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YAMAHA SPX2000 Manual

1. CC Reverb Chorus Reverb Flanger Reverb Flanger Reverb Symphonic Reverb Symphonic Reverb don 1 INI DLY INI DLY DELAY L DELAY L INI DLY INI DLY DELAY L DELAY L 2 REV TIME REV TIME DELAY R DELAY R REV TIME REV TIME DELAY R DELAY R 3 FB DLY FB DLY FB DLY FB DLY 4 DIFF DIFF FB GAIN FB GAIN DIFF DIFF FB GAIN FB GAIN 5 DENSITY DENSITY DENSITY DENSITY 6 HPF HPF HPF HPF HPF HPF HPF HPF 7 LPF LPF LPF LPF LPF LPF LPF LPF 8 REV BAL REV BAL DLY ER DLY BAL REV BAL REV BAL DLY ER DLY BAL 9 FREQ FREQ TYPE TYPE FREQ FREQ TYPE TYPE 10 DEPTH DEPTH ROOMSIZE ROOMSIZE DEPTH DEPTH ROOMSIZE ROOMSIZE 11 MOD DLY DIR LIVENESS LIVENESS MOD DLY DIR LIVENESS LIVENESS 12 WAVE WAVE INI DLY INI DLY WAVE WAVE INI DLY INI DLY 18 SYNC SYNC DIFF DIFF SYNC SYNC DIFF DIFF 14 NOTE NOTE DENSITY DENSITY NOTE NOTE DENSITY DENSITY 15 OUT LVL OUT LVL ER NUM ER NUM OUT LVL OUT LVL ER NUM ER NUM 16 SYNC SYNC SYNC SYNC 17 NOTE L NOTE L NOTEL NOTEL 18 NOTER NOTER NOTER NOTER 19 NOTE FB NOTE FB NOTE FB NOTE FB 20 OUTLVL OUT LVL OUT LVL OUT LVL 21 31 MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL cc Delay Reverb Delay
2. PRESET bank cc REV X Stereo reverb Reverb Early Reflection Mono delay Stereo delay Modulation delay Delay L C R 1 REV TIME REV TIME INI DLY TYPE DELAY DELAY L DELAY DELAY L 2 INI DLY REV TYPE REV TIME ROOMSIZE DELAY R 3 INI DLY LIVENESS FB GAIN FB GL FB GAIN DELAY C 4 LO RATIO LO RATIO INI DLY FB GR 5 DIFF LO RATIO DIFF DIFF HPF HI RATIO FREQ DELAY R 6 ROOMSIZE DIFF DENSITY DENSITY LPF HPF DEPTH 7 DECAY DENSITY HPF ER NUM SYNC LPF WAVE FB DLY 8 LO FREQ HPF LPF FB GAIN NOTE SYNC HPF 9 HPF LPF E R DLY OUT LVL NOTEL LPF LEVELL 10 LPF E R BAL E R BAL HPF NOTE R SYNC LEVEL 11 OUT LVL OUT LVL GATE LVL LPF OUT LVL DLY NOTE LEVEL R 12 ATTACK OUT LVL MOD NOTE FB GAIN 13 HOLD OUT LVL 14 DECAY HPF 15 OUT LVL LPF 16 SYNC 17 NOTE L 18 NOTE C 19 NOTER 20 NOTE FB 21 31 MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL cc Echo Flanger Phaser Chorus Symphonic Tremolo Auto pan Modulation filter 1 DELAY L FREQ FREQ FREQ FREQ FREQ FREQ FREQ 2 DELAY R DEPTH DEPTH AM DEPTH DEPTH DEPTH DEPTH DEPTH 3 FB DLYL MOD DLY FB GAIN PM DEPTH MOD DLY WAVE DIR PHASE 4 FB DLYR FB GAIN OFFSET MOD DLY WAVE LSH F WAVE TYPE 5 FB GL WAVE PHASE WAVE LSH F LSHG LSH F OFFSET 6 FB GR LSH F STAGE LSH F LSHG EQF LSHG RESO 7 L gt R FBG LSHG LSH F LSHG EQF EQG EQF OUT LVL 8 R gt L FBG EQF
3. 11110111 FO 43 in 1E 09 03 ee dd F7 System exclusive message Manufacture s ID number YAMAHA 0 15 Device number Device No 1 MODEL ID signal processor SPX2000 System Setup data Element no if ee is 0 will be expanded to two bytes Parameter no Channel no data End of exclusive E 2 8 2 4 Parameter request System Setup Memory STATUS ID No SUB STATUS GROUP ID MODEL ID ADDRESS EOX 11110000 01000011 0011nnnn 00011110 00001001 00000011 0eeeeeee 1110111 FO 43 3n 1E 09 03 ee F7 System exclusive message Manufacture s ID number YAMAHA 0 15 Device number Device No 1 MODEL ID signal processor SPX2000 System Setup data Element no if ee is O will be expanded to two bytes Parameter no Channel no End of exclusive E 2 8 2 5 Parameter change System Backup Memory This message modi ory Format STATUS ID No SUB STATUS GROUP ID MODEL ID ADDRESS DATA EOX 1110000 01000011 0001nnnn 00011110 00001001 00000011 0eeeeeee Oppppppp 11110111 FO 43 in 1E 09 04 ee dd F7 fies the value of a parameter in system backup mem System exclusive message Manufacture s ID number YAMAHA 0 15 Device
4. 13 BULK OUT ALL ettet tete 23 BYPASSI E i 8 12 BYPASS LED 8 Cancel effect Selection 15 vr RR RR ONERE 12 13 Becall operatione dto oae 12 GALTON ces rt m T RR RR RR vd 47 Characteristics of the Tempo parameter eee 15 CEASSIG CLOCK indicator clock master RR RENS GLOCK SOURCE dnte ERRARE TERR COMPARE b tton 5 rrr eer eene COMPARE E DN eere oe e ecc dr Composite effects i ret eR ORDRE EK Ine Delay Early Reflections PRESET bank Delay Early Reflections PRESET bank 73 Delay Reverb PRESET bank Delay Reverb PRESET bank 75 Distortion Flanger PRESET bank Distortion Delay PRESET bank 66 Reverb Chorus PRESET bank Reverb Chorus PRESET bank 68 Reverb Flanger PRESET bank Reverb Flanger PRESET bank 69 Reverb Symphonic PRESET bank Reverb Symphonic PRESET bank 71 Reverb Pan PRESET bank 72 6 D Decay Time uc deiode e th eda 34 Delay Echo M 38 Delay L R Stereo Echo CLASSIC bank 46 104 sPx2000 Owner s Manual Delay L C R PRESET bank 2 43 Echo PRESET bank 1 7 u
5. INPUT OUTPUT METER r METER zl OUTPUT L AD INPUT L i Mo i i i INPUT LEVEL i i OUTPUT R 2 i i SEL EFFECT D 7 I AD INPUT R 2 vo w AES EBU AES EBU IN OUT Dimensions 3725 3527 Unit mm Specifications and descriptions in this owner s manual are for information purposes only Yamaha Corp reserves the right to change or modify products or specifications at any time without prior notice Since specifications equipment or options may not be the same in every locale please check with your Yamaha dealer European models Purchaser User Information specified in EN55103 1 and EN55103 2 Inrush Current 45 A Conforms to Environments 1 2 and E4 SPX2000 Owner s Manual 103 Index Symbols INC W DEC button 7 14 A W buttons A AG IN jack Za RR RR Sasu 9 Adjust input level ARAWABSRE AES EBU IN jack AES EBU OUT jack scuta 9 ANALOG eds 19 Attack Time quyanqa d e e RN Q N RR 34 B BACK nM 7 14 BANK Dutton ona aaa e d eis 7 12 BANK indicator 375125 13
6. will be the boundary between the low frequency and mid frequency ranges M H XOVR 21 2 Hz 8 00 kHz Crossover frequency between the mid and high ranges This parameter specifies the frequency that will be the boundary between the mid frequency and high frequency ranges Attenuation of the filter that divides the frequency bands 12 dB produces greater attenuation SLOPE than 6 dB dividing the frequency bands more sharply ON OFF Expander bypass If this is ON the expander will be bypassed and will not do anything LIM BYP ON OFF Limiter bypass If this is ON the limiter will be bypassed and will not do anything Limiter knee If this is set to 0 limiting will begin immediately when the input signal exceeds LIM THRE i e the level will begin changing suddenly With a setting of 1 or above limiting will LIM KNEE 0 5 begin before the point at which the signal exceeds LIM THRE so that the limiting produces a smoother change in level This will produce a less obtrusive transition for the level change pro duced by the limiter SOLO LOW These are Solo settings Only the bands that are turned ON will be output If all are ON or if all are SOLO MID ON OFF I bands will b SOLO HI all bands will be output Effect list The following tables show the default parameter values for the effects belonging to the Multi band Dynamics Processor type PRESET bank llBasic parameters NO Eff
7. color 0 Green 1 Yellow 2 Magenta 3 Cyan 4 White ce SPX2000 Owner s Manual 93 EOX 11110111 F7 End of exclusive function number 1 221 1 Effect Program LCD Back Color 0x64 122 response only B 2 8 2 17 Parameter request Function call LCD Back Color Format STATUS 11110000 FO System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0011nnnn 3n 0 15 Device number Device No 1 GROUP ID 00011110 1E MODEL ID signal processor MODEL ID 00001001 09 SPX2000 ADDRESS 00010100 14 Function call 01100100 64 LCD Back Color Ommmmmmm mh number High Ommmmmmm ml number Low EOX 11110111 F7 End of exclusive For the function and number refer to the table in 2 8 2 16 Parameter change Function call LCD Back Color 2 8 2 18 Parameter change Remote Meter When the SPX2000 receives a Parameter Request Remote Meter mes sage it will transmit this message The content is data for the specified meter This is transmitted at 50 msec intervals for ten seconds If you want meter data to continue being transmitted you must transmit a Request message at intervals of less than ten seconds However if the port is being used for other communication transmission of meter data may be interrupted The device number used when transmitting meter data will be the MIDI channel of the SPX2000 If the MIDI channel is OMNI the device num ber will be 1
8. Parameter name Range Explanation L PITCH Amount of pitch change set in semitone steps Positive settings make the pitch higher than the 12 412 322 5 R PITCH original sound and negative settings make it lower L FINE 100 100 Amount of pitch change set in cents 1 100th of a semitone Positive settings make the pitch R FINE higher than the original sound and negative settings make it lower D 0 0 1000 0 ms Delay of the effect sound relative to the original sound Output level after the original sound and effect sound have been mixed Decrease this value if you OUT LVL 0 100 s want to lower the output At a setting of 096 there will be no output Balance between the original sound and effect sound At a setting of 096 only the original sound MIX BAL 0 100 I will be output at a setting of 100 only the effect sound will be output Effect list The following table shows the default parameter values for the effect belonging to the Pitch Change C type CLASSIC bank Effect name L PITCH L FINE L DLY R PITCH R FINE R DLY OUTLVL MIX BAL er o 0 8 oms 19 10 65 SPX2000 Owner s Manual Composite effects These are combinations of two different effects Types listed as Effect 1 Effect 2 process the original sound separately and then mix the result Types listed as Effect 1 Effect 2 process the original sou
9. cate Completed for approximately one second 2 Select a type of MIDI message NOTE The INPUT MODE and METER settings are not Use the BACK button 19 NEXT button 4 to included with the transmitted data select the type of MIDI message for which you want to enable disable reception Selecting the tempo synchroni zation source 1 Select the TEMPO SOURCE function 3 Enable or disable MIDI message reception Press the UTILITY button 62 several times to select Press the INC button 07 to select ON enable l EMPO SOURCE or press the W DEC button 47 to select OFF dis able 2 Select the tempo synchronization source Use the INC W DEC buttons to select the tempo synchronization source You can select one of the following three sources for tempo synchronization TEMPO VALUE ONLY The TEMPO value specified using the A INC W DEC buttons MIDI CLOCK MIDI Clock messages from the device connected to the MIDI IN connector 89 or TO HOST USB connector G TAP The TEMPO value specified using the TAP button 63 FOOT SW jack 65 or A INC W DEC buttons SPX2000 Owner s Manual 23 Initializing the SPX2000 Here s how to return the SPX2000 to its factory set condi tion The following procedure will erase all effects in the USER bank If necessary use the BULK OUT ALL function to back up your data before you proceed
10. Fine parameters lt 4 0 Effect name BAL N GATE MASTER DLY BAL SYNC DLY NOTE MOD NOTE TEMPO 84 DIST FLANGE 10096 1 25 100 OFF 85 DIST gt DELAY 100 1 75 40 OFF h SPX2000 Owner s Manual 67 Reverb Chorus PRESET bank Reverb Chorus PRESET bank Reverb Chorus separately applies reverb and chorus to the original sound and then mixes the results Reverb Chorus applies reverb to the original sound and then applies chorus Each aspect of the sound is controlled by the following effect parameters Reverb REV TIME HI RATIO INI DLY DIFE DENSITY Chorus FREQ AM DEPTH PM DEPTH MOD DLY WAVE Balance of reverb and chorus REV CHO REV BAL Filter equalizer HPF LPF Tempo synchronization SYNC NOTE TEMPO Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation Speed of modulation AM PM Increasing this value will make the modulation repeat at a shorter FREQ 0 05 40 00 Hz interval AM DEPTH 0 100 Amplitude modulation AM depth Increasing this value will produce greater volume change PM DEPTH 0 100 Pitch modulation PM depth Increasing this value will produce greater pitch change MOD DLY 0 0 500 0 ms Delay of the effect sound relative to the original sound Waveform of the modulation signal This will affect the character of the modulation
11. Freeze A CLASSIC bank This is a freeze effect based on earlier models of the SPX series You can specify the start end points of the playback The parameter structure is simpler than the corresponding effect of the PRESET bank Each aspect of the sound is controlled by the following effect parameters Recording REC MODE TRG DLY RECORD Playback PLAY START END Recording trigger INP TRG Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation REC MODE MANUAL AUTO Recording method Choose MANUAL manual or AUTO automatic TRG DLY 1000 1000 ms Delay from when recording is triggered until recording actually begins This setting specifies whether the input signal will trigger the playback If this is ON an input sig INP TRG ON OFF nal of 14 dB or higher will trigger the playback If this is OFF you can start playback by pressing the A INC or W DEC button or by operating a MIDI device When REC MODE is MANUAL press the DEC button 42 to enter record ready mode then press the A INC button D to begin recording If INP TRG is OFF pressing the INC DEC buttons 2 will start playback li Playback start point for the sampled data Playback end point for the sampled data RECORD nee m Output level after the original sound and effect sound have been mixed Decrease this value if you o s 1092 want to lowe
12. Reverb Freeze Multi Filter Rotary Speaker Distortion Amp Simulator 1 DELAY L DELAY L REC MODE TYPE 1 LOW GAIN ROTATE DSTTYPE AMP TYPE 2 DELAY R DELAY R REC DLY TYPE2 MID GAIN SPEED DRIVE DSTTYPE 3 FB DLY FB DLY TRG LVL TYPE 3 HI GAIN SLOW MASTER DRIVE 4 FB GAIN FB GAIN TRG MASK FREQ 1 PRESENCE FAST TONE MASTER 5 DELAY HI DELAY HI PLY MODE FREQ 2 EXP THRE DRIVE N GATE BASS 6 HPF HPF START FREQ 3 EXP RAT ACCEL MIDDLE 7 LPF LPF LEVEL 1 EXP REL LOW TREBLE 8 DLY REV DLY BAL END LEVEL 2 EXP BYP HIGH CAB DEP 9 INI DLY INI DLY LEVEL 3 CMP THRE EQF 10 REV TIME REV TIME LOOP RESO 1 CMP RAT EQG 11 REV HI REV HI RESO 2 CMP REL EQQ 12 DIFF DIFF LOOP NUM RESO 3 N GATE 13 DENSITY DENSITY PITCH CMP KNEE 14 SYNC SYNC FINE CMP BYP 15 NOTEL NOTEL MIDI TRG LIM THRE 16 NOTER NOTER OUT LVL LIM REL 17 NOTE FB NOTE FB LIM ATK 18 OUT LVL OUT LVL LIM KNEE 19 LIM BYP 20 LOOKUP 21 L M XOVR 22 M H XOVR 23 SLOPE 24 CEILING 31 MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL CLASSIC bank Early reflection CC4 Reverb Reverb amp gate reverb 5 D SE Symphonic Pan Reverse gate 1 REV TIME REV TIME TYPE Lch DLY MOD FRQ MOD FRQ MOD FRQ MOD FRQ 2 ROOMSIZE FB GL DEPTH PM DEPTH DEPTH DIR 3 DELAY DELAY LIVENESS Rch DLY MOD DLY AM DEPTH OUT LVL DEPTH 4 HPF HPF DELAY FB GR F B GAIN OUT LVL OUT LVL 5 LPF LPF LPF OUT LVL 6 OUT LV
13. 1 2 Turn off the power If the SPX2000 is powered on turn the power off Prepare for initialization While holding down the STORE button 42 turn on the power The following screen will appear Initialize Press the INC button D to initialize the SPX2000 If you decide not to initialize press any button other than A INC 24 5 2000 Owner s Manual Effects PRESET bank No Effect name Type Page Category Display background color 60 VOICE DOUBLER 1 REV X LARGE HALL e REV X MED HALL 3 REV X SMALL HALL q REV X TINY HALL REV X 27 5 REV X WARM HALL 5 REV X BRITE HALL 1 REV X HUGE HALL 8 AMBIENCE Reverb 31 HALL 9 STEREO HALL Stereo reverb 30 10 VOCAL CHAMBER 11 BRIGHT HALL BREATHY REVERB Reverb 31 13 CONCERT HALL 14 REVERB FLANGE Composite effect 69 15 REVERB STAGE Reverb 31 16 REV X VOCAL PLT 11 REV X BRIGHT PLT REV X 27 18 REV X SNARE PLT 18 VOCAL PLATE 0 ECHO ROOM 1 1 ECHO ROOM2 Reverb 31 PLATE 22 PRESENCE REVERB 23 ARENA CYAN 24 THIN PLATE Stereo reverb 30 25 OLDPLATE 25 DARK PLATE 21 REV X CHAMBER 28 REV XWOOD ROOM 28 REV XWARM ROOM 30 REV X LARGE ROOM REV X 27 1 REV X MED ROOM 328 REV X SMALL ROOM 33
14. The word clock signal from an external device has been interrupted or is a frequency to which the SPX2000 cannot synchronize Check whether there are any problems with the connection from the device supplying the word clock and verify that the word clock settings are correct For details refer to About word clock page 19 SPX2000 Owner s Manual 97 Troubleshooting If the SPX2000 does not function as you expect or if you suspect a problem please check the following points Power does not turn on Is the power cable connected to an AC outlet of the correct voltage Is the POWER switch turned ON The input sound is not sent from the outputs Is your external equipment correctly connected with the SPX2000 Could the cables connected to from your external equipment be broken Is a signal being input from your external device Is the INPUT L control set to an appropriate level Is the INPUT SOURCE set appropriately For details refer to page 19 Is the CLOCK SOURCE set appropriately For details refer to page 18 Could output related parameters such as OUT LVL and LEVEL be set to 096 Is the signal output when you turn the BYPASS button 63 on Some effects do not output a signal at all times Noise is heard in the output Is the CLOCK SOURCE set appropriately For details refer to page 18 Signal level does not match the external device Are the rear panel OUTPUT 10 dBu
15. llBasic parameters NO Effect name FREQ DEPTH WAVE 10 TREMOLO 6 00 Hz 56 Sine SPX2000 Owner s Manual 53 parameters Effect name 10 TREMOLO MIXBAL OUTLVL LSHG LSH F EQG EQF EQQ HSH G HSH F 100 100 0 0 dB 125 Hz 0 0 dB 1 00 kHz 10 0 0 0 dB 10 0 kHz SYNC NOTE TEMPO OFF Chorus Tremolo CLASSIC bank These effects are based on earlier models of the SPX series These effects have a simpler parameter structure than the corre spondingly named effects of the PRESET bank Each aspect of the sound is controlled by the following effect parameters Modulation signal MOD FREQ AM DEPTH PM DEPTH Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation MOD FRQ 0 1 40 0 Hz ug modulation AM PM Increasing this value will make the modulation repeat at a shorter PM DEPTH 0 100 Pitch modulation PM depth Increasing this value will make the pitch modulation deeper AM DEPTH 0 100 222 modulation AM depth Increasing this value will make the volume modulation OUT LVL 0 100 Output level after the original sound and effect sound have been mixed E Decrease this value if you want to lower the output At a setting of 096 there will be no output MIX BAL 0 100 Balance between the original sound and effect sound At a setting of 096 only the origina
16. 86 Multi Filter PRESET bank 82 Multi band Dynamics Processor PRESET bank 83 Rotary Speaker PRESET bank eee 85 OUTPUT 10 dBu 4 dBu switch em OUTPUT jacks 5 niii P Parameter Basic parameter Fine parameter PARAMETER button PARAMETER LED Pitch Cham E Dual Pitch PRESET bank 62 High Quality Pitch PRESET bank 61 Pitch Change A D CLASSIC bank 64 Pitch Change B CLASSIC bank eee 65 Pitch Change C CLASSIC bank ees 65 POWER ON OFF button cene 8 10 PRESET bank ul nene n oo e EN 12 Protect on or off tenente tenen tnn 17 R RECALL button Redo senesnes Release Release Time ise een Restricting operation of the SPX2000 Reverb MEI Reverb amp Gate CLASSIC bank Reverb CLASSIC bank Reverb PRESET bank essere REV X PRESET bank ennt Stereo Reverb PRESET bank Rotary Speaker uu sss dino ti te nr ERI S
17. Balance between the original sound and effect sound At a setting of 096 only the original sound will be output at a setting of 100 only the effect sound will be output MIX BAL 0 100 A filter that cuts the low frequency portion of the effect Frequency components lower than the HPF Thru 21 2 Hz 8 00 kHz frequency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre LPF 50 0 Hz 16 0 kHz Thru quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound Switches tempo synchronization on off If this is ON the delay will synchronize to the tempo syn SYNC ON OFF chronization source specified by TEMPO SOURCE page 23 The each NOTE value will be set to the synchronized tempo value NOTEL NOTE C a These parameters are used for tempo synchronization If SYNC is ON the DELAY value will be set NOTE R according to each NOTE value and the TEMPO If SYNC is OFF this value is ignored NOTE FB TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the DELAY value will be set according to this value and NOTE If SYNC is OFF this value is ignored a ARR Pa h J3 h J J d d s ss SPX2000 Owner s Manual 43 Effect li
18. DIFF 0 10 Diffusion of the sound to left and right Increasing this value will make the reverberation more spaciousness DENSITY 0 100 Density of the reverberation Increasing this value will make the reverberation smoother You can create unique effects by lowering this value DELAY L Delay relative to the original sound DELAY L is the L channel delay and DELAY R is the R channel DELAY R 0 0 1000 0 ms delay FB DLY 0 0 1000 0 ms Delay added when the signal is fed back The delay from the original sound to the first delay is set by the DELAY L and DELAY R values but the delay of subsequent repeats will be each DELAY FB DLY Amount of feedback for the delay sound This indicates the ratio by which the level is reduced for FB GAIN 99 99 each repetition of the effect For example with a setting 50 the level of the delay will decay to 5096 25 12 5 as it is repeated Negative values invert the phase of the feedback Amount of feedback for the high frequency portion of the delay This is specified as a proportion DELAY HI 0 1 1 0 of FB GAIN If this value is 0 1 the feedback amount will be 1 10th of FB GAIN if this value is 1 0 the feedback amount will be the same as FB GAIN parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound isi 0 100 will be output at a setting of 100
19. FORMAT No DATA NAME EOX 11110000 01000011 0010nnnn 01111110 01001100 01001101 00100000 00100000 00111000 01000100 00110001 00110001 01010000 00000010 00000000 11110111 0 0 FO 43 2n 7E 4 4D 20 20 38 44 3 31 50 02 00 F7 System exclusive message Manufacture s ID number YAMAHA 0 15 Device number Device No 1 Universal bulk dump T vor 8 D ye 1 Mp No 256 Current End of exclusive W 2 8 2 Program change table Bulk Dump request For mat When the SPX2000 receives a Parameter Change message the SPX2000 setting specified by the content will be controlled When the SPX2000 receives a Parameter Change Request message it will transmit a Parame ter Change message in reply Reception conditions This message is received if the following two conditions are satisfied 1 The MIDI RECEIVE setting page 23 is SYEX PRMCHG ON 2 The device number within the MIDI message matches the SPX2000 s MIDI channel or the SPX2000 s MIDI channel is set to OMNI Transmission conditions PARAMETER CHANGE only This message is transmitted when either of the following conditions are met The SPX2000 s state has changed due to a received Parameter Change A Parameter Change Request message is received W 2 8 2 1 Parameter change Edit Buffer This message modifies the value of a parameter in the edit
20. llBasic parameters Parameter name Range Explanation Source of the modulating signal If you select INPUT the effect sound will change according to the input SOURCE INPUT MIDI signal If you select MIDI the modulated sound will change according to the received MIDI messages velocity If you want the effect to vary according to your keyboard performance select MIDI The sensitivity to SOURCE Higher settings of this value will cause the delay time to follow the SEMSE T SOURCE more faithfully With lower settings the delay time will follow more loosely OFFSET 0 100 Offset value of the delay time This affects the delay time when a control signal is not being received FB GAIN 99 9990 Amount of feedback for the modulated sound Raising this value will increase the amount of feed back emphasizing the modulation Negative settings will invert the phase of the feedback llFine parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound Are will be output at a setting of 100 only the effect sound will be output Output level after the original sound and effect sound have been mixed OUT LVL 0 100 f f Decrease this value if you want to lower the output At a setting of 0 there will be no output DIR UP DOWN Direction in which the delay time will move in response to the SOURCE signal 44 1 kHz
21. 1 23V 12 28 V Balanced Nominal Lines 10 dBu 10 dBu Phone jack 0 dB 0 245V 2 45 V TRS Balanced Sensitivity is the lowest level that will produce an output of 4dB 1 23V or the nominal output level when the unit is y p set to maximum gain level control is maximum position 2 XLR 3 31 type connectors are balanced 12GND 2 HOT 3 COLD 3 Phone jacks are balanced Ring COLD Sleeve GND 4 Inthese specifications when dBu represents are specific voltage 0 dBu is referenced to 0 775 Vrms 5 converter is 24 bit linear 128 times oversampling Fs 44 1 48 kHz 64 times oversampling Fs 88 2 96 kHz pling pung Analog Output Characteristics Actual Output Level Output Terminals Source eig Level SW Nominal Max Connector Impedance ema before clip 44 dBu 4 dBu 24 dBu OUTPUT L R 750 600 Q Li 1 23V 12 28V XLR 3 32 type Balanced ines 10 10 dBu 10 dBu Phone jack TRS Balanced 0 245V 2 45V XLR 3 22 type connectors are balanced 1 GND 2 HOT 3 COLD 2 Phone jacks are balanced Ring COLD Sleeve GND 3 Inthese specifications when dBu represents are specific voltage 0 dBu is referenced to 0 775 Vrms 4 DA converter is 24 bit 128 times oversampling Fs 44 1 48 kHz 64 times oversampling Fs 88 2 96 kHz Digital Input Characteristics Input Terminals Format Data Length Level Connect
22. 4 OUTPUT LEVEL SW 4 2 0 4 0 6 0 dBu INPUT L R OUTPUT L R 600 Q INPUT LEVEL SW 10 OUTPUT LEVEL SW 10 12 0 10 0 8 0 dBu In these specifications when dBu represents are specific voltage 0 dBu is referenced to 0 775 Vrms Total Harmonic Distortion Input Output RL Conditions Min Typ Max Units Fs 48 kHz 14dBu 20 Hz 20 kHz INPUT LEVEL SW 4 0 05 OUTPUT LEVEL SW 4 INPUT L R OUTPUT L R 600Q Fs 96 kHz 14dBu 20 Hz 40 kHz INPUT LEVEL SW 4 0 05 OUTPUT LEVEL SW 4 Inthese specifications when dBu represents are specific voltage 0 dBu is referenced to 0 775 Vrms 2 Total Harmonic Distortion is measured with a 18 dB octave filter 980 kHz Hum amp Noise Fs 48 96 kHz Input Output RL Conditions Min Typ Max Units Rs 600 INPUT LEVEL VR nominal OUTRUTER 8009 INPUT LEVEL SW 4 OUTPUT LEVEL SW 4 ze Hum amp Noise are measured with a 6 dB octave filter 12 7 kHz equivalent to a 20 kHz filter with infinite dB octave attenuation 2 Inthese specifications when dBu represents are specific voltage 0 dBu is referenced to 0 775 Vrms Dynamic Range Fs 48 96 kHz Input Output RL Conditions Min Typ Max Units INPUT L R OUTPUT L R 600 Q AD DA INPUT LEVEL VR max 106 dB 1 Dynamic range are measured with a 6 dB octave filter 912 7 kHz equivalent to a 20 kHz filter with infinite dB octave attenuation Crosstalk 1 kHz From To To From Conditions Min Typ Max Units INPUT L R OUTPUT L R I
23. 4 dBu switch and the INPUT 10 dBu 4 dBu switch set correctly Some buttons are inoperable Could the UTILITY button be on LED lit see page 8 Could the COMPARE button be on LED blinking see page 16 TEMPO and NOTE settings do not produce the timing you expect Is the SYNC setting turned on For details refer to page 15 Can t transfer MIDI data Have you made the correct preparations for using MIDI see page 88 Is the MIDI cable USB cable connected correctly Could the MIDI cable USB cable be broken 98 sPX2000 Owner s Manual Specifications General Specifications XLR 3 31 Balanced Phone jack Balanced INPUT L R M 128 times oversampling Fs 44 1 48 kHz AD converter 24 bit linear 64 times oversampling Fs 88 2 96 kHz Analog Input Output Level SW 00 98 XLR 3 32 Balanced Phone jack Balanced OUTPUT L R au 128 times oversampling Fs 44 1 48 kHz DA converter 24 bit linear 64 times oversampling Fs 88 2 96 kHz Level SW 4 10 dBu Digital Input Output AES EBU IN XLR 3 31 Balanced AES EBU OUT XLR 3 32 Balanced WORD CLOCK IN MIDI IN MIDI OUT THRU USB TO HOST USB 1 1 INPUT L R for VOLUME FOOT SW for TAP INPUT MODE METER BANK MEMORY UNDO V RECALL STORE Keys Epi COMPARE
24. 44 1 kHz 6 ms 46 0 s Decay time of the filter This indicates the time from when the SOURCE signal is received and the 48 kHz 5 ms 42 3 s 88 2 kHz 3 ms 23 0s filter moves until it returns to its original position Higher settings of this parameter will make the 96 kHz 3 ms 21 1s filter return more slowly OUT LVL 0 100 DECAY a a The range of this parameter depends on the sampling frequency at which the SPX2000 is operating Effect list The following tables show the default parameter values for the effect belonging to the Dynamic Filter type PRESET bank llBasic parameters NO Effect name SOURCE SENSE TYPE OFFSET RESO 18 DYNA FILTER INPUT 48 BPF 4 5 llFine parameters NO Effect name MIX BAL OUT LVL DIR DECAY 2 18 DYNA FILTER 100 100 UP 35 ms a The default value ofthis parameter depends on the sampling frequency at which the SPX2000 is operating The value shown in the table is for fs 96 kHz 58 SsPX2000 Owner s Manual Dynamic Flanger PRESET bank This effect uses the input signal or MIDI messages to vary the delay time of the effect sound creating modulation in a specific frequency region Each aspect of the sound is controlled by the following effect parameters Modulation signal SOURCE Effect sound SENSE OFFSET FB GAIN Filter equalizer LSH G LSH E EQ G EQ E EQ Q HSH G HSH F Output level OUT LVL MIX BAL Parameter details
25. Owner s Manual Effect list llBasic parameters Effect name FREQ AMDEPTH PMDEPTH MOD DLY WAVE REVTIME HLRATIO INI DLY DIFF 64 CHORUS amp REVERB 0 65 Hz 30 58 5 2 ms Sine 24s 0 1 10 0 ms 9 85 REV gt CHORUS 2 00 Hz 7496 1896 17 0 ms 2 18 0 4 17 0 ms 7 NO Effect name DENSITY 64 CHORUS amp REVERB 100 85 REV gt CHORUS 10096 llFine parameters Effect name MIX BAL OUTLVL HPF LPF REV CHO REVBAL SYNC NOTE TEMPO 64 CHORUS amp REVERB 100 100 Thru 10 0 kHz 78 OFF 4 85 REV gt CHORUS 10096 100 Thru 8 00 kHz 65 OFF 4 Reverb Flanger PRESET bank Reverb Flanger PRESET bank Reverb Flanger separately applies reverb and flanger to the original sound and then mixes the results Reverb gt Flanger applies reverb to the original sound and then applies flanger Each aspect of the sound is controlled by the following effect parameters Reverb REV TIME HI RATIO INI DLY DIFE DENSITY Flanger FREQ DEPTH MOD DLY FB GAIN WAVE Balance of reverb and flanger REV FLG REV FLG Filter equalizer HPF LPF Tempo synchronization SYNC NOTE TEMPO Output level OUT LVL MIX BAL Parameter details parameters Composite Parameter name Range Explanation FREQ 0 05 40 00 Hz Speed of modulation Increasing this value will make the modulation
26. YAMAHA r gt lt PROFESSIONAL MULTI EFFECT PROCESSOR Owner s Manual Keep This Manual For Future Reference PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe place for future reference A WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock short circuiting damages fire or other hazards These precautions include but are not limited to the following Power supply Power cord e Only use the voltage specified as correct for the device The required voltage is Do not expose the device to rain use it near water or in damp or wet conditions printed on the name plate of the device or place containers on it containing liquids which might spill into any openings Use only the included power cord e Never insert or remove an electric plug with wet hands If you intend to use the device in an area other than in the one you purchased the included power cord may not be compatible Please check with your Yamaha dealer If the power cord or plug becomes frayed or damaged or if there is a sudden loss of Do not place the power cord near heat sources such as heaters or radiators and do sound during use of the device or if any unusual smells or smoke should appear to be not excessively bend or otherwise damage the cord place heavy objects on it or caused by it immediately turn off the power swi
27. connector to OUT MIDI Overrun Error A MIDI overrun error has occurred Press any button to cancel the error message Then try transmitting the MIDI data once again MIDI Parity Error A MIDI parity error has occurred Press any button to cancel the error message Then try transmitting the MIDI data once again MIDI Rx Buffer Full The MIDI reception buffer is full Press any button to cancel the error message Then try transmitting the MIDI data once again If the error occurs again try increasing the spacing between the MIDI data that is transmitted or take other measures to prevent a large amount of MIDI data from being transmitted at once NO FINE PARAMETER This effect has no Fine parameters Effects of the CLASSIC bank have no Fine parameters this message will appear if you press the FINE PARAM but ton for an effect of the CLASSIC bank Use the PARAMETER button to select Basic parameters Not Available in Compare Mode You pressed an unavailable button while comparing the effect while the COMPARE LED is blinking Press the COMPARE button to defeat Compare before you perform the desired operation Operation Locked The button etc you attempted to operate has been disabled by the OPERATION LOCK function Defeat the restric tion as necessary For details refer to Restricting operation of the SPX2000 on page 19 PORT GENERAL is Selected OFF MIDI messages canno
28. only the effect sound will be output OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 0 there will be no output Gain of the low shelving filter This adjusts the volume of the low frequency region Positive LSHG 12 0 412 0 dB s settings will boost the low frequency region and negative settings will attenuate it LSHF 21 2 Hz 8 00 kHz of the low shelving filter The LSH gain applies to the frequency region below this set Gain of the equalizer peaking type This adjusts the gain of the frequency region specified by EQ EQG 12 0 412 0 dB Me E Positive settings will boost the region and negative settings will attenuate it EQ F 100 Hz 8 00 kHz Frequency of the equalizer peaking type The EQ G gain setting will affect the region around this frequency Q sharpness of the equalizer peaking type This indicates the sharpness of the equalizer fre EQ Q 10 0 0 10 quency response curve Higher values will produce a sharper curve Gain of the high shelving filter This adjusts the volume of the high frequency region Positive HSH G 12 0 412 0 dB x i i settings will boost the high frequency region and negative settings will attenuate it HSH 50 0 Hz 16 0 kHz Frequency of the high shelving filter The HSH G gain applies to the frequen
29. 0x0000 Ottttttt tt EOX 11110111 F7 End of exclusive function number 1 221 1 122 response Effect Program Attribute 0x04 only 2 8 2 15 Parameter request Function call attribute Protect Format STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0011nnnn 0 15 Device number Device No 1 GROUP ID 00011110 1E MODEL ID signal processor MODEL ID 00001001 09 SPX2000 ADDRESS 00010100 14 Function call 00000100 04 attribute Ommmmmmm mh number High Ommmmmmm ml number Low EOX 11110111 F7 End of exclusive For the function and number refer to the table in 2 8 2 14 Parameter change Function call attribute Protect 2 8 2 16 Parameter change Function call LCD Back Color When the SPX2000 receives this message it will change the display background color of the specified effect and will then use this message to transmit the state following the change At this time the device number will be the MIDI channel of the SPX2000 If the MIDI channel is OMNI the device number will be 1 Format STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn 1n 0 15 Device number Device No 1 GROUP ID 00011110 1E MODEL ID signal processor MODEL ID 00001001 09 SPX2000 ADDRESS 00010100 14 Function call 01100100 64 LCD Back Color Ommmmmmm mh number High Ommmmmmm ml number Low DATA
30. 1 TYPE 1 FREQ 1 RESO 1 Filter 2 TYPE 2 FREQ 2 RESO 2 Filter 3 TYPE 3 FREQ 3 RESO 3 Output level MIX BAL LEVEL 1 LEVEL 2 LEVEL 3 Parameter details llBasic parameters Parameter name Range Explanation TYPE 1 2 LPF HPF BPF Filter type Choose from LPF Low Pass Filter HPF High Pass Filter and BPF Band Pass Filter TYPE 3 Filter frequency The affected region will depend on the selected TYPE If TYPE is LPF frequency FREQ 2 28 0 Hz 16 0 kHz components above this frequency will be cut If TYPE is HPF frequency components below this FREQ 3 frequency will be cut If TYPE if BPE frequency components in the region near this frequency will pass through the filter more readily PESO 0 20 Resonance This indicates the sharpness of the frequency response curve This parameter is valid if RESO 3 TYPE is set to BPF Higher settings will sharpen the curve narrowing the width of the filter Fine parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound MIX BAL mo will be output at a setting of 100 only the effect sound will be output m Output level LEVEL 1 is the output level of the Filter 1 region LEVEL 2 is the output level of the LEVEL 2 0 100 i is th level o the Fil I LEVEL 3 Filter 2 region and LEVEL 3 is the output level of the Filter 3 region Effect
31. 6 ms 46 0 s Decay time of the flanger This indicates the time from when the SOURCE signal is received and the delay 48 kHz 5 ms 42 3 s Modulation DECAY 88 2 kHz 3 ms 23 0 s time changes until it returns to its original position Higher settings of this parameter will make the delay 96 kHz 3 ms 21 1s time return more slowly LSHG 12 0 12 0 dB Gain of the low shelving filter This adjusts the volume of the low frequency region Positive i settings will boost the low frequency region and negative settings will attenuate it LSH F 21 2 Hz 8 00 kHz Frequency of the low shelving filter The LSH G gain applies to the frequency region below this set ting 12 0 412 0 dB Gain of the equalizer peaking type This adjusts the gain of the frequency region specified by EQ I F Positive settings will boost the region and negative settings will attenuate it EQF 100 Hz 8 00 kHz Frequency of the equalizer peaking type The EQ G gain setting will affect the region around this frequency EQQ 10 0 0 10 Q sharpness of the equalizer peaking type This indicates the sharpness of the equalizer fre I quency response curve Higher values will produce a sharper curve HSH G _42 0 12 0 dB Gain of the high shelving filter This adjusts the volume of the high frequency region Positive settings will boost the high frequency region and negative settings will attenuate it
32. A INC W DEC NEXT BACK PARAMETER FINE PARAM UTILITY BYPASS TAP POWER ON OFF Level Meter L R 2x12 Segments LED Effect No 2x7 Segments LED INPUT MODE MONO STEREO METER INPUT OUTPUT LEDs INPUT SOURCE ANALOG DIGITAL CLOCK INT AES EBU WC kHz 96 88 2 48 44 1 MIDI MIDI BANK PRESET USER CLASSIC 16 characters x 2 rows back lit LCD i Sac color ie ee E PRESET 97 Effects USER 99 CLASSIC 25 Power Requirements U S Canada 120V 25W 60Hz Others 230V 25W 50Hz Height 45 mm Dimensions Depth 372 5 mm Width 480 mm Net Weight 4kg Operating free air temperature SUC range Storage temperature range 20 60 Accessories Power cable Option Foot Switch FC5 SPX2000 Owner s Manual 99 Input Output Characteristics Analog Input Characteristics Actual Input Level Input Terminals Level SW Input Level Load Forse hi Connector p VR Nominal Sensitivity Nominal Impedance before clip 44 dBu Max 6 dBu m 14 dBu XLR 3 31 type INPUT L R 10 dB 600 Q 0 388 V 3 88 V Balanced Max Lines 20 dBu 0 dBu Phone jack 10 dB 0 0775 V 0 775 V TRS Balanced Input Level Input Terminals Level SW input Level nien Fors With Connector p VR Nominal Sensitivity Nominal Impedance before clip 44 dBu Nominal cy 4 dBu 24 dBu XLR 3 31 type INPUT L R 0dB d rd 600 Q
33. Early Reflection separately applies delay and early reflection to the original sound and then mixes the results Delay gt Early Reflections applies delay to the original sound and then applies early reflections Each aspect of the sound is controlled by the following effect parameters Delay DELAY L DELAY R FB DLY FB GAIN HI RATIO Early reflections TYPE ROOMSIZE LIVENESS INI DLY DIFF DENSITY ER NUM Balance between delay and early reflections DLY ER DLY BAL Filter equalizer HPF LPF Tempo synchronization SYNC NOTE L NOTE R NOTE FB TEMPO Output level OUT LVL MIX BAL Parameter details llBasic parameters o Parameter name Range Explanation S Hall L Hall Random The pattern of early reflections this determines the basic character of the effect The characteristics a Revers Plate Spring of the early reflections will depend on the type you select here oO Size of the reflective space Increasing this value simulates a larger space You can use this to simu ROOMSIZE 0 1 20 0 I a late the absorptiveness of the walls and ceiling Decay characteristics of the early reflections Increasing this value will reduce the decay causing the LIVENESS 0 10 A gt 4 repeats to continue You can use this to simulate the absorptiveness of the walls and ceiling INI DLY 0 0 500 0 ms Delay of the early reflections relative to the original sound DIFE 0 10
34. HSHF 50 0 Hz 16 0 kHz Frequency of the high shelving filter The HSH G gain applies to the frequency region above this setting a The range of this parameter depends on the sampling frequency at which the SPX2000 is operating Effect list The following tables show the default parameter values for the effect belonging to the Dynamic Flanger type PRESET bank llBasic parameters FB GAIN Effect name SOURCE SENSE OFFSET 16 DYNA FLANGE INPUT 85 48 78 parameters ng Effect name MIX BAL OUT LVL 1 00 kHz 16 DYNA FLANGE 10 0 kHz a The default value of this parameter depends on the sampling frequency at which theSPX2000 is operating The value shown in the table is for fs 96 kHz SPX2000 Owner s Manual 59 Dynamic Phaser PRESET bank This effect uses the input signal or MIDI messages to vary the phase shifted frequency creating modulation in a specific fre quency region Each aspect of the sound is controlled by the following effect parameters Modulation signal SOURCE Phase shift SENSE OFFSET FB GAIN STAGE DIR DECAY Filter equalizer LSH LSH HSH HSH Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation Source of the modulating signal If you select INPUT the effect sound will change according to the SOURCE INPUT MIDI input sign
35. If the antenna lead in is 300 ohm ribbon lead change the lead in to co axial type cable If these corrective measures do not produce satisfactory results please contact the local retailer authorized to distribute this type of product If you can not locate the appropriate retailer please con tact Yamaha Corporation of America Electronic Service Division 6600 Orangethorpe Ave Buena Park CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries This applies only to products distributed by YAMAHA CORPORATION OF AMERICA class B IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord WARNING THIS APPARATUS MUST BE EARTHED IMPORTANT The wires in this mains lead are coloured in accordance with the following code GREEN AND YELLOW EARTH BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or colored GREEN or GREEN and YELLOW The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK The wire which is coloured BROWN must be connected to the termi nal which is marked with the letter L or co
36. Music Latin America S A Torre Banco General Piso 7 Urbanizaci n Marbella Calle 47 y Aquilino de la Guardia Ciudad de Panam Panam Tel 4 507 269 5311 EUROPE THE UNITED KINGDOM Yamaha Music U K Ltd Sherbourne Drive Tilbrook Milton Keynes 8BL England Tel 01908 366700 GERMANY Yamaha Music Europe GmbH SiemensstraBe 22 34 25462 Rellingen Germany Tel 04101 3030 SWITZERLAND LIECHTENSTEIN Yamaha Music Europe GmbH Branch Switzerland in Z rich Seefeldstrasse 94 8008 Z rich Switzerland Tel 01 383 3990 AUSTRIA Yamaha Music Europe GmbH Branch Austria Schleiergasse 20 A 1100 Wien Austria Tel 01 60203900 CZECH REPUBLIC SLOVAKIA HUNGARY SLOVENIA Yamaha Music Europe GmbH Branch Austria Schleiergasse 20 A 1100 Wien Austria Tel 01 602039025 Die Einzelheiten zu Produkten sind bei Ihrer unten aufgef hrten Niederlassung und bei Yamaha Vertragshiindlern in den jeweiligen Bestimmungslandern erh ltlich Para detalles sobre productos contacte su tienda Yamaha m s cercana el distribuidor autorizado que se lista debajo POLAND Yamaha Music Europe GmbH Branch Sp z o o Oddzial w Polsce ul 17 Stycznia 56 PL 02 146 Warszawa Poland Tel 022 500 2925 THE NETHERLANDS BELGIUM LUXEMBOURG Yamaha Music Europe Branch Benelux Clarissenhof 5 b 4133 AB Vianen The Netherlands Tel 0347 358 040 FRANCE Yamaha Musique France BP 70 77312 Marne la Vall e Cedex 2 France Tel 01 64 6
37. OUT LVL DIR DECAY LSHG LSH F HSH G HSH F T DYNA PHASER 100 100 UP 184 ms 0 0 dB 125 Hz 0 0 dB 10 0 kHz a The default value of this parameter depends on the sampling frequency at which the SPX2000 is operating The value shown in the table is for fs 96 kHz 60 sPX2000 Owner s Manual Pitch Change This effect changes the pitch When an audio signal such as music is played back at a higher speed its pitch will be higher Conversely if the audio is played back at a lower speed its pitch will be lower This effect simulates this in a more sophisti cated way Some of these effects can add two effect sounds at different pitches or synchronize the effect sound to the tempo The differences between the various Pitch Change effects are as follows Type High Quality Pitch Dual Pitch Bank No of INS OUTs 1IN 20UT Number of effect Feedback Effect sound tempo sounds synchronization Control pitch via MIDI Page PRESET 2IN 20UT Pitch Change A Pitch Change D Pitch Change B Pitch Change C 1IN 20UT CLASSIC 21 200 High Quality Pitch PRESET bank This is a typical pitch change effect Each aspect of the sound is controlled by the following effect parameters Effect sound PITCH FINE DELAY FB GAIN MODE Tempo synchronization SYNC NOTE TEMPO Output level OUT LVL MIX BAL Parameter details llBasic parameters Param
38. REV X SLAP ROOM ROOM 34 FAT REFLECTIONS Early Reflection 35 BIG SNARE Gate reverb us 36 BAMBOO ROOM Reverb 31 31 REFLECTIONS Early Reflection 35 38 STONE ROOM Reverb 31 39 CONCRETE ROOM 40 REVERSE PURPLE Gate reverb 1 FULL METAL GATE GATE REVERBS 42 REVERSE GATE Reverse gate 43 DRUM MACH AMB 5 Stereo reverb 30 44 DRUM MACH AMB L Reverb 31 DRUM MACHINE REVERBS 45 ELECT SNR PLATE Reverse gate 35 4 amp MONO DELAY Mono delay 38 47 120 BPM DDL 48 120 BPM X DDL Echo 44 DELAYS WHITE 49 STEREO DELAY Stereo delay 40 50 DELAYL C R Delay L C R 43 1 KARAOKE ECHO Echo 44 52 GOOD OL P CHANGE 53 VOCAL SHIFT 54 STEREO PITCH Dual pitch 62 55 PITCH SLAP 56 HALO COMB PITCH EFFECTS MAGENTA 51 GRUMPY FLUTTER 58 ROGER ON THE 12 High quality pitch 61 58 BOTTOM WHACKER Dual pitch 62 SPX2000 Owner s Manual 25 Effect name Type Page Category Display background color l SYMPHONIC Symphonic 52 82 REV SYMPHONIC Composite effect 71 83 DETUNE CHORUS Chorus 51 64 CHORUS amp REVERB Composite effect 68 55 BASS CHORUS Dual pitch 62 55 STEREO PHASING Modulation delay 41 51 CLASSY GLASSY Chorus 51 58 SILKY SWEEP Modulation delay 41 68
39. SELF the input signal will modulate itself 0 Oscillator frequency This indicates the speed of modulation Increasing this value will make the T PRQ MU NOU EIE volume change over a shorter cycle This value is valid if SOURCE is set to OSC FM FREQ 0 05 40 00 Hz Speed of modulation applied to the oscillator signal This ring modulator effect lets you use the FM FREQ parameter to apply additional modulation to the oscillator signal e FM DEPTH 0 100 Depth of modulation applied to the oscillator signal Increasing this value will increase the modu lation that is applied to the oscillator signal Fine parameters Parameter name Range Explanation Effect name SOURCE OSC FRQ FM FREQ FM DEPTH 74 RING MODULATION OSC 880 0 Hz 1 30 Hz 45 Fine parameters 0 Effect name MIXBAL OUTLVL SYNC NOTEFM TEMPO 74 RING MODULATION 100 100 OFF J SPX2000 Owner s Manual 57 Dynamic Filter PRESET bank This effect uses the input signal or MIDI messages to vary the frequency band of a filter creating modulation in a specific fre quency region Each aspect of the sound is controlled by the following effect parameters Modulation signal SOURCE Filter SENSE TYPE OFFSET 5 DIR DECAY Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation Source of the modulating signal If you select INPUT the effect s
40. SPX2000 Owner s Manual note on message you specified for MIDI TRG If you are using Freeze CLASSIC bank or Freeze B CLASSIC bank transmit any note on message of C1 or higher Recording will begin automatically NOTES Recording will be cancelled if you press the W DEC button during recording In this case the partially recorded sample will also be discarded The recorded sample data will be erased when the SPX2000 is powered off You can record regardless of the Operation Lock level Freeze Playback You can use one of the following three methods to play back the freeze sample Play back the sample manually 1 Select PLAY and press the A INC button 47 or V DEC button 7 Playback will begin NOTES f the Freeze PRESET bank parameter PLY MODE is set to MOMENT or the Freeze B CLASSIC bank the sample will play only while you continue holding the A INC Y DEC button f Operation Lock is set to Level 3 playback will not be possible since the INC button will be disabled Use an input signal to trigger the playback Only for Freeze PRESET bank 1 2 3 Set PLY MODE to INPUT Set TRG LVL Input a signal Playback will begin when the input signal level exceeds the TRG LVL If the input signal exceeds TRG LVL during playback the sample will start playing again from the beginning NOTE Recording can be performed regard
41. SYNC NOTE TEMPO 100 70 Thru 12 5 kHz OFF h 47 120 BPM MONO DDL 100 85 Thru 12 5 kHz OFF h SPX2000 Owner s Manual 39 Stereo Delay PRESET bank Level d Original sound I O OUTL INL P 1 DELAY L I FB GL 4 MIX HPF LPF BAL FB GR 4 i INR H gt DELAY R O OUT R This effect adds two delayed sounds one each for the L and channels You can control each delay independently Each aspect of the sound is controlled by the following effect parameters Delay sound DELAY L DELAY R FB G L FB G R HL RATIO Tempo synchronization SYNC NOTE L NOTE R TEMPO Filter equalizer HPF LPF Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation DELAY L 0 0 1350 0 ms Delay relative to the original sound DELAY L indicates the L channel delay and DELAY R indi DELAY R cates the channel delay Amount of feedback for the delay sounds This indicates the ratio by which the level is reduced FB GL 99 19990 when repeating the effect For example with a setting of 50 the level of the delay sound will decay FB GR to 50 25 12 5 as it is repeated Negative values invert the phase of the feedback FB G L indicates the feedback amount for the L channel and FB G R for the
42. SYNC ON DELAY 250 ms NOTE 8th note you change TEMPO from 120 to 121 DELAY original DELAY x previous TEMPO new TEMPO 250 x 120 121 247 9 ms Thus the TEMPO will change from 250 ms to 247 9 ms Rounded values are used for the calculation results Ranges of the NOTE and TEMPO values The ranges of the NOTE and TEMPO values are limited by the ranges of the DELAY or FREQ values You cannot set NOTE or TEMPO values that would cause DELAY or FREQ to exceed their maximum possible values when synchronized to tempo This limitation also applies even when SYNC is OFF Special characteristics of the TEMPO parameter The TEMPO parameter has the following characteristics that are unlike other parameters common value shared by all effects It cannot be stored recalled the value is not saved This means that the TEMPO value may not necessarily be the same when an effect is recalled as when that effect was stored Here is an example Store the effect 120 Change TEMPO to 60 Recall the effect 60 Normally when you change the TEMPO the DELAY or FREQ will be re set accordingly However if the DELAY or FREQ were changed the effect would sound differently when recalled than when it was stored To prevent the effect from changing in this way between store and recall the SPX2000 does not update the DELAY or FREQ value when an effect is recalled even if the TEMPO is no longer the same
43. Selecting banka a EOM 12 13 DB3SICparamelers l M 14 effect 12 13 EINE parameters iine ttr nto 14 pacu 14 tempo synchronization source 23 word clock source aie erret inet 18 Setting the tempo rris titi estt esteso toot 14 Specificatlolis annee eere tiene gn erri 99 STORE Dutton tier oia 7 16 subsequent reverberation tt tnnt nte 27 Switching MIDI OUT THRU eerte 21 SPX2000 Owner s Manual 105 T PAP uE 8 14 23 TEMPOXSOURGE S QI L T SI LOS 23 Threshold Level i inem e clea 34 BIDET 17 TO HOST USB connector 9 U UFA CLEAR O su uang IBIDEM DES 20 lU uz 16 UNDO button iicet iiti irren eric 7 UNDO LED 7 16 USER b nk 2 irte eer E eA E SHE 12 USER PGM PROTE G T o dite t go 17 UTILITY BULK OUT ALL Leite toit nt 23 CLOCK SOURCE 18 EDDPEQOR ID 22 INPUT SOURCE 19 21 MIDI OUT SETUP nee 21 MIDI PGM CHAN
44. UP DOWN FLANGE Flanger 47 MODULATION MAGENTA 70 TREMOLO Tremolo 53 11 ROTARY SPEAKER Rotary Speaker 85 12 AUTO PAN Auto pan 55 1 PHASER Phaser 49 T4 RING MODULATION Ring modulator 57 75 MOD FILTER Modulation filter 56 76 DYNA FLANGE Dynamic flanger 59 T DYNA PHASER Dynamic phaser 60 18 DYNA FILTER Dynamic filter 58 79 M BAND DYNA Multi band dynamics processor 83 FILTER 80 MULTI FILTER Multi filter 82 1 FILTERED VOICE Multi band dynamics processor 83 82 DISTORTION Distortion 86 83 AMP SIMULATOR Amp simulator 87 DISTORTION 84 DIST gt FLANGE 85 DIST gt DELAY m 85 REV gt CHORUS 68 81 REV FLANGE 69 88 REV gt SYMPHONIC 71 97 89 REV gt PAN 72 90 DELAY ER 1 Composite effect 91 DELAY ER 2 73 MULTIPLE 92 DELAY gt ER 1 93 DELAY gt ER 2 94 DELAY REV 95 DELAY gt REV 75 95 RESO DRONE 91 FREEZE Freeze 77 SAMPLING CLASSIC bank No Effect name Type Page Display background color 1 REV 1 HALL 2 REV 2 ROOM Reverb 29 3 REV 3 VOCAL q REV 4 PLATE 5 EARLY REF 1 Early reflection 37 5 EARLY REF 2 1 DELAY L R Delay L R 46 8 STEREO ECHO Stereo echo g STEREO FLANGE A Stereo flanger 50 10 STEREO FLANGE B 1 CHORUSA 12 CHORUS B Enorus 2 13 STEREO PHASING Stereo phasing 50 GREEN 14 TREMOLO Tremolo 54 15 SYMPHONIC Symphonic 54 16 GATE REVERB Gate reverb 11 REVERSE GATE Reverse gate of 18 REVERB amp GATE Reverb amp gate 33 18 PITCH CHANGE Pitch change A D 64 20
45. WAVE Sine Tri 3 un You can choose Sine sine wave or Tri triangle wave REV TIME 0 3 99 0 s Reverb time This is expressed as the time over which reverberation at 1 kHz will decay by 60 dB Reverb time for the high frequency range expressed as a proportion of REV TIME If this value is HLRATIO 01 10 0 1 the time will be 1 10th the REV TIME if it is 1 0 the time will be the same as the REV TIME i i You can adjust these values to simulate the absorptiveness of the walls or ceiling HI RATIO is the decay of the high frequency range INLDLY 0 0 500 0 ms Delay of the early reflections relative to the original sound This also affects the delay until the reverberation is heard DIFF 0 10 Diffusion of the sound to left and right Increasing this value will make the reverberation more spaciousness DENSITY 0 100 Density of the reverberation Increasing this value will make the reverberation smoother You can create unique effects by lowering this value llFine parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound UB will be output at a setting of 100 only the effect sound will be output o Output level after the original sound and effect sound have been mixed PUER rive Decrease this value if you want to lower the output At a setting of 0 there will be no output A filter that cuts the low frequency
46. at 1 kHz will decay by 60 dB Reverb time for the high frequency range expressed as a proportion of REV TIME If this value is HILRATIO 0 1 the time will be 1 10th the REV TIME if it is 1 0 the time will be the same as the REV TIME You can adjust these values to simulate the absorptiveness of the walls and ceiling HI RATIO is the decay of the high frequency range DELAY 0 0 500 0 ms Delay of the reverberation relative to the original sound A filter that cuts the low frequency portion of the effect Frequency components lower than the HPF THRU 32 Hz 1 0 kHz frequency specified here will be cut With a setting of THRU this filter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre LPF 1 0 11 kHz THRU quency specified here will be cut With a setting of THRU this filter will do nothing This filter does not affect the original sound The level at which the gate is triggered Increasing this value will raise the level of original sound TRG LVL 1 61 i required to open the gate 44 1 kHz 0 02 ms 2 13 s HOLD 48 kHz 0 02 ms 1 96 s The minimum time that the gate remains open Even when the original sound falls below the TRG 88 2 kHz 0 01 ms 1 06s LVL the gate will remain open for the time specified by this value 96 kHz 0 01 981 ms 22 ms The release time of the gate This is the time from when the gate begins to close
47. close until it closes completely is called the Release Time or Decay Time On the SPX2000 the Attack Time is controlled by parameters such as ATTACK and the Release Time is con trolled by parameters such as DECAY RELEASE Hold Time This is the time that the gate will remain open after the signal falls below the threshold level If the level of the signal changes irregularly the gate will open and close at short intervals This will cause the sound to be alternately interrupted and passed making it sound unsteady and jumpy In such cases you can adjust the Hold Time so that the gate will remain open for a time even after the signal falls below the threshold level this will prevent the gate from opening and closing so frequently However be aware that if you set the Hold Time longer than necessary the gate will remain open all the time and will therefore have no effect on the sound On the SPX2000 the Hold Time is controlled by the HOLD parameter sPx2000 Owner s Manual Early Reflection These effects add early reflections Early reflections are the sounds that reach your ear after being reflected only once from the walls or ceiling In contrast the wash of sound that reaches your ear after reflecting multiple times from the walls and ceil ing is called subsequent reverberation In nature early reflections will be followed by subsequent reverberation but the Early Reflection effects omit this p
48. control method and content will depend on the MIDI messages you use MIDI messages used Note on off Control change Parameter change Bulk dump SPX2000 internal data You can transmit the SPX2000 s data to a MIDI device connected to the MIDI OUT THRU connector 09 or TO HOST USB connector 8 page 23 Conversely the SPX2000 can receive data from a MIDI device con nected to the MIDI IN connector to overwrite the SPX2000 s internal data MIDI messages used Bulk dump Synchronize with another MIDI device The SPX2000 can synchronize to MIDI Clock messages received from a MIDI device connected to the MIDI IN connector 80 or TO HOST USB connector In order to do this you must set the tempo synchroniza tion source to MIDI CLOCK page 23 MIDI messages used MIDI clock Check the MIDI connection status The SPX2000 can check whether there is a correctly functioning connection with a MIDI device connected to the MIDI IN connector 0 MIDI OUT THRU connector 09 or HOST USB connector MIDI messages used Active sensing Initialize MIDI communication You can initialize MIDI communication for example if a communication error has occurred MIDI messages used Reset MIDI data format 1 Format summary tx indicates that the SPX2000 can transmit the message rx indicates that the SPX2000 can receive the message 1 1 CHANNEL MESSAGE Command rx tx
49. d 1 DELAY ER 2 OFF ge DELAY ER 1 OFF h h d 83 DELAY ER 2 OFF h d a 74 SPX2000 Owner s Manual Delay Reverb PRESET bank Delay Reverb PRESET bank Delay Reverb separately applies delay and reverb to the original sound and then mixes the results Delay Reverb applies delay to the original sound and then applies reverb Each aspect of the sound is controlled by the following effect parameters Delay DELAY L DELAY R FB DLY FB GAIN DELAY HI Reverb REV TIME REV HI INI DLY DIFE DENSITY Balance between delay and reverb DLY REV DLY BAL Filter equalizer HPF LPF Tempo synchronization SYNC NOTE L NOTE R NOTE FB TEMPO Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation REV TIME 0 3 99 0 s Reverb time This is expressed as the time over which reverberation at 1 kHz will decay by 60 dB Reverb time for the high frequency range expressed as a proportion of REV TIME If this value is REV HI 04 10 0 1 the time will be 1 10th the REV TIME if it is 1 0 the time will be the same as the REV TIME You can adjust these values to simulate the absorptiveness of the walls and ceiling REV HI is the decay of the high frequency range INLDLY 0 0 500 0 ms Delay of the early reflections relative to the original sound This value also affects the delay until reverberation is heard
50. effect has been edited since it was recalled to increment the parameter Press value A INC Hold to continue incrementing the B parameter value Hold down A INC and to continue incrementing the press W DEC parameter value faster to decrement the parameter Press value to continue decrementing the Y DEC Hold parameter value button Hold down i Y DEC and to continue decrementing the press A INC parameter value faster NOTE If the display indicates NO FINE PARAMETER effect from the CLASSIC bank is recalled The effects of the CLASSIC bank do not have Fine parameters Use the PARAMETER button to select the Basic parameters 14 sPx2000 Owner s Manual Setting the tempo Some effects have a Tempo parameter You can edit the Tempo parameter in any of the following five ways Use the A INC V DEC button 47 This is the same method as when editing other parameters Use the TAP button 63 When you press the TAP button 03 two or more times the average interval will be calculated and set as the Tempo value If you want to use this method set TEMPO SOURCE page 23 to specify as the synchronization source Use the foot switch When you press the foot switch optional two or more times the average interval will be calcu lated and set as the Tempo value If you want to use this method use the
51. effect sound At a setting of 096 only the original sound will be output at a setting of 100 only the effect sound will be output OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 096 there will be no output HPF Thru 21 2 Hz 8 00 kHz A filter that cuts the low frequency portion of the effect Frequency components lower than the frequency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound LPF 50 0 Hz 16 0 kHz Thru A filter that cuts the high frequency portion of the effect Frequency components above the fre quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound SYNC ON OFF Switches tempo synchronization on off If this is ON the delay will synchronize to the tempo syn chronization source specified by TEMPO SOURCE page 23 The DLY NOTE and the MOD NOTE value will be set to the synchronized tempo value DLY NOTE This parameter is used for tempo synchronization If SYNC is ON the DELAY value will be set according to this value and TEMPO If SYNC is OFF this value is ignored MOD NOTE This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and TEMPO If SYNC is OFF
52. effects can be synchronized to a specified note length and tempo The tempo can be set using the front panel TAP button from a foot switch such as the FC5 or via MIDI messages A full range of MIDI functionality You can use MIDI to switch effects modify parameter values or transmit receive bulk data Effects and tempo synchronization can also be controlled via MIDI Parts and their functions Front panel COJ YAMAHA 10 INPUT LO R INPUT L R control This concentric pair of knobs adjusts the level of the analog input signal The inner knob controls the L channel and the outer knob controls the R channel 2 Level meters These indicate the signal level pre effect or post effect page 103 3 INPUT MODE button indicator This button selects monaural input or stereo input The indicator will light to indicate the currently selected input mode 2 METER button indicator This button selects either pre effect or post effect as the signal whose level will be shown in the level meter The indicator will light to indicate the currently selected signal 5 INPUT SOURCE indicator This indicates the currently selected input source Use INPUT SOURCE page 19 to select the input source CLOCK indicator This indicates the currently selected word clock source Use CLOCK SOURCE page 18 to select the word clock source MIDI ind
53. following procedure 1 Connect an optional foot switch e g FC5 to the FOOT SW jack 65 2 Set the TEMPO SOURCE setting page 23 to specify TAP as the synchronization source Use MIDI clock The interval of MIDI Clock messages can be used to set the Tempo value If you want to use this method set TEMPO SOURCE page 23 to specify MIDI as the synchronization source Use MIDI control changes The value specified by a MIDI Control Change message can be used to set the Tempo value By using this method you can control the SPX2000 s Tempo value from a connected external MIDI device Effects and tempo synchronization Some of the SPX2000 s effects allow you to synchronize the effect with the tempo There are two such types of effect delay type effects and modulation type effects For delay type effects the delay time will change according to the tempo For mod ulation type effects the frequency of the modulation signal will change according to the tempo Parameters related to tempo synchronization The following five parameters are related to tempo synchronization 1 SYNC 2 3 4 DELAY 5 FREQ Moo This is the on off switch for tempo synchronization NOTE and TEMPO These are the basic parameters for tempo synchronization DELAY and FREQ DELAY is the delay time and FREQ is the frequency of the modulation signal These direct
54. from when recording is triggered until recording actually begins When REC MODE is MANUAL press the DEC button 42 to enter record ready mode then press the A INC button 4 to begin recording PLAY Playback will continue while you press the INC or V DEC button 42 Amount of pitch change for the playback in units of one semitone Positive settings will make RECORD nee the playback pitch higher than the original pitch and negative settings will lower it Amount of pitch change for the playback in units of one cent 1 100th of a semitone Positive FINE 50 450 settings will make the playback pitch higher than the original pitch and negative settings will lower it This specifies the base key for incoming MIDI note on messages When a note on message is received the PITCH value will be set by the difference between this setting and the value of the note on For example if you set BASE KEY as CA a received note on message of C3 will cause BASE KEY OFF C 1 C 6 PITCH to be set to 12 making the sample play one octave lower than the original pitch If you set this parameter as C2 a received note on message of D2 will cause PITCH to be set to 2 making the sample play two semitones higher than the original pitch If this parameter is OFF MIDI note on messages will not be received Output level after the original sound and effect sound have been mixed D
55. list The following tables show the default parameter values for the effect belonging to the Multi Filter type PRESET bank llBasic parameters NO Effect name TYPE 1 FREQ 1 RESO 1 TYPE 2 FREQ 2 RESO 2 3 FREQ 3 RESO 3 80 MULTI FILTER LPF 160 Hz 9 BPF 630 Hz 8 HPF 1 60 kHz 9 parameters NO Effect name MIX BAL LEVEL 1 LEVEL 2 LEVEL 3 80 MULTI FILTER 100 100 100 65 92 lt 2000 Manual Multi band Dynamics Processor PRESET bank INL O O OUTL INRO LIMITER y COMPRESSOR gt MIX EXPANDER 4 Eu LOOK UP LEVEL Lp p gt LOW si CEIL same as LOW BAND MIX ING gt MID same as LOW BAND O OUT R pl HIGH This effect splits the signal into three frequency bands and individually controls the dynamic range of each band It lets you use three types of processor a compressor expander and limiter in combination The signal is sent through the expander compressor and limiter in that order Compressor CMP THRE CMP RAT CMP REL CMP KNEE CMP BYP Expander EXP THRE EXP RAT EXP REL EXP BYP Limiter LIM THRE LIM ATK LIM REL LIM BYP LIM KNEE Applicable to Compressor Expander and Limiter PRESENCE LOOKUP Filter equaliz
56. ms 9 80 1 REFLECTIONS L Hall 1 0 4 11 8 ms 10 0 39 CONCRETE ROOM Type A 0 4 4 5 0 ms 5 80 40 REVERSE PURPLE Type A 13 8 62 5 ms 10 10096 41 FULL METAL GATE Type A 0 6 2 33 7 ms 7 88 42 REVERSE GATE Type A 0 2 6 10 0 ms 10 100 45 ELECT SNR PLATE Type A 0 6 9 8 7 ms 10 88 llFine parameters Effect name BAL OUTLVL ER HPF LPF FB GAIN HI RATIO FAT REFLECTIONS Thru 10 0 kHz 0 0 6 BIG SNARE Thru 9 50 kHz 0 0 8 REFLECTIONS 40 0 Hz Thru 0 1 0 39 CONCRETE ROOM 10096 80 19 Thru 7 50 kHz 0 0 6 0 REVERSE PURPLE 10096 80 18 100 Hz Thru 42696 1 0 1 FULL METAL GATE 100 100 19 30 0Hz 2 80 kHz 42696 0 1 42 REVERSE GATE 10096 100 19 Thru 8 50 kHz 0 0 7 45 ELECT SNR PLATE 10096 7096 19 Thru 3 35 kHz 0 10 36 lt 2000 Manual Early Reflection Gate Reverb Reverse Gate CLASSIC bank These effects are based on the effects of earlier models in the SPX series They have a simpler parameter structure than the identically named effects of the PRESET bank Each aspect of the sound is controlled by the following effect parame ters Early reflections TYPE ROOMSIZE LIVENESS DELAY Filter equalizer LPF Level Original sound DELAY Time Output level OUT LVL MIX BAL Parameter details parameters Parameter name Range Explanation TYPE HALL RANDOM The pattern of early reflections this determ
57. name Range Explanation FREQ 0 05 40 00 Hz Speed of modulation AM Increasing this value will make the volume change repeat at a shorter interval DEPTH 0 100 Modulation depth Increasing this value will make the modulation deeper Waveform of the modulation signal This will affect the character of the modulation WAVE Sine Tri Square ao You can choose Sine sine wave Tri triangle wave or Square square wave lt llFine parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound MIX BAL 0 100 I 5 will be output at a setting of 100 only the effect sound will be output 5 OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 0 there will be no output Gain of the low shelving filter This adjusts the volume of the low frequency region Positive LSH G 12 0 412 0 dB P a 3 settings will boost the low frequency region and negative settings will attenuate it LSHF 21 2 Hz 8 00 kHz oo of the low shelving filter The LSH G gain applies to the frequency region below this set Gain of the equalizer peaking type This adjusts the gain of the frequency region specified by EQ EQG 12 0 412 0 dB Mn 4 5 Positive settings will boost the region and negative settings will atte
58. of the obsolete outlet NO ao Q N WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE 4 SPX2000 Owner s Manual 10 11 12 13 14 Protect the power cord from being walked on or pinched particularly at plugs convenience recep tacles and the point where they exit from the apparatus Only use attachments accessories specified by the manufacturer Use only with the cart stand tripod bracket or table speci fied by the manufacturer or sold with the apparatus When a e cart is used use caution when moving the cart apparatus com 5 bination to avoid injury from tip over Unplug this apparatus during lightning storms or when unused for long periods of time Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the appara tus has been exposed to rain or moisture does not operate normally or has been dropped Table of contents Features of the SPX2000 6 Parts and their functions 7 Pront patiel EU Sa ok ng et esae Ane pU RERO aoe A 7 Rear panel ni asla debe daw ENTE eles 9 Operatli f co tans eto Soden Gud ENS qd ey 10 Basic pe
59. page 6 Using MIDI messages to control the SPX2000 page 88 10 sPx2000 Owner s Manual Turn the power on Here s how to turn on the power of a system that includes the SPX2000 1 Protect your monitor system Before you turn on the power of the SPX2000 turn off the power of the device that is connected to the OUT PUT jacks 69 or AES EBU OUT jack 89 Also turn the INPUT L 9 R control 1 to minimize the L R input signal level the inner knob controls the L channel and the outer knob controls the R channel 2 Turn on the power of the SPX2000 Press the POWER ON OFF button 06 to turn the power on The front panel display and LEDs will light 3 Turn on your external devices Turn on the power of devices connected to the SPX2000 NOTE To prevent high volume noise from being out put from your speakers turn on the power starting with the device that is closest to the audio source Example sound modules mixer SPX2000 gt power amp Reverse this order when turning the power off Select the input signal You will need to make several selections regarding the input signal Select monaural or stereo input Use the INPUT MODE button 3 to select either mon aural input or stereo input Each time you press the INPUT MODE button the indicator will alternate between MONO and STEREO The signal flow will change as follows depending on w
60. portion of the effect Frequency components lower than the HPF Thru 21 2 Hz 8 00 kHz frequency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre LPF 50 0 Hz 16 0 kHz Thru quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound 3 0 REV CHO 0 100 Reverb Chorus only Balance between the reverb and chorus A setting of 096 outputs only the reverb a setting of 10096 outputs only the chorus REVBAL 0 100 Reverb Chorus only Amount of chorus Raising this value will strengthen the chorus effect At a setting of 096 only reverb will be heard Switches tempo synchronization on off If this is ON the speed of modulation will synchronize to SYNC ON OFF the tempo synchronization source specified by TEMPO SOURCE page 23 The NOTE value will be set to the synchronized tempo value NOTE a This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and TEMPO If SYNC is OFF this value is ignored TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and NOTE If SYNC is OFF this value is ignored as R h BRE J d d lt ss 68 sPX2000
61. repeat at a shorter interval DEPTH 0 100 Modulation depth Increasing this value will produce deeper modulation Delay of the effect sound relative to the original sound The delay time will be modulated around MODDDY 0 0 590 9 ms this value FREQ sets the speed of this change and DEPTH sets the depth FB GAIN 9996 99 Amount of feedback for the effect sound Raising this value will increase the amount of feedback emphasizing the modulation Negative settings will invert the phase of the feedback Waveform of the modulation signal This will affect the character of the modulation WAVE Sine Tri NM You can choose Sine sine wave or Tri triangle wave REV TIME 0 3 99 0 s Reverb time This is expressed as the time over which reverberation at 1 kHz will decay by 60 dB Reverb time for the high frequency range expressed as a proportion of REV TIME If this value is HLRATIO 0110 0 1 the time will 1 10th the REV TIME if it is 1 0 the time will be the same as the REV TIME You can adjust these values to simulate the absorptiveness of the walls or ceiling HI RATIO is the decay of the high frequency range INLDLY 3500 0 ms Delay of the early reflections relative to the original sound This also affects the delay until the reverberation is heard DIFF 0 10 Diffusion of the sound to left and right Increasing this value will make the reverberation more spaciousness DENSITY 0 100 Density of the rev
62. the delay will synchronize to the tempo syn ON OFF chronization source specified by TEMPO SOURCE page 23 The NOTE L and the NOTE R value will be set to the synchronized tempo value These parameters are used for tempo synchronization If SYNC is ON the DELAY L value will be E a set according to the NOTE L and TEMPO values and the DELAY R value will be set according to the NOTE R and TEMPO values If SYNC is OFF this value is ignored TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the DELAY value will be set according to this value and NOTE If SYNC is OFF this value is ignored a Ri B8 F h Ra h J h J J d d 40 SPX2000 Owner s Manual Effect list The following tables show the default parameter values for the effect belonging to the Stereo Delay type PRESET bank llBasic parameters NO Effect name DELAY L DELAY R FB GL FB GR 89 STEREO DELAY 250 0 ms 375 0 ms 44 28 0 6 Fine parameters NO Effect name MIX BAL OUT LVL HPF LPF SYNC NOTE L NOTER TEMPO 49 STEREO DELAY 100 90 Thru 12 5 kHz OFF h h Modulation Delay PRESET bank DELAY IN T with OUTL Modulation MIX BAL FB GAIN 4 L O OUT R These effects modulate the delay sound Each aspect of the sound is controlled by the foll
63. the original sound MX BAC will be output at a setting of 100 only the effect sound will be output OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 0 there will be no output Gain of the low shelving filter This adjusts the volume of the low frequency region Positive LSHG 12 0 412 0 dB 2 settings will boost the low frequency region and negative settings will attenuate it LSH F 21 2 Hz 8 00 kHz of the low shelving filter The LSH gain applies to the frequency region below this set Gain of the high shelving filter This adjusts the volume of the high frequency region Positive HSH G 12 0 412 0 dB F a settings will boost the high frequency region and negative settings will attenuate it HSH F 50 0 Hz 16 0 kHz Frequency of the high shelving filter The HSH G gain applies to the frequency region above this setting Switches tempo synchronization on off If this is ON the speed of modulation will synchronize to SYNC ON OFF the tempo synchronization source specified by TEMPO SOURCE page 23 The NOTE value will be set to the synchronized tempo value NOTE a This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and the TEMPO value This value is ignored if SYNC is OFF TEMP
64. this will be 0 0 2729 2 ms SPX2000 Owner s Manual 77 Fine parameters Parameter name Range Explanation S MIX BAL 0 100 Balance between the original sound and effect sound At a setting of 096 only the original sound will be output at a setting of 100 only the effect sound will be output OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 096 there will be no output Amount of pitch change for the playback in units of one cent 1 100th of a semitone Positive FINE 50 450 MEME I settings will raise the playback pitch higher than the original and negative settings will lower it TRG MASK 0 1000 ms The time from when a trigger is received until the next trigger will be allowed Effect list The following tables show the default parameter values for the effect belonging to the Freeze type PRESET bank llBasic parameters NO Effect name REC REC DLY RECORD PLAY PLY MODE START END LOOP LOOP NUM MANUAL 50 ms CONTI 0 0 ms 0 0 ms 100 97 FREEZE PITCH MIDITRG TRGLVL 0 OFF 14 dB a At44 1 kHz or 88 2 kHz this will be 2970 5 ms At 48 kHz or 96 kHz this will be 2729 2 ms llFine parameters NO Effect name BAL OUT LVL FINE TRG MASK 97 FREEZE 100 100 0 1000 ms
65. time for the high frequency range expressed as a proportion of REV TIME If this value is 0 1 the time will be 1 10th the REV TIME if it is 1 0 the time will be the same as the REV TIME You can adjust these values to simulate the absorptiveness of the walls or ceiling HI RATIO is the decay of the high frequency range DELAY 0 0 500 0 ms Delay of the reverberation relative to the original sound A filter that cuts the low frequency portion of the effect Frequency components lower than the HPF THRU 32 Hz 1 0 kHz frequency specified here will be cut With a setting of THRU this filter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre LPF 1 0 11 kHz THRU quency specified here will be cut With a setting of THRU this filter will do nothing This filter does not affect the original sound Output level after the original sound and effect sound have been mixed Decrease this value if you T LVL 0 100 I e i want to lower the output At a setting of 096 there will be no output Balance between the original sound and effect sound At a setting of 096 only the original sound s VIBRE UNE will be output at a setting of 100 only the effect sound will be output Reverb Effect list The following table show the default parameter values for the effects belonging to the Reverb type CL
66. use the product IMPORTANT When connecting this product to accessories and or another product use only high quality shielded cables Cable s supplied with this product MUST be used Follow all installation instructions Failure to follow instructions could void your FCC authorization to use this product in the USA NOTE This product has been tested and found to comply with the requirements listed in FCC Regulations Part 15 for Class B digital devices Compliance with these requirements provides a reason able level of assurance that your use of this product in a residential environment will not result in harmful interference with other elec tronic devices This equipment generates uses radio frequencies and if not installed and used according to the instructions found in the users manual may cause interference harmful to the operation of other electronic devices Compliance with FCC regulations does not guarantee that interference will not occur in all installations If this product is found to be the source of interference which can be determined by turning the unit DFF and ON please try to elimi nate the problem by using one of the following measures Relocate either this product or the device that is being affected by the interference Utilize power outlets that are on different branch circuit breaker or fuse circuits or install AC line filter s In the case of radio or TV interference relocate reorient the antenna
67. walls and ceiling Decay characteristics of the early reflections Increasing this value will reduce the decay causing the LIVENESS 0 10 i ae repeats to continue You can use this to simulate the absorptiveness of the walls and ceiling INI DLY 0 0 500 0 ms Delay of the early reflections relative to the original sound DIFF 0 10 Diffusion of the sound to left and right Increasing this value will make the reverberation more spaciousness DENSITY 0 100 Density of the early reflections Increasing this value will make the reverberation smoother You can create unique effects by lowering this value a For Early Reflection effects choose from S Hall L Hall Random Revers Plate and Spring For Gate Reverb and Reverse Gate effects choose from Type A and Type B parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound MIX BAL 0 100 s will be output at a setting of 100 only the effect sound will be output OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 0 there will be no output ER NUM 1 19 The number of early reflections Increasing this value will increase the number of reflections A filter that cuts the low frequency portion of the effect Frequency components lower than th
68. 0 Thru 3 75 kHz DRUM MACH AMB L 100 100 9 5 ms 40 Thru 8 00 kHz Effect name LVL ATTACK HOLD DECAY 8 AMBIENCE OFF 10 ms 725 ms 83 ms 11 BRIGHT HALL OFF 0 ms 85 3 ms 3 ms 12 BREATHY REVERB OFF 5ms 3 68 ms 3ms 13 CONCERT HALL OFF 82 6 ms 6 ms 15 REVERB STAGE OFF 0 ms 18 6 ms 3 ms 1 VOCAL PLATE OFF 0 ms 69 3 ms 3 ms 20 1 OFF 48 ms 106 ms 3 ms 21 2 OFF 48 ms 106 ms 3 ms ee PRESENCE REVERB OFF 10 ms 1 93 ms 3ms 23 ARENA OFF 10 ms 101 ms 3 ms 25 OLD PLATE OFF 1ms 66 6 ms 3 ms 25 DARK PLATE OFF 0 ms 37 3 ms 8 ms 36 BAMBOO ROOM OFF 69 3 ms 3 ms 38 STONE ROOM OFF 2 ms 53 3 ms 3 ms qu DRUM MACH AMB L OFF 18 ms 181 ms 3 ms a The default value ofthis parameter depends on the sampling frequency at which the SPX2000 is operating The value shown in the table is for fs 96 kHz 32 SsPX2000 Owner s Manual Reverb amp Gate CLASSIC bank This is a gated reverb also called gate echo You can use this effect to add only a portion of the reverberation Each aspect of the sound is controlled by the following effect parameters Reverberation REV TIME HI RATIO DELAY Gating TRG LVL HOLD RELEASE MIDI TRG Filter equalizer HPF LPF Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation REV TIME Reverb time This is expressed as the time over which reverberation
69. 0 only the effect sound will be output Noise gate depth Raising this value will raise the level of the signals that will be allowed through N GATE 0 20 the gate This is a useful way to remove noise Excessively high settings of this parameter will weaken the forcefulness of the sound MASTER 0 100 Output level Decrease this value if you want to lower the output of the effect sound only the orig inal sound will be heard Effect list The following tables show the default parameter values for the effect belonging to the Distortion type PRESET bank llBasic parameters Effect name DSTTYPE DRIVE TONE 82 DISTORTION DST2 70 47 llFine parameters Effect name MIXBAL N GATE MASTER 82 DISTORTION 100 1 30 96 lt 2000 Manual Amp Simulator PRESET bank BASS OUTL PRE AMP SPEAKER IN DISTORTION MIDDLE ep SIMULATOR P GATE CABINET SIMULATOR vix TREBLE BAL OUT R This effect simulates the characteristics of a guitar amp Previously when recording an electric guitar in a studio it was usual to play the guitar through an amp and then mic the amp in order to obtain the tonal character typical of the amp This effect simulates the result without requiring you to use an amp Each aspect of the sound is controlled by the following effect parameters Amp simulation AMP TYPE BASS MIDDLE
70. 001101 00100000 20 v 00100000 200 00111000 38 8 01000100 44 00110001 3l 1 00110001 DATA NAME 01000101 45 Ommmmmmm mh 0 220 Program 1 97 1 25 U1 99 256 EDIT BUFFER Ommmmmmm ml EOX 11110111 F7 End of exclusive The second and third byte of DATA NAME specify the program num ber 122 USER1 220 USER99 256 EDIT BUFFER E 2 8 1 5 Program change table Bulk Dump Format This bulk dumps the program change table data Format STATUS 11110000 FO System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0000nnnn On 0 15 Device number Device No 1 FORMAT No 01111110 7E Universal bulk dump COUNT HIGH ch data count ch 128 cl COUNT LOW 1 DATA NAME BLOCK INFO DATA CHECK SUM EOX 01001100 01001101 00100000 00100000 00111000 01000100 00110001 00110001 01010000 00000010 00000000 Ottttttt Obbbbbbb 11110111 4 4D 20 20 38 44 31 31 50 02 00 tt bb ds de ee F7 D 1 1 p No 256 Current total block number minimum number is 0 current block number 0 total block number Program change table data of block bb ee Invert L 4 de 4 1 amp Ox7F End of exclusive W 2 8 1 6 Program change table Bulk Dump request Format Format STATUS ID No SUB STATUS
71. 1 4000 ITALY Yamaha Musica Italia S P A Combo Division Viale Italia 88 20020 Lainate Milano Italy Tel 02 935 771 SPAIN PORTUGAL Yamaha Misica Ib rica S A Ctra de la Coruna km 17 200 28230 Las Rozas Madrid Spain Tel 91 639 8888 SWEDEN Yamaha Scandinavia AB J A Wettergrens Gata 1 Box 30053 S 400 43 G teborg Sweden Tel 031 89 34 00 DENMARK YS Copenhagen Liaison Office Generatorvej 6A DK 2730 Herlev Denmark Tel 44 92 49 00 NORWAY Norsk filial av Yamaha Scandinavia AB Grini N ringspark 1 N 1345 ster s Norway Tel 67 16 77 70 RUSSIA Yamaha Music Russia Room 37 bld 7 Kievskaya street Moscow 121059 Russia Tel 495 626 5005 OTHER EUROPEAN COUNTRIES Yamaha Music Europe GmbH SiemensstraDe 22 34 25462 Rellingen Germany Tel 49 4101 3030 ASIA AFRICA Yamaha Corporation Asia Pacific Sales amp Marketing Group Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel 8 1 53 460 2303 THE PEOPLE S REPUBLIC OF CHINA Yamaha Music amp Electronics China Co Ltd 2F Yunhedasha 1818 Xinzha lu Jingan qu Shanghai China Tel 021 6247 2211 INDIA Yamaha Music India Pvt Ltd 5F Ambience Corporate Tower Ambience Mall Complex Ambience Island NH 8 Gurgaon 122001 Haryana India Tel 0124 466 5551 INDONESIA PT Yamaha Musik Indonesia Distributor PT Nusantik Gedung Yamaha Music Center Jalan Jend Gatot Subroto Kav 4 Jakarta 12930 In
72. 12 0 412 0 dB h A 5 settings will boost the high frequency region and negative settings will attenuate it HSHF 50 0 Hz 16 0 kHz Frequency of the high shelving filter The HSH G gain applies to the frequency region above this setting Switches tempo synchronization on off If this is ON the modulation speed will synchronize to the SYNC ON OFF tempo synchronization source specified by TEMPO SOURCE see page 23 The NOTE value will be set to the synchronized tempo value NOTE This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and the TEMPO value This value is ignored if SYNC is OFF TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and NOTE This value is ignored if SYNC is OFF as R k MR JS h J J d d lt ss Effect list The following tables show the default parameter values for the effect belonging to the Auto Pan type PRESET bank llBasic parameters na Effect name FREQ DEPTH WAVE DIR Te AUTO PAN 1 55 Hz 100 Sine L lt gt R Fine parameters Effect name MIX BAL OUT LVL NG 1 00 kHz 10 0 kHz 72 AUTO PAN SPX2000 Owner s Manual 55 Pan CLASSIC bank This effect is based on earlier models of the SPX series It cyclically varies the panning of the sound Each aspect of the
73. 23 Each NOTE value will be set to the synchronized tempo value a These parameters are used for tempo synchronization If SYNC is ON each DELAY value will be set NOTE FB according to the corresponding NOTE value and TEMPO If SYNC is OFF this value is ignored TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the various DELAY values will be set according to this value and the corresponding NOTE values If SYNC is OFE this value is ignored E 3 F h h J h J 4 d 4 Effect list llBasic parameters Effect name TYPE ROOMSIZE LIVENESS INI DLY DIFF DENSITY DELAYL DELAY R FB DLY DELAY ER 1 S Hall 10 2 3 10 2 ms 8 6496 250 0 ms 500 0 ms 500 0 ms DELAY ER 2 L Hall 1 4 3 17 0 ms 10 68 24 5 ms 15 5 ms 77 6 ms DELAY gt ER 1 Spring 1 8 3 9 0 ms 8 90 250 0 ms 375 0 ms 500 0 ms DELAY gt ER 2 S Hall 1 8 3 30 4 ms 10 82 27 3 ms 15 6 ms 12 2 ms Effect name FB GAIN HI RATIO DELAY ER 1 24 0 4 DELAY ER 2 50 0 4 DELAY ER 1 45 0 3 93 DELAY ER 2 42 0 6 parameters Effect name MIX BAL OUTLVL ER NUM HPF LPF DLY ER DLY BAL DELAY ER 1 100 100 14 80 0 2 7 10 2 50 DELAY ER 2 100 100 16 Thru 12 5 kHz 3796 DELAY ER 1 100 100 14 132 2 4 75 2 35 DELAY ER 2 100 100 19 Thru 11 2 kHz 3096 Effect name SYNC NOTEL NOTER NOTE FB TEMPO 80 DELAY ER 1 OFF h d
74. ADY In this state recording will begin automatically when the Recording with a MIDI message as the trigger input signal exceeds the trigger level 1 Set REC MODE to MANUAL NOTES The previously sampled data will be erased when 2 Set REC DLY TRG DLY you enter record ready mode 3 Set MIDI TRG Freeze PRESET bank only Recording will be cancelled if you press any button other than A INC during recording In this 4 Enter record ready mode case the data that had been sampled up to that Select RECORD and press the V DEC button 7 point will also be lost The display will change to REC READY The recorded sample will be erased when you turn off the power of the SPX2000 NOTE The previously recorded sample data will be Recording can be performed regardless of the Oper erased when you enter record ready mode ation Lock level 5 Transmit a MIDI note on message MANUAL If you are using Freeze PRESET bank transmit the Record manually 1 Set REC MODE to MANUAL 2 Set REC DLY TRG DLY 80 REC DLY TRG DLY is the delay from when recording is triggered until recording will actually begin In the case of MANUAL recording triggering will occur when you press the button to begin recording With a setting of 0 ms recording will begin the instant you press the button With positive 4 settings recording will begin the speci fied time after you press the button With negative
75. ASSIC bank NO Effect name REVTIME HI RATIO DELAY HPF LPF OUT LVL MIX BAL 1 REV 1 HALL 2 6s 0 2 0 0 ms 50 Hz 7 0 kHz 90 100 REV 2 ROOM 1 56 0 2 4 0 90 2 8 0 2 90 100 3 REV 3 VOCAL 25s 0 2 25 0 ms 90 Hz 8 0 kHz 100 100 d REV 4 PLATE 1 8s 0 2 10 0 ms 56 Hz 8 0 kHz 90 100 SPX2000 Owner s Manual 29 Stereo Reverb PRESET bank These are stereo reverbs they allow two channel input Each aspect of the sound is controlled by the following effect parame ters Early reflections INI DLY Reverberation REV TIME HI RATIO LO RATIO DIFF DENSITY Overall effect sound REV TYPE E R BAL Filter equalizer HPF LPF Level Original sound Early reflections Reverberation INI DLY REV TIME Time Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation The pattern of reverb this determines the basic character of the effect The characteristics of the HE TE Room Plata reverberation will depend on the type you select here REV TIME 0 3 99 0 s Reverb time This is expressed as the time over which reverberation at 1 kHz will decay by 60 dB HI RATIO 0 1 1 0 Reverb time for the high frequency range or low frequency range expressed as a proportion of REV TIME If this value is 0 1 the time will be 1 10th the REV TIME if it is 1 0 the time will be the LOAD T sa
76. C W DEC buttons 2 to select a port MIDI PORT GENERAL setting You can select one of nine ports MIDI the MIDI IN 69 and MIDI OUT THRU 69 connectors or USB 1 USB 8 ports 1 8 of the TO HOST USB connector If you select OFF it will not be possible to trans mit or receive MIDI data MIDI PORT EDITOR setting You can select one of eight ports USB 1 USB 8 ports 1 8 of the TO HOST USB connector 8 If you select OFF it will not be possible to transmit or receive MIDI data The TO HOST USB connector lets you use eight separate ports on this single connector NOTE In order to connect the SPX2000 to your computer via USB you will need to install the Yamaha USB MIDI driver on your computer You can download the Yamaha USB MIDI driver from the following website Yamaha Pro Audio website http www yamahaproaudio com NOTE If the display indicates MIDI OUT is NOT Selected and you are unable to select the port the MIDI OUT THRU connector 09 is set to THRU In order to select a port you must first set the MIDI OUT SETUP parameter so that the MIDI OUT THRU connector is set to OUT Switching MIDI OUT THRU You can use the MIDI OUT THRU connector 09 as either MIDI OUT or MIDI THRU 1 Select the MIDI OUT SETUP function Press the UTILITY button 02 several times to select OUT SETUP 2 Select either MIDI OU
77. C bank You can use START END to specify the playback start and playback end points If you set the end point earlier than the start point the sample will play backward Play back repeatedly only for Freeze PRESET bank By setting LOOP and LOOP NUM you can cause the sample to play repeatedly for the specified number of times The first pass will play the START END region and the second and subsequent passes will play the LOOP END region for the LOOP NUM number of times Change the playback pitch only for Freeze PRESET bank or Freeze B CLASSIC bank By setting PITCH and FINE you can change the play back pitch of the sampling data Freeze PRESET bank By using a MIDI note on message to trigger the sam pling data you can control the playback start time and the pitch Freeze B CLASSIC bank 81 SPX2000 Owner s Manual Other effects The SPX2000 also provides an effect that lets you apply three different filters simultaneously an effect that combines a com pressor expander and limiter to make your sound tighter and more finished and guitar type effects such as distortion and amp simulator No of Type Bank INs OUTs Page Multi Filter 82 2 IN 2 OUT Multi band Dynamics Processor 83 Rotary Speaker PRESET 85 Distortion 1 IN 2 OUT 86 Amp Simulator 87 Multi Filter PRESET bank This effect lets you simultaneously apply three different filters Filter
78. CE 2 8s 0 2 1 2 30 0 ms 5 100 BRIGHT HALL 2 6s 0 9 1 1 42 0 ms 4 98 BREATHY REVERB 2 9s 1 0 0 9 52 0 ms 10 100 CONCERT HALL 3 4s 0 2 1 2 112 0 ms 10 100 REVERB STAGE 1 8s 0 7 1 0 16 0 ms 8 90 VOCAL PLATE 2 46 0 3 1 2 35 0 10 100 ECHO ROOM 1 2 25 0 2 1 0 25 0 7 90 2 1 05 0 2 1 0 0 0 5 T 90 PRESENCE REVERB 1 4s 1 0 0 9 35 0 ms 10 100 ARENA 1 8s 0 2 1 0 10 0 ms 8 87 OLD PLATE 1 8s 0 3 1 0 26 0 ms 7 94 DARK PLATE 2 25 0 1 1 0 28 8 ms 5 94 BAMBOO ROOM 1 0s 0 1 1 3 0 1 ms 10 96 5 0 55 0 5 1 3 0 0 ms 0 92 DRUM MACH AMB L 1 05 0 4 1 4 13 8 ms 5 88 MFINE parameters NO Effect name MIX BAL OUT LVL E R DLY E R BAL HPF LPF AMBIENCE 100 75 25 0 ms 50 Thru 10 0 kHz BRIGHT HALL 100 70 0 1 ms 44 Thru 10 0 kHz BREATHY REVERB 100 70 0 1 ms 29 50 0 Hz Thru CONCERT HALL 100 80 4 0 ms 32 Thru Thru REVERB STAGE 100 70 8 0 ms 20 80 0 Hz 7 10 kHz VOCAL PLATE 100 90 22 1 ms 46 80 0 Hz 10 6 kHz ECHO ROOM 1 100 90 20 2 ms 40 Thru 7 10 kHz ECHO ROOM 2 100 90 20 2 ms 40 Thru 6 70 kHz PRESENCE REVERB 100 90 12 0 ms 40 Thru 14 0 kHz ARENA 100 90 0 0 ms 40 Thru 9 50 kHz OLD PLATE 100 80 17 0 ms 44 Thru 7 10 kHz DARK PLATE 100 90 6 4 ms 62 Thru 5 60 kHz BAMBOO ROOM 100 100 4 6 ms 45 Thru 4 25 kHz STONE ROOM 100 85 0 0 ms
79. Diffusion of the sound to left and right Increasing this value will make the reflections more spa ciousness DENSITY 0 100 Density of the early reflections Increasing this value will make the sound smoother You can create unique effects by lowering this value DELAY L Delay relative to the original sound DELAY L is the L channel delay and DELAY R is the R channel DELAY R 0 0 1000 0 ms delay Delay added when the signal is fed back The delay from the original sound to the first delay is set FB DLY 0 0 1000 0 ms by the DELAY L and DELAY values but the delay of subsequent repeats will be each DELAY FB DLY Amount of feedback for the delay sound This indicates the ratio by which the level is reduced for FB GAIN 99 99 each repetition of the effect For example with a setting of 50 the level of the delay will decay to 5096 25 12 5 as it is repeated Negative values invert the phase of the feedback Amount of feedback for the high frequency portion of the delay This is specified as a proportion HI RATIO of FB GAIN If this value is 0 1 the feedback amount will be 1 10th of FB GAIN if this value is 1 0 the feedback amount will be the same as FB GAIN SPX2000 Owner s Manual 73 Fine parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound o iis a gu will be output at a setting of 10096 only the effect soun
80. E FB TEMPO Output level LEVEL L LEVEL C LEVEL R MIX BAL OUT R Parameter details llBasic parameters Parameter name Range Explanation end 0 0 2730 0 Delay relative to the original sound DELAY L indicates the L channel delay DELAY C the center DELAY R channel delay and DELAY R the channel delay Delay added to feedback The DELAY L DELAY C DELAY R values are the delays from the original FB DLY 0 0 2730 0 ms sound until the first delayed sounds but the delay of the subsequently repeated sounds will be DELAY FB DLY LEVEL 100 100 Output level of each channel LEVEL L is the output level of the L channel LEVEL of the center LEVEL channel and LEVEL R of the R channel Negative values invert the phase Amount of feedback for the delay sounds This indicates the ratio by which the level is reduced FB GAIN 99 99 when repeating the effect For example with a setting of 50 the level of the delay sound will decay to 50 2596 12 5 as it is repeated Negative values invert the phase of the feedback Amount of feedback for the high frequency range of the delay sound This is specified as a propor HI RATIO 0 1 1 0 tion of FB GAIN If this value is 0 1 the amount of feedback will be 1 10th of the FB GAIN if this value is 1 0 the amount of feedback will be the same as FB GAIN llFine parameters Parameter name Range Explanation
81. E d d 51 ra ra b b SPX2000 Owner s Manual 45 Delay L R Stereo Echo CLASSIC bank These effects are based on earlier models of the SPX series Delay L R is equivalent to the Echo effects of the PRESET bank and Stereo Echo is equivalent to the Stereo Delay effects of the PRESET bank These effects have a simpler parameter struc ture than the equivalent PRESET bank effects Each aspect of the sound is controlled by the following effect parameters Delay sound Lch DIY Rch FB G L FB G R HL RATIO Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation Lch DLY 0 0 1350 0 ms Delay relative to the original sound Lch DLY indicates the L channel delay and Rch DLY indicates Rch DLY the R channel delay Amount of feedback for the delay sounds This indicates the ratio by which the level is reduced FB GL 999 99 when repeating the effect For example with a setting of 50 the level of the delay sound will decay FB GR to 50 25 12 5 as it is repeated Negative values invert the phase of the feedback FB G L indicates the feedback amount for the L channel and FB G R for the R channel Amount of feedback for the high frequency portion of the delay sound This is specified as a pro HLRATIO 01 10 portion of FB G If this value is 0 1 the high frequency feedback amount for the L chan
82. EQ DEPTH PHASE Phase shift FB GAIN OFFSET STAGE Tempo synchronization SYNC NOTE TEMPO Filter equalizer LSH LSH HSH G HSH Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation FREQ 0 05 40 00 Hz Speed of modulation Increasing this value will make the modulation repeat at a shorter interval DEPTH 0 100 Modulation depth Increasing this value will make the modulation deeper FB GAIN 99 99 Amount of feedback for the modulated sound Raising this value will increase the amount of feed i back emphasizing the modulation Negative settings will invert the phase of the feedback Offset value for the frequency whose phase is shifted Raising this value will move the frequency OFFSET 0 100 upward and lowering it will move the frequency downward The frequency being phase shifted will change around this value FREQ sets the speed of change and DEPTH sets the amount of change PHASE 0 00 354 38 dg Phase difference between the modulation signals of the L channel and R channel This lets you con trol the spaciousness of the sound STAGE 2 4 6 8 10 12 14 16 Number of stages in the phase shift circuitry Raising this value will produce a more complex sense of modu lation llFine parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only
83. EV gt SYMPHONIC 100 100 Thru Thru 45 OFF P Reverb Pan PRESET bank This applies reverb to the original sound and then applies panning Each aspect of the sound is controlled by the following effect parameters Reverb REV TIME HI RATIO INI DLY DIFE DENSITY Pan FREQ DEPTH WAVE DIR Balance of reverb and pan REV BAL Filter equalizer HPF LPF Tempo synchronization SYNC NOTE TEMPO Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation Speed of modulation panning movement Increasing this value will make the modulation repeat FREQ 0054000 rz at a shorter interval DEPTH 0 100 Modulation depth Increasing this value will produce deeper modulation WAVE Sine Tri Square Waveform of the modulation signal This affects the character of the modulation You can select Sine sine wave Tri triangle wave or Square square wave T TIME Direction of panning movement L lt gt R makes the sound move alternately between the L and DIR qim n i channels L gt R makes the sound move from L to R and then jump back to L L R does the opposite Turn L or Turn R makes the sound rotate toward the left or right REV TIME 0 3 99 0 s Reverb time This is expressed as the time over which reverberation at 1 kHz will decay by 60 dB Reverb time for the high frequency range expressed as a proportion of REV TIME If this v
84. GE Sau u u I u Su ah 22 MIDI PORT EDITOR en a ERR Un 21 MIDI PORT GENERAL 21 S Q ERR t 23 TEEFEBOIDED 3 tn oi eee is 17 USE GENRE E ERE RR NI UA ua 20 USER PGM PROTECT o o eei eim Ra W MASSEN 6 WOT OC OC xe IRSE 19 WORD CLOCK IN jack 9 Word COCK SOURCE Je RR RD 11 Y Yamaha Website a n exe DEO S 6 106 sPx2000 Owner s Manual YAMAHA PROFESSIONAL MULTI EFFECT PROCESSOR Model SPX2000 MIDI Implementation Chart Date 12 MAY 2003 Version 1 0 Function Transmitted Recognized Remarks Basic Default X 1 16 Memorized Channel Changed X 1 16 Default X OMNI OFF OMNI ON Memorized Mode Messages X X Altered k k ck k kk x Note Fai X 0 127 1 4 Number Tuc NOES ck k x Velocit Note On X O 9nH vz1 127 1 4 Y Note Off X x Key s X X After Ch s X X Pitch Bend X X 0 Bank Select MSB Control 30 4 0 32 X O 1 Change 3 31 Mix Balance 32 Bank Select LSB Assignabl Program x 0 127 1 Serg True Program Change Table System Exclusive O 2 O 2 3 Song Pos X X Common Song Sel X X Tune X X System Clock X O 4 Real Time Commands X X All Sound Off X X Reset A11 Cntrls X X Aux Local ON OFF X X Mes
85. Hz 6 ms 46 0 s Decay time of the phaser This indicates the time from when the SOURCE signal is received and the 48 kHz 5 ms 42 3 s DECAY 88 2 kHz 3 ms 23 0 s phaser moves until it returns to its original position Higher settings of this parameter will make 96 kHz 3 ms 21 1s the phase shift frequency return more slowly LSHG 12 0 412 0 dB Gain of the low shelving filter This adjusts the volume of the low frequency region Positive settings will boost the low frequency region and negative settings will attenuate it LSHE 21 2 Hz 8 00 kHz Frequency of the low shelving filter The LSH G gain applies to the frequency region below this set i ting HSH G _42 0 12 0 dB Gain of the high shelving filter This adjusts the volume of the high frequency region Positive settings will boost the high frequency region and negative settings will attenuate it HSHF 50 0 Hz 16 0 kHz Frequency of the high shelving filter The HSH G gain applies to the frequency region above this setting a Therange of this parameter depends on the sampling frequency at which the SPX2000 is operating Effect list The following tables show the default parameter values for the effect belonging to the Dynamic Phaser type PRESET bank llBasic parameters NO Effect name SOURCE SENSE OFFSET FB GAIN STAGE T DYNA PHASER INPUT 50 32 70 8 parameters NO Effect name BAL
86. I IN connector eene iaer 9 MIDI indicator 5 rior criteri 7 11 MIDLOUT 21 MIDI OUT SETUP peraan AERAR AA 21 MIDI OUT THRU Connector 9 21 MIDI PGM CHANGE MIDI PORT EDITOR MIDI PORT GENERAL eeeeeeeeeeeeee ennt nn tnnt nn nnn MIDI RECEIVE nannte MIDI THRU Modulation nnne nnne nn tenter Auto Pan PRESET bank Chorus PRESET bank Chorus Tremolo CLASSIC bank Dynamic Filter PRESET bank Dynamic Flanger PRESET bank Dynamic Phaser PRESET bank Flanger PRESET bank eere Modulation Filter PRESET bank Pan CLASSIC bank Phaser PRESET bank Ring Modulation PRESET bank Stereo Flanger Stereo Phasing CLASSIC bank 50 Symphonic CLASSIC bank 2 54 Symphonic PRESET bank sse 52 Tremolo 45 eR Wr nan 53 modulation modulator N NEXT button uu asa sn n au eo RIRs 8 14 5 2 u uuu 19 Other effects u 82 Amp Simulator PRESET bank see 87 Distortion PRESET bank
87. ITORIES IN PACIFIC OCEAN Yamaha Corporation Asia Pacific Sales amp Marketing Group Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel 8 1 53 460 2303 Yamaha Pro Audio Global Web Site http www yamahaproaudio com Yamaha Manual Library http www yamaha co jp manual U R G Pro Audio Division 2003 2010 Yamaha Corporation 011IPTO FO Printed in Japan WB42190
88. KCA Do not throw away the battery Instead hand it in as small chemical waste ADVARSEL Lithiumbatteri Eksplosionsfare ved fejlagtig h ndtering Udskiftning m kun ske med batteri af samme fabrikat og type Lev r det brugte batteri tilbage til leverandoren VARNING Explosionsfara vid felaktigt batteribyte Anv nd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren Kassera anv nt batteri enligt fabrikantens instruktion VAROITUS Paristo voi r j ht jos se on virheellisesti asennettu Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin H vit k ytetty paristo valmistajan ohjeiden mukaisesti lithium disposal 5 1 lithium caution 3 SPX2000 Owner s Manual CAUTIONS e This unit is a CLASS I device Connect the unit to a mains socket outlet that features a protective ground terminal This unit is not completely disconnected from the mains when you turn off the POWER switch which is a single pole switch This product contains a battery that contains perchlorate material Perchlorate Material special handling may apply See www dtsc ca gov hazardouswaste perchlorate This applies only to products distributed by YAMAHA CORPORATION OF AMERICA Perchlorate CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PART
89. L button to recall an effect and the A INC W DEC buttons to increment decre ment a parameter value Instant recognition of effect types The 5 2000 display shows a different background color by default for each type of effect You can tell the general effect type at a glance e g cyan light blue for reverb and early reflection white for delay magenta for modulation and green for effects of the Classic bank Controlling the SPX2000 from your computer You can use the SPX2000 Editor to remotely control the SPX2000 from your computer The SPX2000 Editor is expected to be available for downloading from the following website For the latest informa tion please visit the website Yamaha Pro Audio Website http www yamahaproaudio com For details on the SPX2000 Editor refer to the operating manual for the software 6 SPX2000 Owner s Manual Software features New reverb algorithms New reverbs feature the newly developed REV X algo rithm delivering rich high density reverberation with smooth decay spaciousness and depth that brings out the best in the original signal Classic SPX effects revived with new algorithms Favorite effects such as gate reverb freeze and flanger have been carried over from previous SPX series mod els with newly developed algorithms Stereo input output The SPX2000 provides full stereo operation 2 IN 2 OUT Tempo synchronization Some
90. L TRG LVL OUT LVL OUT LVL 7 HOLD 8 RELEASE 9 MIDI TRG 10 OUT LVL 31 MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL cc Fih eager Pitch Change B Pitch Change C Freeze Freeze B Pitch Change D 1 PITCH 1 PITCH L PITCH REC MODE REC MODE 2 FINE 1 FINE L FINE TRG DLY TRG DLY 3 DELAY 1 DLY LDLY INP TRG PITCH 4 F B GAIN 2 PITCH R PITCH START FINE 5 BASE KEY 2 FINE R FINE BASE KEY 6 OUT LVL 2DLY RDLY END OUT LVL 7 OUT LVL OUT LVL 8 OUT LVL 9 10 31 MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL 96 SPX2000 Owner s Manual Error message list Error message Message content Action Low Battery The internal backup battery has run down If the battery goes dead the internal data will be lost Press any button to cancel the error message Then immediately use the BULK OUT ALL function page 23 to save the internal data on your computer or on external device After you have saved the data contact your Yamaha dealer to have the backup battery replaced MIDI Framing Error A MIDI framing error has occurred Press any button to cancel the error message Then try transmitting the MIDI data once again MIDI OUT is NOT Selected Since the MIDI OUT THRU connector 09 is set to THRU MIDI messages cannot be transmitted If you want to transmit MIDI messages use the MIDI OUT SETUP page 21 function to set the MIDI OUT THRU
91. LAY FB GAIN HI RATIO Tempo synchronization SYNC NOTE TEMPO Filter equalizer HPF LPF Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation DELAY 0 0 2730 0 ms Delay relative to the original sound Amount of feedback for the delay sound This indicates the ratio by which the level is reduced FB GAIN 9996 4 9996 when repeating the effect For example with a setting of 50 the level of the delay sound will decay to 5096 2596 12 596 as it is repeated Negative values invert the phase of the feedback Amount of feedback for the high frequency portion of the delay sound This is specified as a pro HI RATIO 0 1 1 0 portion of FB GAIN If this value is 0 1 the feedback amount will be 1 10th of FB GAIN if this value is 1 0 the feedback amount will be the same as FB GAIN 38 sPX2000 Owner s Manual parameters Parameter name Range Explanation MIX BAL 0 100 Balance between the original sound and effect sound At a setting of 096 only the original sound i will be output at a setting of 100 only the effect sound will be output Output level after the original sound and effect sound have been mixed Decrease this value if you OUT LVL 0 100 i want to lower the output At a setting of 096 there will be no output A filter that cuts the low frequency portion of the effect Frequency components lower t
92. LSHG EQF EQG EQQ EQG SYNC 9 EQG HSHF EQG EQQ HSHF EQQ NOTE 10 HPF EQQ HSHG EQQ HSH F HSHG HSH F 11 LPF HSHF SYNC HSHF HSHG SYNC HSHG 12 SYNC HSHG NOTE HSHG SYNC NOTE SYNC 18 NOTEL SYNC OUT LVL SYNC NOTE OUT LVL NOTE 14 NOTE R NOTE NOTE OUT LVL OUT LVL 15 NOTE FBL OUT LVL OUT LVL 16 NOTE FBR 17 OUT LVL 18 19 20 21 31 MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL cc Ring modulation Dynamic filter Dynamic flanger Dynamic phaser High quality pitch Dual pitch e Reverb Chorus 1 SOURCE SOURCE SOURCE SOURCE PITCH PITCH 1 DST TYPE INI DLY 2 OSC FRQ SENSE SENSE SENSE FINE FINE 1 DRIVE REV TIME 3 DIR DIR DIR DELAY LEVEL 1 MASTER 4 FM FREQ DECAY DECAY DECAY FB GAIN PAN 1 TONE DIFF 5 FM DEPTH TYPE OFFSET OFFSET MODE DELAY 1 N GATE DENSITY 6 SYNC OFFSET FB GAIN FB GAIN SYNC FB G 1 DELAY HPF 7 RESO LSHF STAGE NOTE PITCH 2 LPF 8 OUT LVL OUT LVL LSHG LSH F OUT LVL FINE 2 FB GAIN REV CHO 9 EQF LSHG LEVEL 2 FREQ 10 EQG HSHF PAN2 FREQ AM DEPTH 11 EQQ HSHG DELAY 2 DEPTH PM DEPTH 12 HSH F OUT LVL FB G 2 DLY BAL MOD DLY 18 HSHG MODE SYNC WAVE 14 OUT LVL SYNC DLY NOTE SYNC 15 NOTE 1 MOD NOTE NOTE 16 NOTE 2 OUT LVL 17 18 19 20 21 31 MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL MIX BAL SPX2000 Owner s Manual 95 Delay Early Reflec Delay Early Reflec
93. MPO SOURCE page 23 The NOTE value will be set to the synchronized tempo value NOTE This parameter is used for tempo synchronization If SYNC is ON the DELAY value will be set according to this value and the TEMPO value This value is ignored if SYNC is OFF TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the DELAY value will be set according to this value and NOTE This value is ignored if SYNC is OFF a R3 P3 F Da ba h J3 h J J d d SPX2000 Owner s Manual 61 Effect list The following tables show the default parameter values for the effect belonging to the High Quality Pitch type PRESET bank llBasic parameters NO Effect name PITCH FINE DELAY FB GAIN 58 ROGERONTHE 12 12 0 0 0 ms 0 parameters NO Effect name MIXBAL OUTLVL MODE SYNC NOTE TEMPO 58 ROGER ONTHE 12 100 90 6 OFF Dual Pitch PRESET bank This is essentially the same as High Quality Pitch but there are two effect sounds whose pitch can be specified independently Each aspect of the sound is controlled by the following effect parameters Effect sound 1 PITCH 1 FINE 1 DELAY 1 FB G 1 MODE Effect sound 2 PITCH 2 FINE 2 DELAY 2 FB G 2 MODE Tempo synchronization SYNC NOTE 1 NOTE 2 TEMPO Output level LEVEL 1 LEVEL 2 MIX BAL Parameter details llBasic parameters Parameter name PITCH 1 Range Explanation Amount of pit
94. NPUT to OUTPUT 80 dB Maximum voltage gain 1 kHz Input Output RL Conditions Min Typ Max Units Rs 600 Q INPUT LEVEL VR max 8009 INPUT LEVEL SW 4 OUTPUT LEVEL SW 4 10 an SPX2000 Owner s Manual 101 PARAMETER CONDITIONS MIN TYP MAX UNITS Sampling Frequency Normal Rate 39 69 50 88 kHz Frequency Range Double Rate 79 38 101 76 kHz DIGITAL IN Fs 44 1 kHz Jitter lt 2ns 10 ns DIGITAL IN Fs 48 kHz Jitter lt 2ns 10 ns External Clock DIGITAL IN Fs 39 69 50 88 kHz Jitter lt 2ns 20 ns Jitter of PLL I DIGITAL IN Fs 88 2 kHz Jitter lt 2ns 10 ns DIGITAL IN Fs 96 kHz Jitter lt 2ns 10 ns DIGITAL IN Fs 79 38 101 76 kHz Jitter lt 2ns 20 ns word clock int 44 1 kHz 44 1 kHz word clock int 48 kHz 48 kHz Frequency i word clock int 88 2 kHz 88 2 kHz word clock int 96 kHz 96 kHz word clock int 44 1 kHz 50 ppm word clock int 48 kHz 50 ppm Internal Clock accuracy word clock int 88 2 kHz 50 ppm word clock int 96 kHz 50 ppm word clock int 44 1 kHz 5 ns jitt word clock int 48 kHz 5 ns er J word clock int 88 2 kHz 5 ns word clock int 96 kHz 5 ns Signal Delay INPUT to OUTPUT Delay time 0 0 ms Fs 96 kHz 426 us 102 sPx2000 Owner s Manual Block Diagram
95. O 25 300 This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and NOTE This value is ignored if SYNC is OFF PPR MAD J h J J 4 d Effect list a The following tables show the default parameter values for the effect belonging to the Phaser type PRESET bank llBasic parameters Effect name FREQ DEPTH FB GAIN OFFSET PHASE STAGE H PHASER 0 50 Hz 36 70 58 0 00 dg 6 llFine parameters NO Effect name MIXBAL OUTLVL LSHG LSHF HSH G HSH F SYNC NOTE TEMPO H PHASER 100 100 0 0 dB 125 Hz 0048 10 0kHz OFF SPX2000 Owner s Manual 49 Modulation Stereo Flanger Stereo Phasing CLASSIC bank These effects are based on earlier models of the SPX series Stereo Flanger is equivalent to the Flanger effects of the PRESET bank and Stereo Phasing is equivalent to the Phaser effects of the PRESET bank These effects have a simpler parameter structure than the equivalent PRESET bank effects Each aspect of the sound is controlled by the following effect parame ters Modulation signal MOD FRQ DEPTH Effect sound MOD DLY FB GAIN Output level OUT LVL MIX BAL Level DEPTH Original sound Parameter details llBasic parameters Parameter name Range Explanation MOD FRQ 0 1 40 0 Hz Speed of modulation Increasing this valu
96. Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation Amount of pitch change set in semitone steps Positive settings make the pitch higher than the original sound and negative settings make it lower Amount of pitch change set in cents 1 100th of a semitone Positive settings make the pitch FINE 50 450 A higher than the original sound and negative settings make it lower DELAY 0 0 1000 0 ms Delay of the effect sound relative to the original sound FB GAIN 0 99 Amount of feedback for the effect sound Raising this value will increase the amount of feedback emphasizing the pitch change Negative settings will invert the phase of the feedback Base key for when receiving MIDI note on messages When a MIDI Note on message with note number or higher is received its distance from this setting will be used to update the PITCH value For example if you set this parameter as C4 a received note on message of C3 will cause BASE KEY OFF C 1 C 6 PITCH to be set to 12 making the effect sound one octave lower than the original pitch If you set this parameter as C2 a received note on message of D2 will cause PITCH to be set to 2 making the effect sound two semitones higher than the original pitch If this parameter is OFF MIDI note on messages will not be received Output level after the original sound and eff
97. PITCH CHANGE B Pitch change B 65 21 PITCH CHANGE C Pitch change C 65 22 PITCH CHANGED Pitch change A D 64 23 FREEZEA Freeze A 78 24 FREEZE B Freeze B 79 25 PAN Pan 56 26 SPX2000 Owner s Manual Reverb These effects add reverberation Reverberation varies in a complex way according to factors such as the size of the room and the material of the walls You can use this type of effect to simulate these changes producing a wide range of reverberation Reverberation can be divided into two categories of sound early reflections and the subsequent reverberation Early reflec tions are the sounds that reach your ear after being reflected only once from the walls or ceiling The subsequent reverbera tion is the wash of sound that reaches your ear after reflecting multiple times from the walls and ceiling The SPX2000 provides two types of reverb those that allow you to independently control the early reflections and the reverberation and those that control these two as a single unit The SPX2000 also provides gated reverbs These effects pass the signal through a gate so that reverb is added only while the gate is open One way to use these effects is to add only reverb that exceeds a specified level and close the gate to cut the slowly decaying reverberation The differences between the various types of reverb are as follows No of Early reflections and Type Bank INs OUTs subsequen
98. R channel Amount of feedback for the high frequency portion of the delay sound This is specified as a pro portion of FB G If this value is 0 1 the high frequency feedback amount for the L channel will be HI RATIO 0 1 1 0 1 10th of FB G L and the high frequency feedback amount for the R channel will be 1 10th of FB G If this value is set to 1 0 the high frequency range feedback will be the same as the FB G L or FB G R llFine parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound MIX BAL 100 h s will be output at a setting of 100 only the effect sound will be output Output level after the original sound and effect sound have been mixed Decrease this value if you o PUTINE 000 want to lower the output At a setting of 0 there will be no output A filter that cuts the low frequency portion of the effect Frequency components lower than the Thru 21 2 Hz 8 00 kHz frequency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre 50 0 Hz 16 0 kHz Thru quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound Switches tempo synchronization on off If this is ON
99. RCE page 23 The NOTE value will be set to the synchronized tempo value This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and the TEMPO value This value is ignored if SYNC is OFF This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and NOTE This value is ignored if SYNC is OFF as R R RES JS dd J d d s ss NOTE a TEMPO 25 300 Effect list The following tables show the default parameter values for the effect belonging to the Symphonic type PRESET bank llBasic parameters Effect name FREQ DEPTH MOD DLY WAVE 51 SYMPHONIC 0 50 Hz 7596 7 2 ms Sine 52 2000 Owner s Manual Fine parameters NO Effect name MIX BAL OUT LVL LSHG LSH F EQG EQF EQ Q HSH G HSH F 100 100 0 0 dB 125 Hz 0 0 dB 1 00 kHz 2 8 0 0 dB 10 0 kHz 61 SYMPHONIC SYNC NOTE TEMPO OFF Tremolo PRESET bank This effect cyclically varies the volume producing amplitude modulation AM Each aspect of the sound is controlled by the following effect parameters Modulation signal FREQ DEPTH WAVE Tempo synchronization SYNC NOTE TEMPO Filter equalizer LSH G LSH E EQ G EQ E EQ Q HSH G HSH F Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter
100. Reverberation REV TIME HI RATIO LO RATIO DIFF DENSITY E R DLY Gating GATE LVL ATTACK HOLD DECAY Overall effect sound E R BAL Filter equalizer HPF LPF Output level OUT LVL MIX BAL Parameter details llBasic parameters Level Original sound Early reflections Reverberation INI DLY Time REV TIME Parameter name Range Explanation REV TIME 0 3 99 0 s Reverb time This is expressed as the time over which reverberation at 1 kHz will decay by 60 dB HI RATIO 0 1 1 0 Reverb time for the high frequency range or low frequency range expressed as a proportion of REV TIME If this value is 0 1 the time will be 1 10th the REV TIME if it is 1 0 the time will be the same as the LO RATIO 0 1 2 4 REV TIME You can adjust these values to simulate the absorptiveness of the walls or ceiling HI RATIO is the decay of the high frequency range and LO RATIO is the decay of the low frequency range INLDLY 0 0 500 0 ms Delay of the early reflections relative to the original sound This also affects the delay until the reverberation is heard DIFF 0 10 Diffusion of the sound to left and right Increasing this value will make the reverberation more spaciousness DENSITY 0 100 Density of the reverberation Increasing this value will make the reverberation smoother You can create unique effects by lowering this value parameters Parameter name Range Explanati
101. S INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL The above warning is located on the top of the unit Explanation of Graphical Symbols The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated danger ous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons The exclamation point within an equilateral trian gle is intended to alert the user to the presence of important operating and maintenance servicing instructions in the literature accompanying the product IMPORTANT SAFETY INSTRUCTIONS Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with dry cloth Do not block any ventilation openings Install in accordance with the manufacturer s instructions 8 Do not install near any heat sources such as radia tors heat registers stoves or other apparatus including amplifiers that produce heat 9 Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are pro vided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement
102. SSAGE F0 E 2 8 1 BULK DUMP BULK DUMP REQUEST Bulk Dump messages are used to bulk dump SPX2000 data to a con nected MIDI device see page 23 or to receive data from a connected MIDI device to overwrite internal settings of the SPX2000 Bulk Dump Request messages request a bulk dump of data from the SPX2000 Reception conditions This message is received if the following two conditions are satisfied 1 The MIDI RECEIVE setting page 23 is SYSEX BLKDMP 2 The device number within the MIDI message matches the SPX2000 s MIDI channel or the SPX2000 s MIDI channel is set to OMNI 90 sPx2000 Owner s Manual Transmission conditions This message is transmitted when either of the following conditions are met The BULK OUT ALL function is executed to perform a bulk dump A Bulk Dump Request message is received Data conversion The data portion is handled by converting seven words of 8 bit data into eight words of 7 bit data Converting actual data into bulk data d 0 6 Actual data b 0 7 Bulk data b 0 0 for I 0 I lt 7 1 if d 1 amp 0x80 b 0 1 lt lt 6 b I 1 d I amp Ox7F Restoring bulk data into actual data d 0 6 Actual data b 0 7 Bulk data for I 0 I lt 7 1 b 0 lt lt 1 b I 1 0x80 amp b 0 W 2 8 1 1 System Setup Data Bulk Dump Format This bulk dumps the SPX2000 s setup memory except for the program chan
103. SYM 0 100 j only the reverb a setting of 10096 outputs only the symphonic REV BAL 0 100 Reverb gt Symphonic only Amount of symphonic Raising this value will strengthen the sym 5 phonic effect At a setting of 0 only reverb will be heard Switches tempo synchronization on off If this is ON the speed of modulation will synchronize to SYNC ON OFF the tempo synchronization source specified by TEMPO SOURCE page 23 The NOTE value will be set to the synchronized tempo value NOTE a This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and TEMPO If SYNC is OFF this value is ignored TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and NOTE If SYNC is OFF this value is ignored a REGE BS h J h J J d s Effect list llBasic parameters Parameter name Range Explanation FREQ 0 05 40 00 Hz Speed of modulation Increasing this value will make the modulation repeat at a shorter interval DEPTH 0 100 Modulation depth Increasing this value will produce deeper modulation MOD DLY 0 0 500 0 ms Delay of the effect sound relative to the original sound Waveform of the modulation signal This will affect the character of the modulation WAVE Sine Tri aun You can choose Sine sine wave or Tri triangle wave REV TIME 0 3 99 0 s Reverb time This is
104. Set the CLOCK SOURCE function INPUT SOURCE indicator blinks the incoming digital input page 18 to WORD CLOCK and connect signal does not match the clock on which the SPX2000 is the device supplying the clock to the operating WORD CLOCK IN jack 62 When doing Try changing the setting of the device that is supplying the word clock so the device supplying the clock must be connected one to one with the SPX2000 Restricting operation of the SPX2000 To prevent undesired changes from being made acciden tally you can selectively disable certain operations 1 Select the OPERATION LOCK function Press the UTILITY button 02 several times to select OPERATION LOCK 2 Select the operation lock level Use the INC W DEC buttons 47 to select the operation lock level SPX2000 Owner s Manual 19 Level 1 Utility functions other than Operation Lock will be disabled Level 2 In addition to Level 1 effect store and undo ing of store operations will be disabled Level 3 In addition to Level 2 effect recall and editing will be disabled NOTE If you attempt to use the front panel buttons to perform an operation that has been disabled by Operation Lock a message of Operation Locked will appear in the display However this message will not appear if such an operation is attempted by remote control The following table shows the operations that are dis abled
105. T or MIDI THRU Press either the INC button 7 to select MIDI THRU or the W DEC button 7 to select MIDI _ hom E MIDI THRU MIDI data entering the MIDI IN connector 80 will be retransmitted without change With this set ting MIDI data from the SPX2000 itself cannot be transmitted MIDI OUT Internal data of the SPX2000 can be bulk dumped or data can be transmitted in response to a request received from an external device Selecting the MIDI transmission reception channel Here s how to select the channel that will be used to trans mit receive MIDI data on the port you chose for the MIDI PORT GENERAL setting page 21 1 Select the MIDI CHANNEL function Press the UTILITY button 02 several times to select MIDI CHANNEL 2 Select the channel Use the INC W DEC buttons 7 to select the channel used for MIDI transmission reception You can choose one of 17 choices 16 chan nels 1 16 or OMNI all channels SPX2000 Owner s Manual 21 Selecting the ID number for use with the SPX2000 Editor You can select an ID number that will identify the SPX2000 Editor In order to allow communication with the SPX2000 Editor you must set this to the same ID num ber as you specified in the SPX2000 Editor 1 Select the EDITOR ID function Press the UTILITY button 62 several times to select EDITOR ID 2 Sp
106. TREBLE DIST TYPE DRIVE CAB DEP Filter equalizer EQ G EQ F EQ Q Noise gate N GATE Output level MIX BAL MASTER llBasic parameters Parameter name Range Explanation AMP TYPE Type of amp to be simulated The character of the amp will depend on the type you select Simulates the BASS control of the preamp controlling the low frequency range tone Raising this BASS 0 100 value will make the low range stand out Simulates the MIDDLE control of the preamp controlling the mid frequency range tone Raising MIDDLE 0 100 P a gt this value will make the mid range stand out TREBLE 0 100 Simulates the TREBLE control of the preamp controlling the high frequency range tone Raising this value will make the high range stand out DST TYPE Dent PS TE OVDI OvDa Type of distortion The character of the distortion will depend on the type you select DRIVE 0 100 Distortion depth Raising this value will produce stronger distortion a STK MI STK M2 THRASH MIDBST CMB PG CMB VR CMB DX CMB TW MINI FLAT parameters Parameter name Range Explanation MIX BAL 0 100 Balance between the original sound and effect sound At a setting of 096 only the original sound will be output at a setting of 100 only the effect sound will be output CAB DEP 0 100 Strength of the speaker cabinet simulation Raising this value will cause the idiosyncrasies of the speakers to
107. V X SMALL HALL 100 100 Thru 5 60kHz 800 Hz 10 REV X TINY HALL 100 100 Thru 5 60kHz 800 Hz 8 REV X WARM HALL 100 80 Thru 3 20kHz 800 Hz 50 REV X BRITE HALL 100 70 Thru Thru 800 Hz 53 100 100 160Hz 2 80kHz 800 2 53 REV X VOCAL PLT 100 80 140Hz 6 30kHz 800 2 25 REV X BRIGHT PLT 100 75 180Hz 8 00kHz 800Hz 25 REV X SNARE PLT 10096 80 125 2 7 00kHz 800 2 25 REV X CHAMBER 10096 10096 80 0 Hz Thru 800 Hz 10 REV X WOOD ROOM 10096 10096 56 0Hz 8 00kHz 800Hz 30 29 REV X WARM ROOM 100 100 Thru 6 30 kHz 800Hz 12 30 REV X LARGE ROOM 10096 10096 80 0Hz 10 0kHz 800Hz 53 3 REV X MED ROOM 10096 10096 Thru 10 0kHz 800Hz 35 32 REV X SMALL ROOM 100 100 Thru 10 0kHz 800 Hz 20 33 REV X SLAP ROOM 100 100 Thru 5 60 2 800Hz 26 28 SPX2000 Owner s Manual Reverb CLASSIC bank These reverbs are based on effects of earlier models in the SPX series There is no distinction between early reflections and subsequent reverberation Each aspect of the sound is controlled by the following effect parame ters Reverberation REV TIME HI RATIO DELAY Filter equalizer HPF LPF Level Original sound Reverberation Time Output level OUT LVL MIX BAL ES Parameter details parameters Parameter name Range Explanation REV TIME 0 3 99 0 s Reverb time This is expressed as the time over which reverberation at 1 kHz will decay by 60 dB Reverb
108. When the SPX2000 receives a Request message with an Address UL 0 7 transmission of all meter data will be halted immediately Transmis sion will also stop if the power is turned off and on again while transmit ting meter data or if the MIDI port setting is changed Format STATUS 11110000 FO System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn in 0 15 Device number Device No 1 GROUP ID 00011110 1E MODEL ID signal processor MODEL ID 00001001 09 SPX2000 ADDRESS 00100001 21 Remote meter Ommmmmmm mm ADDRESS UL Ommmmmmm mm ADDRESS LU Ommmmmmm mm ADDRESS LL DATA dd Datal dd Datal 1 EOX 11110111 F7 End of exclusive E 2 8 2 19 Parameter request Remote Meter Format STATUS 11110000 FO System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0011nnnn 3n 0 15 Device number Device No 1 GROUP ID 00011110 1E MODEL ID signal processor MODEL ID 00001001 09 SPX2000 ADDRESS 00100001 21 Remote meter Ommmmmmm mm ADDRESS UL Ommmmmmm mm ADDRESS LU Ommmmmmm mm ADDRESS LL ch Count H cl Count L EOX 11110111 F7 End of exclusive 94 sPX2000 Owner s Manual MIDI Control Change Parameter Assignment Table
109. a repeat it as many times as desired or modify the pitch Each aspect of the sound is controlled by the following effect parameters Recording REC MODE REC DLY RECORD Playback PLAY PLY MODE START END LOOP LOOP NUM Playback pitch PITCH FINE Recording playback trigger MIDI TRG TRG LVL TRG MASK Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation REC MODE MANUAL AUTO Recording method Choose MANUAL manual or AUTO automatic REC DLY 1000 1000 ms Delay from when recording is triggered until recording actually begins When REC MODE is MANUAL press the DEC button 42 to enter record ready mode then press the A INC button 47 to begin recording PLAY Press the INC W DEC buttons 2 to play back as specified by the PLY MODE setting This is the method by which the sampled data will be played back MOMENT Playback will continue while you hold down the INC W DEC button 42 CONTI Playback will begin when you press the INC W DEC button 42 and will con tinue for the number of times specified by LOOP NUM If you press the INC W DEC button during playback playback will start again from the beginning INPUT Playback will begin when the input signal level exceeds TRG LVL and will continue for the number of times specified by LOOP NUM If a signal exceeding the TRG LVL is input again during playback playback will start again
110. able B 2 table c STATUS 1100nnnn Cn Program change DATA Ovvvvvvv vv Program number 0 127 2 4 PROGRAM CHANGE Cn When the SPX2000 receives this message it will recall the effect specified by the content of the program change table page 22 Reception conditions This message is received if the following two conditions are satisfied 1 The MIDI RECEIVE setting page 23 is PGM CHANGE ON 2 The channel on which the MIDI message is transmitted matches the SPX2000 s MIDI channel or the SPX2000 s MIDI channel is set to OMNI Format STATUS 1100nnnn Cn Program change DATA Onnnnnnn nn Program number 0 127 2 5 TIMING CLOCK F8 This message is used for tempo synchronization of the effect Twenty four of these messages are received per quarter note Reception conditions This message is received if the TEMPO SOURCE setting page 23 is set to a tempo synchronization source of MIDI Format STATUS 11111000 F8 Timing clock 2 6 ACTIVE SENSING FE Once the SPX2000 has received this message failure to receive a message of any kind for an interval longer than 400 ms will cause it to initialize MIDI communication settings such as running status Format STATUS 11111110 FE Active sensing 2 7 SYSTEM RESET FF When the SPX2000 receives this message it will initialize MIDI commu nication settings such as running status Format STATUS 11121111 FF System reset 2 8 SYSTEM EXCLUSIVE ME
111. ages transmitted from that device to remotely control the SPX2000 page 88 TO HOST USB connector You can use a USB cable to connect your computer here You can use SPX2000 Editor or your MIDI appli cation to remotely control the SPX2000 from your computer page 6 62 WORD CLOCK IN jack Connect this jack to a device that supplies a word clock signal This jack is terminated with a 75 ohm resistor Connect this jack in a one to one connection with the device supplying the word clock 3 AES EBU OUT jack Connect an AES EBU format device to this jack This XLR 3 32 jack outputs an AES EBU format digital sig nal AES EBU IN jack Connect an AES EBU format device to this jack This XLR 3 31 jack inputs an AES EBU format digital sig nal OUTPUT jacks Connect these jacks to the effect return of your mixer or to the input of your power amp These jacks output analog signals Use either the XLR 3 32 jacks or the TRS phone jacks as appropriate for the device you are connecting OUTPUT 10 dBu 4 dBu switch Set this to either 10 dBu or 4 dBu according to the input level of the device connected to the OUTPUT jacks 09 8 INPUT jacks Connect these jacks to the effect send of your mixer or to the output of an electronic musical instrument These jacks input analog signals Use either the XLR 3 31 jacks or the TRS phone jacks as appropriate for the device you are connecting In order to enable these jacks
112. al If you select MIDI the modulated sound will change according to the received MIDI mes sages velocity If you want the effect to vary according to your keyboard performance select MIDI The sensitivity to SOURCE Higher settings of this value will cause the phase shift frequency to follow SENSE e 100 the SOURCE more faithfully With lower settings the phase shift frequency will follow more loosely OFFSET 0 100 Offset value of the phase shift frequency This affects the basic frequency when a control signal is not being received FB GAIN 999 9990 Amount of feedback for the effect sound Raising this value will increase the amount of feedback emphasizing the modulation Negative settings will invert the phase of the feedback STAGE 2 4 6 8 10 12 14 16 Number of stages in the phase shift circuitry Raising this value will produce a more complex sense of modulation llFine parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound Vete will be output at a setting of 100 only the effect sound will be output OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 0 there will be no output DIR UP DOWN Direction in which the phase shifted frequency will move in response to the SOURCE signal 44 1 k
113. alue is HLRATIO 01 10 0 1 the time will be 1 10th the REV TIME if it is 1 0 the time will be the same as the REV TIME You can adjust these values to simulate the absorptiveness of the walls or ceiling HI RATIO is the decay of the high frequency range INLDLY 5 500 0 mis Delay of the early reflections relative to the original sound This also affects the delay until the reverberation is heard DIFF 0 10 Diffusion of the sound to left and right Increasing this value will make the reverberation more spaciousness DENSITY 0 100 Density of the reverberation Increasing this value will make the reverberation smoother You can create unique effects by lowering this value parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound MIX BAL 0 100 will be output at a setting of 100 only the effect sound will be output OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 0 there will be no output A filter that cuts the low frequency portion of the effect Frequency components lower than the HPF Thru 21 2 Hz 8 00 kHz frequency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above th
114. ank that contains the desired effect The BANK indicator 17 shows the currently selected bank 2 Select an effect Use the A W buttons 13 to select the effect you want to use The number of the currently selected effect will blink in the effect number indicator Press to move to the following effect to continue moving through A button Hold the following effects uc to move more rapidly through press V the following effects Press to move to the preceding effect Hold to continue moving through V button the preceding effects worm to move more rapidly through pois A the preceding effects 12 sPx2000 Owner s Manual NOTE The following buttons will be inoperable when the UTILITY LED 02 is lit BANK button 4 STORE button 2 AY buttons 49 RECALL button 02 UNDO button 45 COMPARE button 09 NOTE While you are selecting an effect i e while the effect number indicator is blinking pressing any of the following buttons will cancel the effect selection the currently recalled effect will appear in the display UNDO button 45 BACK button 18 A INCV Y DEC buttons NEXT button 49 COMPARE button 09 PARAMETER button 00 e FINE PARAM button Recall the effect Press the RECALL button 49 to recall the effect The recalled effect will be
115. applied to the output signal NOTE You can press the UNDO button 49 to undo the preceding Recall operation The UNDO LED will light if UNDO is available Switch the effect on off You can use the BYPASS button 03 to switch the effect on off Each time you press the button the effect will be switched on off When the BYPASS button is on the effect will be off and the input signal will be output without modification Editing an effect This section explains the process of editing a selected effect and storing it The over all steps are as follows Select an effect Select B eren Edit ia parmis Check the edited effect v Store the effect v Undo the preceding Store operation ho Select an effect Select the effect that you want to edit Basic parameters and Fine parameters 1 Select a bank Each of the SPX2000 s effects consists of two types Use the BANK button Q to select the bank con of parameter Basic parameters and Fine parame taining the effect you want to edit ters The BANK indicator 17 shows the currently selected bank Effect 2 Select an effect page 12 Basic parameter 1 Fine parameter 1 Use the A W buttons 3 to select the effect you Basic parameter 2 Fine parameter 2 want to edit Basic parameter 3 Fine parameter 3 The number of the currently selected effect will blink in the
116. arameter depends on the sampling frequency at which the SPX2000 is operating The value shown in the table is for fs 96 kHz SPX2000 Owner s Manual 33 Reverb What is a Gate A gate is a device or circuit that passes or blocks a signal Gates are provided on the SPX2000 s Reverb PRE SET bank and Reverb amp Gate CLASSIC bank effects and can be used to control the reverberation For example you can use a gate to apply reverberation only to signals that exceed a specified level or to suddenly cut the decaying tail of the reverberation so that the reverberation ends suddenly The various gate related parameters are explained below Threshold Level This is the signal level at which the gate will open The gate will open when the input signal exceeds this level and will remain open as long as the signal remains above this level Level Original sound Effect sound lt I Hold time Release time Decay time On the SPX2000 this is controlled by parameters such Threshold level as GATE LVL TRG LVL Time Attack Time Release Time Decay Time To prevent sudden jumps in the sound when the input signal exceeds or falls below the threshold level you can make the gate open or close gradually over a specified length of time The time from when the gate begins to open until it opens completely is called the Attack Time and the time from when it begins to
117. as when that effect was stored 1 48 1 24 1 16 1 12 3 32 h 1 8 d 1 56 h 3 16 J 14 da 3 8 J 1 2 J 3 4 1 1 mm 2H SPX2000 Owner s Manual 15 ho Check the edited effect Press the COMPARE button 49 to compare the origi nal effect with the edited version Each time you press this button the COMPARE LED will alternate between lit and blinking The LED will light if the edited effect is selected and will blink if the unedited effect is selected NOTE The following buttons are inoperable while the COMPARE LED is blinking A INCV Y DEC buttons 17 e UTILITY buttons 02 TAP button 02 Store the effect Here s how to specify a location in the USER bank and store the edited effect 1 Select the USER bank Press the BANK button 0 several times to select the USER bank The BANK indicator 17 will indicate USER 2 Select a store destination for the effect Use the A W buttons 43 to specify the effect number in which you will store the effect you edited The effect number indicator 40 shows the cur rently selected effect number 3 Store the effect Press the STORE button 12 to store the effect The COMPARE LED 49 will go dark and the UNDO LED 45 will light 16 sPx2000 Owner s Manual Undoing the previous operation You can return setti
118. ase this value if you want to lower the output At a setting of 0 there will be no output Switches tempo synchronization on off If this is ON the speed of modulation will synchronize to SYNC ON OFF the tempo synchronization source specified by TEMPO SOURCE page 23 The NOTE value will be set to the synchronized tempo value NOTE ia This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and the TEMPO value This value is ignored if SYNC is OFF TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and NOTE This value is ignored if SYNC is OFF as R k BRE JS h J J d d lt ss 56 sPx2000 Owner s Manual Effect list The following tables show the default parameter values for the effect belonging to the Modulation Filter type PRESET bank parameters 0 Effect name FREQ DEPTH PHASE TYPE OFFSET RESO 15 MOD FILTER 0 25 Hz 60 180 00 dg BPF 8 5 parameters 0 Effect name MIXBAL OUTLVL SYNC NOTE TEMPO 15 MOD FILTER 100 100 OFF 22 Ring Modulation PRESET bank This effect adds a metallic bell like resonance Each aspect of the sound is controlled by the following effect parameters Modulation signal SOURCE OSC FRQ FM FREQ FM DEPTH Tempo synchronization SYNC NOTE FM TEMPO Out
119. back amount will be the same as FB G L FB G R NOTE If the FB G L FB G L gt R FBG or R gt L FBG values are raised excessively oscillation will occur and the signal will not decay Please use caution 44 SPX2000 Owner s Manual parameters Parameter name Range Explanation MIX BAL 0 100 Balance between the original sound and effect sound At a setting of 096 only the original sound i will be output at a setting of 100 only the effect sound will be output Output level after the original sound and effect sound have been mixed Decrease this value if you OUT LVL 0 100 i want to lower the output At a setting of 096 there will be no output A filter that cuts the low frequency portion of the effect Frequency components lower than the HPF Thru 21 2 Hz 8 00 kHz frequency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre LPF 50 0 Hz 16 0 kHz Thru quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound Switches tempo synchronization on off If this is ON the delay will synchronize to the tempo syn SYNC ON OFF chronization source specified by TEMPO SOURCE page 23 The each NOTE value will be set to the synchroni
120. be heard Switches tempo synchronization on off If this is ON the speed of modulation will synchronize to SYNC ON OFF the tempo synchronization source specified by TEMPO SOURCE page 23 The NOTE value will be set to the synchronized tempo value NOTE d This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and TEMPO If SYNC is OFF this value is ignored TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and NOTE If SYNC is OFF this value is ignored F3 F h F h 5 J J d d Effect list llBasic parameters mua Effect name FREQ DEPTH MOD DLY FB GAIN WAVE REV TIME INI DLY DIFF DENSITY j REVERB FLANGE 1 10 Hz 80 1 2 ms 10 Sine 2 45 0 4 0 1 ms 5 9596 81 REV FLANGE 0 25 Hz 88 0 3ms 84 1 98 07 2 4 ms 10 10096 parameters 0 Effect name BAL OUTLVL HPF LPF REV FLG REVBAL SYNC NOTE TEMPO j REVERBFLANGE 76 100 Thu 4 25 2 60 OFF 1 81 REV FLANGE 10096 10096 Thru Thru 67 OFF 70 SPX2000 Owner s Manual Reverb Symphonic PRESET bank Reverb Symphonic PRESET bank Reverb Symphonic separately applies reverb and symphonic to the original sound and then mixes the results Reverb Symphonic applies r
121. be heard more strongly Gain of the equalizer peaking type This adjusts the gain of the frequency region specified by EQ EQG 12 0 412 0 dB M i A s _ E Positive settings will boost the region and negative settings will attenuate it EQ F 100 Hz 8 00 kHz Equalizer peaking type frequency The EG G gain will be applied to a region centered on this fre quency Equalizer peaking type Q This indicates the sharpness of the frequency response curve of the EQQ 10 0 0 10 22 H equalizer Raising this value produces a sharper curve Noise gate depth Raising this value will raise the level of the signals that will be allowed through N GATE 0 20 the gate This is a useful way to remove noise Excessively high settings of this parameter will weaken the forcefulness of the sound MASTER 0 100 Output level Decrease this value if you want to lower the output of the effect sound only the orig inal sound will be heard Effect list The following tables show the default parameter values for the effect belonging to the Amp Simulator type PRESET bank parameters Effect name AMPTYPE BASS MIDDLE TREBLE DSTTYPE DRIVE 83 AMP SIMULATOR STK M1 94 100 82 DST1 50 llFine parameters Effect name BAL CABDEP EQF EQ Q N GATE MASTER 83 AMP SIMULATOR 100 42 1 5dB 750 2 2 0 1 40 SPX2000 Owner s Manual 87 Preparation
122. buffer Format STATUS ID No SUB STATUS GROUP ID MODEL ID ADDRESS DATA EOX 11110000 01000011 0001nnnn 00011110 00001001 00000001 Oppppppp 11110111 FO 43 in 1E 09 01 ee F7 System exclusive message Manufacture s ID number YAMAHA 0 15 Device number Device No 1 MODEL ID signal processor SPX2000 Edit Buffer Element no if ee is O will be expanded to two bytes Parameter no Channel no data End of exclusive SPX2000 Owner s Manual 91 E 2 8 2 2 Parameter request Edit Buffer Format STATUS ID No SUB STATUS GROUP ID MODEL ID ADDRESS EOX 11110000 01000011 0011nnnn 00011110 00001001 00000001 0eeeeeee Oppppppp 11110111 FO 43 3n 1E 09 01 ee F7 System exclusive message Manufacture s ID number YAMAHA 0 15 Device number Device No 1 MODEL ID signal processor SPX2000 Edit Buffer Element no if ee is O will be expanded to two bytes Parameter no Channel no End of exclusive E 2 8 2 3 Parameter change System Setup Memory This message modifies the value of a parameter in system setup memory Format STATUS ID No SUB STATUS GROUP ID MODEL ID ADDRESS DATA EOX 11110000 01000011 0001nnnn 00011110 00001001 00000011 0eeeeeee
123. c PRESET bank This effect adds more stages to the chorus effect and strengthens the time varying changes It is especially effective when used on string ensembles Each aspect of the sound is controlled by the following effect parameters Modulation signal FREQ DEPTH WAVE Phase shift MOD DLY Tempo synchronization SYNC NOTE TEMPO Filter equalizer LSH G LSH F EQ G EQ Q HSH G HSH Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation FREQ 0 05 40 00 Hz Speed of modulation Increasing this value will make the modulation repeat at a shorter interval DEPTH 0 100 Modulation depth Increasing this value will make the modulation deeper MOD DLY 0 0 500 0 ms Delay relative to the original sound Waveform of the modulation signal This will affect the character of the modulation WAVE Sine You can choose Sine sine wave or Tri triangle wave parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound o BAE geste will be output at a setting of 100 only the effect sound will be output Output level after the original sound and effect sound have been mixed o DUTINE 1906 Decrease this value if you want to lower the output At a setting of 0 there will be no output Gain of the low shelving filter This adjusts th
124. ch change adjusted in semitone steps Positive settings make the pitch higher PITCH 2 Rida than the original sound and negative settings make it lower FINE 1 Amount of pitch change adjusted in steps of one cent 1 100th of a semitone Positive settings 50 450 4 4 3 FINE 2 make the pitch higher than the original sound and negative settings make it lower ul 3 0 0 1000 0 ms Delay of the effect sound relative to the original sound FB G 1 Amount of feedback for the effect sound Raising this value will increase the amount of feedback 997 6 4 99976 Box FB G 2 emphasizing the pitch change Negative settings will invert the phase of the feedback LEVEL Output levels of the effect 1 and effect 2 sounds LEVEL 1 is the output level for effect sound 1 and LEVEL 2 100 100 LEVEL 2 is the output level for effect sound 2 Negative settings invert the phase eu 5 L63 R63 Position of each effect sound L63 is far left and R63 is far right llFine parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound MUSAE THE will be output at a setting of 100 only the effect sound will be output Precision of the pitch change Higher settings produce a more accurate pitch change but the delay MODE 1 10 error will be greater Switches tempo synchronization on off If this
125. ct list The following table shows the default parameter values for the effect belonging to the Symphonic type CLASSIC bank Effect name 15 SYMPHONIC MOD FRQ 0 7 Hz DEPTH 94 OUT LVL 100 MIX BAL 100 54 sPX2000 Owner s Manual Auto Pan PRESET bank This effect cyclically moves the pan position of the sound Each aspect of the sound is controlled by the following effect parameters Modulation FREQ DEPTH WAVE DIR Filter Equalizer LSH G LSH F EQ G EQ F EQ Q HSH G HSH F Tempo synchronization SYNC NOTE TEMPO Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation FREQ 0 05 40 00 Hz Speed of modulation panning movement Increasing this value will make the panning movement faster DEPTH 0 100 Modulation depth Increasing this value will produce greater movement between left and right Waveform of the modulation signal This will affect the character of the modulation WAVE Sine Tri Square A fast You can choose Sine sine wave Tri triangle wave or Square square wave Direction of panning movement L lt gt R makes the sound move alternately between the L and R L lt gt R L gt R L lt R Turn L DIR Tum R channels L gt R makes the sound move from L to and then jump back to L L lt R does the opposite Turn L or Turn R makes the sound
126. cy region above this setting Switches tempo synchronization on off If this is ON the speed of modulation will synchronize to SYNC ON OFF the tempo synchronization source specified by TEMPO SOURCE page 23 The NOTE value will be set to the synchronized tempo value NOTE a This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and the TEMPO value This value is ignored if SYNC is OFF TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and NOTE This value is ignored if SYNC is OFF as R k AS h JS h J J d d lt ss Effect list The following table shows the default parameter values for the effects belonging to the Chorus type PRESET bank Modulation llBasic parameters AM PM MOD DEPTH DEPTH DLY 0 50 Hz 0 52 2 00 2 89 27 Effect name FREQ WAVE 63 DETUNE CHORUS 81 CLASSY GLASSY 4 7 ms Sine 4 4 ms Sine SPX2000 Owner s Manual 51 parameters Effect name MIX BAL OUTLVL LSHG LSH F EQG EQ F EQQ HSH G HSH F DETUNE CHORUS 100 100 2 0 dB 212Hz 0 0 dB 1 00 kHz 10 0 2 5 dB 10 0 kHz CLASSY GLASSY 10096 100 0 0 dB 125 Hz 7 0 dB 4 00 kHz 2 0 410 0 dB 7 50 kHz Effect name SYNC NOTE TEMPO 53 DETUNE CHORUS OFF 51 CLASSY GLASSY OFF d Symphoni
127. d will be output Output level after the original sound and effect sound have been mixed T LVL 1007 3 BU 0 100 Decrease this value if you want to lower the output At a setting of 0 there will be no output ER NUM 1 19 The number of early reflections Increasing this value will increase the number of reflections A filter that cuts the low frequency portion of the effect Frequency components lower than the HPF Thru 21 2 Hz 8 00 kHz frequency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre 50 0 Hz 16 0 kHz Thru quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound Delay Early Reflection only This is the balance between delay and early reflections If this value PIVER dod is 096 only the delay sound will be output if this is 10096 only the early reflections will be output Delay gt Early Reflection only This specifies the amount of early reflections Raising this value 0 100 will strengthen the early reflections If this value is 096 only delay will be produced Switches tempo synchronization on off If this is ON the delays will synchronize to the tempo syn SYNC ON OFF chronization source specified by TEMPO SOURCE page
128. donesia Tel 021 520 2577 KOREA Yamaha Music Korea Ltd 8F 9F Dongsung Bldg 158 9 Samsung Dong Kangnam Gu Seoul Korea Tel 02 3467 3300 MALAYSIA Yamaha Music Malaysia Sdn Bhd Lot 8 Jalan Perbandaran 47301 Kelana Jaya Petaling Jaya Selangor Malaysia Tel 03 78030900 SINGAPORE Yamaha Music Asia Pte Ltd 03 11 A Z Building 140 Paya Lebor Road Singapore 409015 Tel 6747 4374 TAIWAN Yamaha KHS Music Co Ltd 6 Sec 2 Nan Jing E Rd Taipei Taiwan 104 R O C Tel 02 2511 8688 THAILAND Siam Music Yamaha Co Ltd 4 6 15 and 16h floor Siam Motors Building 891 1 Rama 1 Road Wangmai Pathumwan Bangkok 10330 Thailand Tel 02 215 2622 OTHER ASIAN COUNTRIES Yamaha Corporation Asia Pacific Sales amp Marketing Group Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel 8 1 53 460 2303 OCEANIA MIDDLE EAST TURKEY CYPRUS Yamaha Music Europe GmbH SiemensstraDe 22 34 25462 Rellingen Germany Tel 04101 3030 OTHER COUNTRIES Yamaha Music Gulf FZE LOB 16 513 17328 Jubel Ali Dubai United Arab Emirates Tel 971 4 881 5868 HEAD OFFICE Yamaha Corporation Pro Audio Division Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel 81 53 460 2441 PA28 AUSTRALIA Yamaha Music Australia Pty Ltd Level 1 99 Queensbridge Street Southbank Victoria 3006 Australia Tel 3 9693 5111 COUNTRIES AND TRUST TERR
129. e HPF Thru 21 2 Hz 8 00 kHz frequency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre LPF 50 0 Hz 16 0 kHz Thru quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound Amount of feedback for the early reflections This indicates the ratio by which the level is reduced for FB GAIN 99 99 each repetition of the effect For example with a setting of 50 the level of the reflections will decay to 5096 2596 12 5 as they are repeated Negative values invert the phase of the feedback Amount of feedback for the high frequency portion of the reflections This is specified as a propor HI RATIO 0 1 1 0 tion of FB GAIN If this value is 0 1 the feedback amount will be 1 10th of FB GAIN if this value is 1 0 the feedback amount will be the same as FB GAIN SPX2000 Owner s Manual 35 Effect list The following tables show the default parameter values for the effects belonging to the Early Reflection Gate Reverb and Reverse Gate types PRESET bank llBasic parameters NO Effect name TYPE ROOMSIZE LIVENESS INI DLY DIFF DENSITY 34 FAT REFLECTIONS S Hall 5 1 10 10 6 ms 10 100 35 BIG SNARE Type A 12 10 10 0
130. e effect belonging to the Rotary Speaker type PRESET bank parameters Effect name ROTATE SPEED SLOW FAST DRIVE 11 ROTARY SPEAKER START SLOW 0 35 2 3 50 Hz 68 parameters Effect name BAL ACCEL LOW HIGH 1 ROTARY SPEAKER 100 3 92 92 85 SPX2000 Owner s Manual Distortion PRESET bank OOUT L GATE IN T DISTORTION E TONE O OUT R This effect distorts the sound It is used mainly on electric guitar Fach aspect of the sound is controlled by the following effect parameters Effect sound DST TYPE DRIVE TONE Noise gate N GATE Output level MIX BAL MASTER Parameter details llBasic parameters Parameter name Range Explanation DST1 DST2 OVD1 OVD2 Type of distortion this determines the basic character of the effect The character of the distortion DSTTYPE 1 k CRUNCH will depend on the type you select DRIVE 0 100 Distortion depth Raising this value will produce stronger distortion Controls the level of the high frequency range Positive settings produce a more piercing tone TONE 10 10 A and negative settings produce a more mellow tone llFine parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound will be output at a setting of 10
131. e effects can vary the volume the pitch or the delay time of the effect sound to produce swooshing or twisting sounds flanger phaser or cyclic changes in volume tremolo or position auto pan The SPX2000 can use the signal of an oscillator as the modulator to apply cyclic change or use the input signal itself or MIDI messages to apply change No of 1 INs OUTs Modulation effect Modulator signal Page Flanger 47 PRESET T Phaser Twisting 49 Stereo Flanger Stereo Phasing CLASSIC 50 Chorus 51 Chorus Symphonic PRESET 52 53 Tremolo Volume change N CLASSIC Oscillator signal zi Chorus 2IN 2OUT Chorus Symphonic CLASSIC Symphonic 54 Auto Pan PRESET x 55 Positional change CLASSIC 56 Modulation Filter 56 Ring Modulation 57 Dynamic Filter PRESET Twisting 58 z Input signal or Dynamic Flanger MIDI message 59 c Dynamic Phaser 60 G Flanger PRESET bank These effects add a swooshing character that is reminiscent of a jet Oo Level airplane taking off and landing DEPTH For delay type effects the delay time relative to the original sound does Original sound not change however for a flanger the delay time is modulated cycli cally It is this change in the delay time that produces the swooshing character of a flanger Each aspect of the sound is control
132. e fre LPF 50 0 Hz 16 0 kHz Thru quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound 272 z z REVBAL 0 100 Amount of auto pan Raising this value will strengthen the auto pan effect At a setting of 096 only reverb will be heard Switches tempo synchronization on off If this is ON the speed of modulation will synchronize to SYNC ON OFF the tempo synchronization source specified by TEMPO SOURCE page 23 The NOTE value will be set to the synchronized tempo value NOTE a This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and TEMPO If SYNC is OFE this value is ignored TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and NOTE If SYNC is OFF this value is ignored as REGE BS d d3 h J J d d 72 SPX2000 Owner s Manual Effect list llBasic parameters Effect name FREQ DEPTH WAVE DIR REVTIME HLRATIO INI DLY DIFF DENSITY 89 REV gt PAN 1 00 Hz 100 Tri L lt gt R 3 8s 1 0 18 8 ms 10 90 parameters NO Effect name BAL OUT LVL HPF LPF REV BAL SYNC NOTE TEMPO 89 REV gt PAN 100 100 Thru 14 0 kHz 25 OFF d Delay Early Reflections bank Delay Early Reflections PRESET bank Delay
133. e it terminal is provided on the rear panel for safely grounding the device and preventing electrical shock Handling caution e Before moving the device remove all connected cables e When setting up the product make sure that the AC outlet you are using is Do not insert your fingers or hand in any gaps or openings on the device easily accessible If some trouble or malfunction occurs immediately turn off e Avoid inserting or dropping foreign objects paper plastic metal etc into any he power switch and disconnect the plug from the outlet Even when the power gaps or openings on the device If this happens turn off the power immediately switch is turned off electricity is still flowing to the product at the minimum and unplug the power cord from the AC outlet Then have the device inspected evel When you are not using the product for a long time make sure to unplug by qualified Yamaha service personnel he power cord from the wall AC outlet Do not rest your weight on the device or place heavy objects on it and avoid use Do not expose the device to excessive dust or vibrations or extreme cold or heat excessive force on the buttons switches or connectors such as in direct sunlight near a heater or in a car during the day to prevent he possibility of panel disfiguration or damage to the internal components Do not place the device in an unstable position where it might acciden
134. e it lower 1 FINE 100 100 Amount of pitch change set in cents 1 100th of a semitone Positive settings make the pitch 2 FINE higher than the original sound and negative settings make it lower E e 0 0 1000 0 ms Delay of the effect sound relative to the original sound Output level after the original sound and effect sound have been mixed Decrease this value if you OUT LVL 0 100 want to lower the output At a setting of 0 there will be no output Balance between the original sound and effect sound At a setting of 0 only the original sound MIX BAL 0 100 I will be output at a setting of 100 only the effect sound will be output Effect list The following table shows the default parameter values for the effect belonging to the Pitch Change B type CLASSIC bank NO Effect name 1 PITCH 1 FINE 1 DLY 2 PITCH 2 FINE 2 DLY OUTLVL MIX BAL 20 PITCH CHANGE B 0 8 0 1 ms 0 8 20 0 ms 100 100 Pitch Change C CLASSIC bank This is a pitch change effect based on earlier models of the SPX series It is equivalent to the Dual Pitch effect of the PRESET bank The two effect sounds will be output separately from the L and R channels Each aspect of the sound is controlled by the following effect parameters L channel effect sound L PITCH L FINE L DLY R channel effect sound R PITCH R FINE R DLY Output level OUT LVL MIX BAL Parameter details llBasic parameters
135. e reverberation Increasing this value will increase the density and produce a stronger sense of spaciousness DIFF 0 10 Size of the reverberant space Increasing this value simulates a larger space You can use this to sim ROOMSIZE 0 28 ulate the absorptiveness of the walls and ceiling Changing this value will change the REV TIME value SPX2000 Owner s Manual 27 Fine parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound o iai a gu will be output at a setting of 100 only the effect sound will be output Output level after the original sound and effect sound have been mixed Decrease this value if you T LVL 1007 P 24 0 1097 want to lower the output At a setting of 0 there will be no output A filter that cuts the low frequency portion of the effect Frequency components lower than the Thru 22 0 Hz 8 00 kHz frequency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre 1 00 18 0 kHz Thru quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound The frequency that will be the basis for the LO RATIO Basic parameter Frequencies lower than the value
136. e volume of the low frequency region Positive LSHG 12 0 412 0 dB i settings will boost the low frequency region and negative settings will attenuate it Frequency of the low shelving filter The LSH G gain applies to the frequency region below this set LSH F 21 2 Hz 8 00 kHz ting Gain of the equalizer peaking type This adjusts the gain of the frequency region specified by EQ E 12 0 412 0 dB d 5 1 F Positive settings will boost the region and negative settings will attenuate it Frequency of the equalizer peaking type The EQ G gain setting will affect the region around this EQF 100 Hz 8 00 kHz frequency Q sharpness of the equalizer peaking type This indicates the sharpness of the equalizer fre E 10 0 0 10 ae 2 9 quency response curve Higher values will produce a sharper curve Gain of the high shelving filter This adjusts the volume of the high frequency region Positive 4 HSH 12 0 412 0 dB SHG DUM settings will boost the high frequency region and negative settings will attenuate it HSHF 50 0 Hz 16 0 kHz Frequency of the high shelving filter The HSH G gain applies to the frequency region above this setting Switches tempo synchronization on off If this is ON the speed of modulation will synchronize to SYNC ON OFF the tempo synchronization source specified by TEMPO SOU
137. e will make the modulation repeat at a shorter interval DEPTH 0 100 Modulation depth Increasing this value will make the modulation deeper Delay of the effect sound relative to the original sound The delay time will change around this bbs value MOD FRQ sets the speed of this change and DEPTH sets the depth FB GAIN 0 99 Amount of feedback for the modulated sound Raising this value will increase the amount of feed UU back emphasizing the modulation Negative settings will invert the phase of the feedback OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 0 there will be no output MIX BAL 0 100 Balance between the original sound and effect sound At a setting of 096 only the original sound will be output at a setting 100 only the effect sound will be output Effect list The following table shows the default parameter values for the effects belonging to the Stereo Flanger and Stereo Phasing types CLASSIC bank MOD F B NO Effect name MOD FRQ DEPTH DLY GAIN OUT LVL BAL 9 STEREO FLANGE A 2 5 Hz 50 1 2 ms 35 100 100 10 STEREO FLANGE B 0 5 Hz 89 1 0 ms 40 100 100 13 STEREO PHASING 1 1 Hz 100 1 1 ms 44 100 100 50 sPx2000 Owner s Manual Chorus PRESET bank This effect creates the impression that a single sound is being played by multi
138. ecify the ID number for use with the SPX2000 Editor Use the INC W DEC buttons 47 to specify the ID number for identifying the SPX2000 Editor You can select an ID number in the range of 1 8 22 SPX2000 Owner s Manual Editing the MIDI program change table You can create a MIDI program change table to specify the effect that will be recalled when the SPX2000 receives a program change message The SPX2000 provides three tables A C and each table lets you make 128 effect assignments a total of 384 assign ments 1 Select the MIDI PGM CHANGE function Press the UTILITY button 62 several times to select MIDI PGM CHANGE Cursor 2 Edit the MIDI program change table Use the following buttons to select the Table TBL A C Program Change Number PGM1 128 and Effect P0I U99 Table Effect Program Change Number BACK button Moves the cursor toward the left NEXT button Moves the cursor toward the right A INC button Changes the character at the cursor location e g ABC 122993 DEC button Changes the character at the cursor location e g 32221 NOTE If you specify as the effect no effect will be recalled when the SPX2000 receives that program change message For example suppose that you made the following settings in Table A TABLE A PGM107 P02 TABLE A PGM108 TABLE A PGM109 U05 When the SPX2000 receives the Tab
139. ecrease this value if you E want to lower the output At a setting of 096 there will be no output Balance between the original sound and effect sound At a setting of 096 only the original sound ERES d will be output at a setting of 100 only the effect sound will be output Effect list The following table shows the default parameter values for the effect belonging to the Freeze B type CLASSIC bank llBasic parameters NO Effect name REC TRG DLY RECORD PLAY PITCH FINE BASE KEY OUTLVL MIX BAL ed FREEZE B MANUAL 50 ms 0 0 C3 100 100 SPX2000 Owner s Manual 79 Freeze recording The sampled data will be erased when you perform any of the following operations Enter record ready mode Press the COMPARE button Press the UNDO button Use the INPUT SOURCE setting to change the input Press the INPUT MODE button source Press the RECALL button Use the CLOCK SOURCE setting to change the word clock source If the SPX2000 is the clock slave the sampled data will also be erased if the supplied word clock frequency changes You can use either AUTO or MANUAL recording modes AUTO settings recording will begin the specified time before you press the button 3 Enter record ready mode Use an input signal to trigger the recording Select RECORD and press t
140. ect name DELAY 2 FB G 2 LEVEL 2 PAN 2 52 GOOD OL P CHANGE 20 0 ms 0 90 L63 53 VOCAL SHIFT 27 2 ms 24 90 R32 54 STEREO PITCH 0 0 ms 0 100 R63 55 PITCH SLAP 275 0 ms 0 90 R63 56 HALO COMB 12 0 500 0 ms 35 90 L63 51 GRUMPY FLUTTER 0 10 125 0 ms 79 90 CENTER 59 20 8 25 1 ms 58 100 CENTER 50 VOICE DOUBLER 0 2 7 0 ms 0 100 L63 55 BASS CHORUS 0 9 0 0 ms 0 100 R63 llFine parameters NO Effect name MIX BAL MODE SYNC NOTE 1 NOTE 2 TEMPO 52 GOOD OL 10096 3 OFF n 53 VOCAL SHIFT 10096 3 OFF P 54 STEREO PITCH 100 3 OFF E 2 55 PITCH SLAP 10096 3 OFF n n 55 HALO COMB 10096 2 OFF d 57 GRUMPY FLUTTER 100 2 OFF d 59 BOTTOM WHACKER 100 2 OFF 4 4 50 VOICE DOUBLER 10096 2 OFF Bi 55 BASS CHORUS 10096 3 OFF n n SPX2000 Owner s Manual 63 Pitch Change A D CLASSIC bank These are pitch change effects based on earlier models of the SPX series They are equivalent to the High Quality Pitch effects of the PRESET bank but have a simpler parameter structure than the PRESET bank effects Since MIDI note on messages can be used to change the pitch you can connect a MIDI keyboard and change the pitch according to your accompaniment Each aspect of the sound is controlled by the following effect parameters Effect sound PITCH FINE DELAY EB GAIN MIDI control BASE KEY
141. ect name LOW GAIN MID GAIN HI GAIN PRESENCE CMP RAT CMP REL CEILING M BAND DYNA 3 0 dB 3 0 dB 3 0 dB 0 6 0 dB 2 1 20 ms 64 ms 0 0 dB FILTERED VOICE 96 0 dB 0 0 dB 96 0 dB 0 24 0 dB 20 1 0 ms 3 ms OFF i Effect name EXP THRE EXP RAT EXP REL LIM THRE LIM ATK LIM REL 18 M BAND DYNA 54 0 dB 1 1 110 ms 0 0 dB 0 ms 14 ms 81 FILTERED VOICE 54 0 dB 1 1 110 ms 6 0 dB 0 ms 14 ms a The default value of this parameter depends on the sampling frequency at which the SPX2000 is operating The value shown in the table is for fs 96 kHz parameters Effect name MIX BAL CMP KNEE LOOKUP CMP BYP L M XOVR XOVR SLOPE EXP BYP M BAND DYNA 100 3 0 0 ms OFF 180 Hz 2 00 kHz 12 dB OFF FILTERED VOICE 100 5 0 0 ms OFF 900 Hz 950 Hz 12 OFF Effect name LIM BYP LIM KNEE SOLO LOW SOLO MID SOLOHI M BAND DYNA OFF 1 OFF OFF OFF FILTERED VOICE OFF 1 OFF OFF OFF 94 sPX2000 Owner s Manual Rotary Speaker PRESET bank gt IN LEVEL P HPE siMULATOR 0 BAL OUT R This effect simulates a rotary speaker A rotary speaker physically turns its internal speaker and horn to produce a Doppler effect giving a distinctive character to the sound Each aspect of the sound is controlled by the following effect parameters Rotary speaker simula
142. ect name TYPE ROOMSIZE LIVENESS DELAY LPF OUT LVL MIX BAL 5 EARLY REF 1 HALL 1 1 3 3 5 ms 9 0 kHz 75 100 5 EARLY REF 2 HALL 1 6 6 3 5 ms 8 0 kHz 75 100 16 GATE REVERB HALL 0 8 6 15 0 ms 3 2 kHz 80 100 11 REVERSE GATE HALL 2 3 7 0 0 ms 5 6 kHz 80 100 SPX2000 Owner s Manual 37 Delay Echo These effects add one or more delayed sound Karaoke echo is a typical example used to add depth to the sound The delay can repeat while diminishing Some of these effects let you synchronize the delay to the tempo The differences between the effects are summarized below No of Number of delay Modulate the Tempo synchro INs OUTs sounds delay Fosdbackidelay nized delay Mono delay 1IN 20UT 1 N 38 Stereo delay 21 200 2 L R No 40 Modulation delay PRESET 1 Yes 388 41 1IN J20UT L J 3 L C R 43 Type Bank Page Delay L C R Yes Echo N 44 o Delay L R 21N 20UT 2 L R CLASSIC No No 46 Stereo echo Level OUTL Original sound IN HPF LPF DELAY m MIX BAL FB GAIN 4 O OUT R 1 DELAY DELAY DELAY These are basic delay effects A monaural delayed sound will follow the original sound Each aspect of the sound is controlled by the following effect parameters Delay sound DE
143. ect sound have been mixed T LVL 1007 f 3 s Decrease this value if you want to lower the output At a setting of 096 there will be no output Balance between the original sound and effect sound At a setting of 096 only the original sound MIX BAL 100 100 will be output at a setting of 100 only the effect sound will be output Effect list The following table shows the default parameter values for the effects belonging to the Pitch Change A D types CLASSIC bank llBasic parameters NO Effect name PITCH FINE DELAY F B GAIN BASE KEY OUTLVL MIX BAL 1 PITCH CHANGE A 0 0 0 0 ms 0 80 100 PITCH CHANGE D 0 0 0 0 ms 0 80 100 64 SPX2000 Owner s Manual Pitch Change B CLASSIC bank This is a pitch change effect based on earlier models of the SPX series It is equivalent to the Dual Pitch effect of the PRESET bank The two effect sounds will be mixed and output Each aspect of the sound is controlled by the following effect parameters Effect sound 1 1 PITCH 1 FINE 1 DLY Effect sound 2 2 PITCH 2 FINE 2 DLY Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation 1 PITCH Amount of pitch change set in semitone steps Positive settings make the pitch higher than the 12 412 2 PITCH original sound and negative settings mak
144. effect number indicator Basic parametern NOTE While you are selecting an effect i e while the effect number indicator is blinking pressing any of the following Since some effects have a rather large number of buttons will cancel the effect selection the currently recalled parameters the parameters that you will probably effect will appear in the display need to edit most often are grouped as Basic UNDO button 8 parameters and supplementary parameters are BACK button 16 grouped as Fine parameters A INCV Y DEC buttons NEXT button 8 e COMPARE button 09 PARAMETER button 00 e FINE PARAM button 0 The number and type of Basic parameters and Fine parameters will differ for each effect 3 Recall the effect Press the RECALL button 4 to recall the effect The effect number indicator 4 will change from blinking to steadily lit NOTE The following buttons will be inoperable when the UTILITY LED 2 is lit e BANK button 4 STORE button 42 AJ V buttons 43 e RECALL button 1A e UNDO button 45 e COMPARE button 09 SPX2000 Owner s Manual 13 Select a parameter To edit a parameter you must first select it The editable parameters will differ for each effect For details refer to the explanation of each parameter in the Effects section pa
145. emote Meter 2 Format details 2 1 NOTE OFF 8n If the SPX2000 receives this message when a freeze type effect has been recalled it will stop playing the sampled data Reception conditions This message is received if the following two conditions are satisfied 1 The MIDI RECEIVE setting page 23 is NOTE ON OFF ON 2 The channel on which the MIDI message is transmitted matches the SPX2000 s MIDI channel or the SPX2000 s MIDI channel is set to OMNI Format STATUS 1000nnnn 8n Note off message DATA Onnnnnnn nn Note number Ovvvvvvv vv Velocity ignored 2 2 NOTE ON 9n When the SPX2000 receives this message it will control the recalled effect The effects that respond to this message and the controlled content are as follows DYNA FILTER P76 DYNA FLANGE P77 DYNA PHASER P78 Modulation FREEZE P97 FREEZE A C23 FREEZE B C24 Start recording playing the sam pled data PITCH CHANGE A C19 PITCH CHANGE D C22 Change pitch REVERB amp GATE C18 Open the gate Reception conditions This message is received if the following two conditions are satisfied 1 The MIDI RECEIVE setting page 23 is NOTE ON OFF ON 2 The channel on which the MIDI message is transmitted matches the SPX2000 s MIDI channel or the SPX2000 s MIDI channel is set to OMNI Format STATUS 1001nnnn 9n Note on message DATA Onnnnnnn nn Note number Ovvvvvvv v
146. er LOW GAIN MID GAIN HI GAIN L M XOVR M H XOVR SLOPE Output level CEILING MIX BAL SOLO LOW SOLO MID SOLO HI Parameter details llBasic parameters Parameter name Range Explanation 88 2 kHz 3 ms 23 0 s 96 kHz 3 ms 21 1 s LOW GAIN 96 0 412 0 dB Low range gain Raising this value will boost the low frequency range MID GAIN 96 0 412 0 dB Mid range gain Raising this value will boost the mid frequency range GAIN 96 0 412 0 dB High range gain Raising this value will boost the high frequency range This setting varies the effect separately for each range Positive settings of this value will lower the PRESENCE 10 10 high frequency threshold level and raise the low frequency Negative settings will raise the high fre quency and lower the low frequency With a setting of 0 all ranges will have the same threshold level Compressor threshold level When the level of the input signal original sound exceeds this level the portion above this level will be compressed by the CMP RAT Compression ratio When the input signal level exceeds CMP THRE the portion of the signal CMP RAT 1 1 20 1 I above that level will be compressed by this ratio Compressor attack time This is the time from when the input signal level exceeds CMP THRE CMPATK 0 120 ms until the maximum compression is reached You can use this when you want to retain
147. erberation Increasing this value will make the reverberation smoother You can create unique effects by lowering this value 69 SPX2000 Owner s Manual Fine parameters Parameter name Range MIX BAL 0 100 Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound will be output at a setting of 100 only the effect sound will be output OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 096 there will be no output Thru 21 2 Hz 8 00 kHz A filter that cuts the low frequency portion of the effect Frequency components lower than the frequency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound 50 0 Hz 16 0 kHz Thru A filter that cuts the high frequency portion of the effect Frequency components above the fre quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound REV FLG 0 100 Reverb Flanger only Balance between the reverb and flanger A setting of 096 outputs only the reverb a setting of 10096 outputs only the flanger Reverb Flanger only Amount of flanger Raising this value will strengthen the flanger effect At REVBAL 1006 a setting of 0 only reverb will
148. eter name Range Explanation Amount of pitch change set in semitone steps Positive settings make the pitch higher than the PIPER pomis original sound and negative settings make it lower Amount of pitch change set in cents 1 100th of a semitone Positive settings make the pitch FINE 50 450 higher than the original sound and negative settings make it lower DELAY 0 0 1000 0 ms Delay of the effect sound relative to the original sound FB GAIN 99 99 Amount of feedback for the effect sound Raising this value will increase the amount of feedback emphasizing the pitch change Negative settings will invert the phase of the feedback llFine parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound 01005 will be output at a setting of 100 only the effect sound will be output OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 0 there will be no output Precision of the pitch change Higher settings produce a more accurate pitch change but the delay MODE 1 10 error will be greater Switches tempo synchronization on off If this is ON the delay will synchronize to the tempo syn SYNC ON OFF chronization source specified by TE
149. ettings produce more mellow tone Delay of the effect sound relative to the original sound The delay time will vary around this value DELAY 0 0 2725 MA d TES FREQ sets the speed of variation and DEPTH sets the depth of variation FB GAIN 99 99 Amount of feedback for the effect sound Raising this value will increase the amount of feedback emphasizing the modulation Negative settings will invert the phase of the feedback Amount of feedback for the high frequency range This is specified as a proportion of FB GAIN If HI RATIO 0 1 1 0 this value is 0 1 the feedback amount will be 1 10th of FB GAIN if this value is 1 0 the feedback amount will be the same as FB GAIN FREQ 0 05 40 00 Hz Speed of modulation Increasing this value will make the modulation repeat at a shorter interval DEPTH 0 100 Depth of modulation Increasing this value will make the modulation deeper 66 5 2000 Owner s Manual parameters Parameter name Range Explanation MIX BAL 0 100 Balance between the original sound and effect sound At a setting of 096 only the original sound i will be output at a setting of 100 only the effect sound will be output Noise gate depth Raising this value will raise the level of the signals that will be allowed through N GATE 0 20 m the gate This is a useful way to remove noise MASTER 0 100 Output level of the effect sound Turn down this value i
150. everb to the original sound and then applies symphonic Each aspect of the sound is controlled by the following effect parameters Reverb REV TIME HI RATIO INI DLY DIFE DENSITY Symphonic FREQ DEPTH MOD DLY WAVE Balance of reverb and symphonic REV SYM REV BAL Filter equalizer HPF LPF Tempo synchronization SYNC NOTE TEMPO Output level OUT LVL MIX BAL Parameter details llBasic parameters Balance between the original sound and effect sound At a setting of 096 only the original sound MDS BAE SEE will be output at a setting of 100 only the effect sound will be output OUT LVL 0 100 Output level after the original sound and effect sound have been mixed 2 Decrease this value if you want to lower the output At a setting of 096 there will be no output A filter that cuts the low frequency portion of the effect Frequency components lower than the HPF Thru 21 2 Hz 8 00 kHz frequency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre LPF 50 0 Hz 16 0 kHz Thru quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound Reverb Symphonic only Balance between the reverb and symphonic A setting of 096 outputs REV
151. expressed as the time over which reverberation at 1 kHz will decay by 60 dB Reverb time for the high frequency range expressed as a proportion of REV TIME If this value is HLRATIO 01 10 0 1 the time will be 1 10th the REV TIME if it is 1 0 the time will be the same as the REV TIME i You can adjust these values to simulate the absorptiveness of the walls or ceiling HI RATIO is the decay of the high frequency range E77 INLDLY 0 0 500 0 ms Delay of the early reflections relative to the original sound This also affects the delay until the 22 reverberation is heard DIFF 0 10 Diffusion of the sound to left and right Increasing this value will make the reverberation more spaciousness 8 Density of the reverberation Increasing this value will make the reverberation smoother You can DENSITY 0 100 create unique effects by lowering this value Fine parameters Parameter name Range Explanation Effect name 52 REV SYMPHONIC 88 REV gt SYMPHONIC FREQ 0 95 Hz 2 50 Hz DEPTH 63 30 MOD DLY 3 2 ms 14 0 ms WAVE Sine Sine REVTIME HI RATIO 0 6s 0 9 1 65 1 0 INI DLY DIFF 40 0 ms 10 7 0 ms 10 DENSITY 100 98 71 SPX2000 Owner s Manual parameters 0 Effect name BAL OUT LVL HPF LPF REV SYM REV BAL SYNC NOTE TEMPO 52 REV SYMPHONIC 100 100 Thru Thru 78 OFF d 88 R
152. f the function will determine whether the RECORD parameter or the PLAY parameter is selected Format STATUS 11110000 FO System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn 1n 0 15 Device number Device No 1 GROUP ID 00011110 1E MODEL ID signal processor MODEL ID 00001001 09 5 2000 ADDRESS 00010010 12 Function call Effect Event 0000 Of function 00000000 00 Oppppppp pp Release 0 Press 1 DATA 00000000 00 ee Effect number 0 EOX 11110111 F7 End of exclusive function channel Freeze Play button 0x00 0 Freeze Record button 0x01 0 This will not function if the effect type is wrong 2 8 2 14 Parameter change Function call attribute Protect When the SPX2000 receives this message it will switch Protect on off for the specified effect and will then use this message to transmit the state following the change At this time the device number will be the MIDI channel of the SPX2000 If the MIDI channel is OMNI the device num ber will be 1 Format STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn 1n 0 15 Device number Device No 1 GROUP ID 00011110 1E MODEL ID signal processor MODEL ID 00001001 09 SPX2000 ADDRESS 00010100 14 Function call 00000100 04 attribute Ommmmmmm mh number High Ommmmmmm ml number Low DATA Ottttttt tt attribute protect 0x0001 normal
153. f you want to reduce the effect sound DLY BAL 0 100 Amount of delay Raising this value will strengthen the delay effect At a setting of 0 only distor tion will be heard Switches tempo synchronization on off If this is ON the delay and the speed of modulation will SYNC ON OFF synchronize to the tempo synchronization source specified by TEMPO SOURCE page 23 The DLY NOTE and the MOD NOTE value will be set to the synchronized tempo value DLY NOTE This parameter is used for tempo synchronization If SYNC is ON the DELAY value will be set according to this value and TEMPO If SYNC is OFF this value is ignored MOD NOTE This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and TEMPO If SYNC is OFF this value is ignored This parameter is used for tempo synchronization If SYNC is ON the DELAY value will be set TEMPO 25 300 according to the DLY NOTE and TEMPO values and the FREQ value will be set according to the MOD NOTE and TEMPO values If SYNC is OFF this value is ignored a E BA h3 Pa h J3 h J J d d ss bo h k Big h J h J J d d lt ss Effect list llBasic parameters Effect name DSTTYPE DRIVE TONE DELAY FB GAIN FREQ DEPTH 84 DIST FLANGE DST2 80 9 0 6 ms 78 0 9 0 35 Hz 40 85 DIST DELAY OVD1 15 6 250 0 52 0 2 2 65 Hz 1896
154. ff function Ommmmmmm mh number High Ommmmmmm ml number Low DATA ch channel High cl channel Low EOX 11110111 F7 End of exclusive function number channel rx tx Effect Program Recall 0x04 152211 0 rx tx Effect Program Store 0x24 123 221 0 rx tx W 2 8 2 8 Parameter change Function call title When the SPX2000 receives this message it will edit the specified effect name and will then use this message to transmit the state following the change At this time the device number will be the MIDI channel of the SPX2000 If the MIDI channel is OMNI the device number will be 1 Format STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn 1n 0 15 Device number Device No 1 GROUP ID 00011110 1E MODEL ID signal processor MODEL ID 00001001 09 SPX2000 ADDRESS 00010000 10 Function call 01000100 44 Effect Program title Ommmmmmm mh number High Ommmmmmm ml number Low DATA dd title 1 0ddddddd dd title x depend on the pro gram EOX 11110111 F7 End of exclusive function number size 1 221 Effect Program Title 0x44 1 122 response 16 only W 2 8 2 9 Parameter request Function call title Format STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0011nnnn 0 15 Device number Device No 1 GROUP ID 00011110 1E MODEL ID signal process
155. for each level Operable X Inoperable OPERATION LOCK OFF 1 2 3 Button operations or equivalent remote control INPUT MODE button 3 ololo METER button 2 BANK button 11 STORE button 42 buttons 49 O O 0 0 0 O O0 0 0 0 RECALL button 42 Undo of Store opera UNDO tions button 15 Undo of Recall opera tions BACK button 46 NEXT button 18 2 Editing of Basic A INC eters and Fine parame X Y DEC ters buttons 2 Editing of Utility settings PARAMETER button 20 FINE button 6 N UTILITY button 02 COMPARE button 49 BYPASS button 09 TAP button 4 foot switch O O0 0 0 O O O O x xX x POWER ON OFF button 00 Note on off MIDI Start stop recording or playback for Freeze Only the Operation Lock level can be changed 2 Ifthe Operation Lock level is 1 or higher Utility functions other than Operation Lock cannot be selected 20 SsPx2000 Owner s Manual Erasing an effect Here s how to erase clear the recalled effect You can only erase USER bank effects You cannot erase the effects in the PRESET bank or CLAS SIC bank 1 Select the USER bank Use the BANK button to select the USER bank 2 Select an effect Select the effect tha
156. from the beginning RECORD PLY MODE MOMENT CONTI INPUT START Playback start point for the sampled data END Playback end point for the sampled data LOOP Playback start point when loop playback is used If you use loop playback the first pass will play the START END region and the second and subsequent passes will play the LOOP END region Number of times the loop will play Once the START END region has played the LOOP END LOOP NUM A region will play the number of times specified here PITCH Amount of pitch change for the playback in units of semitone Positive settings will make the playback pitch higher than the original pitch and negative settings will lower it MIDI trigger setting When the SPX2000 receives a MIDI note on message whose note number MIDI TRG OFF C 1 C 6 ALL matches this value it will play back the sampled data If this setting is OFF MIDI note on messages will not be received If this is ALL any note on message of or higher will trigger playback The level that will trigger recording playback If REC MODE is AUTO and the SPX2000 is in TRG LVL 60 0 dB record ready mode recording of the input signal will begin when the input signal exceeds this level If PLY MODE is INPUT playback will begin when the input signal exceeds this level a At44 1 kHz or 88 2 kHz this will be 0 0 2970 5 ms At 48 kHz or 96 kHz
157. function 8n NOTE OFF rx Control internal effects 9n NOTE ON rx Control internal effects Bn CONTROL CHANGE rx Control parameters Cn PROGRAM CHANGE rx Change programs 1 2 SYSTEM REALTIME MESSAGE Command rx tx function F8 TIMING CLOCK IX MIDI clock FE ACTIVE SENSING TX Check MIDI cable connections FF RESET TX Clear running status 1 3 EXCLUSIVE MESSAGE W 1 3 1 Bulk dump Command function FO 43 7E F7 BULK DUMP DATA Bulk dump data F0 432n 7E F7 BULK DUMP REQUEST IX Bulk dump request The SPX2000 handles the following types of data as bulk dumps Data name rx tx function S rx tx System setup data and request rx tx Effect program and request rx tx Program change table and request W 1 3 2 Parameter Change Command rx tx function FO 43 1n 1E 09 F7 RARAMETER CHANGE rx tx Parameter changes specific to the SPX2000 FO 43 3n 1E 09 F7 PARAMETER REQUEST rx Parameter requests specific to the SPX2000 The SPX2000 handles the following types of data as parameter changes Type HEX rx tx function 1 01 rx tx Edit buffer 3 03 rx tx System setup data 4 04 rx tx System backup data 16 10 rx tx Functions recall store title clear 17 11 rx tx Functions undo compare 18 12 rx Functions effect 20 14 x Bei attribute Protect LCD Back 33 21 rx tx R
158. ge 25 and following 1 Select a Basic parameter or Fine parameter Press either the PARAMETER button 00 or the FINE PARAM button to select the type of parameter that you want to edit The LED of the button you pressed will light 2 Select a parameter Use the BACK button 46 or NEXT button 09 to select the parameter that you want to edit The currently selected parameter is shown in the display 9 Selecting Basic parameters Press the BACK button to move to the preceding parameter Press and hold the BACK button to continue moving through the preceding parameters Press the NEXT button or PARAMETER button to move to the following parameter Press and hold the NEXT button or PARAMETER but ton to continue moving through the following parameters Selecting FINE parameters Press the BACK button to move to the preceding parameter Press and hold the BACK button to continue moving through the preceding parameters Press the NEXT button or FINE PARAM button to move to the following parameter Press and hold the NEXT button or FINE PARAM but ton to continue moving through the following parameters Edit the parameter Use the INC W DEC button 42 to edit the value of the parameter The parameter value shown in the display 9 will change and the COMPARE LED 49 will light The COMPARE LED 9 indicates that the currently recalled
159. ge table Format STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0000nnnn On 0 15 Device number Device No 1 FORMAT No 01111110 7E Universal bulk dump COUNT HIGH ch data count ch 128 cl COUNT LOW ctr 01001100 01001101 00100000 20 4 00100000 20 00111000 38 8 01000100 44 Dp 00110001 al X 00110001 3l DATA NAME 01010011 53 XS 00000010 02 00000000 00 No 256 Current BLOCK INFO Ottttttt tt total block number minimum number is 0 Obbbbbbb bb current block number 0 total block number DATA ds Setup data of block bb CHECK SUM ee ee Invert L c de 1 amp 0 7 11110111 F7 End of exclusive W 2 8 1 2 System Setup Data Bulk Dump request Format Format STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0010nnnn 2n 0 15 Device number Device No 1 FORMAT No 01111110 7E Universal bulk dump 01001100 01001101 00100000 20 557 00100000 20 4 00111000 38 78 01000100 44 D 00110001 NI 00110001 32 MI DATA NAME 01010011 b3 167 00000010 02 00000000 00 No 256 Current EOX 11110111 F7 End of exclusive B 2 8 1 3 System Setup Data Bulk Dump request Format This bulk dumps the data of the specified effect Fo
160. han the HPF Thru 21 2 Hz 8 00 kHz frequency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre LPF 50 0 Hz 16 0 kHz Thru quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound Switches tempo synchronization on off If this is ON the delay will synchronize to the tempo syn SYNC ON OFF chronization source specified by TEMPO SOURCE page 23 The NOTE value will be set to the synchronized tempo value NOTE ig This parameter is used for tempo synchronization If SYNC is ON the DELAY value will be set according to this value and TEMPO If SYNC is OFF this value is ignored TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the DELAY value will be set according to this value and NOTE If SYNC is OFF this value is ignored 3 f hs fu h d de 4 4 Effect list The following tables show the default parameter values for the effects belonging to the Mono Delay type PRESET bank llBasic parameters Effect name DELAY FB GAIN HI RATIO 46 MONO DELAY 46 MONO DELAY 3750ms 42 0 6 47 120 250 0ms 32 0 6 parameters Effect name MIX BAL OUT LVL HPF LPF
161. he V DEC button 42 1 Set REC MODE to AUTO The display will change to REC READY 2 Set TRG LVL only for Freeze PRESET bank NOTE The previously recorded sample data will be TRG LVL sets the signal level that will trigger recording erased when you enter record ready mode 3 Set REC DLY TRG DLY REC DLY TRG DLY is the delay from when recording is 4 Begin recording triggered until recording will actually begin With a set While the display indicates REC READY press the A ting of 0 ms recording will begin the instant trigger INC button 5 i occurs With positive settings recording will begin The display will show a meter to indicate the recording the specified time after triggering With negative set status and will indicate OK when recording ends n will begin the specified time before trig NOTES Recording will be cancelled if you press W DEC NOTE The CLASSIC bank Freeze A and Freeze B button during recording In this case the data that effects do not have this setting recording will begin had been sampled up to that point will also be lost when the input signal level exceeds 14 dB The recorded sample will be erased when you turn off the power of the SPX2000 If the Operation Lock level is set to 3 recording will 4 Enter record ready mode not be possible since the A INC button is inopera Select RECORD and press the W DEC button q ble The display will change to REC RE
162. he following effect parameters Modulation signal FREQ DEPTH PHASE Filter TYPE OFFSET RESO Tempo synchronization SYNC NOTE TEMPO Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation FREQ 0 05 40 00 Hz Speed of modulation Increasing this value will make the modulation repeat at a shorter interval DEPTH 0 100 Modulation depth Increasing this value will make the modulation deeper PHASE 0 00 354 38 dg Phase difference between the modulation signal of the L channel and R channel This controls the sense of spaciousness TYPE LPF HPF BPF Type of filter Choose from LPF Low Pass Filter HPF High Pass Filter and BPF Band Pass Filter Offset value for the filter frequency Increasing this value will raise the frequency decreasing this OFFSET 0 100 value will lower the frequency The filter frequency will change around this value FREQ sets the speed of change and DEPTH sets the amount of change RESO 0 20 This is the resonance Higher values will sharpen the frequency response curve of the filter parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound 9 109 will be output at a setting of 100 only the effect sound will be output 5 Output level of the effect sound o 100 Decre
163. hether the input is monaural or stereo and on the num ber of inputs outputs for the effect you recall Monaural input 1 200 LES MONO c Fx R INR ouT R Stereo input 1 200 IN L IN R Stereo input 2IN 2OUT IN L TL OUTL L L FX R R INR OUTR Select the signal for metering Use the METER button to select either the pre effect signal or the post effect signal for display in the level meter 2 Each time you press the METER button the indicator will alternate between INPUT and OUTPUT Check the status of the input signal The following indicators will light to indicate the state of the input signal INPUT SOURCE 5 This will indicate whether the input signal 15 ANALOG or DIGITAL If you want to change input sources use INPUT SOURCE page 19 to select the desired input source MIDI This indicator will light when MIDI data is received CLOCK 6 This indicates the word clock source Use CLOCK SOURCE page 18 to select the word clock source The 5 2000 internal clock The SPX2000 will operate as the INT clock master You will need to set other con nected devices to be clock slaves Clock data received at the AES EBU IN jack 84 The SPX2000 will operate as a clock slave AES EBU Clock will be received at the WORD CLOCK IN jack 62 The SPX2000 will operate as a clock slave WC kHz This ind
164. icates the word clock frequency 44 1 48 88 2 96 kHz If you are using the SPX2000 s internal clock you can use CLOCK SOURCE page 18 to select the fre quency Adjust the input level Use the INPUT L R control to adjust the analog input signal levels L R the inner knob controls the L channel and the outer knob controls the R channel SPX2000 Owner s Manual 11 ho Three banks The SPX2000 has three effect banks PRESET USER and CLASSIC These banks are organized as follows PRESET bank This bank contains a total of 97 effects 80 effects based on new algorithms and ranging from standard to distinctive and 17 newly developed reverb REV X effects The effects in this bank are read only CLASSIC bank This bank contains 25 simple and easy to use effects based on early models of the SPX series The effects in this bank are read only USER bank When shipped this bank does not contain effects You can edit effects from the PRESET bank or CLASSIC bank and store them as your own original effects in the USER bank Once you have stored an effect you can recall and use it in the same way as the effects of the PRESET bank or CLASSIC bank You can store 99 effects in this bank Select an effect Here s how to select the effect that you want to apply to the input signal 1 Select a bank Press the BANK button several times to select the b
165. icator This will light when the SPX2000 receives MIDI data kHz indicator This indicates the currently operating word clock fre quency 9 Display This displays information about the currently recalled effect or the selected utility function Effect number indicator This indicates the effect number of the currently selected effect If the selected effect is different than the recalled effect the number will blink When you store or recall an effect the blinking number will change to steadily lit 17 BANK button indicator This button selects the effect bank The indicator for the selected bank will light For details on banks refer to Three banks page 12 12 STORE button This button stores the selected effect 03 A V buttons These buttons select an effect RECALL button This button recalls the selected effect 45 UNDO button LED Use this button when you want to undo the preceding store recall erase operation page 16 The LED will light if the UNDO button is available BACK button This button selects the preceding parameter 47 INC DEC buttons Use these buttons to edit parameter values SPX2000 Owner s Manual 7 NEXT button This button selects the next parameter COMPARE button LED Use this button to compare the effect before editing immediately after recall and after editing If you edit a parameter after reca
166. ines the basic character of the effect The characteristics REVERS PLATE of the early reflections will depend on the type you select here ROOMSIZE 031 200 Size of the reverberant space Increasing this value simulates a larger space You can use this to sim ulate the absorptiveness of the walls and ceiling Decay characteristics of the early reflections Increasing this value will reduce the decay causing the LIVENESS 0 10 P repeats to continue You can use this to simulate the absorptiveness of the walls and ceiling DELAY 0 0 500 0 ms Delay of the early reflections relative to the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre LPF 1 0 11 kHz THRU quency specified here will be cut With a setting of THRU this filter will do nothing This filter does not affect the original sound Output level after the original sound and effect sound have been mixed Decrease this value if you OUT LVL 0 100 2 want to lower the output At a setting of 0 there will be no output MIX BAL 0 100 Balance between the original sound and effect sound At a setting of 0 only the original sound will be output at a setting of 100 only the effect sound will be output Effect list The following table shows the default parameter values for the effects belonging to the Early Reflection Gate Reverb and Reverse Gate types CLASSIC bank NO Eff
167. is ON the delay time will synchronize to the tempo SYNC ON OFF synchronization source specified by the TEMPO SOURCE setting page 23 The NOTE 1 and the NOTE 2 value will be set to the synchronized tempo value NOTE 1 These parameters are used for tempo synchronization If SYNC is ON the DELAY 1 value will be NOTE 2 set according to the NOTE 1 and TEMPO values and the DELAY 2 value will be set according to the NOTE 2 and TEMPO values If SYNC is OFF this value is ignored These parameters are used for tempo synchronization If SYNC is ON the DELAY 1 value will be TEMPO 25 300 set according to the NOTE 1 and TEMPO values and DELAY 2 value will be set according to the NOTE 2 and TEMPO values If SYNC is OFF this value is ignored a E 3 F h R h J3 ha J J d d 62 SPX2000 Owner s Manual Effect list The following tables show the default parameter values for the effects belonging to the Dual Pitch type PRESET bank llBasic parameters NO Effect name PITCH 1 FINE 1 DELAY 1 FB G1 LEVEL 1 PAN 1 52 GOOD OL PCHANGE 10 0 ms 0 90 R63 53 VOCAL SHIFT 13 1 ms 18 90 L32 54 STEREO PITCH 0 0 ms 0 100 L63 55 PITCH SLAP 25 0 ms 0 90 L63 56 HALO COMB 250 0 ms 57 90 R63 57 GRUMPY FLUTTER 500 0 ms 79 90 CENTER 59 BOTTOM WHACKER 25 1 ms 58 100 CENTER 60 VOICE DOUBLER 4 0 ms 0 100 R63 65 BASS CHORUS 2 0 ms 0 100 L63 NO Eff
168. l falls below LIM THRE until limit ing is removed a The range of this parameter depends on the sampling frequency at which the SPX2000 is operating SPX2000 Owner s Manual 83 Fine parameters Parameter name Range Explanation MIX BAL 0 100 Balance between the original sound and effect sound At a setting of 096 only the original sound will be output at a setting of 100 only the effect sound will be output Compressor knee If this is set to 0 compression will begin immediately when the input signal exceeds CMP THRE i e the level will begin changing suddenly With a setting of 1 or above com CMPKNEE 0 5 pression will begin before the point at which the signal exceeds CMP THRE so that the compres sion produces a smoother change in level This will produce a less obtrusive transition for the level change produced by the compressor Lookup delay Normally you will leave this at 0 0 ms If you want the input signal to be read ahead LOOKUP 0 0 100 0 ms of time so that the level can be controlled more quickly set this to a value of 0 1 ms or greater the compressor expander and limiter will begin functioning ahead of the input signal CMPBYP ON OFF Compressor bypass If this is ON the compressor will be bypassed and will not do anything Crossover frequency between the low and mid ranges This parameter specifies the frequency that
169. l sound N will be output at a setting of 100 only the effect sound will be output Effect list The following table shows the default parameter values for the effects belonging to the Chorus and Tremolo types CLASSIC bank NO Effect name MOD FRQ DEPTH AMDEPTH OUTLVL BAL 11 CHORUS 0 2 Hz 100 55 100 100 12 CHORUS B 0 3 Hz 96 10 100 100 19 TREMOLO 6 0 Hz 50 50 100 100 Symphonic CLASSIC bank This effect is based on earlier models of the SPX series This effect has a simpler parameter structure than the correspond ingly named effects of the PRESET bank Each aspect of the sound is controlled by the following effect parameters Modulation signal MOD FREQ DEPTH Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation MOD FRQ 0 1 40 0 Hz Speed of modulation Increasing this value will make the modulation repeat at a shorter interval DEPTH 0 100 Modulation depth Increasing this value will make the modulation deeper Output level after the original sound and effect sound have been mixed OUT LVL 0 100 Decrease this value if you want to lower the output At a setting of 096 there will be no output Balance between the original sound and effect sound At a setting of 096 only the original sound MIX BAL 0 100 will be output at a setting of 10096 only the effect sound will be output Effe
170. le A 107 or 109 program change messages it will recall the corresponding effect However nothing will be recalled when the Table A 108 message is received This abbreviation indicates the bank and effect number e g P01 is effect number 01 of the PRESET bank C10 is effect number 10 of the CLASSIC bank and U05 is effect number 5 of the USER bank Transmitting SPX2000 data to Enabling disabling MIDI mes another device sage reception You can transmit the SPX2000 s system settings MIDI You can individually enable disable reception for some program change tables and effect data to another device types of MIDI message Reception can be enabled disabled This data will be transmitted from the port specified by the for the following MIDI messages MIDI PORT GENERAL setting page 21 NOTE ON OFF Note on off 1 Select the BULK OUT ALL function PGM CHANGE Program change Press the UTILITY button 62 several times to select BULK OUT ALL CTL CHANGE Control change SYSEX BLKDMP Bulk dump SYSEX PRMCHG Parameter change 1 Select the MIDI RECEIVE function Press the UTILITY button 02 several times to select MIDI RECEIVE 2 Start transmission Press the INC button 7 to start transmission While the data is being transmitted the display will indicate Transmitting ho When transmission is completed the display will indi
171. lect the USER bank Use the BANK button 00 to select the USER bank 2 Select an effect Select the effect whose background color you want to change and recall it page 12 3 Select the LCD BACK function Press the UTILITY button 62 several times to select LCD BACK 4 Select the display background color Use the INC W DEC buttons d to select the display background color You can choose one of the following five colors WHITE CYAN MAGENTA YELLOW GREEN Selecting the Utility function Press the BACK button to move to the preceding function Press and hold the BACK button to continue moving through the preceding functions Press the NEXT button or UTILITY button to move to the following function Press and hold the UTILITY button to continue moving through the functions For some functions the BACK button and NEXT button are used to move the cursor 18 sPx2000 Owner s Manual Selecting the word clock source 1 Select the CLOCK SOURCE function Press the UTILITY button 62 several times to select CLOCK SOURCE 2 Select the word clock source Use the INC W DEC buttons 47 to select the word clock source The CLOCK indicator and kHz indicator 8 will light according to your selection NOTE If the display indicates WRONG WORD CLOCK the word clock signal from the external device has ei
172. led by the following effect parame ters Modulation signal FREQ DEPTH WAVE Effect sound MOD DLY FB GAIN Tempo synchronization SYNC NOTE TEMPO Filter equalizer LSH LSH F EQ G EQ F EQ Q HSH G HSH F Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation FREQ 0 05 40 00 Hz Speed of modulation Increasing this value will make the modulation repeat at a shorter interval DEPTH 0 100 Modulation depth Increasing this value will make the modulation deeper Delay of the effect sound relative to the original sound The delay time will be modulated around MOD DEY this value FREQ sets the speed of this change and DEPTH sets the depth FB GAIN 99 99 Amount of feedback for the modulated sound Raising this value will increase the amount of feed back emphasizing the modulation Negative settings will invert the phase of the feedback WAVE Sine Tri Waveform of the modulation signal This will affect the character of the modulation You can choose Sine sine wave or Tri triangle wave SPX2000 Owner s Manual 47 Fine parameters Parameter name Range Explanation 2 m MIX BAL 0 100 Balance between the original sound and effect sound At a setting of 0 only the original sound will be output at a setting of 100 only the effect sound will be output OUT LVL 0 100 Output level after the
173. less of the Operation Lock level E When using Freeze A CLASSIC bank 1 2 Turn INP TRG ON Input a signal Playback will start when the input signal level exceeds 14 dB Playback will start again from the beginning if the input signal level exceeds 14 dB during playback NOTE You can play back regardless of the Operation Lock level Use a MIDI message to trigger the playback E When using Freeze PRESET bank 1 2 Set MIDI TRG Transmit a MIDI note on message When the note on message specified by MIDI TRG is received playback will start automatically If PLY MODE is set to MOMENT transmit a MIDI note off message When the note off message is received playback will end automatically E When using Freeze A CLASSIC bank 1 2 Turn INP TRG OFF Transmit a MIDI note on message When a note on message of C1 or higher is received playback will start automatically E When using Freeze B CLASSIC bank 1 2 Set BASE KEY to other than OFF Transmit a MIDI note on message When a note on message of C1 or higher is received playback will start automatically NOTES For details about enabling MIDI message transmis sion reception refer to Preparations for using MIDI on page 88 Hecording can be performed regardless of the Oper ation Lock level Playback options Specify the playback start end points only for Freeze PRESET bank or Freeze A CLASSI
174. lling an effect this LED will light The LED will go dark when you store or recall an effect page 16 09 PARAMETER button LED This button selects the basic parameters of the effect This LED will light if basic parameters are selected FINE PARAM button LED This button selects the FINE parameters of the effect The FINE parameters supplement the basic parame ters This LED will light if FINE parameters are selected 02 UTILITY button LED This button selects the SPX2000 s utility functions For details refer to Other functions page 17 This LED will light if a utility function is selected NOTE The following buttons will be inoperable when the UTILITY LED 2 is lit e BANK button 47 e STORE button 2 AJ V buttons 13 e RECALL button 1A e UNDO button 45 e COMPARE button 09 8 SPX2000 Owner s Manual 03 BYPASS button LED This button switches the effect on off When the BYPASS button is off LED dark the effect will be applied to the input signal and output from the output jacks When the BYPASS button is on LED lit the input signal will be sent from the output jacks without modification NOTE The BYPASS button will turn off when you recall an effect 4 TAP button LED Use this to set the tempo value of the effect When you press this button twice or more the tempo value will be calculated from the average interval at which yo
175. loured RED COMPLIANCE INFORMATION STATEMENT DECLARATION OF CONFORMITY PROCEDURE Responsible Party Address Yamaha Corporation of America 6600 Orangethorpe Ave Buena Park Calif 90620 714 522 9011 PROFESSIONAL MULTI EFFECT PROCESSOR SPX2000 Telephone Type of Equipment Model Name This device complies with Part 15 of the FCC Rules Operation is subject to the following two conditions 1 this device may not cause harmful interference and 2 this device must accept any interference received including interfer ence that may cause undesired operation See user manual instructions if interference to radio reception is sus pected This applies only to products distributed by Yamaha Kemble Music U K Ltd 3 wires This applies only to products distributed by YAMAHA CORPORATION OF AMERICA FCC DoC NEDERLAND THE NETHERLANDS Dit apparaat bevat een lithium batterij voor geheugen back up This apparatus contains a lithium battery for memory back up Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de levensduur of gelieve dan contact op te nemen met de vertegenwoordiging van Yamaha in uw land For the removal of the battery at the moment of the disposal at the end of life please consult your retailer or Yamaha representative office in your country Gooi de batterij niet weg maar lever hem in als
176. lter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre LPF 50 0 Hz 16 0 kHz Thru quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound Effect list The following tables show the default parameter values for the effects belonging to the Stereo Reverb type PRESET bank llBasic parameters Effect name REVTYPE REVTIME LO RATIO INLDLY DIFF DENSITY g STEREO HALL Stage 228 0 3 14 15 5 ms 3 80 10 VOCAL CHAMBER Stage 1 98 0 3 11 49 8 3 94 2 THIN PLATE Room 188 0 5 1 0 44 5 ms 3 96 3 DRUM MACH AMB S Room 128 0 3 08 9 1 ms 1 80 Fine parameters Effect name BAL OUTLVL E R BAL HPF LPF 9 STEREO HALL 100 100 45 Thru 9 50 kHz 10 VOCAL CHAMBER 100 85 30 Thru 7 50 kHz ed THIN PLATE 100 100 54 50 0 2 10 6 2 43 DRUM MACH AMB S 100 100 70 Thru 8 00 kHz 30 sPx2000 Owner s Manual Reverb PRESET bank These are gated reverbs The early reflections and subsequent rever beration can be controlled separately By using the gate you can cause only a portion of the reverberation to be heard Each aspect of the sound is controlled by the following effect parame ters Early reflections INI DLY
177. ly affect the way in which the effect sound will change DELAY is relevant only for delay type effects and FREQ is relevant only for modulation type effects How the parameters are related Tempo synchronization uses TEMPO and NOTE to calculate a value that will be the basis for the tempo and continues making adjustments so that this tempo basis stays essentially the same as the DELAY or FREQ This means that when TEMPO NOTE and DELAY or FREQ are synchronized and you change any of these values the other parameters will be re set in order to maintain the correct relationship The parameters that are re set and the calculation method used are as follows If you turn SYNC on NOTE will be set If you edit DELAY or FREQ NOTE will be set In this case the NOTE value is calculated as follows NOTE DELAY or FREQ 4 x 60 TEMPO If you edit NOTE DELAY or FREQ will be set In this case the DELAY or FREQ value is calculated as follows DELAY or FREQ NOTE x 4 x 60 TEMPO If you edit TEMPO DELAY or FREQ will be set In this case the DELAY or FREQ value is calculated as follows DELAY or FREQ original DELAY or FREQ x previous TEMPO new TEMPO Example 1 When SYNC ON DELAY 250 ms TEMPO 120 you change NOTE from 8th note to quarter note DELAY new NOTE x 4 x 60 1 4 x 4 x 60 120 0 5 sec 500 ms Thus the DELAY will change from 250 ms to 500 ms Example 2 When
178. me as the REV TIME You can adjust these values to simulate the absorptiveness of the walls or dO ceiling HI RATIO is the decay of the high frequency range and LO RATIO is the decay of the low frequency range INLDLY Bia ms Delay of the early reflections relative to the original sound This also affects the delay until the reverberation is heard DIFF 0 10 Diffusion of the sound to left and right Increasing this value will make the reverberation more spaciousness DENSITY 0 100 Density of the reverberation Increasing this value will make the reverberation smoother You can create unique effects by lowering this value Fine parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound MIX BAL 0 100 will be output at a setting of 100 only the effect sound will be output OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 096 there will be no output Balance of the early reflections and subsequent reverberation At a setting of 10096 only the early E R BAL 0 100 f A reflections will be output at a setting of 096 only the reverberation will be output A filter that cuts the low frequency portion of the effect Frequency components lower than the HPF Thru 21 2 Hz 8 00 kHz frequency specified here will be cut With a setting of Thru this fi
179. meter s eae 13 FOOT SW 8 14 23 foot SWItCIL ret ERE ERR RR TR RU S 14 e RU 2 77 Freeze PRESET bank 577 Freeze A CLASSIC bank 2 78 Freeze CLASSIC bank 79 G Ci cM DOE 34 Attack Time eu HO 34 Decay Time eee 34 Release Ime usen eno en GNI dier 34 Threshold Level 34 Grounding screw H Hold ROIG OBI 34 INPUT 10 dBu 4 dBu switch 9 INPUT jacks Q se we 9 19 INPUT L R control 11 INPUT MODE button indicator 7 INPUT SOURCE 015s tenta at 19 dud 19 INPUT SOURCE indicator 7 11 19 K indicator e rr 7 11 L 7 M MIDI MIDI message reception 23 MIDI 21 MIDI program change table 2 0 sss 22 Selecting the MIDI channel eee 21 5 21 MIDI clock 14 MIDI control changes 2 14 MID
180. n off If this is ON the speed of modulation will synchronize to SYNC ON OFF the tempo synchronization source specified by TEMPO SOURCE page 23 The NOTE value will be set to the synchronized tempo value NOTE a This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and the TEMPO value This value is ignored if SYNC is OFF TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and NOTE This value is ignored if SYNC is OFF as R k BRE h J J d d lt ss Effect list The following tables show the default parameter values for the effect belonging to the Flanger type PRESET bank llBasic parameters MOD FG NG Effect name FREQ DEPTH DLY GAIN WAVE 59 UP DOWN FLANGE 1 00 Hz 75 0 9 ms 60 Sine Fine parameters Effect name MIXBAL OUTLVL LSHG LSH F EQG EQF EQ Q HSH G HSH F 100 100 0 5 dB 140Hz 12 0dB 4 50 kHz 3 5 0098 8 00kHz 59 UP DOWN FLANGE SYNC NOTE TEMPO OFF d 48 SPX2000 Owner s Manual Phaser PRESET bank By cyclically varying the frequencies whose phase is shifted this effect creates a sense of space and movement A phase shift circuit is used to delay the phase of specific frequencies Each aspect of the sound is controlled by the following effect parameters Modulation signal FR
181. nd first through Effect 1 and then process the result through Effect 2 No of Type Bank INs OUTs Page Distortion Flanger Distortion Delay 66 Reverb Chorus Reverb Chorus es Reverb Flanger Reverb Flanger i Reverb Symphonic PRESET 1 IN 2 OUT 71 Reverb Symphonic Reverb gt Pan 72 Delay Early Reflection 73 Delay Early Reflection Delay Reverb 75 Delay Reverb Distortion Flanger PRESET bank Distortion Delay PRESET bank These effects apply distortion to the original sound and then apply flanger or delay Each aspect of the sound is controlled by the following effect parameters Distortion DST TYPE DRIVE TONE Modulation FREQ DEPTH Applicable to both Distortion and Modulation DELAY FB GAIN HI RATIO DLY BAL Noise gate N GATE Tempo synchronization SYNC DLY NOTE MOD NOTE TEMPO Output level MIX BAL MASTER Parameter details llBasic parameters Parameter name Range Explanation DST1 DST2 OVD1 OVD2 Type of distortion this determines the basic character of the effect The character of the distortion DSTTYPE Mou CRUNCH will depend on the type you select DRIVE 0 100 Distortion depth Raising this value will produce stronger distortion Controls the level of the high frequency range Positive settings produce a more piercing tone TONE 10 10 and negative s
182. nel will be 1 10th of FB G L and the high frequency feedback amount for the R channel will be 1 10th of FB G R If this value is 1 0 the feedback amount will be the same as FB G L FB G R OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 0 there will be no output Balance between the original sound and effect sound At a setting of 0 only the original sound MIX BAL 0 100 I y will be output at a setting of 100 only the effect sound will be output NOTE If the FB G L or FB G R values of Delay L R are raised excessively oscillation will occur and the signal will not decay Please use caution Effect list The following table shows the default parameter values for the effects belonging to the Delay L R and Stereo Echo types CLASSIC bank llBasic parameters NO Effect name Lch DLY FB GL Rch DLY FB GR OUTLVL MIX BAL 1 DELAY L R 100 0 ms 0 200 0 ms 0 1 0 90 100 8 STEREO ECHO 170 0 ms 60 178 0 ms 58 0 9 90 100 46 SPX2000 Owner s Manual Modulation These effects modulate the input signal in various ways Using one signal to vary another signal is called modulation The signal that is being varied is called the carrier and the signal that is creating the modulation is called the modulator Mod ulation typ
183. ngs to their prior state by undoing the previous Store Recall or Clear Effect operation You can also undo the previous undo operation this is called redo Undo When the UNDO LED 09 is lit press the UNDO but ton to undo the previous Store Recall or Clear Effect operation The UNDO LED will blink Redo When the UNDO LED 45 is blinking press the UNDO button to cancel the previous Undo operation The UNDO LED will light NOTE Undo Redo will no longer be available if you switch parameters Other functions Editing the effect name Here s how to edit the name of the recalled effect You can edit the name only for effects in the USER bank 1 Select the USER bank Use the BANK button 4 to select the USER bank 2 Select an effect Select the effect whose name you want to edit and recall it page 12 3 Select the TITLE EDIT function Press the UTILITY button 62 several times to select TITLE EDIT 4 Edit the effect name Use the following buttons to edit the effect name L Cursor BACK button Moves the cursor toward the left NEXT button Moves the cursor toward the right A INC button Changes the character at the cursor location gt gt V DEC button Changes the character at the cursor location gt gt The effect name can be up to 16 characters long You can use the following characte
184. nuate it EQF 100 Hz 8 00 kHz Frequency of the equalizer peaking type The EQ G gain setting will affect the region around this frequency Q sharpness of the equalizer peaking type This indicates the sharpness of the equalizer fre EQQ 10 0 0 10 quency response curve Higher values will produce a sharper curve Gain of the high shelving filter This adjusts the volume of the high frequency region Positive HSH G 12 0 412 0 dB F h gt 5 settings will boost the high frequency region and negative settings will attenuate it HSHF 50 0 Hz 16 0 kHz Frequency of the high shelving filter The HSH G gain applies to the frequency region above this setting Switches tempo synchronization on off If this is ON the speed of modulation will synchronize to SYNC ON OFF the tempo synchronization source specified by TEMPO SOURCE page 23 The NOTE value will be set to the synchronized tempo value NOTE This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and the TEMPO value This value is ignored if SYNC is OFF TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the FREQ value will be set according to this value and NOTE This value is ignored if SYNC is OFF as R k AS h JS h J J d d lt ss Effect list The following tables show the default parameter values for the effect belonging to the Tremolo type PRESET bank
185. number Device No 1 MODEL ID signal processor SPX2000 System Backup data Element no if ee is O will be expanded to two bytes Parameter no Channel no data End of exclusive W 2 8 2 6 Parameter request System Backup Memory Format STATUS ID No SUB STATUS GROUP ID MODEL ID ADDRESS 11110000 01000011 0011nnnn 00011110 00001001 00000011 FO 43 3n 1E 09 04 System exclusive message Manufacture s ID number YAMAHA 0 15 Device number Device No 1 MODEL ID signal processor SPX2000 System Backup data 92 sPX2000 Owner s Manual ee Element if is 0 will be expanded to two bytes Oppppppp pp Parameter no cc Channel no EOX 11110111 F7 End of exclusive E 2 8 2 7 Parameter change Function call Program store recall When the SPX2000 receives this message it will store or recall the speci fied effect and will then use this message to transmit the state following the change At this time the device number will be the MIDI channel of the SPX2000 If the MIDI channel is OMNI the device number will be 1 Format STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn 1n 0 15 Device number Device No 1 GROUP ID 00011110 1E MODEL ID signal processor MODEL ID 00001001 09 SPX2000 ADDRESS 00010000 10 Function call OOffffff
186. o signals each M digital device must process the signal at the same 1 Select the INPUT SOURCE function timing Even if all connected devices are set to the E ress the UTILITY button 2 several times to select same clock frequency the signals will not be trans INPUT SOURCE mitted and received correctly if the processing tim ing does not match or you may hear noise In order for digital audio signals to be synchro nized one digital device must transmit the clock synchronization data and the other devices must be set to receive this clock In such a setup the device that supplies the synchronization reference 2 cock 15 callen CLOCK MASTER and the Press the INC button 42 to select DIGITAL receiving devices are called CLOCK SLAVES AES EBU IN jack or press the W DEC button To use the SPX2000 as the clock master set the 17 to select ANALOG INPUT jacks CLOCK SOURCE function page 18 to either INT96kHz INT88 2kHz INT48kHz or INT44 1 To use the SPX2000 as a clock slave use either of the following two methods D Set the CLOCK SOURCE function page 18 to AES EBU and connect the Select the input source ho AES EBU format compatible device supply The INPUT SOURCE indicator indicates your ing the clock data to the AES EBU IN jack selection 9 i NOTE If the display indicates Sync Error or if the DIGITAL
187. o the original sound DELAY L indicates the L channel delay and DELAY R indi DELAY R i cates the R channel delay FED Delay added to the feedback FB DLYL indicates the L channel delay and FB DLYR indicates the R FB DLYR 0 0 1350 0 ms channel delay The delay from the original sound to the first delay sound is DELAY L or DELAY R the delay of the subsequently repeated sound will be DELAYL FB DLYL or DELAY R FB DLYR Amount of feedback for the delay sounds This indicates the ratio by which the level is reduced FB GL when repeating the effect For example with a setting of 50 the level of the delay sound will decay FB GR to 50 25 12 5 as it is repeated Negative values invert the phase of the feedback L indicates the feedback amount for the L channel and FB G R for the R channel Amount of feedback from the L channel to the R channel Negative values invert the phase of L gt R FBG 99 99 the feedback R gt L FBG 99 99 Amount of feedback from the R channel to the L channel Negative values invert the phase of the feedback Amount of feedback for the high frequency portion of the delay sound This is specified as a pro 0110 portion of FB G If this value is 0 1 the high frequency feedback amount for the L channel will be 1 10th of FB G L and the high frequency feedback amount for the R channel will be 1 10th of FB G R If this value is 1 0 the feed
188. on Balance between the original sound and effect sound At a setting of 096 only the original sound 88 2 kHz 3 ms 23 0 s 96 kHz 3 ms 21 1 s M will be output at a setting of 100 only the effect sound will be output Output level after the original sound and effect sound have been mixed Decrease this value if you OUT LVL 0 100 want to lower the output At a setting of 0 there will be no output E R DLY 0 0 100 0 ms Delay of the subsequent reverberation relative to the early reflections The delay from the original sound until the beginning of the subsequent reverberation will be INI DLY E R E R BAL 0 100 Balance of the early reflections and subsequent reverberation At a setting of 100 only the early reflections will be output at a setting of 096 only the reverberation will be output A filter that cuts the low frequency portion of the effect Frequency components lower than the HPF Thru 21 2 Hz 8 00 kHz frequency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre LPF 50 0 Hz 16 0 kHz Thru quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound GATE LVL OFF 60 0 dB The level at which the gate is triggered The ga
189. only the effect sound will be output OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 0 there will be no output A filter that cuts the low frequency portion of the effect Frequency components lower than the HPF Thru 21 2 Hz 8 00 kHz frequency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound A filter that cuts the high frequency portion of the effect Frequency components above the fre LPF 50 0 Hz 16 0 kHz Thru quency specified here will be cut With a setting of Thru this filter will do nothing This filter does not affect the original sound DLY REV 0 100 Delay Reverb only Balance between the delay and reverb A setting of 096 outputs only the delay a setting of 10096 outputs only the reverb DLYBAL 0 100 Delay Reverb only Amount of reverb Raising this value will strengthen the reverb effect At a setting of 0 only delay will be heard Switches tempo synchronization on off If this is ON the delays will synchronize to the tempo syn SYNC ON OFF chronization source specified by TEMPO SOURCE page 23 Each NOTE value will be set to the synchronized tempo value NOTE a These parameters are used for tempo synchronization If SYNC is ON each DELAY value will be NOTE FB set according to the corresponding NOTE value and TEMPO If SYNC i
190. or MODEL ID 00001001 09 SPX2000 ADDRESS 00010000 10 Function call 01000100 44 Effect Program title Ommmmmmm mh number High Ommmmmmm ml number Low EOX 11110111 F7 End of exclusive For the function and number refer to the table in 2 8 2 8 Parameter change Function call title E 2 8 2 10 Parameter change Function call Program clear When the SPX2000 receives this message it will erase the specified effect name and will then use this message to transmit the state following the change At this time the device number will be the MIDI channel of the SPX2000 If the MIDI channel is OMNI the device number will be 1 Format STATUS 11110000 FO System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn in 0 15 Device number Device No 1 GROUP ID 00011110 1E MODEL ID signal processor MODEL ID 00001001 09 SPX2000 ADDRESS 00010000 10 Function call 01100100 64 Effect Program clear func tion Ommmmmmm mh number High Ommmmmmm ml number Low EOX 11110111 F7 End of exclusive function number Effect Program Clear 0x64 123 221 2 8 2 11 Parameter change Function call Undo When the SPX2000 receives this message it will perform the same opera tion as if the UNDO button had been pressed and will then use this message to transmit the state following the change At this time the device number will be the MIDI channel of the SPX2000 If the MIDI channel is OMNI
191. or AES EBU IN AES EBU 24 bit RS422 XLR 3 31 type Balanced XLR 3 31 type connectors are balanced 12GND 2 HOT 3 COLD Digital Output Characteristics Output Terminals Format Data Length Level Connector AES EBU OUT AES EBU Professional use 24 bit RS422 XLR 3 32 type Balanced channelstatus of AES EBU OUT type 2 audio channels emphasis NO sampling frequency depends on the internal configuration 2 dither word length 16 24 bit 3 XLR 3 32 type connector is balanced 12GND 2 HOT 3 COLD Control I O Characteristics Terminals Format Level Connector USB TO HOST USB 1 1 0 to 3 3 V B type USB Connector MIDI IN DIN Connector 5P OUT THRU DIN Connector 5P WORD CLOCK IN TTL 75 Q BNC Connector 100 sPx2000 Owner s Manual Electrical Characteristics Input Level VR is nominal when measured Output impedance of signal generator 600ohms Frequency Response Fs 48 kHz 920 Hz 20 kHz reference to the nominal output level 21 kHz Fs 96 kHz 920 Hz 40 kHz reference to the nominal output level 21 kHz Input Output RL Conditions Min Typ Max Units INPUT L R OUTPUT L R 600 Q 3 0 0 0 1 0 dB Gain Error 1 kHz Input Output RL Conditions Min Typ Max Units INPUT LEVEL SW
192. original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 0 there will be no output LSHG 12 0 412 0 dB Gain of the low shelving filter This adjusts the volume of the low frequency region Positive settings will boost the low frequency region and negative settings will attenuate it LSH F 21 2 Hz 8 00 kHz Frequency of the low shelving filter The LSH G gain applies to the frequency region below this set ting EQ G 12 0 412 0 dB Gain of the equalizer peaking type This adjusts the gain of the frequency region specified by EQ Positive settings will boost the region and negative settings will attenuate it EQF 100 Hz 8 00 kHz Frequency of the equalizer peaking type The EQ G gain setting will affect the region around this frequency Q sharpness of the equalizer peaking type This indicates the sharpness of the equalizer fre ES 100 010 quency response curve Higher values will produce a sharper curve Gain of the high shelving filter This adjusts the volume of the high frequency region Positive 4 HSH G 12 0 412 0 dB i settings will boost the high frequency region and negative settings will attenuate it HSHF 50 0 Hz 16 0 kHz Frequency of the high shelving filter The HSH G gain applies to the frequency region above this setting Switches tempo synchronization o
193. ound will change according to the input signal If you select MIDI the modulated sound will change according to the received MIDI SOURCE PAPUI MBI messages velocity If you want the effect to vary according to your keyboard performance select MIDI SENSE 0 100 The sensitivity to SOURCE Higher settings of this value will cause the filter frequency to follow the SOURCE more faithfully With lower settings the filter frequency will follow more loosely TYPE LPF HPF BPF Type of filter Choose from LPF Low Pass Filter HPF High Pass Filter and BPF Band Pass Filter Offset value for the filter frequency This affects the frequency of the filter when a control signal is OFFSET 0 100 not being received Lowering this value if DIR is UP or raising it if DIR is DOWN will extend the variable range of the filter producing a greater width of modulation RESO 0 20 This is the resonance Higher values will sharpen the frequency response curve of the filter llFine parameters Parameter name Range Explanation m E MIX BAL 0 100 Balance between the original sound and effect sound At a setting of 0 only the original sound will be output at a setting of 100 only the effect sound will be output Output level of the effect sound Decrease this value if you want to lower the output At a setting of 0 there will be no output DIR UP DOWN Direction in which the filter will move in response to the SOURCE signal
194. owing effect parameters Delay sound DELAY FB GAIN HI RATIO Modulation signal FREQ DEPTH WAVE Tempo synchronization SYNC DLY NOTE MOD NOTE TEMPO Filter equalizer HPF LPF Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation DELAY 0 0 2725 0 ms Delay relative to the original sound Amount of feedback for the delay sound This indicates the ratio by which the level is reduced FB GAIN 99 99 when repeating the effect For example with a setting of 50 the level of the delay sound will decay to 50 2596 12 5 as it is repeated Negative values invert the phase of the feedback Amount of feedback for the high frequency portion of the delay sound This is specified as a pro HI RATIO 0 1 1 0 portion of FB GAIN If this value is 0 1 the feedback amount will be 1 10th of FB GAIN if this value is 1 0 the feedback amount will be the same as FB GAIN FREQ 0 05 40 00 Hz i of modulation Increasing this value will cause the delay sound to be modulated in a shorter DEPTH 0 100 Depth of modulation Increasing this value will make the modulation deeper Waveform of the modulation signal This will affect the character of the modulation WAVE Sine Tri A MM You can choose Sine sine wave or Tri triangle wave SPX2000 Owner s Manual 41 Fine parameters Parameter name Range MIX BAL 0 100 Explanation Balance between the original sound and
195. ple sources It makes the original sound richer by adding three delays whose volume and pitch are varying cyclically This effect uses amplitude modulation AM and pitch modulation PM Each aspect of the sound is controlled by the following effect parameters Modulation signal FREQ AM DEPTH PM DEPTH WAVE Effect sound MOD DLY Tempo synchronization SYNC NOTE TEMPO Filter equalizer LSH G LSH E EQ G EQ E EQ Q HSH G HSH F Output level OUT LVL MIX BAL Parameter details llBasic parameters Level Original sound MOD DLY Time Parameter name Range Explanation FREQ 0 05 40 00 Hz Speed of modulation AM PM Increasing this value will make the modulation repeat at a shorter interval AM DEPTH 0 100 Amplitude modulation AM depth Increasing this value will produce greater volume change PM DEPTH 0 100 Pitch modulation PM depth Increasing this value will produce greater pitch change MOD DLY 0 0 500 0 ms Delay of the effect sound relative to the original sound Waveform of the modulation signal This will affect the character of the modulation WAVE Sine Tri WAP You can choose Sine sine wave or Tri triangle wave llFine parameters Parameter name Range Explanation MIX BAL 0 100 Balance between the original sound and effect sound At a setting of 096 only the original sound will be output at a setting of 100
196. put level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound MO RAE will be output at a setting of 100 only the effect sound will be output OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 0 there will be no output Switches tempo synchronization on off If this is ON the speed of modulation will synchronize to SYNC ON OFF the tempo synchronization source specified by TEMPO SOURCE page 23 The NOTE FM value will be set to the synchronized tempo value NOTE FM a This parameter is used for tempo synchronization If SYNC is ON the FM FREQ value will be set according to this value and the TEMPO value This value is ignored if SYNC is OFF TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the FM FREQ value will be set according to this value and NOTE FM This value is ignored if SYNC is OFF REGE BS h J h J J d d Effect list The following tables show the default parameter values for the effect belonging to the Ring Modulation type PRESET bank llBasic parameters Source of the modulating signal If you select OSC an oscillator signal will modulate the ampli c SOURCE tude If you set this to
197. r the output At a setting of 0 there will be no output Balance between the original sound and effect sound At a setting of 0 only the original sound MIX BAL 100 y will be output at a setting of 100 only the effect sound will be output a At44 1 kHz or 88 2 kHz this will be 0 0 2970 5 ms At 48 kHz or 96 kHz this will be 0 0 2729 2 ms 78 SPX2000 Owner s Manual Effect list The following table shows the default parameter values for the effect belonging to the Freeze A type CLASSIC bank llBasic parameters NO Effect name REC TRG DLY INP TRG RECORD PLAY START END OUT LVL BAL 23 FREEZE AUTO 5 ms OFF 0 0 ms 100 100 a At 44 1 kHz or 88 2 kHz this will be 2970 5 ms At 48 kHz or 96 kHz this will be 2729 2 ms Freeze B CLASSIC bank This is a freeze effect based on earlier models of the SPX series You can specify the pitch of the playback The parameter structure is simpler than the corresponding effect of the PRESET bank Each aspect of the sound is controlled by the following effect parameters Recording REC MODE TRG DLY RECORD Playback PLAY Playback pitch PITCH FINE BASE KEY Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation REC MODE MANUAL AUTO Recording method Choose MANUAL manual or AUTO automatic TRG DLY 1000 1000 ms Delay
198. rmat STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0000nnnn 0 15 Device number Device No 1 FORMAT No 01111110 7E Universal bulk dump COUNT HIGH 00000000 00 data count ch 0x00 128 cl 0x72 114 COUNT LOW 10010 72 001100 01001101 M 00100000 20 wv 00100000 Sy 00111000 385 x8 01000100 44 D 00110001 SLE 00110001 3L DATA NAME 01000101 45 Ommmmmmm mh 0 220 Program 1 97 1 25 U1 99 256 EDIT BUFFER Ommmmmmm ml BLOCK INFO Ottttttt tt total block number minimum number is 0 Obbbbbbb bb current block number 0 total block number DATA 0ddddddd ds Effect Program data of block bb 0 0 de CHECK SUM 0eeeeeee ee ee Invert L de 41 amp 0x7F EOX 11110111 F7 End of exclusive The second and third byte of DATA NAME specify the program num ber 0 PRESET1 96 PRESET97 97 CLASSIC1 121 CLASSIC25 122 USER1 220 USER99 256 EDIT BUFFER For reception by the SPX2000 only USER 1 99 or EDIT BUFFER are valid 120 220 256 E 2 8 1 4 Effect Program Bulk Dump request Format The second and third byte of DATA NAME specify the program number Format STATUS 11110000 FO System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0010nnnn 2n 0 15 Device number Device No 1 FORMAT No 11110 7E Universal bulk dump 001100 L 01
199. roducing a tighter sound These effects can produce interesting results when applied to drums percussion or guitar The differences between the effects are summarized below Type Early Reflection Gate Reverb Reverse Gate Early Reflection Gate Reverb Reverse Gate No of INS OUTs Explanation PRESET Parameters can be controlled in detail 1IN 20UT Simpler operation fewer controllable parameters than the PRESET bank effects CLASSIC Early Reflection Gate Reverb Reverse Gate PRESET bank Early Reflection is the basic effect of this type and Gate Reverb is based on the popular effect of the same name Reverse Gate is also known as backwards reverb Each aspect of the sound is controlled by the following effect parameters Early reflections ROOMSIZE LIVENESS INI DLY DIFF DENSITY ER NUM FB GAIN HI RATIO Filter equalizer HPF LPF Level Original sound INI DLY Time Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation The pattern of early reflections this determines the basic character of the effect The characteristics TYPE ions wi of the early reflections will depend on the type you select here ROOMSIZE 0 1 20 0 Size of the reverberant space Increasing this value simulates a larger space You can use this to sim ulate the absorptiveness of the
200. roduct names appearing in this manual are the trademarks or registered trademarks of their respective owners SPX2000 Owner s Manual 5 Features of the SPX2000 High quality sound High quality is guaranteed by 96 kHz 24 bit digital processing Flexible support for a variety of situations and applications 122 different effects are provided as presets meeting the needs of a wide variety of situations and applica tions You can edit these preset effects to create your own unique sounds Control effects remotely You can use the SPX2000 Editor or MIDI messages to control effects remotely You can not only switch effects but also modify the effect parameters to make fine adjustments or make the effect vary in conjunc tion with your performance on a MIDI keyboard Refer to Controlling the SPX2000 from your computer below Manage effect data on your computer You can use the SPX2000 Editor to manage or back up your original effects and data For example you could create a separate library for each live performance or recording project and store effects for just that event Then you can simply swap the data USER bank for each occasion allowing you to use effects efficiently Hardware features Digital input output By connecting an AES EBU format compatible device you can input output audio in digital form Intuitive operation Operation is intuitive use the STORE button to store an effect the RECAL
201. rotate toward the left or right llFine parameters Parameter name Range Explanation MIX BAL 0 100 Balance between the original sound and effect sound At a setting of 096 only the original sound i will be output at a setting of 100 only the effect sound will be output Output level after the original sound and effect sound are mixed Decrease this value if you want to em OUT LVL 0 100 lower the output At a setting of 096 there will be no output LSHG 12 0 412 0 dB Gain of the low shelving filter This adjusts the volume of the low frequency region Positive settings will boost the low frequency region and negative settings will attenuate it LSH F 21 2 Hz 8 00 kHz Frequency of the low shelving filter The LSH G gain applies to the frequency region below this set ting EQG _42 0 12 0 dB Gain of the equalizer peaking type This adjusts the gain of the frequency region specified by EQ F Positive settings will boost the region and negative settings will attenuate it EQF 100 Hz 8 00 kHz Frequency of the equalizer peaking type The EQ G gain setting will affect the region around this frequency Q sharpness of the equalizer peaking type This indicates the sharpness of the equalizer fre EQQ 10 0 0 10 N gt quency response curve Higher values will produce a sharper curve Gain of the high shelving filter This adjusts the volume of the high frequency region Positive HSH G
202. rs 51918 LC fa 011 2 3 41 5 6 7 819 lt gt A BI CIDIEIFIGIH I JIKILIMNO PIQIRISTIUIVIWXIY Z 3 1 A 1_ albicidielfioglhililjilkllim nio risitlulviw x y z Protecting an effect You can switch the Protect setting on off for the recalled effect Only effects in the USER bank can be protected By turning Protect ON for important effects you can prevent them from being overwritten accidentally 1 2 Select the USER bank Use the BANK button 17 to select the USER bank Select an effect Select the effect whose Protect setting you want to change and recall it page 12 Select the USER PGM PROTECT function Press the UTILITY button 02 several times to select USER PROTECT Turn Protect on or off Use the INC W DEC buttons 42 to turn Pro tect on off If you turn the setting ON you will be unable to per form the following operations on that effect Store Edit the effect name Delete Change the background color If you turn the setting OFE protect will be defeated and you will again be able to perform Store operations etc SPX2000 Owner s Manual 17 ho Changing the display back ground color Here s how to change the background color for the recalled effect You can change the background color only for USER bank effects 1 Se
203. s OFF this value is ignored This parameter is used for tempo synchronization If SYNC is ON the various DELAY values will TEMPO 25 300 be set according to this value and the corresponding NOTE values If SYNC is OFF this value is ignored a E F h R h J3 h J J d d SPX2000 Owner s Manual 75 Composite Effect list llBasic parameters NO Effect name REV HI INI DLY DIFF DENSITY DELAY L DELAY R FB DLY FB GAIN DELAY HI gu DELAY REV 3 8s 0 7 75 2 ms 6 100 493 0 ms 507 0 ms 500 0 ms 40 0 2 45 DELAY REV 12s 0 4 25 0 ms 10 10096 500 0 ms 250 0 ms 500 0 ms 40 0 4 95 RESO DRONE 55 05 1 0 0 0 ms 7 100 2 0 0 0 ms 0 1 ms 78 0 7 Fine parameters NO Effect name MIX BAL OUT LVL HPF LPF DLY REV DLY BAL DELAY REV 100 100 Thru 3 15 kHz 40 DELAY gt REV 100 100 Thru 3 35 kHz 30 RESO DRONE 100 100 Thru Thru 0 Effect name SYNC NOTE L NOTER NOTEFB TEMPO 94 DELAY REV OFF 4 4 4 95 DELAY gt REV OFF 4 h d 95 RESO DRONE OFF 4 d 76 SPX2000 Owner s Manual Freeze These are sampling effects that let you record the input signal and play it back No of Type Bank INS OUTs Page Freeze PRESET Freeze A 11N 2 OUT CLASSIC Freeze B 79 Freeze PRESET bank This allows up to 2970 5 ms of recording sampling You can freeze the recorded dat
204. s for using You can use MIDI to remotely control the SPX2000 This chapter explains how to make preparations for using MIDI what you can do using MIDI and the MIDI data format MIDI In order to use the SPX2000 s MIDI functionality you must make the following preparations 1 Connect your MIDI device Connect your device using either of the following con nectors MIDI IN connector 89 and MIDI OUT THRU connector 09 TO HOST USB connector 8 If you are using the MIDI OUT THRU connec tor set it to MIDI OUT page 21 Select the MIDI port that you want to use Use the Utility setting MIDI PORT GENERAL to make this selection page 21 Select the MIDI channel that you want to use page 21 Enable MIDI message reception page 23 88 sPX2000 Owner s Manual What you can do using MIDI On the SPX2000 you can use MIDI to do the following six things Recall effects You can remotely select recall effects from a MIDI device connected to the MIDI IN connector 80 or TO HOST USB connector 8 In order to do this you must first create a MIDI pro gram change table on the SPX2000 For details refer to Editing the MIDI program change table page 22 MIDI messages used Control change Bank select Program change Control parameters You can control the SPX2000 s effect parameters from a MIDI device connected to the MIDI IN connector 80 or TO HOST USB connector The
205. sages 11 Notes OFF x x Active Sense X Reset X 1 receive if switch is on 2 transmit receive if exclusive switch is on Notes 3 Bulk Dump Request 4 Effect Control Depend On Program Parameter Change Request Mode 1 OMNI ON POLY Mode 3 OMNI OFF POLY Mode 2 OMNI ON MONO Mode 4 OMNI OFF MONO Yes X NO For details of products please contact your nearest Yamaha representative or the authorized distributor listed below Pour plus de d tails sur les produits veuillez vous adresser Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante NORTH AMERICA CANADA Yamaha Canada Music Ltd 135 Milner Avenue Scarborough Ontario MIS Canada Tel 416 298 1311 U S A Yamaha Corporation of America 6600 Orangethorpe Ave Buena Park Calif 90620 U S A Tel 714 522 9011 CENTRAL amp SOUTH AMERICA MEXICO Yamaha de M xico S A de C V Calz Javier Rojo G mez 1149 Col Guadalupe del Moral C P 09300 M xico D F M xico Tel 55 5804 0600 BRAZIL Yamaha Musical do Brasil Ltda Rua Joaquim Floriano 913 4 andar Itaim Bibi CEP 04534 013 Sao Paulo SP BRAZIL Tel 011 3704 1377 ARGENTINA Yamaha Music Latin America S A Sucursal de Argentina Olga Cossettini 1553 Piso 4 Norte Madero Este C1107CEK Buenos Aires Argentina Tel 011 4119 7000 PANAMA AND OTHER LATIN AMERICAN COUNTRIES CARIBBEAN COUNTRIES Yamaha
206. sound is controlled by the following effect parameters Modulation signal MOD FREQ DIR DEPTH Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation MOD FRQ 0 1 40 0 Hz Speed of modulation panning movement Increasing this value will make the panning move more quickly DIR L gt R Le R L lt gt R Direction of panning movement You can specify that the panning move back and forth between LR or from L to R and then jump back to L or vice versa DEPTH 0 100 Modulation depth Increasing this value will broaden the movement between and OUT LVL 0 100 Output level after the original sound and effect sound have been mixed Decrease this value if you want to lower the output At a setting of 0 there will be no output 2 MIX BAL 0 100 Balance between the original sound and effect sound At a setting of 0 only the original sound will be output at a setting of 100 only the effect sound will be output Effect list The following table shows the default parameter values for the effect belonging to the Pan type CLASSIC bank MOD NO Effect name FRQ 25 0 7 2 DIR DEPTH L gt R 75 100 100 OUT LVL MIX BAL Modulation Filter PRESET bank This effect cyclically moves the frequency band of a filter to modulate a specific frequency region Each aspect of the sound is controlled by t
207. specified here will be affected by LO RATIO 0 53 Shapes the envelope of the reverberation This changes the way in which the reverberation decays LO FREQ 22 0 Hz 18 0 kHz Effect list The following table shows the default parameter values for the effects belonging to the REV X type PRESET bank llBasic parameters Effect name REVTIME HLRATIO LO RATIO INI DLY DIFF ROOMSIZE REV X LARGE HALL 2 70 0 6 12 20 0 10 28 REV X MED HALL 2 018 0 6 12 15 0 ms 10 25 REV X SMALL HALL 1 405 0 6 1 2 9 0 ms 9 23 REV X TINY HALL 0 75 0 6 12 5 0 ms 7 22 REV X WARM HALL 2 70s 0 6 12 32 0 ms 10 28 REV X BRITE HALL 2 79 0 7 12 25 0 10 28 REV X HUGE HALL 6 98 s 0 9 14 0 1 ms 10 28 REV X VOCAL PLT 2 445 0 3 14 30 0 ms 10 18 REV X BRIGHT PLT 2448 0 5 1 0 30 0 10 18 REV X SNARE PLT 2 225 0 3 14 0 0 ms 10 18 REV X CHAMBER 1 04 s 0 6 0 9 0 0 ms 10 20 REV X WOOD ROOM 1 66 s 0 8 0 7 0 0 ms 10 24 REV X WARM ROOM 0 70 s 0 4 1 0 5 0 ms 9 19 REV X LARGE ROOM 1 668 0 8 0 9 0 0 ms 9 22 3 REV X MED ROOM 1 048 0 7 0 9 0 0 ms 9 20 32 REV X SMALL ROOM 0 68 s 0 7 0 8 0 0 ms 9 18 33 REV X SLAP ROOM 1 338 0 5 0 9 100 0 9 22 parameters 0 Effect name BAL OUT LVL HPF LPF LO FREQ DECAY REV X LARGE HALL 100 80 Thru 5 60 kHz 800 Hz 50 REV X MED HALL 100 90 Thru 5 00kHz 800 Hz 47 RE
208. st The following tables show the default parameter values for the effect belonging to the Delay L C R type PRESET bank llBasic parameters Effect name DELAYL DELAYC DELAYR FB DLY LEVELL LEVELC LEVELR FB GAIN HI RATIO 50 DELAY L C R 142 8 ms 428 5 ms 285 7 ms 142 8 ms 70 70 70 0 1 0 Fine parameters NO Effect name MIX BAL HPF LPF SYNC NOTE L NOTE C NOTE R NOTE FB TEMPO 50 DELAY L C R 100 Thru Thru OFF gt h Echo PRESET bank F O OUT L INL gt DELAY L FB G L LR FBG 4V MIX FB G R R gt L FBG lt BAL IN R B gt S DELAY R O OUT R These effects add two delays one each to the L and R channels This is similar to Stereo Delay page 40 but Echo mixes the L R channel delay sounds for feedback You can specify the amount of feedback sent from the L channel to the R channel and from the R channel to the L channel Each aspect of the sound is controlled by the following effect parameters Delay sound DELAY L DELAY R FB DLYL FB DLYR FB G L FB G R LR FBG RL FBG HI RATIO Tempo synchronization SYNC NOTE L NOTE R NOTE FBL NOTE FBR TEMPO Filter equalizer HPF LPF Output level OUT LVL MIX BAL HPF LPF Parameter details llBasic parameters Parameter name Range Explanation DELAY L 0 0 1350 0 ms Delay relative t
209. t be transmitted because the MIDI port GENERAL is turned OFF If you want to transmit MIDI messages set the MIDI PORT GENERAL setting page 21 to the port that you want to use for MIDI message transmission and reception U Program is Empty There is no effect to recall Please re select an effect to recall Sync Error The clock of the received digital input signal differs from the SPX2000 s operating clock For details refer to About word clock page 19 This BANK is Protected You selected the PRESET bank or CLASSIC bank as the effect store destination Since the PRESET bank and CLASSIC bank are read only you cannot change store to these effects or change the effect name protect setting or display background color Press any button to cancel the error message Then select a store destination from the USER bank This Program is Protected The effect store destination is protected Press any button to cancel the error message Then defeat the protect setting as desired For details refer to Protect ing an effect on page 17 USB Rx Buffer Full The USB reception buffer is full Press any button to cancel the error message Then try transmitting the MIDI data once again If the error occurs again try increasing the spacing between the MIDI data that is transmitted or take other measures to prevent a large amount of MIDI data from being transmitted at once WRONG WORD CLOCK
210. t reverberation Gated Controllable envelope Page REV X PRESET 21N 20UT Unified Yes 27 nifie Reverb CLASSIC 1 200 29 Stereo reverb 21N 20UT 30 PRESET VI Separate l No Reverb 31 1IN 2OUT Yes Reverb amp Gate CLASSIC Unified 33 REV X PRESET bank These are reverbs that use a new algorithm You can modify the enve lope of the reverberation Each aspect of the sound is controlled by the following effect parame ters Level Original sound Reverb Reverberation Reverberation REV TIME HI RATIO LO RATIO INI DLY DIFF LO FREQ DECAY Overall effect sound ROOMSIZE Filter equalizer HPF LPF IDE REV TIME Time Output level OUT LVL MIX BAL Parameter details llBasic parameters Parameter name Range Explanation REV TIME 0 10 46 92s Time over which the reverberation will decay and disappear HI RATIO 0 1 1 0 Length of the high frequency or low frequency reverberation These times are specified as a pro portion of the REV TIME If this value is set to 1 0 the length will be the same as REV TIME You can use these values to simulate the absorptiveness of the walls and ceiling HI RATIO indi cates the decay of the high frequency range and LO RATIO indicates the decay of the low fre quency range LO RATIO 0 1 1 4 INI DLY 0 0 125 0 ms Delay of the reflections relative to the original sound Density and left right diffusion of th
211. t you want to erase page 12 3 Select the U CLEAR function Press the UTILITY button 02 several times to select U CLEAR will be an effect number 4 Erase the effect Press the INC button 7 to erase the recalled effect When the effect has been erased the display will indicate Completed NOTES The effect will be erased when you press the INC button After the effect has been erased you can use the UNDO button 45 to recover the erased effect f the display indicates This Program is Protected the pro tect setting has been turned on for that effect Turn off the protect setting and then erase the effect page 17 Selecting the port for MIDI transmission reception The SPX2000 uses two ports to transmit and receive MIDI data One port MIDI PORT GENERAL is used to transmit and receive conventional MIDI data and the other port MIDI PORT EDITOR is used for communication between the SPX2000 and the SPX2000 Editor You cannot use the same setting for both ports A port you selected for one setting will not appear as a selection for the other set ting 1 Select either the MIDI PORT GENERAL func tion or the MIDI PORT EDITOR function Press the UTILITY button 62 several times to select either MIDI PORT GENERAL or MIDI PORT EDI TOR 2 Select the port you will use for MIDI transmis sion and reception Use the IN
212. tally fall over e This device has a built in backup battery When you unplug the power cord from Do not use the device in the vicinity of a TV radio stereo equipment mobile the AC outlet the internal data is retained However if the backup battery fully phone or other electric devices Otherwise the device TV or radio may discharges this data will be lost When the backup battery is running low the generate noise LCD indicates Low Battery In this case immediately save the data to a computer or other external device then have qualified Yamaha service personnel replace the backup battery XLR type connectors are wired as follows IEC60268 standard pin 1 ground pin 2 hot and pin 3 cold Yamaha cannot be held responsible for damage caused by improper use or modifications to the device or data that is lost or destroyed Always turn the power off when the device is not in use The performance of components with moving contacts such as switches volume controls and connectors deteriorates over time Consult qualified Yamaha service personnel about replacing defective components 5 1 2 SPX2000 Owner s Manual FCC INFORMATION U S A 1 IMPORTANT NOTICE DO NOT MODIFY THIS UNIT This product when installed as indicated in the instructions con tained in this manual meets FCC requirements Modifications not expressly approved by Yamaha may void your authority granted by the FCC to
213. tati nz re TREE OU Mi RE em acr he does 10 Editing an effect reote epe de ede ode e ee og oe e BP ec on 13 Other functions ener EUER LO RE E REM 17 Effects a bg epu 25 REV ELD ait pee ast ushu ia iqu E 27 Early Reflection G ue metae Shae tee EM mE wea ba ite 35 Delay Echo cres ste LED SA e 38 Modulation foe vee Gk tates pod pw RT eda SERE EAE 47 Change se oh eee tid ee te ohm p rece a ee nd ade ote 61 Composite effects irre e le EN NE S e ER 66 luy EPIS 77 Other effects uer EV RU NEUE RE RS ER Ee Da REIS 82 MIDI bb CU ECC pcs qs 88 Preparations for using 2 2 88 What you can do using 88 MIDE data form te pa Ret ede dcm dii Ce pe boca ied 89 MIDI Control Change Parameter Assignment 95 Error message list 42e ev RET HEISE Ur 97 Troubleshooting vxo kx ER ONES 98 Specificatloris cies esae RARIOR OPI esos ORAL A 99 Index tire yu ee cee ee ee 104 All illustrations in this owner s manual are for explanatory purposes they may differ from the actual specifications Company names and p
214. tch disconnect the electric plug from place it in a position where anyone could walk on trip over or roll anything over it the outlet and have the device inspected by qualified Yamaha service personnel e fthis device should be dropped or damaged immediately turn off the power Do not open switch disconnect the electric plug from the outlet and have the device Do not open the device or attempt to disassemble the internal parts or modify inspected by qualified Yamaha service personnel them in any way The device contains no user serviceable parts If it should appear to be malfunctioning discontinue use immediately and have it inspected by qualified Yamaha service personnel AN CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others or damage to the device or other property These precautions include but are not limited to the following Power supply Power cord e Remove the electric plug from the outlet when the device is not to be used for e Before connecting the device to other devices turn off the power for all devices extended periods of time or during electrical storms Before turning the power on or off for all devices set all volume levels to minimum e When removing the electric plug from the device or an outlet always hold the e Be sure to connect to a properly grounded power source A ground screw plug itself and not the cord Pulling by the cord can damag
215. te will begin opening when the level of the original sound exceeds this value and will remain open as long as the level remains above this value The attack time of the gate This is the time from when the gate begins to open until it is com pletely open Higher settings of this value will make the gate open more slowly i e the volume that ATTACK 0 120 ms ant passes through the gate will rise more slowly With a setting of 0 ms the gate will open completely the moment the original sound reaches the GATE LVL 44 1 kHz 0 02 ms 2 13 s HOLD a 48 kHz 0 02 ms 1 96s The minimum time that the gate remains open Even when the original sound falls below the 88 2 kHz 0 01 ms 1 06s GATELVL the gate will remain open for the time specified by this value 96 kHz 0 01 981 ms s js E mp The decay time of the gate This is the time from when the gate begins to close until it is completely DECAY z AS closed Higher settings of this value will make the gate close more slowly i e the volume that 5 5 5 y passes through the gate will decrease more slowly a The range of this parameter depends on the sampling frequency at which the SPX2000 is operating SPX2000 Owner s Manual 31 Reverb Effect list The following tables show the default parameter values for the effects belonging to the Reverb type PRESET bank llBasic parameters NO Effect name REV TIME HI RATIO LO RATIO INI DLY DIFF DENSITY AMBIEN
216. the attacks of the original signal Es je 5 Compressor release time original signal level is not resumed the instant the input signal falls CMPREL 88 2 ks 3 0 below CMP THRE the signal will gradually return to its original level over the duration of this 96 kHz 3 21 15 Value CEILING 6 0 0 0 dB OFF Upper limit of the output level Signals that exceed this value will be restricted to this value If you select OFF this restriction will be defeated EXPTHRE 54 0 24 0 dB Expander threshold level When the input signal falls below this level it will be compressed by the j EXP RATIO EXP RAT 1 1 1 Expander ratio When the input signal level falls below EXP THRE it will be compressed by this ratio 44 1 kHz 6 ms 46 0 s EXPREL a 48 kHz 5 ms 42 3 s Expander release time This is the time from when the input signal falls below EXP THRE until the i 88 2 kHz 3 ms 23 0 s maximum expander effect is reached 96 kHz 3 ms 21 1 s LIM THRE 12 0 0 0 dB Limiter threshold level When the input signal original sound exceeds this level it will be restricted to this value Limiter attack time This is the time from when the input signal exceeds LIM THRE until maxi LIM ATK 0 120 ms mum limiting is reached You can use this when you want to retain the attacks of the original signal 44 1 kHz 6 ms 46 0 s LIM REL 48 kHz 5 ms 42 3 s Limiter release time This is the time from when the input signa
217. the device number will be 1 Format STATUS 11110000 FO System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn n nz0 15 Device number Device No 1 GROUP ID 00011110 E MODEL ID signal processor MODEL ID 00001001 09 SPX2000 ADDRESS 00010001 1 Function call 00100010 24 Undo 00000000 00 00000000 00 DATA 00000000 00 00000000 00 EOX 11110111 F7 End of exclusive 2 8 2 12 Parameter change Function call Compare When the SPX2000 receives this message it will perform the same opera tion as if the COMPARE button had been pressed and will then use this message to transmit the state following the change At this time the device number will be the MIDI channel of the SPX2000 If the MIDI channel is OMNI the device number will be 1 Format STATUS 11110000 FO System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn n 0 15 Device number Device No 1 GROUP ID 00011110 E MODEL ID signal processor MODEL ID 00001001 09 SPX2000 ADDRESS 00010001 1 Function call 01000100 44 Compare 00000000 00 00000000 00 DATA 00000000 00 00000000 00 EOX 11110111 F7 End of exclusive B 2 8 2 13 Parameter change Function call Event Effect When the SPX2000 receives this message while a freeze type effect is recalled it will perform the same operation as if the RECORD parameter or PLAY parameter is selected and the W DEC button pressed The con tents o
218. ther been interrupted or is a frequency to which the SPX2000 cannot synchronize Check whether there might be a problem with the connection from the device supplying the word clock or an incorrect word clock setting If this occurs the word clock source will automatically switch to one of the 5 2000 internal clocks until an acceptable word clock is supplied from the external device You can choose one of the following six word clock sources e WORD CLOCK Clock data received from the WORD CLOCK IN jack 2 AES EBU Clock data received from the 5 EBU IN jack 64 44 1 2 Internal clock 44 1 kHz INT48kHz Internal clock 48 kHz INT88 2kHz Internal clock 88 2 kHz INT96kHz Internal clock 96 kHz NOTES The SPX2000 extracts the sampling frequency from the clock frequency This means that the word clock frequency the sampling frequency When 44 1 kHz INT 96 kHz is selected noise may occur or the output may be muted if the word clock and the input signal cannot be synchronized correctly About word clock Selecting the input source The signal used to synchronize digital audio signal Here s how to select either the signal from the INPUT processing is called word clock jacks 82 or the signal from the AES EBU IN jack 4 When two or more digital devices are connected in as the input source order to send and receive digital audi
219. this value is ignored TEMPO 25 300 This parameter is used for tempo synchronization If SYNC is ON the DELAY value will be set according to the DLY NOTE and TEMPO values and the FREQ value will be set according to the MOD NOTE and TEMPO values If SYNC is OFF this value is ignored a ARR P hO h3 BEd J d d lt ss b p h BS h js h J J d d s Effect list The following tables show the default parameter values for the effects belonging to the Modulation Delay type PRESET bank llBasic parameters Effect name 55 STEREO PHASING FB GAIN HI RATIO 58 SILKY SWEEP 0 2 ms 40 1 0 0 30 Hz 80 parameters Effect name BAL OUTLVL HPF LPF SYNC DLY NOTE MOD NOTE TEMPO STEREO PHASING 100 100 45 0Hz 9 00 kHz OFF da 58 SILKY SWEEP 100 100 125 Hz Thru OFF 4 42 SPX2000 Owner s Manual Delay L C R PRESET bank OUTL IN HPF PP LPF DELAY LEVEL BAL FB GAIN This effect adds delayed sounds to the Left Center and Right channels Each delay can be controlled independently Each aspect of the sound is controlled by the following effect parameters Delay sound DELAY L DELAY C DELAY R FB DLY FB GAIN HI RATIO Filter equalizer HPF LPF Tempo synchronization SYNC NOTE L NOTE C NOTE R NOT
220. tion ROTATE SPEED SLOW FAST DRIVE ACCEL Output level MIX BAL LOW HIGH Parameter details llBasic parameters Parameter name Range Explanation ROTATE START STOP Speaker rotation start stop control SPEED SLOW FAST Speaker rotation speed Select either SLOW or FAST SLOW 0 05 10 00 Hz Speaker rotation speed when SPEED is set to SLOW FAST 0 05 10 00 Hz Speaker rotation speed when SPEED is set to FAST DRIVE 0 100 Overdrive depth Raising this value will produce stronger distortion llFine parameters Parameter name Range Explanation Balance between the original sound and effect sound At a setting of 096 only the original sound MIX BAL 0 1005 will be output at a setting of 100 only the effect sound will be output Rate of acceleration when switching between rotation speeds SLOW FAST With higher settings the transition between speeds will occur more quickly Since an actual rotary speaker must acceler ACCEL 0 10 P a ate or decelerate an object the speaker that has a given amount of mass a certain length of time is required for the change to occur This parameter simulates this phenomenon LOW 0 100 Low frequency output level Raising this value will boost the low frequency range HIGH 0 100 High frequency output level Raising this value will boost the high frequency range Effect list The following tables show the default parameter values for th
221. u press the button If the effect SYNC parameter is on the LED will blink at the interval of the tempo value FOOT SW jack You can connect an optional foot switch such as the FC5 to this jack and the foot switch to input the tempo as an alternative to using the TAP button 04 page 23 06 POWER ON OFF button This button turns the power of the SPX2000 on off Rear panel 2 Grounding screw For safety use this screw to ground the SPX2000 The included power cable has a three prong plug if the electrical outlet you use is correctly grounded the SPX2000 will be appropriately grounded If the electri cal outlet is not grounded use this screw to ground the SPX2000 Correctly grounding the SPX2000 will effec tively reduce hum and interference AC IN jack Connect the power cable to this jack First connect the power cable to the SPX2000 and then connect the other end to the electrical outlet A Use only the supplied power cord 69 MIDI OUT THRU connector You can connect a MIDI device to this connector and use MIDI messages to send SPX2000 data to it You can bulk dump SPX2000 data via MIDI or re transmit MIDI data received at the MIDI IN connector 60 from this connector without change Use MIDI OUT SETUP page 21 to specify whether this connector functions as MIDI OUT or MIDI THRU MIDI IN connector You can connect a MIDI device to this connector and use mess
222. uY 44 Modulation Delay PRESET bank 41 Mono Delay PRESET bank 38 Stereo Delay PRESET bank 40 DIGITAL ee S E S u RE URS 19 Display UB RHENUS 7 E Early Reflection ERR RII RAUM 35 Early Reflection Gate Reverb Reverse Gate CLASSIC bank 37 Early Reflection Gate Reverb Reverse Gate PRESET bank 35 early reflections tee ERR Saa 27 Edit elfe CE ee RR Red 13 etfectiriamie NND 17 MIDI program change table sss 22 ua u u u au uuu Susa ua s 14 EDITOR ID u a ww ana 22 Effect ese rotes 12 Check the edited effect 16 Editing eee 2513 Editing the effect mame 2 eee 17 effect ee ad e ER ETIN AS Ao 16 Brasing 55e cie pie qe Qi 20 Recall RE RR RN VE NS 13 Select 12 13 Store EC 16 store destination 16 Undoing the previous operation see 16 effect name eei TOR RO Er es 17 Effect number indicator a 7 effect on off u S i a 12 Effects Guo tt RR 25 Enabling disabling Button operations or equivalent remote control 20 MIDI message reception see 23 F Features saca sui ai e PS ERE HERE AREE BARS eR 6 FINE PARAM button 8 14 FINE PARAM LED 8 14 Fine para
223. until it is com RELEASE 88 2 rib pletely closed Higher settings of this value will make the gate close more slowly i e the volume 96 kHz 3 14700 ms that passes through the gate will decrease more slowly Specifies whether MIDI messages will be used to trigger the gate If this is ON the gate will open MIDI TRG ON OFF when a Note on message with note number or higher is received In order to enable MIDI mes sage reception you must specify the MIDI port and MIDI channel For details refer to Prepara tions for using MIDI on page 88 Output level after the original sound and effect sound have been mixed Decrease this value if you OUT LVL 0 100 want to lower the output At a setting of 096 there will be no output Balance between the original sound and effect sound At a setting of 096 only the original sound MIX BAL 0 100 will be output at a setting of 100 only the effect sound will be output a The range of this parameter depends on the sampling frequency at which the SPX2000 is operating Effect list The following table shows the default parameter values for the effect belonging to the Reverb amp Gate type CLASSIC bank Effect name 18 REVERB GATE HI RATIO DELAY HPF LPF TRG LVL HOLD RELEASE MIDITRG 2 05 0 2 10 0 ms THRU 11 kHz 37 149 ms 6ms OFF OUT LVL MIX BAL 100 100 a The default value of this p
224. v Velocity 1 127 0 off 2 3 CONTROL CHANGE Bn When the SPX2000 receives this message it will operate in one of two ways The operation will depend on the content of the first two bytes of data If the data begins with a value of 01h 1Fh the parameter specified by the control change parameter list will be controlled If the data begins with a value of either 00h or 20h the program change table A B C will be switched Reception conditions This message is received if the following two conditions are satisfied 1 The MIDI RECEIVE setting page 23 is CTL CHANGE ON 2 The channel on which the MIDI message is transmitted matches the SPX2000 s MIDI channel or the SPX2000 s MIDI channel is set to OMNI Format If the data begins with 01h 1Fh STATUS 1011nnnn Bn Control change DATA 000nnnnn nn Control number 1 31 Ovvvvvvv vv Control Value 0 127 For details on control numbers refer to MIDI Control Change Parame ter Assignment Table page 95 89 SPX2000 Owner s Manual Equation for converting the control value into parameter data CurValue paramSteps paramMax paramMin curValue Control Value paramSteps 127 If the data begins with 00h or 20h STATUS 1011nnnn Bn Control change DATA 00000000 00 Bank Select MSB 00000000 00 Bank number MSB 0 fixed at 0 STATUS 1011nnnn Bn Control change DATA 00100000 20 Bank Select LSB 000000vv vv Bank number LSB 0 1 2 0 table A 1 t
225. you must set the input source setting to ANALOG page 19 INPUT 10 dBu 4 dBu switch Set this to either 10 dBu or 4 dBu according to the output level of the device connected to the INPUT jacks G2 SPX2000 Owner s Manual 9 Operation Basic operation This section provides a simple explanation of how to input signals to the SPX2000 apply effects and output the result The overall steps are as follows Make connections to external devices 4 Turn the power on Select the input signal Select an effect Y Recall the effect bd Switch the effect on off Make connections to external devices The connectors you use will depend on whether the input output signals are analog or digital Analog input Connect your device to the INPUT jacks G2 Digital input Connect your device to the AES EBU IN jack 64 Analog output Connect your device to the OUTPUT jacks 65 Digital output Connect your device to the AES EBU OUT jack 83 NOTE f you are inputting outputting analog signals you must set the INPUT 10 dBu 4 dBu switch 68 and the OUTPUT 10dBu 4dBu switch 68 appropriately for the signal level of the connected devices You must turn off the power of all devices before you make connections Related items Selecting the word clock source page 18 Using your computer to control the SPX2000 sse
226. zed tempo value This parameter is used for tempo synchronization If SYNC is ON the DELAY L value will be set NOTE R is according to the NOTE L and TEMPO values and the DELAY R value will be set according to the NOTE and TEMPO values If SYNC is OFF this value is ignored NOTE RAL This parameter is used for tempo synchronization If SYNC is ON the FB DLY value will be set NOTE FBR according to this value and the TEMPO value If SYNC is OFF this value is ignored NOTE FBL corresponds to FB DLY L and NOTE FBR corresponds to FB DLY This parameter is used for tempo synchronization If SYNC is ON the various DELAY values will TEMPO 25 300 be set according to this value and the corresponding NOTE values If SYNC is this value is ignored a R R3 RB DG k h J3 h J J d d s Effect list The following tables show the default parameter values for the effects belonging to the Echo type PRESET bank llBasic parameters NO Effect name DELAYL DELAYR FB DLYL FB DLYR FB GL FB GR L gt RFBG R gt L FBG HI RATIO 48 120 BPM X DDL 500 0 ms 1000 0 ms 500 0ms 1000 0 ms 096 30 0 75 1 0 57 KARAOKE ECHO 200 0ms 200 0ms 200 0ms 200 0 ms 46696 66 0 0 0 1 parameters NO Effect name MIX BAL OUTLVL HPF LPF 48 120 BPM X DDL Thru 57 KARAOKE ECHO 2 50 kHz NO Effect name NOTE FBL NOTEFBR TEMPO 48 120 BPM X DDL OFF 4

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