turn off the power switch disconnect the electric plug from the outlet and have the instrument inspected by qual ified Yamaha service personnel e Do not open the instrument or attempt to disassemble the inter nal parts or modify them in any way The instrument contains no user serviceable parts If it should appear to be malfunctioning discontinue use immediately and have it inspected by qualified Yamaha service personnel N CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others or damage to the instrument or other property These precautions include but are not limited to the following Power supply Power cord e When removing the electric plug from the instrument or an out e Do not expose the in
116. the assembly sequence given below Have a Phillips head screwdriver ready ESA x Remove the following parts from the package JF Assembly Parts 6 x 25 mm long screws x4 CCC 6 x 16 mm short screws x4 MMMM 4 x 12 mm thin screws x2 OQ es 4 x 20 mm tapping screws x4 eieiei Cord holders x 2 E El HA Main unit Rear panel Pedal box UUU AC power cord Bundled pedal po e cord inside TIP A headphone hanger is included in the CLP 120 package You can attach a headphone hanger on the Clavinova to hang the headphones page 12 1 e Attach the side panels to the pedal box 1 Untie and straighten out the bundled cord attached to the bot tom of the pedal box Don t discard the vinyl tie you ll need it later in step 5 ENGLISH Side panel 2 Use the four 6x25 mm long screws to attach the pedal box First attach one side panel then attach the other side panel 2 Attach the rear panel 1 Place the bot tration side panels tom edges of the rear panel on the feet s pro truding edges with the panel slightly angled as shown in the illus Then align the top part of the panel with the 2 Secure the top of the rear panel to the side panel brackets using two 4x12 mm thin screws 9 3 Secure the bottom of the rear panel to the pedal box using
117. the top of the Main unit rear panel to the side panel brackets using two ge 4x12 mm thin screws 9 o Rear panel 1 Place the bot 4 Pedal box tom edges of the rear panel on the feet s pro 000 truding edges with the Bundled pedal AC power cord panel slightly angled cord inside Pomme as shown in the illus tration 3 Secure the bottom Then align the top part of the rear panel to TIP of the panel with the the pedal box using A headphone hanger is included in the CLP 130 package side panels four 4x20 mm tap You can attach a headphone hanger on the Clavinova to d J ping screws hang the headphones page 12 EI CLP 130 120 CLP 130 Keyboard Stand Assembly 3 e Mount the main unit l A CAUTION e Fingers can become pinched between the main unit and the rear or side panels be extra careful So as not to drop the main unit e Do not hold the keyboard in any position other i than the position shown in the illustration Be sure to place your hands at least 10 cm from either end of the main unit when positioning it 1 Center the main unit to pro duce equal clearance on the left and right sides 2 Use 6x16 mm short screws to secure the main unit from the front 5 e Connect the pedal cord 1 Insert the pedal cord plug to the pedal connector from the front 3 Use a vinyl tie to take up any slack in the pedal cord V 7
118. then start as soon as you begin playing on the keyboard the Synchro Start function is placed on stand by This function is useful when you wish to match the timing of the beginning of the play back sound and the start of your own performance Synchro Synchronous occurring at the same time Assigning the START STOP function to the left pedal The left pedal can also be assigned to song start stop operation via the Pedal Start Stop page 44 This is convenient for starting playback of the recorded part anytime after you have started playing CLP 130 120 Playing Back Recorded Songs Detailed Settings FUNCTION You can set various parameters to make the best use of Clavinova functions such as fine tuning the pitch selecting a voice for the metronome repeating playback etc The following parameters are available The CLP 130 has nine main functions and the CLP 120 has eight main functions Some of these main functions consist of a set of sub modes Parameter List Fine tuning of the pitch F1 F1 40 am i UO Z Dual mode functions Dual Balance F3 1 F3 1 42 H Dual Detune F3 2 F3 2 42 Voice 1 Octave Shift F3 3 F3 3 42 Voice 2 Octave Shift F3 4 F3 4 42 Voice 1 Effect Depth F3 5 F3 5 42 Voice 2 Effect Depth F3 6 F3 6 42 Reset F3 7 F3 7 42 Other Functions Left Pedal Mode F5 1 F4 1 44 Soft Pedal Effect Depth F5 2 F4 2 44 Sustain Sample Depth F5 3 44 K
119. tin music VARIATION e O 35 ME Adds a cymbal voice to the bass sound Ideal for walking bass lines in jazz tunes E BASS O Electric bass for a wide range of music styles jazz rock popular and more VARIATION Q A fretless bass good for styles such as jazz fusion etc I 2 6 zZ TY CLP 130 120 Preset Voice List 1 Dynamic Sampling provides multiple velocity switched samples to accurately simulate the timbral response of an acoustic instrument 2 Contains a very subtle sample that is produced when the keys are released CLP 120 Voice Name Stereo Sampling Touch Response Dynamic Sampling Key Off Sampling Voice Descriptions GRANDPIANO 1 O O Recorded samples from a full concert grand piano Perfect for classical compositions as well as any other style that requires acoustic piano GRANDPIANO 2 O Spacious and clear piano with bright reverb Good for popu lar music E PIANO 1 An electronic piano sound created by FM synthesis Good for standard popular music E PIANO 2 O O O The sound of an electric piano using hammer struck metallic tines Soft tone when played lightly and an aggressive tone when played hard HARPSICHORD 1 The definitive instrument for baroque music Since harpsi chord uses plucked strings there is no touch response There is however a characteristic additional sound when the keys are released
120. ting amp Playing Voices ENGLISH TIP If the TEMPO FUNCTION button s FUNCTION indicator is lit press the TEMPO FUNC TION button to light the TEMPO indicator TIP The volume of the metronome can be adjusted via the Metro nome Volume function in Func tion mode page 45 Recording Your Performance The ability to record and play back what you ve played on the CLP 130 120 keyboard can be an effective practice aid You can for exam ple record just the left hand part and then practice the right hand part while playing back the recorded left hand part Or since you can record up to two tracks separately you could record the left and right hand parts separately or record both parts of a duet and hear how they sound when played back The CLP 130 1 20 s two track Song Recorder allows the recording of up to three User Songs one User Song on the CLP 1 20 dt 22 6 E TY Recording to TRACK1 145673 2 TIP You can record your perfor mance audio data to a cas sette tape recorder or other recording device via the AUX OUT connector page 50 TERMINOLOGY Recording vs Saving The format of performance data recorded on a cassette tape dif fers from that of data recorded on the Clavinova A cassette tape records audio signals The Clavinova saves information regarding note timing voices and a tempo value but not audio signals When you play back recorded song
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122. ult value of the voice combi nation However using function F4 page 43 you can change the depth value for each voice as you like Effect depth setting via the panel controls i e pressing the NO or YES buttons while holding the EFFECT button see page 23 will be applied to the right voice only Using the Metronome The Clavinova features a built in metronome a device that keeps an accurate tempo that is conve nient for practicing 1 Procedure 1 2 TEMPO FUNCTION AY NO YES O Start the metronome The metronome sound is turned on by pressing the METRONOME START STOP button The beat indicator flashes at the current tempo Adjusting the tempo The tempo of the metronome and user song recorder playback the recorder is described in the next section can be set from 32 to 280 beats per minute by using the TEMPO FUNCTION V A buttons when the TEMPO FUNC TION V A button s TEMPO indicator is lit Adjusting the time signature The time signature beat of the metronome can be set by using the NO and YES buttons while holding the METRONOME START STOP button You can set the beat to 0 2 3 4 5 or 6 The current setting appears on the LED display while you are beat holding the METRONOME START STOP button z Stop the metronome Turn off the metronome by pressing the METRONOME START STOP button CLP 130 120 Selec
123. wever when the A point is set at the beginning of the song 2 e Stop playback the automatic lead in is not Press the SONG START STOP button to stop playback while retaining the pe specified A and B points A B repeat playback will resume if you press the SONG START STOP button again To cancel the A and B points press the TEMPO FUNCTION button once The A and B points are auto matically canceled when a new song is selected CLP 130 120 Listening to 50 Piano Preset Songs Selecting amp Playing Voices Selecting Voices Procedure Voice buttons Select the desired voice by pressing one of the VOICE buttons Then when you start playing re adjust the MASTER VOLUME control for the most comfortable listening level II ID UI iil III Using the Pedals 8 The Clavinova has three foot pedals that produce a range of expressive effects similar to those produced by the pedals on an acoustic piano Damper Right Pedal The damper pedal functions in the same way as a damper pedal on an acoustic piano When the damper pedal is pressed notes sustain longer Releasing the pedal immediately stops damps any sustained notes When you select the GRAND PIANO 1 voice on the CLP 130 pressing the damper pedal activates the instrument s special Sustain Samples to accurately recreate the unique resonance of an acoustic grand piano s sound board and strings
124. xposed to rain Examples of wet damp locations are near a swimming pool spa tub sink or wet basement 9 This product should be used only with the components supplied or a cart rack or stand that is recommended by the manufacturer If a cart rack or stand is used please observe all safety markings and instructions that accompany the accessory product 10 The power supply cord plug should be disconnected from the outlet when electronic products are to be left unused for extended periods of time Cords should also be disconnected when there is a high probability of lightning and or electrical storm activity 1 1 Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist 12 Electrical electronic products should be serviced by a qualified service person when a The power supply cord has been damaged or b Objects have fallen been inserted or liquids have been spilled into the enclosure through openings or c The product has been exposed to rain or d The product dose not operate exhibits a marked change in performance or e The product has been dropped or the enclosure of the product has been damaged 13 Do not attempt to service this product beyond that described in the user maintenance instructions All other servic ing should be referred to qualified service personnel 14 This product either alone or in combination with an
125. y be included or optional depending on your locale Maintenance Clean the instrument using a dry or slightly damp soft cloth wring well au 2 iS Z TY A CAUTION Do not use benzene thinner detergent or chemically treated cloth for cleaning Do not place vinyl plastic or rubber products on the instrument Otherwise the panel or keys may become discolored or degraded AN CAUTION Before using the Clavinova be sure to read Precautions on pages 6 7 Bil Tuning Unlike an acoustic piano the Clavinova does not need to be tuned It always stays perfectly in tune Bi Transporting If you move to another location you can transport the Clavinova along with your other belongings You can move the unit as it is assembled or you can disassemble the unit Transport the keyboard horizontally Do not lean it up against a wall or stand it up on its side Do not subject the instrument to excessive vibration or shock ES CLP 130 120 Accessories Maintenance Features The Yamaha Clavinova CLP 130 120 digital piano offers unmatched sonic realism and natural grand piano type playabil ity as well as Yamaha s original AWM Dynamic Stereo Sampling CLP 130 AWM Stereo Sampling CLP 120 tone generation technology for rich musical voices and a special Graded Hammer keyboard that provides graded key weight and response throughout the keyboard range The CLP 130 120 Grand Piano 1 and 2 voices feature totally new
126. yback e Start playback and playing TIP Press the SONG START STOP button to start playback Play the part you just The Preset Song Part Cancel turned off Volume function described on A Leer 20 The normal setting is 5 EH CLP 130 120 Listening to 50 Piano Preset Songs Starting playback automatically as you start playing the keyboard Synchro Start When the Synchro Start function is engaged play back of the selected preset song will begin automati cally as soon as you start playing on the keyboard To engage the Synchro Start function press the SONG START STOP button while holding the song number part button for the ON part A dot will appear in the synchro start mark lower right corner of the display Repeat the previous operation to disengage the Synchro Start function Playback will then start as soon as you begin playing on the keyboard Left Pedal Start Stop The left pedal can be assigned to start and stop preset song playback via the Left Pedal Mode function described on page 44 Stop playback When playback is complete it automatically stops and the Clavinova locates the top of the song If you wish to stop playback in the middle of a song press the SONG START STOP button CLP 130 120 Listening to 50 Piano Preset Songs ES If you hold a track button that is OFF while pressing the SONG START STOP button that track will be turned ON and the unit will eng
127. yed during preset song play back Adjust the part volume to a comfortable level and use the canceled part as a guide with which to play along 1 Engage Function mode and select F 7 CLP 130 F amp CLP 120 2 Use the NO and YES buttons to set the volume as required Setting range 0 20 Normal setting 5 You can make detailed adjustments to MIDI settings For more information about MIDI see the About MIDI section page 49 TIP The HOST SELECT switch on the bottom surface must be set to MIDI to enable the MIDI connectors When you use the TO HOST connector set the HOST SELECT switch to the appropriate position for the type of computer you are using pages 49 55 In this situation all MIDI settings described below will affect the MIDI signal in and out of the TO HOST connector El 92 Z TY 1 Engage Function mode and select F 8 4 CLP 130 F 74 CLP 120 2 Press the YES button to engage the MIDI function s sub mode then use the TEMPO FUNCTION V A buttons to select the desired sub mode Press the NO or YES button to set a selected parameter Sub mode FE 1 CLP 130 F 1 1 CLP 120 MIDI Transmit Channel Selection In any MIDI control setup the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer This parameter enables y

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